Éditions David
Livres Canada Books
View Rights PortalDavid and Charles is an independent publisher of non-fiction books, predominantly in art, craft and creative categories. Our titles feature industry-leading authors and award-winning editorial and design, commissioned for commercial success in all markets. Category focus on practical how-to books in art, crochet, knitting, general crafts, patchwork & quilting, sewing and wellbeing. Cornerstone titles which are highly illustrated, project, technique and trend orientated.
View Rights PortalDie Herrschaftsverhältnisse im Deutschland der frühen Neuzeit werden nirgends differenzierter sichtbar als auf der Ebene dörflicher und kleinstädtischer Gesellschaften. In den Quellen erscheinen Sprach-, Vorstellungs- und Handlungsstrukturen der »einfachen« Bevölkerung jedoch fast ausschließlich durch den Filter staatlicher oder kirchlicher Untersuchungsprotokolle. Wie solche Akten als Zeugnisse einer vergangenen Volkskultur erschlossen werden können, haben u. a. die großen Arbeiten von Emmanuel Le Roy Ladurie und Carlo Ginzburg gezeigt. David Sabean verbindet hier die Analyse bäuerlicher Handlungs- und Vorstellungsstrukturen mit der Untersuchung politischer und ökonomischer Herrschaftsformen und liefert damit einen wesentlichen Beitrag zur Debatte um die Volkskultur.
David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
A compelling biography of one of the most celebrated novels in the English language. The fourth and best-known of Virginia Woolf's novels, Mrs Dalloway is a modernist masterpiece that has remained popular since its publication in 1925. Its dual narratives follow a day in the life of wealthy housewife Clarissa Dalloway and shell-shocked war veteran Septimus Warren Smith, capturing their inner worlds with a vividness that has rarely been equalled. Mrs Dalloway: Biography of a novel offers new readers a lively introduction to this enduring classic, while providing Woolf lovers with a wealth of information about the novel's writing, publication and reception. It follows Woolf's process from the first stirrings in her diary through her struggles to create what was quickly recognised as a major advance in prose fiction. It then traces the novel's remarkable legacy to the present day. Woolf wrote in her diary that she wanted her novel 'to give life & death, sanity & insanity. to criticise the social system, & to show it at work, at its most intense.' Mrs Dalloway: Biography of a novel reveals how she achieved this ambition, creating a book that will be read by generations to come.
David and Bathsheba presents a modernised edition of George Peele's explosive biblical drama about the tangled lives, deadly liaisons, and twisted histories of Ancient Israel's royal family. Martin's critical edition is the first modern single-volume edition of the play since 1912 and opens up this unduly neglected gem of English Renaissance drama to student and scholar alike. The introduction examines such topics as the play's treatment of its biblical and poetic sources, its engagement with Elizabethan politics, and its forceful representations of religious fanaticism, genocide, and sexual violence. Its commentary notes clarify the text's meaning and staging, guide the reader through the play's dramatisation of the turbulent Davidic period of Ancient Israel's history, and place the play in its broader cultural and artistic milieu. Martin's edition aims to encourage new contemporary critical study of Peele's powerful and disturbing drama.
For nearly half a century Anne Lake Prescott has been a force and an inspiration in Renaissance studies. A force, because of her unique blend of learning and wit and an inspiration through her tireless encouragement of younger scholars and students. Her passion has always been the invisible bridge across the Channel: the complex of relations, literary and political, between Britain and France. The essays in this long-awaited collection range from Edmund Spenser to John Donne, from Clément Marot to Pierre de Ronsard. Prescott has a particular fondness for King David, who appears several times; and the reader will encounter chessmen, bishops, male lesbian voices and Roman whores. Always Prescott's immense erudition is accompanied by a sly and gentle wit that invites readers to share her amusement. Reading her is a joyful education.
Have you ever wondered why we eat wheat, rice, potatoes and cassava? Why we routinely domesticate foodstuffs with the power to kill us, or why we chose almonds over acorns? Answering all these questions and more in a readable and friendly style, this book takes you on a journey through our history with crop plants. Arranged into recurrent themes in plant domestication, this book documents the history and biology of over 50 crops, including cereals, spices, legumes, fruits and cash crops such as chocolate, tobacco and rubber. In The Nature of Crops John Warren reveals: -Why the Egyptians worshipped onions; -Why red-flowering runner beans provide fewer beans than white-flowering; -The inherent dangers of being a pineapple worker; and -Why a bird will always beat you in a chilli pepper eating competition!
Have you ever wondered why we eat wheat, rice, potatoes and cassava? Why we routinely domesticate foodstuffs with the power to kill us, or why we chose almonds over acorns? Answering all these questions and more in a readable and friendly style, this book takes you on a journey through our history with crop plants. Arranged into recurrent themes in plant domestication, this book documents the history and biology of over 50 crops, including cereals, spices, legumes, fruits and cash crops such as chocolate, tobacco and rubber. In The Nature of Crops John Warren reveals: -Why the Egyptians worshipped onions; -Why red-flowering runner beans provide fewer beans than white-flowering; -The inherent dangers of being a pineapple worker; and -Why a bird will always beat you in a chilli pepper eating competition! ; Our ancestors chose to cultivate some plant species and not others. Through years of association with humans, these wild plants have been changed so that the crops we eat often hardly resemble their wild progenitors. Arranged into broad themes depicting the history of domestication, this book documents the history and biology of over 40 crops. ; 1: Introduction: The Nature of Natural - What does domestication involve?2: Wild Things - Recently domesticated crops and crops that have returned to the wild3: Learning to Live with Exotic Sexual Practices - How plant breeding systems limit domestication4: Storing up Trouble - Plants with storage organs5: The Weird and Wonderful - Herbs, spices and crops with exotic phytochemicals6: Accidents of History - The role of chance events in domestication7: Classic Combinations and Reoccurring Themes - Plant families that have been repeatedly domesticated8: Ownership and Theft - How the economic value of crops has influenced their domestication9: Fifty Shades of Green - Nutrient rich crops and the next generation
This major new literary study offers a fresh view of the significance of the famous group of fourteenth-century poems, 'Pearl', 'Cleanness', 'Patience' and 'Sir Gawain and the Green Knight'. It is a comprehensive study which puts the poems themselves firmly at its centre, though it is always alert to relevant aspects of their literary and cultural context. John Anderson builds his discussions of the poems' ideas on an examination of the anonymous poet's superb Shakespeare-like language. He finds that the great fourteenth-century struggle, between religious and secular forces for control of men's minds, underlies all the poems. This title is the first in the new Manchester Medieval Literature series, which makes readability a priority. Accordingly, despite its wide range of reference and the radicalism of some of its leading ideas, this book is written in a jargon-free style designed to appeal to specialist, non-specialist and student readers alike.
Der freie Markt war einmal ein progressives Projekt, das zur Befreiung der Lohnabhängigen führen sollte – von obrigkeitsstaatlichen Strukturen und von der Gängelung durch die Arbeitgeber. Elizabeth Anderson zeigt, was aus dieser schönen Idee geworden ist: reine Ideologie in den Händen mächtiger ökonomischer Akteure, die sich wenig um die Freiheit und die Rechte von Arbeitnehmern scheren. Sie arbeitet heraus, wie sich der positive Zusammenhang zwischen freiem Markt und freiem Arbeiter aufgelöst hat, und bestimmt die gegenwärtige Beziehung zwischen Arbeitgebern und Arbeitnehmern neu: als eine von quasi autokratisch herrschenden, privaten Regierungen und den von ihnen Regierten, die in vielerlei Hinsicht das Nachsehen haben. Eine beeindruckende Dekonstruktion eines Mythos des Marktdenkens.
This major new literary study offers a fresh view of the significance of the famous group of fourteenth-century poems, 'Pearl', 'Cleanness', 'Patience' and 'Sir Gawain and the Green Knight'. It is a comprehensive study which puts the poems themselves firmly at its centre, though it is always alert to relevant aspects of their literary and cultural context. John Anderson builds his discussions of the poems' ideas on an examination of the anonymous poet's superb Shakespeare-like language. He finds that the great fourteenth-century struggle, between religious and secular forces for control of men's minds, underlies all the poems. This title is the first in the new Manchester Medieval Literature series, which makes readability a priority. Accordingly, despite its wide range of reference and the radicalism of some of its leading ideas, this book is written in a jargon-free style designed to appeal to specialist, non-specialist and student readers alike.
Auch im sechsten Jahr der großen Krise ist Italien noch nicht wieder auf die Beine gekommen. Die Kennzahlen sind alarmierend: 44 Prozent der Italiener unter 25 Jahren haben keine Arbeit; nach 2012 und 2013 schrumpft die italienische Wirtschaft 2014 erneut. Die ökonomische fällt mit einer fundamentalen Krise der staatlichen Institutionen zusammen. Das Vertrauen in Politik und Parteien ist auf einem historischen Tiefstand, die Protestbewegung des Kabarettisten Beppe Grillo wurde bei den Parlamentswahlen zur zweitstärksten Partei; Matteo Renzi, von den Medien als Hoffnungsträger gefeiert, kungelt mit seinem skandalumwitterten Vorgänger Berlusconi und feiert den ehemaligen englischen Premierminister Tony Blair als Vorbild, obwohl dieser in seiner Heimat längst zur persona non grata geworden ist. In seinem vielbeachteten Essay präsentiert der Historiker Perry Anderson eine Chronologie des italienischen Desasters. Italien betrachtet er dabei nicht als »Anomalie innerhalb Europas, sondern als eine Art Konzentrat« der Probleme eines Kontinents, der zunehmend von Entdemokratisierung, Korruption und Wachstumsschwäche gekennzeichnet ist.
'A rule of mine is this', said William Goldman in 1983, 'there are always three hot directors and one of them is always David Lean.' One of the best known and most admired of British film makers, David Lean had a directorial career that spanned five decades and encompassed everything from the intimate black-and-white romance of Brief Encounter (1945) to the spectacular Technicolor epic of Lawrence of Arabia (1962). This book offers comprehensive coverage of every feature film directed by Lean, yielding new insights on the established classics of his career as well as its lesser-known treasures. Its analysis prioritises questions of gender and emphasises the often-overlooked but highly significant recurrence of female-centred narratives throughout Lean's career. Drawing extensively on archival historical materials while also presenting nuanced close readings of individual films, David Lean offers a fascinating and original account of the work of a remarkable British film maker. ;
Als Halbwaise geboren, leidet der junge David unter den Grausamkeiten seines Stiefvaters und muß bereits als Zehnjähriger unter unmenschlichen Bedingungen in einer Fabrik arbeiten. Mit Mut und Intelligenz kann er sich aus diesen Verhältnissen befreien und findet schließlich seinen Weg in die Unabhängigkeit als Parlamentsreporter und Schriftsteller.