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Frayed Edge Press
Frayed Edge Press is a small independent publishing house based in Philadelphia. We publish literary fiction and poetry, as well asnon-fiction titles in history and political science. We also publish the Street Smart Series of Short Fiction, consisting of contemporary, urban-set novelette-length works. We especially welcome marginalized voices, both historical and contemporary, including women, people of color, ethnic and religious minorities, the LGBTQ+ community, and progressive political viewpoints. We particularly seek to publish works that wrestle with important questions challenging contemporary society, including political and environmental concerns, civil rights, women's rights, and sustainability.
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December 2000Das Experiment und die Metaphysik
Zur Auflösung der kosmologischen Antinomien
by Edgar Wind, Bernhard Buschendorf, Bernhard Buschendorf, Brigitte Falkenburg
Edgar Winds Habilitationsschrift von 1934 ist eine originelle Deutung der modernen Physik aus dem Umkreis des Neukantianismus und des amerikanischen Pragmatismus. Wind formuliert darin seine Theorie der „symbolischen Repräsentation“
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November 1981Heidnische Mysterien in der Renaissance
by Edgar Wind, Christa Münstermann, Gisela Heinrichs, Bernhard Buschendorf, Bernhard Buschendorf, Bernhard Buschendorf
Die Heidnischen Mysterien handeln vom »Bilddenken« des Neuplatonismus und von seinem glanzvollen Ausdruck in der Renaissancekunst. Heidnische Mythologie, christliche Bildersprache, religiöse Spekulation und philosophische Reflexion verschmelzen zu jener »poetischen Theologie«, deren verschiedene Ausprägungen bei Philosophen, Dichtern und bildenden Künstlern der Renaissance (unter besonderer Berücksichtigung des florentinischen Künstler- und Gelehrtenkreises um Lorenzo di Medici) aufgezeigt werden. Aus den Mosaiksteinen dieses Denkens rekonstruiert Wind allmählich das System eines »orphischen Pantheon« und lässt dabei seine ideengeschichtliche Explikation immer wieder in faszinierende Interpretationen bildkünstlerischer Werke der Renaissance münden.
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Humanities & Social SciencesMarch 2017Air empire
British imperial civil aviation, 1919–39
by Gordon Pirie, Andrew Thompson, John M. MacKenzie
Air empire is a fresh study of civil aviation as a tool of late British imperialism. The first pioneering flights across the British empire in 1919-20 were flag-waving adventures that recreated an era of plucky British maritime exploration and conquest. Britain's development of international air routes and services was approved, organised and celebrated largely in London; there was some resistance in and beyond the subordinate colonies and dominions. Negotiating the financing and geopolitics of regular commercial air service delayed its inception until the 1930s. Technological, managerial and logistical problems also meant that Britain was slow into the air and slow in the air. Propaganda concealed underperformance and criticism. The study uses archival sources, biographies, industry magazines and newspapers to chronicle the disputed progress toward air empire. The rhetoric behind imperial air service offers a glimpse of late imperial hopes, fears, attitudes and style. Empire air service had emotional appeal and symbolic value, but disappointed in practice.
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March 1999Wind über den Wassern
Ein Feng-Shui-Roman
by Geok, Ang Chin / Übersetzt von Wolandt, Holger
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Humanities & Social SciencesMarch 2017
Air power and colonial control
by David Omissi
Air policing was used in many colonial possessions, but its most effective incidence occurred in the crescent of territory from north-eastern Africa, through South-West Arabia, to North West Frontier of India. This book talks about air policing and its role in offering a cheaper means of 'pacification' in the inter-war years. It illuminates the potentialities and limitations of the new aerial technology, and makes important contributions to the history of colonial resistance and its suppression. Air policing was employed in the campaign against Mohammed bin Abdulla Hassan and his Dervish following in Somaliland in early 1920. The book discusses the relationships between air control and the survival of Royal Air Force in Iraq and between air power and indirect imperialism in the Hashemite kingdoms. It discusses Hugh Trenchard's plans to substitute air for naval or coastal forces, and assesses the extent to which barriers of climate and geography continued to limit the exercise of air power. Indigenous responses include being terrified at the mere sight of aircraft to the successful adaptation to air power, which was hardly foreseen by either the opponents or the supporters of air policing. The book examines the ethical debates which were a continuous undercurrent to the stream of argument about repressive air power methods from a political and operational perspective. It compares air policing as practised by other European powers by highlighting the Rif war in Morocco, the Druze revolt in Syria, and Italy's war of reconquest in Libya.
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Humanities & Social SciencesFebruary 2017Cultures and caricatures of British imperial aviation
Passengers, pilots, publicity
by Gordon Pirie, Andrew Thompson, John M. MacKenzie
The new activity of trans-continental civil flying in the 1930s is a useful vantage point for viewing the extension of British imperial attitudes and practices. Cultures and caricatures of British imperial aviation examines the experiences of those (mostly men) who flew solo or with a companion (racing or for leisure), who were airline passengers (doing colonial administration, business or research), or who flew as civilian air and ground crews. For airborne elites, flying was a modern and often enviable way of managing, using and experiencing empire. On the ground, aviation was a device for asserting old empire: adventure and modernity were accompanied by supremacism. At the time, however, British civil imperial flying was presented romantically in books, magazines and exhibitions. Eighty years on, imperial flying is still remembered, reproduced and re-enacted in caricature.
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February 1998Die Grube und das Pendel
Schaurige Erzählungen
by Edgar Allan Poe, Heide Steiner, Erika Gröger
Edgar Allan Poes Geschichten zählen zum Bestand der Weltliteratur mit ihrem Unheimlichen, dem Grauen, dem Alptraum, der Nervenkrise, dem Überwirklichen. Messerscharf analysiert er das Verbrechen, die zynische Grausamkeit des Menschen, seinen kranken Verstand. Für ihn ist das Lehen voller magischer Rätsel, die Mitwelt über die Maßen inhuman: ihr will er seinen düsteren Grotesk-Spiegel vorhalten. Vier ausgewählte Erzählungen, die Edgar Allan Poe erstmals in den Jahren 1841 bis 1843 veröffentlichte, sind hier versammelt.
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Biology, life sciencesJuly 2008Guide to Cultivated Plants
by Edited by A T G Elzebroek, K Wind
Representing almost 80 years of combined experience, Guide to Cultivated Plants includes concise textual descriptions and attractive full colour illustrations of over 300 crop species. These comprise 11 commodity groups ranging from vegetables, both horticulture and forages species, and arable crops to the major fruits and plantation crops. All major cultivated plants from temperate, Mediterranean and tropical climates are covered and the morphology, botany, ecology, agronomy and use of cultivated crops is fully discussed.
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Modern & contemporary fiction (post c 1945)2021Where the Wind Is
by Lyubko Deresh
Max Tarnavskii is a young writer once recognized by the young audience for his debut novel about young counterculture but then scathingly criticized for his third novel "Where the Wind Is", — a philosophical parable about a hermit living in a lighthouse by the sea. Having fallen off the readers’ radar, he suffers through his inability to create any further. It’s the second half of the 2010s, Kyiv. On the New Year’s Eve Max gets an offer from Alisa, a first-year student, to go on a tour with a young rock band as a gonzo journalist to revive his counterculture icon status. Max balks at first, but an unexpected brawl on Facebook in which Max is reminded about his passivity during the Maidan and his uncertain ideological views in the days of the ATO and the war, and a critical review of Max’s new novel outline from his literary agent urge Tarnavskii to accept the offer after all. The rock band he joins for a tour from Western to Eastern Ukraine has turned up to be an inept group trip planner, so the protagonist has to take up the role of a leader capable of saving the band from a total fiasco. Traveling with the teenage freshmen becomes the young writer’s road to adulthood, forgiveness, and an attempt to forgive his own mistakes of youth in particular. Just to earn his living, Max agrees to perform with the rockers while on tour, flies in the face of his creative fears, and is forced to redefine himself as a writer once again. He faces the dangers of concert disruptions, the band split up, public disapproval, and threats of physical violence. Ability to write on the road becomes his only way to save and revive his own self, stand up to his hidden weaknesses, reconsider his role in a society that undergoes a war. A post-tour trip with Alisa to her grandmother who lives in a village on the liberated from the occupation territories becomes Tarnavskii’s hope for a renewal. On this trip Max gets a chance to full recovery, because in Tarnavskii’s mind these are the parts, where he will find the sand bar with the lighthouse where the hermit from his novel "Where the Wind Is" lives.
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March 1990Die Geniereligion
Ein kritischer Versuch über das moderne Persönlichkeitsideal, mit einer historischen Begründung
by Edgar Zilsel, Johann Dvorak, Paul Zilsel, Johann Dvorak
In der Auseinandersetzung mit Houston Stewart Chamberlain weist Zilsel darauf hin, daß »Vorurteile mit Glück und Blut der Nebenmenschen bezahlt werden«, und fragt, »ob nicht der Begriff der genialen Persönlichkeit und der Tiefe eine ernste Gefahr für unser Zeitalter« bedeuten. Mit »Die Geniereligion« hat Edgar Zilsel seine systematischen Studien zu den gesellschaftlichen Voraussetzungen und Bedingungen der modernen Wissenschaft begonnen, die er später – im Exil – mit den wissenschaftlichen Arbeiten über die Anfänge der neuzeitlichen Wissenschaft weiterführte. (Diese Arbeiten sind enthalten in: Edgar Zilsel, »Die sozialen Ursprünge der neuzeitlichen Wissenschaft«. Herausgegeben und übersetzt von Wolfgang Krohn. Mit einer biobibliographischen Notiz von Jörn Behrmann, stw 152.)
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March 2022Der denkwürdige Fall des Mr Poe
Kriminalroman | Die Buchvorlage zum Netflix-Film-Hit
by Louis Bayard, Peter Knecht, Edgar Allan Poe
1830: An der angesehenen West Point Academy wird ein junger Kadett tot aufgefunden – er wurde erhängt und sein Herz herausgeschnitten. Keinesfalls darf die Öffentlichkeit von dem grauenhaften Verbrechen erfahren, so beauftragt man Augustus Landor, einen ehemaligen New Yorker Polizeidetektiv, mit den Ermittlungen. Schon bald folgen weitere brutale Morde, und der Fall wird immer rätselhafter. Doch Landor erhält unerwartet Hilfe – von einem jungen Kadetten mit dunkler Vergangenheit, Hang zum Trinken und poetischen Ader: Edgar Allan Poe … »Bestechend klug und zutiefst unsentimental … es liest sich wie ein neu entdeckter Klassiker. Bayard haucht dem historischen Kriminalroman neues Leben ein.« New York Times Book Review
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August 2022Vega – Der Wind in meinen Händen
Band 1 der neuen Klima-Saga | Folge Vega ins Auge des Sturms
by Marion Perko
Deutschland 2052: Die Menschen leiden unter heißen, trockenen Sommern. Um die Wasserknappheit zu lindern, arbeitet Vega als Wettermacherin – sie beeinflusst die Wolken und lässt es regnen. Doch sie hütet ein Geheimnis: Anders als ihre Kollegen benutzt sie dazu keine Chemikalien und Drohnen. Denn Vega kann mit der Kraft ihrer Gedanken Wind und Regen rufen. Als bei einem rätselhaften Wetterunfall Kinder verletzt werden, wird Vega zur Zielscheibe. Wie soll sie ihre Unschuld beweisen, wenn niemand von ihrer Gabe erfahren darf? Hilfe erhält sie unerwartet von Leo, einem jungen Wissenschaftler, der das Wesen von Stürmen erforscht. Auf ihrer Suche nach der Wahrheit gerät Vega immer tiefer in ein Netz aus einflussreichen Umweltbehörden, Aktivisten und Konzernen ... Wem kann sie noch vertrauen? Und wie die Menschen schützen, die sie liebt?
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August 2022Vega - Der Wind in meinen Händen
Band 1 der neuen Klima-Saga | Folge Vega ins Auge des Sturms
by Marion Perko
Deutschland 2052: Die Menschen leiden unter heißen, trockenen Sommern. Um die Wasserknappheit zu lindern, arbeitet Vega als Wettermacherin – sie beeinflusst die Wolken und lässt es regnen. Doch sie hütet ein Geheimnis: Anders als ihre Kollegen benutzt sie dazu keine Chemikalien und Drohnen. Denn Vega kann mit der Kraft ihrer Gedanken Wind und Regen rufen. Als bei einem rätselhaften Wetterunfall Kinder verletzt werden, wird Vega zur Zielscheibe. Wie soll sie ihre Unschuld beweisen, wenn niemand von ihrer Gabe erfahren darf? Hilfe erhält sie unerwartet von Leo, einem jungen Wissenschaftler, der das Wesen von Stürmen erforscht. Auf ihrer Suche nach der Wahrheit gerät Vega immer tiefer in ein Netz aus einflussreichen Umweltbehörden, Aktivisten und Konzernen ... Wem kann sie noch vertrauen? Und wie die Menschen schützen, die sie liebt?
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February 2021The Wind has Said its Name
by Mohamed Abdallah
“A wise malice radiated from his features, and one always had the impression that he knew more than he was willing to say, that a shrewd reflection lurked behind his smiles. His quick wit and good humor were the delight of La Mauresque and its surroundings; a reminder through his quiet charm that the world could still harbor delicacy.” Mohamed Abdallah Oran, autumn 1954. At La Mauresque, a space symbolizing a whole country in turmoil, in the heart of the indigenous city of Oran, the doubts of its occupants multiply and questions abound. Journalists, politicians, novelists, poets and artists grapple with a pivotal moment in their countries' history. The old world is dying, while the new one is slow to emerge for them. Hesitations and initiatives abound. They are trying to navigate by sight in an ocean so vast that it merges with the horizon; a horizon they sometimes seem to forget, but which the author has tried to give readers a constant view of through his novel: Le Vent a dit son Nom (The Wind Has Said Its Name). Multiplying references to emblematic figures in the awakening of consciences to freedom, Mohamed Abdallah attempts to offer a fresh look at the role that men of letters, intellectuals and, more generally, people of culture can play, at a time when a Nation is preparing to face new trials. These are themes that still resonate today.
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October 2021Doppel-Galoppel 1. Zwei wie Sonne und Wind
by Chantal Schreiber, Iris Hardt
In "Doppel-Galoppel 1. Zwei wie Sonne und Wind" von Chantal Schreiber erleben die jungen Geschwister Fanndis und Jon aufregende Tage auf dem Bauernhof ihres Großvaters Valdi in Island. Während sie sich zunächst ständig in die Haare bekommen, bringt eine von Opa Valdi erzählte Geschichte über die isländischen Fohlen Kappi und Skoppa, die trotz ihrer Unterschiede beste Freunde sind, die beiden Geschwister einander näher. Durch dieses Abenteuer lernen sie, ihre Differenzen zu überwinden und die Bedeutung von Freundschaft und Zusammenhalt zu schätzen. Dieses herzerwärmende Pferdeabenteuer ist nicht nur eine Hommage an die Schönheit Islands und seiner Pferde, sondern auch eine lehrreiche Geschichte, die junge Leserinnen und Leser mit Witz und Charme fesselt. Perfekt für junge Pferdeliebhaber: Speziell für Vorschulkinder konzipiert, bietet das Buch spannende und altersgerechte Unterhaltung. Lehrreiche Botschaften: Vermittelt wichtige Werte wie Freundschaft und Zusammenhalt auf eine Weise, die Kinder leicht verstehen können. Fesselnde Erzählung: Eine packende Geschichte, die die Kinder dazu bringt, sich nicht mehr zu streiten und stattdessen in die Handlung vertieft zu sein. Bezaubernde isländische Kulisse: Die Geschichte gibt einen Einblick in die faszinierende Kultur Islands und seine berühmten Pferde. Von einer renommierten Autorin: Geschrieben von Chantal Schreiber, einer anerkannten Expertin für Pferdefiction. Ideal zum Vorlesen: Mit seiner einfachen Sprache und den herzhaften Momenten eignet es sich hervorragend zum Vorlesen für die ganze Familie.
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Children's & YAJanuary 2011The Boy Who Saw the Color of Air
by Abdo Wazen
In his first YA novel, cultural journalist and author Abdo Wazen writes about a blind teenager in Lebanon who finds strength and friendship among an unlikely group. Growing up in a small Lebanese village, Bassim’s blindness limits his engagement with the materials taught in his schools. Despite his family’s love and support, his opportunities seem limited. So at thirteen years old, Bassim leaves his village to join the Institute for the Blind in a Beirut suburb. There, he comes alive. He learns Braille and discovers talents he didn’t know he had. Bassim is empowered by his newfound abilities to read and write. Thanks to his newly developed self-confidence, Bassim decides to take a risk and submit a short story to a competition sponsored by the Ministry of Education. After winning the competition, he is hired to work at the Institute for the Blind. At the Institute, Bassim, a Sunni Muslim, forms a strong friendship with George, a Christian. Cooperation and collective support are central to the success of each student at the Institute, a principle that overcomes religious differences. In the book, the Institute comes to symbolize the positive changes that tolerance can bring to the country and society at large. The Boy Who Saw the Color of Air is also a book about Lebanon and its treatment of people with disabilities. It offers insight into the vital role of strong family support in individual success, the internal functioning of institutions like the Institute, as well as the unique religious and cultural environment of Beirut. Wazen’s lucid language and the linear structure he employs result in a coherent and easy-to-read narrative. The Boy Who Saw the Color of Air is an important contribution to a literature in which people with disabilities are underrepresented. In addition to offering a story of empowerment and friendship, this book also aims to educate readers about people with disabilities and shed light on the indispensable roles played by institutions like the Institute.
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Humanities & Social SciencesMay 2021Doing digital history
by Jonathan Blaney, Jane Winters, Sarah Milligan, Martin Steer
