Linwood Messina Literary Agency is a boutique agency based in Paris representing rights on behalf of French and English language publishers, agencies and authors. Our list is quite diverse covering mostly every genre except for SF and children's books.
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International literary agency with a distinguished list of fiction, non-fiction and children's authors, specializing in foreign rights.
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This book addresses the issue of barriers to the international sugar trade and controversies surrounding the international sweetener markets.It devotes particular chapters to key players such as the USA, the EU, Australia, Brazil, Cuba Eastern Europe and India, and covers topics such as trade liberalization, policy reform and market integration.
The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia, have a global reach and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections.
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This collection tells the story of Thomas Becket's turbulent life, violent death and extraordinary posthumous acclaim in the words of his contemporaries. The only modern collection from the twelfth-century Lives of Thomas Becket in English and features all his major biographers, including many previously untranslated extracts. Providing both a valuable glimpse of the late twelfth-century world, and an insight into the minds of those who witnessed the events. By using contemporary sources, this book is the most accessible way to study this central episode in medieval history. Thomas Becket features prominently in most medieval core courses. This book allows the subject to be taught as never before, and is highly suitable as a set text.
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This book, the world's first biography of Paul Watzlawick, written by his great-niece, describes the life of this philosopher, therapist, and best-selling author. Paul Watzlawick had a talent for languages and he led an adventurous life, from his childhood in Villach to studying in Venice after the war, to analyst training under C. G. Jung in Zurich, an attempt at establishing himself in India and then in El Salvador as a therapist, and finally to the Mental Research Institute (MRI) in the United States, headed by Don D. Jackson, a venerable scientist. This marked the beginning of the second half of his life, his amazing career as a communication researcher, a pioneer of systemic therapy, a radical constructivist, and a great thinker regarding the divisions between East and West. With many letters, lectures, interviews, and statements from contemporary witnesses and family members, this book makes Paul Watzlawick accessible as a human being and as a spiritually inspired, leading 20th century thinker. It includes a variety of unpublished material from Watzlawick, and introduces a comprehensive and exciting picture of the scientist and cosmopolitan person, Paul Watzlawick. Target Group: For people interest in Paul Watzlawick, communication sciences, systemic therapy, and constructivism.
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As an instigator of debate and a defender of tradition, a man of letters and a popular hack, a writer of erotica and a spokesman for bishops, an urbane metropolitan and a celebrant of local custom, the various textual performances of Thomas Nashe have elicited, and continue to provoke, a range of contradictory reactions. Nashe's often incongruous authorial characteristics suggest that, as a 'King of Pages', he not only courted controversy but also deliberately cultivated a variety of public personae, acquiring a reputation more slippery than the herrings he celebrated in print. Collectively, the essays in this book illustrate how Nashe excelled at textual performance but his personae became a contested site as readers actively participated and engaged in the reception of Nashe's public image and his works.
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Ausgehend von William James' 1902 erschienener Untersuchung "Die Vielfalt religiöser Erfahrung" verfolgt Charles Taylor die Verschiebungen im Verhältnis von Religion, Individuum und Gesellschaft, von Spirituellem und Politischem bis in die Gegenwart. Der Rückzug des religiösen aus der öffentlichen Sphäre hat die Religion nicht ins Private eingeschlossen; vielmehr verbirgt sich hinter diesem Prozeß eine Kulturrevolution: Der moderne »expressive« Individualismus hat eine Vielfalt neuer Religionsformen und -gemeinschaften hervorgebracht, die auf die traditionellen Formen zurückwirkt und die Gesellschaft verändert. Der Ort der Religion muß neu bestimmt werden.
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The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia, have a global reach and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections.
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This new book reviews all aspects of the phenomenon of mass tourism. It covers theoretical perspectives (including political economy, ethics, sustainability and environmentalism), the historical context, and the current challenges to domestic, intra-regional and international mass tourism. As tourism and tourist numbers continue to grow around the world, it becomes increasingly important that this subject is studied in depth and best practice applied in real-life situations. This book: - Is the first to address a range of theoretical issues relating to mass tourism; - Uses a wide selection of case studies to translate theory into practice, covering the historical rise and fall of UK seaside resorts, the increase in Chinese tourism, conflict between different mass tourism groups, destination transformation from mass to niche tourism, and specific problems facing cruise ships; - Is written by a range of international, established authors to give a global perspective on the subject. Finishing with a speculative chapter identifying potential future trends and challenges, this book forms an essential resource for all researchers and students within tourism studies. ; Section 1: Introduction1: Introduction: Mass Tourism in a Small WorldSection 2: Theoretical Approaches to Mass Tourism2: Mass Tourism Does Not Need Defending3: The Morality of Mass Tourism4: The Political Economy of Mass Tourism and its Contradictions5: A Theoretical Approach to Mass Tourism in Italy6: Sustainability and Mass Tourism: A Contradiction in Terms?7: Mass Tourism and the Environment: Issues and DilemmasSection 3: Historical Studies of Tourism Development8: The Dynamics of Tourism Development in Britain: The Profit Motive and that ‘Curious’ Alliance of Private Capital and the Local State9: From Holiday Camps to the All-inclusive: the ‘Butlinization’ of Tourism10: Decline Beside the Seaside: British Seaside Resorts and Declinism11: Mass Tourism and the US National Park Service System12: Transport and Tourism: The Perpetual LinkSection 4: Case Studies in Modern Mass Tourism13: Mass Tourism and China14: Mass Tourism in Thailand: The Chinese and Russians15: Mass Tourism in Bulgaria: The Force Awakens16: Mass Tourism in Mallorca: Examples from Calivià17: Tunisia: Mass Tourism in Crisis?18: From Blue to Grey? Malta’s Quest from Mass Beach to Niche Heritage Tourism19: Cruise Ship Tourism in the Caribbean: The Mess of Mass TourismSection 5: The Future20: Conclusion: Mass Tourism in the Future
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Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material - many images reproduced for the first time - alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.
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Victorian demons provides the first extensive exploration of largely middle-class masculinities in crisis at the fin de siècle. It analyses how ostensibly controlling models of masculinity became demonised in a variety of literary and medical contexts, revealing the period to be much more ideologically complex than has hitherto been understood, and makes a significant contribution to Gothic scholarship. Andrew Smith demonstrates how a Gothic language of monstrosity, drawn from narratives such as 'The Strange Case of Dr Jekyll and Mr Hyde' and 'Dracula', increasingly influenced a range of medical and cultural contexts, destabilising these apparently dominant masculine scripts. He provides a coherent analysis of a range of examples relating to masculinity drawn from literary, medical, legal and sociological contexts, including Joseph Merrick ('The Elephant Man'), the Whitechapel murders of 1888, Sherlock Holmes's London, the writings and trials of Oscar Wilde, theories of degeneration and medical textbooks on syphilis.
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30 Jahre alt, ohne Resonanz auf seine bis dahin veröffentlichten drei Gedichtbände, vom eigenen überragenden schriftstellerischen Können allerdings überzeugt, schreibt Thomas Bernhard im Oktober 1961 an Siegfried Unseld: "Vor ein paar Tagen habe ich an Ihren Verlag ein Prosamanuskript geschickt. Ich kenne Sie nicht, nur ein paar Leute, die Sie kennen. Aber ich gehe den Alleingang." Obwohl der Suhrkamp Verlag das Manuskript ablehnte, gingen der Alleingänger und der Verleger seit dem Erscheinen von Bernhards erstem Roman "Frost" 1963 gemeinsam den Weg, der den Autor in die Weltliteratur führte. In den etwa 500 Briefen zwischen beiden entwickelt sich ein einzigartiges Zwei-Personen-Schauspiel: Mal ist es eine Tragödie, wenn etwa Bernhard die aus seinen Werken bekannten Schimpftiraden auf den Verleger losläßt, der seinerseits auf die Überzeugungskraft des Arguments setzt. Dann gibt Bernhard ein Kammerspiel mit Unseld als Held – 1973 schreibt er ihm: "mit grösster Aufmerksamkeit, mit allen Möglichkeiten, gehe ich gern mit Ihnen." 1984 agieren beide, bei der Beschlagnahme von "Holzfällen", als Kämpfer für die Literatur in einem von Dritten inszenierten Schurkenstück. Es dominiert das Beziehungsdrama: Der Autor stellt die für sein Werk und seine Person unabdingbaren Forderungen. Der Verleger seinerseits weiß, daß gerade bei Bernhard rücksichtslose Selbstbezogenheit notwendige Voraussetzung der Produktivität ist. Solch einen dramatischen Briefwechsel zwischen Autor und Verleger, in dem bei jeder Zeile alles auf dem Spiel steht, kennt das Publikum bislang nicht.
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30 Jahre alt, ohne Resonanz auf seine bis dahin veröffentlichten drei Gedichtbände, vom eigenen überragenden schriftstellerischen Können allerdings überzeugt, schreibt Thomas Bernhard im Oktober 1961 an Siegfried Unseld: "Vor ein paar Tagen habe ich an Ihren Verlag ein Prosamanuskript geschickt. Ich kenne Sie nicht, nur ein paar Leute, die Sie kennen. Aber ich gehe den Alleingang." Obwohl der Suhrkamp Verlag das Manuskript ablehnte, gingen der Alleingänger und der Verleger seit dem Erscheinen von Bernhards erstem Roman "Frost" 1963 gemeinsam den Weg, der den Autor in die Weltliteratur führte. In den etwa 500 Briefen zwischen beiden entwickelt sich ein einzigartiges Zwei-Personen-Schauspiel: Mal ist es eine Tragödie, wenn etwa Bernhard die aus seinen Werken bekannten Schimpftiraden auf den Verleger losläßt, der seinerseits auf die Überzeugungskraft des Arguments setzt. Dann gibt Bernhard ein Kammerspiel mit Unseld als Held – 1973 schreibt er ihm: "mit grösster Aufmerksamkeit, mit allen Möglichkeiten, gehe ich gern mit Ihnen." 1984 agieren beide, bei der Beschlagnahme von "Holzfällen", als Kämpfer für die Literatur in einem von Dritten inszenierten Schurkenstück. Es dominiert das Beziehungsdrama: Der Autor stellt die für sein Werk und seine Person unabdingbaren Forderungen. Der Verleger seinerseits weiß, daß gerade bei Bernhard rücksichtslose Selbstbezogenheit notwendige Voraussetzung der Produktivität ist. Solch einen dramatischen Briefwechsel zwischen Autor und Verleger, in dem bei jeder Zeile alles auf dem Spiel steht, kennt das Publikum bislang nicht.
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A Vision of Battlements is the first novel by the writer and composer Anthony Burgess, who was born in Manchester in 1917. Set in Gibraltar during the Second World War, the book follows the fortunes of Richard Ennis, an army sergeant and incipient composer who dreams of composing great music and building a new cultural world after the end of the war. Following the example of his literary hero, James Joyce, Burgess takes the structure of his book from Virgil's Aeneid. The result is, like Joyce's Ulysses, a comic rewriting of a classical epic, whose critique of the Army and the postwar settlement is sharp and assured. The Irwell Edition is the first publication of Burgess's forgotten masterpiece since 1965. This new edition includes an introduction and notes by Andrew Biswell, author of a prize-winning biography of Anthony Burgess.
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The French empire at war draws on original research in France and Britain to investigate the history of the divided French empire - the Vichy and the Free French empires - during the Second World War. What emerges is a fascinating story. While it is clear that both the Vichy and Free French colonial authorities were only rarely masters of their own destiny during the war, preservation of limited imperial control served them both in different ways. The Vichy government exploited the empire in an effort to withstand German-Italian pressure for concessions in metropolitan France and it was key to its claim to be more than the mouthpiece of a defeated nation. For Free France too, the empire acquired a political and symbolic importance which far outweighed its material significance to the Gaullist war effort. As the war progressed, the Vichy empire lost ground to that of the Free French, something which has often been attributed to the attraction of the Gaullist mystique and the spirit of resistance in the colonies. In this radical new interpretation, Thomas argues that it was neither of these. The course of the war itself, and the initiatives of the major combatant powers, played the greatest part in the rise of the Gaullist empire and the demise of Vichy colonial control.
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Postmodern, postcolonial and post-truth are broadly used terms. But where do they come from? When and why did the habit of interpreting the world in post-terms emerge? And who exactly were the 'post boys' responsible for this? Post-everything examines why post-Christian, post-industrial and post-bourgeois were terms that resonated, not only among academics, but also in the popular press. It delves into the historical roots of postmodern and poststructuralist, while also subjecting more recent post-constructions (posthumanist, postfeminist) to critical scrutiny. This study is the first to offer a comprehensive history of post-concepts. In tracing how these concepts found their way into a broad range of genres and disciplines, Post-everything contributes to a rapprochement between the history of the humanities and the history of the social sciences.
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The Derby Philosophers focuses upon the activities of a group of Midland intellectuals that included the evolutionist and physician Erasmus Darwin, Rev. Thomas Gisborne the evangelical philosopher and poet, Robert Bage the novelist, Charles Sylvester the chemist and engineer, William George and his son Herbert Spencer, the internationally renowned evolutionist philosopher who coined the phrase 'survival of the fittest', and members of the Wedgwood and Strutt families. The book explores how, inspired by science and through educational activities, publications and institutions including the famous Derbyshire General Infirmary (1810) and Derby Arboretum (1840), the Derby philosophers strove to promote social, political and urban improvements with national and international consequences. Much more than a parochial history of one intellectual group or town, this book examines science, politics and culture during one of the most turbulent periods of British history.
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The first anthology of its kind, this timely collection brings together a diverse range of black British literatures, essays and documents from across the post-war period within a single volume.. Spanning half a century, this rich archive of representations includes South Asian, African and Caribbean cultural production by both leading and lesser-known artists, critics and commentators:. Sam Selvon Salman Rushdie George Lamming Hanif Kureishi Stuart Hall Linton Kwesi Johnson Caryl Phillips Paul Gilroy Meera Syal Kobena Mercer James Berry E. R. Braithwaite Wilson Harris Farrukh Dhondy V. S. Naipaul Ben Okri Wole Soyinka Hazel Carby Kamau Braithwaite Isaac Julien C. L. R. James Dick Hebdige A. Sivanandan Buchi Emecheta Louise Bennett Grace Nichols Jackie Kay. Directed at a truly interdisciplinary market, accommodating popular and 'high' cultural materials from across the disciplines of literature, film, photography, history, sociology, politics, Marxism, feminism, cultural and communications studies.. Situated and contextualised within accessible historical and cultural frameworks and incorporating lucid introductions, a detailed chronology and extensive bibliography.
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John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
