Your Search Results

      • MidnightSun Publishing

        MidnightSun Publishing has grown out of a disenchantment with the established publishing houses in Australia. We know there are plenty of fabulous manuscripts about unusual topics floating around, but publishing new and unknown writers poses a big risk. MidnightSun is prepared to take that risk.   We want our readers to be entertained. We want to challenge, excite, enrage and overwhelm. Therefore, we publish books in any genre that have touched us in some way. Because we are a new publishing company, striving to become established, we expect our writers to be enthusiastic about their own work and able to promote it in the wider community.

        View Rights Portal
      • Cherche Midi Editeur / Belfond

        Hello I am in charge of foreign rights at Le Cherche midi éditeur and Belfond. Le Cherche midi is a mainstream publisher presenting literature, women's fiction, thrillers, self help, documents... with always accurate topics.  Belfond is a historical fiction publisher which has two series: Literary fiction (Belfond Pointillés) and Commercial Fiction (novels and thrillers).  I would be pleased to introduce our Fall rights list with you. :)

        View Rights Portal
      • Trusted Partner
      • Trusted Partner
        Literature & Literary Studies
        October 2023

        The penny politics of Victorian popular fiction

        by Rob Breton

        Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.

      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
        Teaching, Language & Reference
        October 2023

        Crafting crime fiction

        by Henry Sutton

      • Trusted Partner
        Humanities & Social Sciences
        June 2010

        The Material Renaissance

        None

        by Michelle O'Malley, Christopher Breward, Evelyn Welch, Bill Sherman

        Despite the recent interests of economic and art historians in the workings of the market, we still know remarkably little about the everyday context for the exchange of objects and the meaning of demand in the lives of individuals in the Renaissance. Nor do we have much sense of the relationship between the creation and purchase of works of art and the production, buying and selling of other types of objects in Italy in the period. The material Renaissance addresses these issues of economic and social life. It develops the analysis of demand, supply and exchange first proposed by Richard Goldthwaite in his ground-breaking Wealth and the demand for art in Renaissance Italy, and expands our understanding of the particularities of exchange in this consumer-led period. Considering food, clothing and every-day furnishings, as well as books, goldsmiths' work, altarpieces and other luxury goods, the book draws on contemporary archival material to explore pricing, to investigate production from the point of view of demand, and to look at networks of exchange that relied not only on money but also on credit, payment in kind and gift giving. The material Renaissance establishes the dynamic social character of exchange. It demonstrates that the cost of goods, including the price of the most basic items, was largely contingent upon on the relationship between buyer and seller, shows that communities actively sought new goods and novel means of production long before Colbert encouraged such industrial enterprise in France and reveals the wide ownership of objects, even among the economically disadvantaged. ;

      • Trusted Partner
        Industrial / commercial art & design
        April 2017

        History through material culture

        by Series edited by Simon Trafford, Leonie Hannan, Sarah Longair

        History through material culture is a unique, step-by-step guide for students and researchers who wish to use objects as historical sources. Responding to the significant, scholarly interest in historical material culture studies, this book makes clear how students and researchers ready to use these rich material sources can make important, valuable and original contributions to history. Written by two experienced museum practitioners and historians, the book recognises the theoretical and practical challenges of this approach and offers clear advice on methods to get the best out of material culture research. With a focus on the early modern and modern periods, this volume draws on examples from across the world and demonstrates how to use material culture to answer a range of enquiries, including social, economic, gender, cultural and global history.

      • Trusted Partner
        History of art & design styles: c 1600 to c 1800
        October 2014

        Material goods, moving hands

        Perceiving production in England, 1700–1830

        by Kate Smith

        In eighteenth-century Britain, greater numbers of people entered the marketplace and bought objects in ever-greater quantities. As consumers rather than producers, how did their understandings of manufacturing processes and the material world change? Material goods and moving hands combines material culture and visual culture approaches to explore the different ways in which manufacturers and retailers presented production to consumers during the eighteenth century. It shows how new relationships with production processes encouraged consumers, retailers, designers, manufacturers and workers to develop conflicting understandings of production. Objects then were not just markers of fashion and taste, they acted as important conduits through which people living in Georgian Britain could examine and discuss their material world and the processes and knowledge that rendered it.

      • Trusted Partner
      • Trusted Partner
      • Trusted Partner
        Literature & Literary Studies
        October 2012

        Narration in nineteenth-century French short fiction

        Prosper Mérimée to Marcel Schwob

        by Peter Cogman

        The short fiction that flourished in nineteenth-century France has attracted relatively little critical attention compared with the novel. This study focuses on some key stories by major authors of contes and nouvelles from the late 1820s to the 1890s, taking as a starting-point, aspects of narrative technique as a way of exploring not just characteristic strategies of short fiction, but also the ends to which they were put: recurrent themes, and the vision of mankind. Each chapter looks in some detail at three or four stories, referring briefly to other tales for illustration. The underlying point that emerges from this study is that the interest of a tale lies in the telling, not the events. ;

      • Trusted Partner
        Literature & Literary Studies
        June 2023

        The politics of male friendship in contemporary American fiction

        by Michael Kalisch

        How might our friendships shape our politics? This book examines how contemporary American fiction has rediscovered the concept of civic friendship and revived a long tradition of imagining male friendship as interlinked with the promises and paradoxes of democracy in the United States. Bringing into dialogue the work of a wide range of authors - including Philip Roth, Paul Auster, Michael Chabon, Jonathan Lethem, Dinaw Mengestu, and Teju Cole - this innovative study advances a compelling new account of the political and intellectual fabric of the American novel today.

      • Trusted Partner
        July 1995

        Der Glasmensch und andere Science-fiction-Geschichten

        by Marcus Hammerschmitt, Franz Rottensteiner, Marcus Hammerschmitt

        Marcus Hammerschmitt schreibt Science-fiction-Erzählungen, die technologische Phantasie, psychologische Einsicht, Lust am gedanklichen Experiment und poetische Erfindungskraft vereinen. Wie Herbert W. Franke oder Peter Schattschneider basiert er seine Geschichten auf einer soliden Grundlage, entwickelt seine Szenarios und Fabeln spielerisch, verknüpft sie aber dramatisch mit den größeren Problemen von Ökologie einerseits und den Zweifeln und inneren Konflikten des einzelnen andererseits.

      • Trusted Partner
        August 1987

        Science-fiction: ein hoffnungsloser Fall mit Ausnahmen

        Essays. Band 3

        by Stanisław Lem, Erik Simon

        Dieser Abschlussband von Lems Essays enthält nur Arbeiten, die in der Insel-Ausgabe der Essays (1981) nicht enthalten waren. Stärker als die früheren Bände ist dieser persönlich bestimmt. Einmal handelt es sich um Essays, die autobiografisch sind oder sich auf das eigene Werk beziehen. Zum anderen gibt es Vorworte zu Rezensionen von Büchern und Autoren, die Lem menschlich besonders nahestehen: Szymon Kobyliński, Władysław Bartoszewski und Jan Józef Szczepański. Neben Rezensionen, die Lem deutsche RIAS Berlin schrieb, vornehmlich über populärwissenschaftliche und pseudowissenschaftliche Bücher, aus denen Lems rationalistische Denkhaltung offenbar wird, und spekulativen Aufsätzen enthält dieser Band auch einige von Lems scharfsinnigsten Kritiken zu Autoren, denen er sich geistesverwandt fühlt oder die ihm widerstreben: Dick, Borges, die Strugatzkis und eine scharfe Abrechnung mit der Gattung, der der Großteil von Lems eigenem Werk zugezählt wird: der Science-Fiction. Eine beachtliche Anzahl der Essays schrieb Lem gleich in deutscher Sprache. Weitere Essays von Stanisław Lem liegen in den Bänden Sade und die Spieltheorie und Über außersinnliche Wahrnehmungen vor.

      • Trusted Partner
        Children's & YA

        Believe me, I'm Not an Egret!

        by Hossein Ghorbani

        This story is a recreation of a fable originally written in “Kalila and Demna”, an ancient book with Indian roots. In the original story, an old egret tricks the fish into thinking that they are being taken to a safe lake, but they are in fact becoming the egret’s food. Until one day, the crab also asks the egret to take him to the lake and sees the remaining fish bones while riding on his back. He then returns and informs the others. “Believe Me, I’m not an Egret!” is a parody of the original fable, encouraging the children to think about and question what they hear.

      • Trusted Partner
        Children's & YA

        Story Story, Story Come

        12 Reimagined Tales From Africa

        by Maïmouna Jallow

        However, the age-old tradition of oral storytelling is on the decline. Rapid urbanisation, the breakdown of the extended family, technology and so on have altered our social fabric. Whilst our daily lives are still peppered with snippets of remembered words of wisdom and proverbs, the reality is that a new generation of Africans have never had the pleasure of listening to a story being told by a storyteller. Story, Story! Story Come! is a contribution to larger efforts to revive storytelling in Africa and beyond. Through a global online contest, Positively African invited African writers, wherever they lived and whatever their age, to write a folktale – either based on an old one, or newly imagined. The challenge was to develop new narratives that speak to issues that are fundamental to Africa’s development in a way that is unconventional but true to our past traditions of folktale and oral storytelling. The stories needed to contain life lessons that are relevant for both young and old, however writers were invited to be as inventive and disruptive as they wished in terms of theme, form, language, characters, imagery and context. The ten winning stories are refreshingly imaginative and tackle a mix of issues. We criss-cross from South Sudan to South Africa, Mali, Niger, Nigeria, Ghana, Kenya and Zambia. Some stories offer valuable moral lessons on greed and pride; others celebrate bravery, perseverance and friendship. One story takes us to a real archaeological site in Niger where a young girl imagines the future. In another, African water spirits share a world with a Beyoncé-obsessed teen that is taught a big lesson in humility. We have also included two additional stories, one by author and publishing partner Zukiswa Wanner and another by the editor of the anthology, Maimouna Jallow. One thing that they all have in common is that they speak to issues we face globally today, from an African perspective.

      • Trusted Partner
        July 2017

        Hei Wa

        by Mu Ling

        A fine collection of science fiction by children’s literature writer Mu Ling. Mu Ling’s science fictions pursue a scientific basis of “organic imagination”, has a positive outlook and good spirit of seeking truth. This series collects Mu Ling’s three masterpieces full of fantasy and humanistic concern: Dream Machine, Hei Wa, Yu Wang Bei Mi, which are rare sci-fi theme in children’s literature works of China. This series will lead children step by step to “hard science fiction” which is full of intellectual challenges through “light science fiction” and “soft science fiction”.

      Subscribe to our

      newsletter