Founded in 2012 by Emily Chuang. Emily Publishing mainly publishes translated fiction, non-fiction and children's picture books and starts to represent selected books from Taiwan and Japan to all over the world since 2019.
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Foreign Rights Agency specialising in picture books, board books, novelty, activity, craft and children's/ YA fiction titles from UK and North American Children's Publishers and Literary Agencies.
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Poultry are the most widely used animal protein source in the world: billions of meat birds are produced globally each year, using 360 million tonnes of feed. Within Europe, over 30,000 companies involved in the production of poultry create an annual turnover of €107 billion. However, maintaining the sustainability of the industry as it moves towards antibiotic-free production is one of the key challenges. Starting with an overview of antibiotics as growth promoters and the challenges faced as the industry moves away from their use, this book then thoroughly considers the potential of pre and probiotic additives in poultry gut health. The book: - Includes thorough definitions of additives in the pre and probiotic space and examples of how they work; - Addresses how to test pre and probiotics and other similar additives, and how they interact with other products, with learning from both poultry and allied sectors; - Combines authors from both academic and industry backgrounds on all chapters, to ensure coverage is balanced, robust and commercially relevant. Based on the renowned World Poultry Science Association UK Branch Poultry Science Symposium 2022, this book provides a thorough and valuable contribution to the field for all involved with the nutrition and production of poultry.
Examining sustainable poultry production systems across Europe, this book contains a selected cross section of papers from the 2014 UK Poultry Science Symposium. It reviews essential topics such as resources and supply chains, the global poultry market, risk management, zoonoses and green issues. Providing a compilation of the most current research in the poultry science and production industry, this book is an important resource for both researchers and professionals.
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This practical research text provides an invaluable resource for all animal and veterinary scientists designing, analysing and interpreting results from nutrition and feed experiments in pigs and poultry. The emphasis throughout is on practical aspects of designing nutrition experiments. The book builds on the basics and proceeds to describe the limitations of experiment design involving different ingredients. It goes on to describe the characterization of experimental diets including ingredient selection, composition and the minimum proximate analysis required. The text details measurements and the tools available for understanding diverse data sets, data analysis and eventual publication of the research. This fully balanced and extensively referenced, yet practical, text is an invaluable resource to all animal, veterinary and biomedical scientists involved in the designing of nutrition experiments in pigs and poultry, and the publication of their research. ; This text describes the limitations of experiment design involving different ingredients, and the characterization of experimental diets including ingredient selection, composition and the minimum proximate analysis required. It details measurements and the tools available for understanding data sets, data analysis and publication of research. ; -: Foreword1: General Principles of Designing a Nutrition Experiment1.1: Introduction1.2: Nutrient Requirements Research1.2.1: Environment1.2.2: Cage versus pen and stocking density1.2.3: Feed and water form and quality1.2.4: Energy – amino acids, carbohydrates and fat1.2.5: Fibre1.2.6: Other nutrients1.2.7: Age1.2.8: Breed and sex1.2.9: Disease status1.3: Ingredient Nutrient Contents Research1.3.1: Cereals1.3.2: Oilseed meals1.3.3: Fats1.3.4: Vitamins and minerals1.3.5: Additives1.3.6: Digestibility studies1.4: Summary2: Most Common Designs and Understanding Their Limits2.1: Introduction2.2: What is the Goal of Simple Research Trials?2.3: Typical Interpretations of Response Data2.4: Choosing an Adequate (or the Best) Model to Use2.5: How Much of a Good Thing is Too Much?2.6: Variation in Bird Growth and Morphology2.7: The Choice of an Experimental Unit2.8: Experimental Power2.9: More Complex Designs for More Complex Questions2.10: Summary3: Practical Relevance of Test Diets3.1: Introduction3.2: Commercially Relevant Animal Performance3.2.1: Indices for measuring animal performance3.2.2: Presentation of animal performance results3.3: Feed Formulation3.3.1: Nutritional considerations for feed formulation3.3.2: Health considerations for feed formulation3.3.3: Processing considerations for feed formulation3.4: Summary4: Characterization of the Experimental Diets4.1: Introduction4.2: Designing Diets: the Semi-synthetic Conundrum?4.2.1: Sugars and starch4.2.2: Fibres4.2.3: Non-feed ingredients and phytate4.3: Designing Diets: Describing Test Ingredients and an Appropriate Basal Diet4.3.1: Trial design to compare one additive with a control4.3.2: Trial design to compare two different additive products4.4: Summary5: Measurements of Nutrients and Nutritive Value5.1: Introduction5.2: In Vitro Measurements5.2.1: Proximate analyses5.2.2: Fibre and carbohydrates in feed5.2.3: Summary5.3: Determining Nutritive Value of Ingredients5.3.1: In vivo experiments5.3.2: Determining the digestibility of speci?c nutrients5.3.3: Indirect measurements of digestibility5.3.4: Summary6: Designing, Conducting and Reporting Swine and Poultry Nutrition Research6.1: Introduction6.2: Planning the Experiment6.2.1: De?ning objectives6.2.2: Written protocol6.2.3: Review of facility capabilities6.2.4: Statistical plan6.2.5: Animal care standards and pig management6.2.6: Data integrity6.3: Interpreting Experimental Outcomes6.4: The Experiment Report6.4.1: Introduction6.4.2: Materials and methods6.4.3: Results6.4.4: Discussion6.4.5: Conclusions6.4.6: Literature cited6.5: Summary7: Extending the Value of the Literature: Data Requirements for Holo-analysis and Interpretation of the Outputs7.1: Introduction7.2: Holo-analysis – Minimum Requirements7.2.1: Considerations in use of data for holo-analysis7.2.2: What makes a good model?7.2.3: Model types7.2.4: Modelling considerations7.2.5: Outputs and interpretation8: Presentation and Publication of Your Data8.1: Publication Is Not the End of Your Research8.2: Scienti?c Style – a Myth Laid Bare8.3: Telling a Scienti?c Story8.4: Structuring the Scienti?c Story8.4.1: The Title8.4.2: The Introduction8.4.3: The Materials and Methods8.4.4: The Results8.4.5: The Discussion8.4.6: The Summary8.5: Scienti?c and Political Correctness8.6: Which Journal Is Best for My Article?8.7: Scienti?c Publication in the Future8.8: Will New Forms of Publication Change the Way We Write?
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This is the first major study of Britain's pioneering graphic satirist, Sir Francis Carruthers Gould (1844-1925), the first staff political cartoonist on a daily newspaper in Britain, and the first of his kind to be knighted. Written by the distinguished media historian, Colin Seymour-Ure, it is essential reading for anyone interested in cartoons, caricature and illustration and will also be welcomed by students of history, politics and the media. It examines Gould's career in Fleet Street until his retirement after the First World War. It also discusses his illustrations for magazines and books and there is an analysis of his use of symbolism and literary allusion to lampoon such eminent politicians as Gladstone and Joseph Chamberlain. As Lord Baker says in his Foreword, this book is 'a major contribution to our knowledge of British cartooning.'
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Amsterdam, 1705: Thea Brandt ist gerade achtzehn geworden und will endlich tun und lassen, was sie will. Sie liebt das Theater und nach den Vorstellungen besucht sie heimlich ihren Geliebten, Walter, den Kulissenmaler der Schouwburg. Doch als Tochter einer verarmten Kaufmannsfamilie, die nach und nach ihren Hausrat verkaufen muss, um sich über Wasser zu halten, wird von Thea erwartet, „eine gute Partie“ zu machen. Auf einem Ball stellt ihre Tante ihr Jacob van Loos vor, einen wohlhabenden Sohn aus gutem Hause. Eine Heirat mit ihm würde Thea nicht nur vor einem Leben in Armut bewahren, sondern ihr und ihrer Familie auch einen Platz in der feinen Gesellschaft sichern, der ihr bislang verwehrt war – Thea ist unehelich und hat auffallend dunkle Haut. Thea muss sich entscheiden: Rettet sie ihre Familie – oder folgt sie ihrem Herzen? In ihrem fulminanten neuen Roman führt Jessie Burton uns durchs Goldene Zeitalter Amsterdams und erzählt von einer leidenschaftlichen jungen Frau, die ihren Weg selbst bestimmen will.
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Amsterdam, 1705: Thea Brandt ist gerade achtzehn geworden und will endlich tun und lassen, was sie will. Sie liebt das Theater und nach den Vorstellungen besucht sie heimlich ihren Geliebten, Walter, den Kulissenmaler der Schouwburg. Doch als Tochter einer verarmten Kaufmannsfamilie, die nach und nach ihren Hausrat verkaufen muss, um sich über Wasser zu halten, wird von Thea erwartet, „eine gute Partie“ zu machen. Auf einem Ball stellt ihre Tante ihr Jacob van Loos vor, einen wohlhabenden Sohn aus gutem Hause. Eine Heirat mit ihm würde Thea nicht nur vor einem Leben in Armut bewahren, sondern ihr und ihrer Familie auch einen Platz in der feinen Gesellschaft sichern, der ihr bislang verwehrt war – Thea ist unehelich und hat auffallend dunkle Haut. Thea muss sich entscheiden: Rettet sie ihre Familie – oder folgt sie ihrem Herzen? In ihrem fulminanten neuen Roman führt Jessie Burton uns durchs Goldene Zeitalter Amsterdams und erzählt von einer leidenschaftlichen jungen Frau, die ihren Weg selbst bestimmen will.
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This book provides a powerful diagnosis of why the global governance of science struggles in the face of emerging powers. Through unpacking critical events in China and India over the past twenty years, it demonstrates that the 'subversiveness' assumed in the two countries' rise in the life sciences reflects many of the regulatory challenges that are shared worldwide. It points to a decolonial imperative for science governance to be responsive and effective in a cosmopolitan world. By highlighting epistemic injustice within contemporary science, the book extends theories of decolonisation.
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Ireland, slavery and the Caribbean is a complex and ground-breaking collection of essays. Grounded in history, it integrates perspectives from art historians, architectural and landscape historians, and literary scholars to produce a genuinely interdisciplinary collection that spans from 1620-1830: the high point of European colonialism. By exploring imperial, national and familial relationships from their building blocks of plantation, migration, property and trade, it finds new ways to re-create and question how slavery made the Atlantic world.
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Friedrich Nietzsche wurde am 15. Oktober 1844 in Röcken bei Lützen als Sohn eines Pastors geboren. Er studierte in Bonn und Leipzig zunächst Sprachwissenschaften und evangelische Theologie, seinen Abschluß machte er jedoch nur in klassischer Philologie. 1868 lernte er Richard Wagner kennen, der sein Denken neben Schopenhauer stark beeinflußte. Einige Jahre später zerbrach die Freundschaft über Nietzsches Geringschätzung der Bayreuther Festspiele. 1869 wurde er auf eine Professur für Altphilologie nach Basel berufen, die er aus gesundheitlichen Gründen zehn Jahre später wieder aufgab. Fortan lebte er von seiner Pension und finanzierte davon viele Reisen, u.a. in die Schweiz und nach Italien, auf denen seine wichtigsten philosophischen Werke entstanden. In seinen Hauptwerken sagte Nietzsche den Tod Gottes voraus, beschrieb den Übermenschen, trat für die Umwertung aller Werte ein und prägte somit den Nihilismus. Zu seinen bekanntesten Werken zählen Also sprach Zarathustra (1883) und Ecce Homo (1908). In den 1880er Jahren nahmen seine körperlichen und seelischen Leiden zu und gipfelten 1889 in einem Zusammenbruch, von dem er sich nicht mehr erholte. Bis zu seinem Tod am 25. August 1900 in Weimar wurde er von seiner Mutter und seiner Schwester gepflegt. Dieter Borchmeyer, geboren 1941, ist Professor emeritus an der Universität Heidelberg, war Präsident der Bayerischen Akademie der Schönen Künste und lehrt im Rahmen der Stiftungsdozentur »Heidelberger Vorträge zur Kulturtheorie« weiterhin an der Universität Heidelberg. Borchmeyers Arbeitsfeld ist vor allem die deutsche Literatur vom 18. bis 20. Jahrhundert und das Musiktheater mit Monographien zu Goethe, Schiller, Mozart, Wagner und Nietzsche. Zuletzt erschien von ihm Was ist deutsch? (2017). Dieter Borchmeyer, geboren 1941, ist Professor emeritus an der Universität Heidelberg, war Präsident der Bayerischen Akademie der Schönen Künste und lehrt im Rahmen der Stiftungsdozentur »Heidelberger Vorträge zur Kulturtheorie« weiterhin an der Universität Heidelberg. Borchmeyers Arbeitsfeld ist vor allem die deutsche Literatur vom 18. bis 20. Jahrhundert und das Musiktheater mit Monographien zu Goethe, Schiller, Mozart, Wagner und Nietzsche. Zuletzt erschien von ihm Was ist deutsch? (2017).
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Lucy and Mum's Shoes (written by Emily Child and illustrated by Warwick Kay) is the story a girl who hears the world a little differently. She is fascinated by the sounds around her, especially the sound of shoes. She dreams of a life where she is surrounded by high-heels. She dreams of being grown-up. Feeling brave one morning, Lucy sneaks into her mother’s cupboard and tries on her favourite pair of stilettos. An unusual and dreamlike day of high-heeled hope, happiness and hindrance follows, leaving Lucy a little less certain that she wants to feel grown-up after all… Lucy invites children (and adults) to be a part of her unique and quirky soundscape. Infused with a surreal eccentricity, this story uncovers what it means to “love the shoes you’re in”.
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Dennis Kelly's award-winning plays have been translated into over thirty languages and produced on six continents. His endlessly inventive vision has produced a diverse body of work for a variety of audiences across a range of forms, genres, and media, from the Olivier and Tony Award-winning Matilda the Musical (2010), to the Channel Four cult-classic series Utopia. His 2008 play DNA, written for National Theatre Connections, is a set text on the AQA GCSE English Literature syllabus. This collection of essays written by leading scholars, teachers, and practitioners of theatre provides the first multi-authored study of Kelly's critically acclaimed oeuvre. Featuring an original interview with Kelly himself, this volume captures the full range and scope of his writing for stage and screen, from the quirky fringe debut Debris (2003) to the globally-distributed film adaptation of Matilda the Musical (2022).
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A new children's picture book by author Emily House (of Earth Takes a Break) brings us the heartwarming tale of Bonbon and Blanket and the lengths we'll go to hold onto those we love. A great pick for a kids' bedtime storybook! Bonbon and Blanket’s friendship is full of fun and adventure, but the pair very soon discover that not every adventure is of their own choosing!
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From children's book author Emily House comes a wonderful story that re-connects us with our planet. A modern fable inspired by recent events, Earth Takes a Break is a touching picture book jam-packed with fun illustrations and woven together with a message of hope. When Earth feels unwell, she goes to the doctor to ask for help. What the doctor prescribes seems impossible to Earth, until she wakes the next day to find a surprising change!
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Richard Haass and Mitchell Reiss, as autonomous diplomats in the George W. Bush State Department, were able to alter US intervention in Northern Ireland and play critical roles in the post-1998 peace process. Their contributions have not been fully appreciated or understood. The restoration of Northern Ireland's power-sharing government in 2007 was made possible by State Department-led intervention in the peace process. There are few references to Northern Ireland in work examining the foreign policy legacy of the George W. Bush presidency. Moreover, the ability to control US foreign policy towards the region brought one of George W. Bush's Northern Ireland special envoys into direct diplomatic conflict with the most senior actors inside the British government. This book will uncover the extent of this fall-out and provide original accounts on how diplomatic relations between these old allies became so fraught.
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Noam Chomskys Buch »Reflexionen über die Sprache« (= stw 185) stellt eine Zusammenfassung der sprachphilosophischen Kontroverse zwischen Empirismus und Rationalismus und zwischen Semantik und Pragmatik dar. Es präsentiert aber auch einen neuen Entwicklungsstand in der Kontroverse darum, ob die Syntax unabhängig von der Semantik operieren kann. Chomsky führt in diesem Buch die bereits 1973 in den »Conditions of Transformation« entwickelte Spurentheorie ein und motiviert diese sowohl aus empirischen Gründen der Sprachbeschreibung als auch mit kognitiven Argumenten sowie mit Beobachtungen aus dem Prozeß des Spracherwerbs. Diese Theorie stellt eine starke Revision der bekannten Annahmen Chomskys dar. In den »Reflexionen über die Sprache« liefert Chomsky sozusagen »nur« den konzeptuellen Rahmen der neuen Spurentheorie. Helen Leuningers Arbeit diskutiert nun die methodologischen und empirischen Fragen, die sich aus dieser neuen Theorie ergeben, und stellt sie in den forschungs- und wissenschaftsgeschichtlichen Zusammenhang, aus dem sie entstanden sind.
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Writing power radically rethinks the place of the canon and canonicity as objects and concepts in contemporary academia and the everyday intellectual practices of academics. It is distinctive in its demonstration of how academics' engagements with canons shape their writing practices but also how scholars' writing practices, spaces, proclivities, and desires shape the canon and changing ideas of value in canonicity. The book thinks through frequently discussed problems of legitimacy and knowledge production from fresh perspectives of lived experience and the everyday to offer new insights into the politics of knowledge in contemporary social sciences.
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'Edward IV' (1599) was printed no less than six times up to 1626, and was one of the best loved plays of the early modern period, but this edition is the first since the 1870s. The play premiered at a moment when the representation of medieval history in any format was coming under the hostile scrutiny of the Elizabethan government. Yet the playwright produced a text which was at once generically complex (the play blurs the distinction between chronicle history and 'domestic' tragedy), brilliantly assured in its dramatic craftsmanship, and politically explosive. The text of this new paperback edition has already been used by the actors at Shakespeare's Globe when they gave the first London performance of 'Edward IV' for more than four centuries. By demonstrating the playwright's dextrous marshalling of a remarkable range of sources, and by examining afresh the dramatist's singular theatrical technique, this volume reopens an exciting if difficult play to a new generation of scholars and performers. ;
