Corregidor is an independent Argentine publisher with more than five decades, dedicated to publishing and distributing a catalog focused in Latin American and Argentine literature.
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Nova knjiga insists to create good connection between comercial and elite.We pay close attention to all aspects of the publishing business according to the highest standards and criteria always taking care of the high quality of the translation, covers and textblock.Publishing sectors: fiction, non-fiction, classics, children books. Nova knjiga has a network of own bookstores in biggest towns which covers Montenegrin market. Beside the publishing we have great developed network of wholesale and we are main suppliers of the books in Montenegro. We provide to all companies in Montenegro and region easy way to buy all our editions and editions of other publishing houses.
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This series of books is the China Daily in collaboration with health experts from the Chinese Academy of Sciences, Union Medical College and other hospitals. It starts with the most relevant health problems for children, and selects the angle that can improve children's interests. It uses childlike illustrations, humorous styles and easy-to-understand The text interprets the code of life, the body’s important line of defense, the body’s response to the external environment and stress superpowers, the physical functions of special groups of people, and the impact of science and technology on the body, making children laugh while reading. Understood with a smile. Knowledge is immunity. This is a health knowledge diagram that you can understand at the first reading. It is also a set of basic solutions for scientific prevention and rational treatment of health problems. It helps children understand their own body, understand diseases, care for others, and take a scientific look at the body. Abnormal state.
The book encompasses representative Chinese modern and contemporary poetry, novels, proses, and dramas created by several well-known Chinese writers, like Gong Zizhen, Xu Zhimo, Dai Wangshu, Lu Xun, Lao She, Cao Yu, etc. In this book, each piece of work is presented with author introdcution, analysis of theme and artistic characteristics, and questions to be answered by readers.
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The first in-depth, comprehensive study of Korean cinema offering original insight into the relationships between ideology and the art of cinema from East Asian perspectives. Combines issues of contemporary Korean culture and cinematic representation of the society and people in both North and South Korea. Covers the introduction of motion pictures in 1903, Korean cinema during the Japanese colonial period (1910-45) and the development of North and South Korean cinema up to the 1990s. Introduces the works of Korea's major directors, and analyses the Korean film industry in terms of film production, distribution and reception. Based on this historical analysis, the study investigates ideological constructs in seventeen films, eight from North Korea and nine from South Korea.
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How difficult it is sometimes to separate the present from the days of the past... Who knows how the meeting of former friends will go, and whether it will happen at all?... Who knows... Has it come time to collect stones?... And if so, where to look for those stones? On the territory of the Motherland or in hot Africa? Or maybe in your own future? Questions, questions... Where will you find the answers and are they necessary?... No, the scientist-historian has not reached a final conclusion about this - the main character of the surprisingly subtle novel "The Time of Scattered Stones", a novel that will immerse you in the past, in stormy nineties, and will push out the cynical 2000s. In one day, our hero will cross at least two paths that sometimes run parallel, sometimes cross, and sometimes diverge, never to converge again. Friends, classmates, enemies. Funny modern realities, no less funny, and sometimes tragic events of the past. Crazy adventures, passions, betrayals. Stones, stones, stones... Has it come time to collect it, or maybe that time is still ahead?...
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Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
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Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike.
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“His great novel, his “immense contemporary social fresco”, his “made-in-bladi human comedy” - in the words with which he dazzles his virtual contacts - was now out of the question. To those who still asked him: “What's the status of this novel?”, he invariably replied: “Perhaps under other skies. Here, all we promote is mediocrity. And everyone would nod in agreement, wishing him well.” Djawad Rostom Touati Farid, Malia, Rami, Adib and other characters wander through La civilisation de l'ersatz, the second part of the trilogy: Le culte du ça, each equipped with their own socio-cultural baggage, some motivated to change the course of their lives, sure that the sun is much warmer elsewhere; others resigned to the idea that the world is as it is: just a two-variable equation - dominated/dominant -; and still others, self-sufficient, seeking redemption in the misfortunes of others, make their way between the strata of a society in turmoil, the victim of a frozen past, a sequestered present and a future held hostage. In La civilisation de l'ersatz, both neo-prolo-aspirants-bourgeois who don't even know they're there, replace each other between the fingers of a born writer. Everything is relativity: time, space, not to mention the mind...
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Posadas, summer of 2001. A twenty-year-old girl returns from Buenos Aires to her family home to help withdraw a sum of American dollars from a bank safe deposit box. These are the savings of her mother and her second father. Against the backdrop of Argentina’s crisis and growing social unrest, battling the heat and immersed in the provincial rhythm, her return to her hometown awakens a stream of speculations about money and family, the past and the future, wealth and poverty, the Capital and the provinces. As the narrative progresses with the relentless pace of a powerful river, the current settles into lucid observations alongside a touch of humor and a subtle irony about Argentina's cyclical crises, making this novel a revealing, immensely enjoyable read—almost a catharsis or an epiphany.
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Anatolii is a taxi driver, and his wife Lesia is a folklorist, who researches fairytales. They have two children- the eldest daughter Julia and little Bohdan, as well as the girl’s favorite kitty Emma. On the first day of the Russian invasion, Anatolii witnessed a mass evacuation from Kyiv. But he is convinced that everything will end soon. His confidence is transferred to Lesia, but she is afraid to stay in Kyiv at a time when the city is being bombed. Lesia insists that the family leave the city and go to a small village named Antonivka, where they would be safe. But fate plays tricks with them and the village ends up under the control of invaders. The story tells about the life of a young family that has survived the hell of occupation but hasn’t lost its humanity.
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The book has a total of 22 chapters and 1.5 million words. It was written by more than 20 experts and scholars in the field of Confucianism. The book has two main lines: Confucianism of famous thinkers in the past and Confucianism of folk beliefs. It integrates and interprets Confucianism of more than two thousand years in a clear way, including thoughts of benevolence, righteousness, etiquette, wisdom, integrity, filial piety, friendship, shame, courage, forgiveness, happiness, natural principles, conscience and etc.
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1978-2018, a big era. Reform and opening up have profoundly affected the changes in the way of life of the Chinese people. The manuscript replays the development of social life in China over the past 40 years of reform and opening up. It mainly sorts out the great changes in our lives in the past 40 years from the aspects of clothing, food, housing, market, love, and play. Adhering to the purpose of "a magazine and the body temperature of an era", the manuscript has a unique perspective and rich details, which can be regarded as a brief history of alternative life with warmth in this era.
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Sathyakama is perhaps the greatest novel of Kathleen Jayawardane, based on the quest of an individual for truth of love. It can be described as one of the most interesting and profound philosophical novels written in Sinhala. Sathyakama, a young man, son of a rich Brahmin, encounters emotional conflict with his own self, renounces the household life, and becomes a wanderer, following a tortuous and torturous path living in forest among animals and nature, meeting ascetics and intellectuals of the day, including Gauthama the Buddha, learning from them re-shaping his quest. Extraordinary moving novel, unfolded in a historical setting of the sixth century BC India, and elegantly written in a language of poetic prose.
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Contemporary focus, right up to date with material from 1980s and 90s. Wide-ranging analyses of major directors, themes, genres and issues, including historical film, genre cinema, women in film and autonomies.
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Contemporary French cinema is an essential introduction to popular French film of the last 35 years. It charts recent developments in all genres of French cinema with analyses of over 120 movies, from Les Valseuses to Caché. Reflecting the diversity of French film production since the New Wave, this clear and perceptive study includes chapters on the heritage film, the thriller and the war movie, alongside the 'cinéma du look', representations of sexuality, comedies, the work of women film makers and le jeune cinéma. Each chapter introduces the public reception and critical debates surrounding a given genre, interwoven with detailed accounts of relevant films. Confirmed as a major contribution to both Film Studies and French Studies, this book is a fascinating volume for students and fans of French film alike. ;
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— An extraordinary story of migration — Contemporary history of the 70s and backgrounds to India, Afghanistan, Iran, Turkey, Bulgaria, the former Yugoslavia, the GDR and the Federal Republic of Germany He was the son of the Sikh priest, a successful 400-meter runner and, eventually, a migrant. In 1979, Bagicha Singh turned his back on his homeland and set off with a head full of dreams on the long, turbulent overland journey from India to Germany. It was the year the Soviet Union invaded Afghanistan and the Islamic Revolution raged in Iran. A year whose aftermath continues to shape the world to this day. More than 40 years later, his daughter tells the story of Bagicha's adventurous journey. The result is a touching document on origin, contemporary history, and the meaning of migration.
