DACO Studio
We create innovative 0-12 children’s books that combine astonishing paper-engineered elements with engaging contents. That's why we like to call our books "toys to read".
View Rights PortalWe create innovative 0-12 children’s books that combine astonishing paper-engineered elements with engaging contents. That's why we like to call our books "toys to read".
View Rights PortalIn the book The Hole, the girl tells a story about the time when she lost her beloved grandfather. Together with her dad, the girl goes through their loss by digging a hole. A very deep hole that reaches even Africa. The place where bad feelings become lighter. This book is about loss and strength. It is a story about continuity of life and opportunity to say farewell to those we love. We can find different ways to do it. The Hole offers one of them.
From the illustrator of The Straw Giant & The Crow comes a new picture book, Liefie. Explore the wonders and worries of having a surprise new child with this heart-melting family of otters! 'Liefie' by Jessica Bosworth Smith is an incredibly heart-warming and humorous take on a family of otters, who have a surprise laat-lammetjie (Afrikaans term — "the late lamb" — which is a South African phrase for a surprise child born long after their siblings).
How has French society been made, by whom and why? And how in turn has it influenced the French? This book sets out the institutionalized rules and norms that continue to structure France, together with the 'political work' that has recently changed or reproduced these power relations. Exploring a range of age groups and types of social activity, including work, business, entertainment, political mobilizations and retirement, Made in France examines where significant change has occurred over the last four decades. Smith argues that while transformation has occurred in France's financial and education sectors, only relatively marginal shifts have occurred elsewhere in French society. To explain this pattern of continuity and isolated change, the book strongly nuances claims that neo-liberalism, globalization or a rise in populism have been its causes. References to these trends have impacted upon French politics to varying extents, Smith argues; however, France continues to be dominated by issues which are specific to the country and linked to its deep societal structures and history. Smith provides a comprehensive account of French society and politics and in doing so proposes an insightful analytical framework applicable to the comparative analysis of other nations.
Ein zauberhaftes und außergewöhnlich schönes Geschenkbuch von der wunderbaren Künstlerin Coralie Bickford-Smith. Das Eichhörnchen fühlt sich wohl in dem dichten Wald, in dem es lebt. Doch wo soll es seine Eicheln verstecken, wenn überall andere Tiere sind, die sie fressen könnten? Schließlich findet es den perfekten Platz: Auf der Lichtung steht kein einziger Baum und weit und breit ist kein anderes Eichhörnchen zu sehen. Hier müssten die Eicheln sicher sein. Doch als es einige Zeit später an seine Vorräte will, sind die Eicheln verschwunden. Hat sie vielleicht doch jemand stibitzt? Und warum ist die Lichtung nicht mehr so kahl wie beim letzten Mal? Coralie Bickford-Smith hat mit ihrem Eichhörnchen einen wunderbaren kleinen Helden geschaffen, der nicht ahnt, dass er selbst wichtiger Teil eines großen Ganzen ist. Ein zauberhaftes und außergewöhnlich schönes Buch darüber, wie in der Natur immer aufs Neue Leben – und damit Hoffnung – entsteht.
The Straw Giant and The Crow by Jessica Bosworth Smith is a heartfelt and off-the-wall story about a mysterious relationship between a straw giant and a crow. There is a field afar that holds an incredible secret... a giant lives there who is made of straw. One winter, grumpy and miserable with his cold surroundings, the Straw Giant chases away all the other animals in his field. That is, until the Crow arrives and begins to leave him little gifts each morning. A sweet and subtle friendship emerges — but will the Crow be able to last the Winter Solstice? Will their friendship defy the cold clutches of winter and last out?
Transforming Travel combines stories from leading companies, interviews with pioneers and thinkers, along with thorough analysis of the industry's potential to make lasting, positive change. - A unique collection of case studies and stories of the most successful, inspirational, impactful and innovative travel businesses in the world. - A vital presentation of the latest research and statistics on the positive impacts and potential of transformative, sustainable tourism, - A positive and realistic vision of the scope of tourism to promote sustainable development at a time when travel and interaction with foreign cultures is facing numerous existential challenges. Written in a highly engaging style Transforming Travel presents an urgent argument for transforming tourism so it might reach its potential to promote tolerance, restore communities and regenerate habitats, while providing a vital guide for anyone looking to develop the successful sustainable tourism enterprises and destinations needed to do so.
Victorian demons provides the first extensive exploration of largely middle-class masculinities in crisis at the fin de siècle. It analyses how ostensibly controlling models of masculinity became demonised in a variety of literary and medical contexts, revealing the period to be much more ideologically complex than has hitherto been understood, and makes a significant contribution to Gothic scholarship. Andrew Smith demonstrates how a Gothic language of monstrosity, drawn from narratives such as 'The Strange Case of Dr Jekyll and Mr Hyde' and 'Dracula', increasingly influenced a range of medical and cultural contexts, destabilising these apparently dominant masculine scripts. He provides a coherent analysis of a range of examples relating to masculinity drawn from literary, medical, legal and sociological contexts, including Joseph Merrick ('The Elephant Man'), the Whitechapel murders of 1888, Sherlock Holmes's London, the writings and trials of Oscar Wilde, theories of degeneration and medical textbooks on syphilis.
This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema. ;
This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema.
Annie liebt Carl. Und Carl liebt Annie. Und so verlässt die Achtzehnjährige heimlich die Wohnung ihrer Mutter in Brooklyn und zieht in die kleine Universitätsstadt im Mittleren Westen, wo Carl Jura studiert. Sie lassen sich gegen den Willen ihrer Eltern trauen und genießen das Glück, endlich beisammen zu sein, auch wenn der Alltag Schatten wirft: Sie müssen mit wenig zurechtkommen, Carl hat kaum Zeit, Annie dafür umso mehr. Doch das Leben meint es gut mit ihnen, Annie findet neue Freunde, Carl bessere Nebenjobs, Annie besucht klammheimlich Literaturseminare und hat erste kleine Erfolge als Schriftstellerin. Und obwohl sie wenig besitzen, fühlen sie sich reich, denn sie wissen, worauf es wirklich ankommt: Sie haben einander. Nachdem Betty Smith uns in Ein Baum wächst in Brooklyn mit der Geschichte der kleinen Francie verzaubert hat, beglückt sie uns nun mit einem wunderbar leichten Roman über das große Glück, zu lieben und geliebt zu werden.
The fall and rise of the English upper class explores the role traditionalist worldviews, articulated by members of the historic upper-class, have played in British society in the shadow of her imperial and economic decline in the twentieth century. Situating these traditionalist visions alongside Britain's post-Brexit fantasies of global economic resurgence and a socio-cultural return to a green and pleasant land, Smith examines Britain's Establishment institutions, the estates of her landed gentry and aristocracy, through to an appetite for nostalgic products represented with pastoral or pre-modern symbolism. It is demonstrated that these institutions and pursuits play a central role in situating social, cultural and political belonging. Crucially these institutions and pursuits rely upon a form of membership which is grounded in a kinship idiom centred upon inheritance and descent: who inherits the houses of privilege, inherits England.
Victorian demons provides the first extensive exploration of largely middle-class masculinities in crisis at the fin de siècle. It analyses how ostensibly controlling models of masculinity became demonised in a variety of literary and medical contexts, revealing the period to be much more ideologically complex than has hitherto been understood, and makes a significant contribution to Gothic scholarship. Andrew Smith demonstrates how a Gothic language of monstrosity, drawn from narratives such as 'The Strange Case of Dr Jekyll and Mr Hyde' and 'Dracula', increasingly influenced a range of medical and cultural contexts, destabilising these apparently dominant masculine scripts. He provides a coherent analysis of a range of examples relating to masculinity drawn from literary, medical, legal and sociological contexts, including Joseph Merrick ('The Elephant Man'), the Whitechapel murders of 1888, Sherlock Holmes's London, the writings and trials of Oscar Wilde, theories of degeneration and medical textbooks on syphilis. ;
»Er wusste, dass irgendwo dort oben ein Stern stand, der einst seiner gewesen war.« Der Fuchs lebt in einem tiefen, dunklen Wald. Wenn er nachts durch das Unterholz streift, leuchtet ihm sein Freund, der Stern, den Weg. Doch eines Nachts ist der Stern nicht da. Der Fuchs verkriecht sich traurig und einsam in seinem Bau und schläft. Als er wieder bei Kräften ist, macht er sich auf die Suche nach dem Stern – denn ohne seinen Freund und dessen Licht verirrt er sich in der Dunkelheit des Waldes … Coralie Bickford-Smith, eine der international renommiertesten Buchgestalterinnen, schenkt uns dieses Mal ein Buch aus eigener Feder, eine märchenhafte Geschichte über Freundschaft und Verlust. Poetisch, zauberhaft und hinreißend gestaltet.
This book offers a thorough and complete reading of Charlotte Smith's poetry, arguing that we need to engage more directly with historical ideas of gender. ;