Maverick Publishing
An Independent UK publisher with over 300 titles, which include: picture books, early readers, chapter readers, graphic reluctant readers, junior fiction and middle grade.
View Rights PortalAn Independent UK publisher with over 300 titles, which include: picture books, early readers, chapter readers, graphic reluctant readers, junior fiction and middle grade.
View Rights PortalFounded in 1972, Gallimard Jeunesse now boasts a list of more than 4,000 titlesin both fiction and non-fiction, for young readers of all ages and reading levels,from the very first books for babies to great literary classics and bestsellingcontemporary titles. Over the years, our output has been a major stimulus for the children’s book industry in France, with readers, parents, booksellers, librarians and teachers trusting us to provide books of the highest quality in both print and digital format. Our list has a worldwide reputation for excellence and creativity.
View Rights Portal“Spring” is the second of the four-season series Charming Stories about the adventures of Alice and her charming friends Fairy La La and Martha the Cat, this time with Droplet, Ray, and Tomtit. Is the Flowers and Colors Party really happening? And what about a prophecy that our protagonists will hear in Fairyland magical history classes? Will Alice manage to have a present ready for her mum? The readers of these stories will find out about these, and many more amazing adventures, by immersing themselves in a world of fantasy and kind magic. From 3 to 8 years, 7502 words Rightsholders: author@zoilin.com
"Winter” is the first of the four-season series Charming Stories about the adventures of Alice and her charming friends Fairy La La and Martha the Cat, this time with Snowflake and Snowy. Like a golden thread, faith in the fulfilment of desires, the power of team spirit, and the value of friends’ support run through these light and kind stories. The author Zoi Linska, with the illustrator Lena Lion, invite you to a journey into their world of fantasy and kind magic. From 3 to 8 years, 8568 words Rightsholders: author@zoilin.com
5+ This magically crafted story is here to remind us all that home is where our heart is. The Button had a home and lived a simple, happy life surrounded by the music of his native language and the voices of those he loved, the warm cosiness of the house, and many other details that made his life complete. Until one day he got lost. He travelled from someone’s pocket into a beautiful treasure box, and met a lot of people, and buttons, along his way. All the time during his sentimental journey, he only had but one wish — to be back home. One day, a little girl found him in the vintage shop and asked her mom to take him. This was the moment when the Button had found friends. And cried a happy tear for he had finally realized he was where he had to be and became the symbol of home for those who desperately needed it.The story of a little and brave Button will tug at the heartstrings of those who once had to abandon home for various reasons, and unexpectedly found home within themselves. Selling points: □ The story teaches empathy and compassion, trust and resilience, it also shows that no matter where we go and what happens to us in life, there will always be good people along the way. □ In any language, the book will still have the same core values: the feeling of home and safety, the treasures that are hidden in one’s heart, the healing memories that never fade with time, the music of one’s native language, and the road that unfolds to teach us who we truly are. □ The book evokes questions and promts the answers gently inspiring young readers to discover the magic of a simple story and the unexpctedness of life. □ This story is perfect for familiy readings where children and parents sit together in a safe and comfortable circle.
Songs of Protest, Songs of Love shows how songs can bring back voices from the past in a new way. The focus of the book is on rural Britain in a time of crisis. As the traditional rights of peasants were being jettisoned to enforce a new system of enclosure, rural labourers chanted out their concerns in songs of protest. These songs became increasingly strident and popular after the 1770s as rural life became even more precarious with fluctuating grain prices and uncertain employment opportunities. Many ballads in the eighteenth century were love songs. But these are also rich in social meaning. Many of these love songs celebrated the free and easy sexuality of rural workers, especially milkmaids and ploughmen, which was contrasted with the tepid and flaccid sex life attributed to urban aristocrats. The book will be of interest to scholars, advanced students and readers with an interest in cultural history and popular ballads. ;
Home front heroism investigates how civilians were recognised and celebrated as heroic during the Second World War. Through a focus on London, this book explores how heroism was manufactured as civilians adopted roles in production, protection and defence, through the use of uniforms and medals, and through the way that civilians were injured and killed. This book makes a novel contribution to the study of heroism by exploring the spatial, material, corporeal and ritualistic dimensions of heroic representations. By tracing the different ways that Home Front heroism was cultivated on a national, local and personal level, this study promotes new ways of thinking about the meaning and value of heroism during periods of conflict. It will appeal to anyone interested in the social and cultural history of Second World War as well as the sociology and psychology of heroism.
The Golden Book of Home Cooking is a beautifully printed cookbook with over 400 different approachable Chinese food recipes. The book collects recipes from the 10-year accumulation of seven food bloggers with more than 10 million followers, including Yuan Zhuzhu, Mi Tang, Xie Wanyun, Meng Xiangjian, Die Er, Liang Fengling and Cook Chen. Accompanied with audios of 419 recipes, videos of 84 recipes, and nearly 100 health tips, the book offers the first "visible and audible" grand feast to household chefs through a combination of media, allowing them to enjoy the benefits of technology and cook with love and passion.
This book examines and demonstrates some part of The Books of Songs, and presents the author's personal perspective in a clear way. It is divided into 10 chapters: Chapter 1 Research on the movement Da Wu composed in the Western Zhou Dynasty and its evolution Chapter 2 Study on The Song of Zhou and the corresponding rituals Chapter 3 Ode to the Success of King of the Age—— A Study of the Theme of the Three Ode in The Book of Songs Chapter 4 Discussion on characteristics of the times reflecting from The Song of Zhou ......
Making home explores the figure of the orphan child in a broad selection of contemporary US novels by popular and critically acclaimed authors Barbara Kingsolver, Linda Hogan, Leslie Marmon Silko, Marilynne Robinson, Michael Cunningham, Jonathan Safran Foer, John Irving, Kaye Gibbons, Octavia Butler, Jewelle Gomez and Toni Morrison. The orphan child is a continuous presence in US literature, not only in children's books and nineteenth-century texts, but also in a variety of genres of contemporary fiction for adults. Making home examines the meanings of this figure in the contexts of American literary history, social history and ideologies of family, race and nation. It argues that contemporary orphan characters function as links to literary history and national mythologies, even as they may also serve to critique the limits of literary history, as well as the limits of familial and national belonging.
Making home explores the figure of the orphan child in a broad selection of contemporary US novels by popular and critically acclaimed authors Barbara Kingsolver, Linda Hogan, Leslie Marmon Silko, Marilynne Robinson, Michael Cunningham, Jonathan Safran Foer, John Irving, Kaye Gibbons, Octavia Butler, Jewelle Gomez and Toni Morrison. The orphan child is a continuous presence in US literature, not only in children's books and nineteenth-century texts, but also in a variety of genres of contemporary fiction for adults. Making home examines the meanings of this figure in the contexts of American literary history, social history and ideologies of family, race and nation. It argues that contemporary orphan characters function as links to literary history and national mythologies, even as they may also serve to critique the limits of literary history, as well as the limits of familial and national belonging.
Making home explores the figure of the orphan child in a broad selection of contemporary US novels by popular and critically acclaimed authors Barbara Kingsolver, Linda Hogan, Leslie Marmon Silko, Marilynne Robinson, Michael Cunningham, Jonathan Safran Foer, John Irving, Kaye Gibbons, Octavia Butler, Jewelle Gomez and Toni Morrison. The orphan child is a continuous presence in US literature, not only in children's books and nineteenth-century texts, but also in a variety of genres of contemporary fiction for adults. Making home examines the meanings of this figure in the contexts of American literary history, social history and ideologies of family, race and nation. It argues that contemporary orphan characters function as links to literary history and national mythologies, even as they may also serve to critique the limits of literary history, as well as the limits of familial and national belonging.
Scale insects feed on plant juices and can easily be transported to new countries on live plants. They sometimes become invasive pests, costing billions of dollars in damage to crops worldwide annually, and farmers try to control them with toxic pesticides, risking environmental damage. Fortunately, scale insects are highly susceptible to control by natural enemies so biological control is possible. They have unique genetic systems, unusual metamorphosis, a broad spectrum of essential symbionts, and some are sources of commercial products like red dyes, shellac and wax. There is, therefore, wide interest in these unusual, destructive, beneficial, and abundant insects. The Encyclopedia of Scale Insect Pests is the most comprehensive work on worldwide scale insect pests, providing detailed coverage of the most important species (230 species in 26 families, 36% of the species known). Advice is provided on collection, preservation, slide-mounting, vouchering, and labelling of specimens, fully illustrated with colour photographs, diagrams and drawings. Pest species are presented in two informal groups of families, the 'primitive' Archaeococcids followed by the more 'advanced' Neococcids, covered in phylogenetic order. Each family is illustrated and diagnosed based on features of live and slide-mounted specimens, with information on numbers of genera and species, main hosts, distribution, and biology. For the important pest species, coverage includes information on the morphology of live and slide-mounted specimens, common names, principal synonyms, geographical distribution, plant hosts, plant damage and economic impact, reproductive biology, dispersal, and management strategies including biological, cultural and chemical control, sterile insect techniques, regulatory control, early warning systems and field monitoring. An additional complete list of scale insect pests worldwide is provided, comprising 642 species in 28 scale insect families (about 8% of the 8396 species of living scales known), with information on plant hosts, geographical distribution and validation sources. Beneficial uses of scale insects as sources of red dyes, natural resins and waxes, as agents for invasive weed control. The importance of their honeydew to bees for making honey, and as a food source to other animals, are included. Academic researchers, students, entomologists, pest management officials in agribusiness or government including plant quarantine identifiers, extensionists, farmers, field scientists and ecologists will all benefit from this book.
Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in inexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval Film will be of interest to medievalists working in disciplines including literature, history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.
Medieval film explores theoretical questions about the ideological, artistic, emotional and financial investments inhering in cinematic renditions of the medieval period. What does it mean to create and watch a 'medieval film'? What is a medieval film and why are they successful? This is the first work that attempts to answer these questions, drawing, for instance, on film theory, postcolonial theory, cultural studies and the growing body of work on medievalism. Contributors investigate British, German, Italian, Australian, French, Swedish and American film, exploring topics such translation, temporality, film noir, framing and period film - and find the medieval lurking in unexpected corners. In addition it provides in-depth studies of individual films from different countries including The Birth of a Nation to Nosferatu, and Robin Hood: Prince of Thieves. Medieval film will be of interest to medievalists working in disciplines including literature, history, art history, to scholars working on film and in cultural studies. It will also be of interest to undergraduates, postgraduates and to an informed enthusiast in film or/and medieval culture.