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      • Cinosargo

        Cinosargo Editions is a Chilean publishing label based in Mexico. We are a cross-border project with a catalog of one hundred titles by Latin American authors. Cinosargo is a multimedia project that was born on the northern border of Chile (Arica), bordering Peru and Bolivia in 2003. Since 2010 we have become one of the Chilean independent publishers with the greatest projection and continuity.Cinosargo covers the digital dissemination of art through its magazine, and the production and distribution of the printed book thanks to our publishing house and the organization of Fairs, Festivals and Congresses. You can visit our sites www.cinosargo.cl and www.cinosargoediciones.comOur editorial team is led by Daniel Rojas Pachas, Milvia Alata and Gonzalo Geraldo.

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      • Trusted Partner
        September 1991

        Der gelbe Regen

        Roman. Aus dem Spanischen von Wilfried Böhringer

        by Julio Llamazares, Wilfried Böhringer

        Julio Llamazares wurde 1955 als Sohn des Dorfschullehrers in Vegamián, in der nordspanischen Provinz León, geboren. Mit 12 Jahren wurde er in ein Internat nach Madrid geschickt. Er studierte zunächst Jura, arbeitete jedoch nur kurze Zeit als Rechtsanwalt. Statt dessen begann er in Madrid für verschiedene Medien journalistisch tätig zu werden. Seine erste literarische Veröffentlichung war der Gedichtband La lentitud des los bueyes von 1979, der den "Premio de Poesía Antonio G. de Lama" erhielt. Eine Essay-Sammlung El entierro de Genarín. Evangelio apócrifo del último heterodoxo español folgte 1981 und ein Jahr später weitere Gedichte unter dem Titel Memoria de la nieve, die mit dem "Premio Jorge Guillén" ausgezeichnet wurden. Neben den drei Romanen, Luna de lobos (1985, dt. Wolfsmond, 1991), La lluvia amarilla (1988, dt. Der gelbe Regen, 1991) und Escenas de cine mudo (1994, dt. Stummfilmszenen, 1998) sind von Llamazares auch journalistische Arbeiten und Reiseberichte in Buchform erschienen. Luna de lobos, der erste Roman, war in Spanien ein großer literarischer Erfolg und wurde zwei Jahre später unter demselben Titel, nach einem von Llamazares verfaßten Drehbuch, verfilmt. Die Erfahrung des Verlustes seines Geburtsortes - 1968 mußte das Dorf einem Stausee weichen - war prägend für das literarische Schaffen von Julio Llamazares. Die verlassene, vom Aussterben bedrohte ländliche Bergregion Leóns und Asturiens bildet immer wieder den Hintergrund seiner Werke. Im Zentrum steht das Verschwinden von Traditionen und eine Sensibilität, die die Natur als vom Menschen unabhängige Einheit betrachtet. In der Gegenüberstellung von ländlichem und städtischem Leben wird jedoch die Natur nicht idyllisch verklärt - sie ist vielmehr bestimmt von Einsamkeit, Überlebenskampf und Sterben. Sein literarisches Werk, das auch als poetische Reflexion über die Einsamkeit gelesen werden kann, hat Julio Llamazares zu einem herausragenden Vertreter der jüngeren Schriftsteller-Generation im postfranquistischen Spanien gemacht.

      • Trusted Partner

        Evita

        by Dvora Schechner

        Evita – de Dvora Schechner Esta es la fascinante historia de Eva Perón (1919-1952) en su corta pero intensa trayectoria. Trata de las pasiones, los temores y los odios, las gentes, las situaciones y el entorno que la hicieron ser “Evita”. “Confieso que tengo una ambición, una gran ambición personal: quisiera que el nombre de Evita figurase alguna vez en la Historia de mi Patria” escribió unos meses antes de morir. Indudablemente ha conquistado su lugar. Más, ese lugar ?donde se encuentra? Numerosas son las obras que protagoniza, tanto estudios académicos como novelas, cine, teatro, poesía. La mayoría adopta uno de los mitos contradictorios de quien fue la mujer más amada, pero también la más odiada y temida en su tiempo. Para unos es La Abanderada de los Trabajadores, La Madre de los Humildes, Santa Evita. Para otros, La prostituta, La Mujer del Látigo, La Nazi-Peronista. A 20 años de su muerte, hubo jóvenes que creían que si Evita viviera, sería una guerrillera Montonera. En esta biografía Evita es observada desde otras latitudes. Se analiza la revolución peronista y se revisa nuevamente la doctrina de Juan Perón, en la cual ensambla perfectamente la Evita real, que plasma su propio carisma para actuar en un régimen populista autoritario. Esta, la Evita de verdad, es más interesante y rica en facetas, que cualquier leyenda. La autora, Dvora Schechner – escritora y educadora israelí, miembro del kibbutz Gazit en la Baja Galilea – es nacida en Buenos Aires en 1930. En su adolescencia se opuso al peronismo hasta que emigró a Israel en 1952, dos meses antes de la muerte de Eva Perón. Una película documental con las fotos de los millones de argentinos llorándola la impulsó a tratar de descifrar el enigma de esa personalidad histórica. ?Quién fue Evita; qué hay detrás del amor y del odio que despierta es mujer hasta hoy mismo? Dvora Schechner estudió Humanidades en el Seminario Oranim, es licenciada en Filosofía e Historia en la Universidad de Tel Aviv. Escribió: La Guerra Civil Española (1962 – 1970), La Inquisición Española (1972), Evita (1995), Una Muchacha Política (2003).

      • Humanities & Social Sciences

        The Gospel of Prosperity

        Literary and critical perspectives about the science of getting right quick

        by Luis Miguel Estrada

        In 2020, amidst the whirlwind of the COVID-19 pandemic, the ideas from books about the science of becoming a millionaire returned to Luis Miguel Estrada whom, since he left a financial job, has dedicated himself fully to literature. In this book, he thinks  some of the key questions raised by bestsellers from Napoleon Hill to Kiyosaki. Do we stop seeking money just because we pursue art? More importantly: regardless of what we do, how do we seek money? Why have narratives like positive thinking and the law of attraction become a universal language that gains strength during each economic crisis? Is there a link between bestsellers about the science of getting rich and great universal literature? This book attempts to answer these questions, beginning with the origins of books on becoming a millionaire, which delve into the agile 19th-century United States, transition through the fast-paced turn of the century, and explode in the years after the Great Depression. The journey continues with examples of wild successes (real-life fraudsters like Elizabeth Holmes or fictional criminals like Walter White from Breaking Bad) that prompt us to question the influence of success-at-any-cost ideas on popular culture, as well as their ethical limits. How can one reconcile readings, cultural products, and experiences that seem so distant? The broader reading audience responds more to "Think and Grow Rich" by Napoleon Hill than to "The Grapes of Wrath" by John Steinbeck. Is there a way to read them alongside each other and emerge renewed from the experience? This book invites you on that adventure.

      • Fiction

        Andreaa Constantin

        by Esteban Torres Lana

        A dangerous challenge at sea through a rock arch battered by strong waves. She ends up seriously injured in a leg when her friend Aurelio arrives at the cove. Overcoming her pain, she hides her injuries from Aurelio and tells him the extraordinary story of her mother, which propelled her to undertake such a madness. The story begins 6 years ago in Tenerife, with Nayra's expulsion from Philosophy class for the third time in a week, causing Pablo, her father, to pick her up from school and embark on a long day of disputes, confessions, and finally, complicities between them. Walking around Santa Cruz, canceling classes and professional commitments, Pablo and Nayra spend the day discovering a personal and sentimental reality that surprises them. The problems Nayra mentions with a group of immigrant classmates, along with the aggression Nayra shows towards her mother, Lola, prompt Pablo to tell her the unfinished story with Andreea, a high-class Romanian prostitute. Pablo cannot control the level of intimacy of the tale despite his own amazement, hearing himself say things he thought were unspeakable. Nayra responds, between disputes and affection, interspersing her own confidences, some of them having a strong impact, like the adventure with an immigrant who arrived on the beaches of Fuerteventura during a summer excursion. Neither tells the most intimate details of their stories truthfully, but they are accessible to the reader. Despite frequent arguments due to the teenager's incisive and groundbreaking language, their complicity grows and they end up spending the day together, walking through different places in the city. The story with Andreea takes on dramatic tones that completely captivate the young woman. Two suicides, the chase by Romanian mafia, returning to her hometown, searching for Pablo, Andreea’s struggle to regain her dignity and her artistic capacity through painting, and the apparent disappearance of her father's life, capture Nayra’s attention. Despite the narrative tricks used by Pablo, when night falls and they reach home, Nayra connects the dots and is surprised to discover that her perfectionist and successful mother, a recognized painter from Santa Cruz, with whom she has had a very conflictive season, is Andreea Constantin, the Romanian immigrant her father met as a high-class prostitute. After an initial reaction of rejection due to the ignorance in which she was kept, she understands her mother's situation. All the questions she always had about many details of her life arise with the discovery. A few years after discovering her identity, Andreea disappears from home. A call from Romania alerts them to the discovery of two charred bodies near her birthplace and the presence of her old exploiter nearby, who cursed her for life through a Transylvania ritual when she abandoned prostitution. Knowing she was discovered in Tenerife, Andreea tried to keep her family away from danger and returned to her country, where she was easy prey for the mafia. Pablo and his daughter Nayra fly to Bucharest to identify Andreea’s body, which may have been brutally murdered and burned. When it seems the identification will be negative, a small detail of the clothing makes them doubt. Desolate, they receive medical and psychological support from the Romanian team, but it turns out to be a false lead. Andreea is rescued from a hideout and has survived due to a misunderstanding by her captors. Protected by the Romanian police, she later becomes a key witness whose testimony ends the dangerous band of her pimp. But that bravery comes at a price; 2 years later, she does not return from an art exhibition in Paris. The police believe that her exploiter’s curse was fulfilled by a nephew who visited him in prison shortly before his death and was seen in Paris during the days Andreea had the exhibition. After a year of anguish, Nayra can no longer bear the situation and decides to mourn her mother at the cove where she painted her last picture. It had as its background the rock arch symbolizing the risk of living and facing life’s challenges. Nayra considers her mother lost and throws Andreea’s ashes into the sea, symbolized by those of a magnolia branch she planted many years ago. With this, she internalizes the loss and the fighting values Andreea taught her. The exit from the volcanic cove is a song to the life that continues and to the young woman who represents it. The novel is dedicated to the memory of Andreea Constantin and the thousands of women sexually exploited around the world.

      • Trusted Partner
        Film theory & criticism
        February 2014

        The Encyclopedia of British Film

        Fourth edition

        by Edited by Brian McFarlane

        With well over 6,300 articles, including over 500 new entries, this fourth edition of The Encyclopedia of British Film is a fully updated invaluable reference guide to the British film industry. It is the most authoritative volume yet, stretching from the inception of the industry to the present day, with detailed listings of the producers, directors, actors and studios behind a century or so of great British cinema. Brian McFarlane's meticulously researched guide is the definitive companion for anyone interested in the world of film. Previous editions have sold many thousands of copies and this fourth edition will be an essential work of reference for enthusiasts interested in the history of British cinema, and for universities and libraries.

      • October 2019

        Semióticas del cine y del audiovisual

        by Juan Alberto Conde, Torben Grodal,Buckland, Warren, Oakley, Todd, Odin, Roger. Echeverri Jaramillo, Andrea. Díaz Roa, César Augusto. Duarte, German A. Ríos, Diego Felipe. Finol, José Enrique. Finol, David Enrique. Corral Cuartas, Álvaro. Sosa, Diego Hernando.

        El presente volumen reúne una serie de textos escritos y publicados en las dos primeras décadas del siglo XXI, que abordan los problemas y objetos tradicionales de la semiótica fílmica y audiovisual, o que proponen nuevos objetos de indagación, nuevas preguntas. La primera parte está consagrada a las teorías generales, y en ella tiene preponderancia el denominado “giro cognitivo” de los estudios fílmicos, a partir de traducciones de textos inéditos en castellano: la teoría del flujo PECMA del investigador danés Torben Grodal; la semántica cognitiva aplicada a la interpretación audiovisual del británico Warren Buckland, o una nueva aproximación a la experiencia del espectador frente al dispositivo audiovisual por parte de Todd Oakley. En esta parte también se incluyen traducciones de dos textos de Roger Odin, pionero del enfoque semiopragmático, que permiten ver su pertinencia para abordar tanto problemas de la historia del cine y el audiovisual, como de sus manifestaciones contemporáneas.

      • The Arts

        Memoria y paisaje en el cine japonés de posguerra

        by Pedro Iacobelli y Claudia Lira

        La Segunda Guerra Mundial en Japón fue un evento único y transformador que implicó la reconstrucción física y espiritual del país. El paisaje —como categoría estética— y la memoria —como una entidad colectiva— son conceptos que permiten auscultar a los pueblos luego de crisis históricas profundas. En este sentido, la presente publicación examina las principales corrientes del cine japonés a partir de una lectura y análisis histórico y estético, e innova en la lectura de las sociedades poscrisis al incorporar una visión interdisciplinaria original. “No hay nación cuyo sentido del tiempo y del espacio se mantengan invariables después de una catástrofe fundamental. El cine de posguerra de Japón, a través del desarrollo estético de sus identidades espaciales y temporales, conjuga poéticamente las nociones de trauma, origen e identidad. Los minuciosos escritos que reúne este libro analizan ese corpus fílmico en torno a los conceptos de memoria y paisaje, pero no solo como tipificación de argumentos, elementos de drama o iconografías, sino especialmente como ideas audiovisuales de la conciencia moderna en crisis, forma que desde occidente o desde nuestra periferia contemplamos con una extrañeza familiar”. Pablo Corro PhD, director del Magíster en Estudios de Cine. Instituto de Estética UC

      • Literature & Literary Studies
        January 2020

        Descartes periódicos

        by Juan Rodríguez M.

        La muerte de la poesía, la revolución del Quijote, los universos que son Cuba y España, el pensamiento frente al crimen, el milagro de la ficción, las violencias latinoamericanas, el cine como literatura, la imaginación, el fútbol y la ciencia, la modernidad de Raúl Ruiz y Baudelaire; el ser humano. De eso hablan estas mujeres y hombres que narran: poetas, cronistas, cineastas y novelistas unidos por la pasión irrestricta y consciente hacia sus oficios. Este libro recoge entrevistas publicadas en el suplemento Artes y Letras, pero incluye el material descartado por las limitaciones de espacio de la prensa tradicional. Entrevistas a: Raúl Zurita (Chile), Jean-Marie Gustave Le Clézio (Francia), Wendy Guerra (Cuba), Ian Gibson (Irlanda), Margerethe von Trotta (Alemania), César Aira (Argentina), Jon Lee Andreson (Estados Unidos), Guillermo Arriaga (México), Juan Villoro (México), Alan Pauls (Argentina).

      • The Arts
        November 2014

        Infierno: Colleccion de Arte

        by Dino Di Durante

        "Infierno - Collección de Arte" de Dino Di Durante es un libro de 72 pinturas basada en el Infierno de Dante, la primera parte su gran obra maestra literaria - La Divina Comedia. La mayor parte de estas pinturas fueron usadas en una pelicula titulada "Dante's Hell Animated" (DVD en Amazon), con la voz de Eric Roberts como Dante y  estrenada en el Festival de Cine de Cannes. Toda la colección se presentara en la proxima pelicula "Inferno de Dante", con mas de 30 artistas y profesores de los Estados Unidos e Italia, ademas de un Monsenor del Vaticano. Esta pelicula se estrenara en 2020 en el mercado del festival de Roma y luego en el festival de cine Ravenna Nightmare.

      • Ceremonias de lo invisible

        by David Oubiña

        How to apprehend what cannot be seen with an artifact that only captures the evident movement of things? asks David Oubiña, defiantly. Ceremonias de lo invisible proposes to the reader to think of cinema. No longer as a device of representation, but as a machine capable of perceiving the limits of experience, where cinematographic images lose their character of transparency to enter into dilemmas and tensions of reality. In this book, death will be considered as mass annihilation or as an individual and coincidental accident. Both concepts, inverted and complementary, are reviewed by the author in two short essays that are shown in the films Shoah (Claude Lanzmann, 1985) and Ugetsu, The tales of the wave after the rain moon (Kenji Mizoguchi, 1953). David Oubiña has a PhD in Literature from University of Buenos Aires (UBA) and majored in Cinema at the same institution. He has been a visiting researcher at the University of London and a visiting professor at the University of Bergen, New York University and University of California, Berkeley. He is a member of the Board of Directors of the magazines Las Ranas (arte, ensayo y traducción) and Revista de cine. He has received grants from the Fulbright Commission, the British Council, Fundación Antorchas and Argentine National Endowment for the Arts. In 2006, he received a Guggenheim Fellowship. He has published the books: Filmología. Ensayos con el cine (2000, First Essay Award of the Argentine National Endowment for the Arts); El cine de Hugo Santiago (2002); Jean-Luc Godard: el pensamiento del cine (2003); Estudio crítico sobre La ciénaga, de Lucrecia Martel (2007); Una juguetería filosófica: Cine, cronofotografía y arte digital (2009) and El silencio y sus bordes. Modos de lo extremo en la literatura y el cine (2011, Third National Essay Award).

      • Geography & the Environment

        Chile geopoético

        by Miguel Laborde

        Esta publicación reúne veintiocho columnas del investigador, académico y escritor Miguel Laborde, con ilustraciones de Alejandra Acosta, publicadas en la revista La Panera. Sus textos dan cuenta de una serie de datos geográficos e históricos que permiten asomarse a ciertos rasgos distintivos de Chile desde los cuales se construye un relato del imaginario local. La geopoética como concepto nace como una herramienta para comprender y expresar nuestra relación con el mundo y el pensar a la Tierra. Considera la cultura como el modo en el que los seres humanos se conciben a sí mismos y se organizan y orientan. “Desde el punto de vista literario, un libro como este, que corrió el riesgo de ser concebido por la vía de la protesta en un lenguaje de pura comunicación, es, por el contrario, un libro poético, de excelente prosa, de gran riqueza de imágenes y sorpresas de lógica e ilógica. Su crítica al modelo de civilización vigente es lapidaria, pero de un furor contenido”. Gastón Soublette

      • Crime & mystery fiction (Children's/YA)
        2009

        Mystery in the Camp

        by Beatriz García-Huidobro

        The follow up of the adventures of Diego and his friends. This time the mystery moves to a camp located in the Andes mountains. There, the stories of suspense are intertwined and will keep the readers' interest.

      • The Big Brass Ring

        by Orson Welles, Oja Kodar

        With a foreword by James Pepper and an essay by Jonathan Rosenbaum. Welles consciously conceived The Big Brass Ring as a companion piece to his masterpiece Citizen Kane. Here he is again concerned with the idea of the great man, and with what happens at the convergence of great talent, public ambition and the undertow of obscure, private longings rooted in the past. A film of The Big Brass Ring, its script heavily edited, appeared in 1999, with William Hurt in the lead role.   More than a footnote to a brilliant career; it is a playful, witty and moving tale of hollow ambition, lost love and loyal friendship…stands in its own right, either as a surprisingly readable cine-novella or, for Welles scholars, as a valuable insight into the filmmaker's personal and artistic preoccupations. - Time Out   The script in its present form, with its witty and extensive stage directions, gives a tremendous sense of what it might have been like in the company of the great raconteur himself. The whole script is sexier than almost anything else of his output too, and the authors have taken great care to let us "see" what the film might have been – enthralling, sexy, funny, and politically as trenchant as anything being made today. - Simon Callow

      • PASIÓN IMPERFECTA

        by ROBERTO LAPID

        Fritz es un joven austríaco que se hace cargo, a sus 19 años, de la fábrica de armas de su padre y llega a poseer una de las fortunas más grandes del planeta. Es rico, excéntrico, poderoso, mujeriego y astuto. Durante la preguerrasus clientes son Mussolini, Hitler y Franco; entre otros. En 1932, al ver la película Éxtasis, en la que la actriz Hedy Kiesler interpreta el primer desnudo total femenino y el primer orgasmo en la pantalla grande, se enamora y se casa con ella. Hedy es una joven bella y superdotada, estudia teatro e ingeniería y tiene una vida plagada de amantes. Se casa con Fritz y viven en su castillo de Salzburgo. Tras una pasión desbordante ella escapa hacia América para triunfar en Hollywood como Hedy Lamarr, la mujer más bella del cine; es, además, la inventora de un sistema de comunicaciones que permite, hoy, la utilización del Wi-Fi, el Bluetooth y el GPS. Novela basada en la historia verdadera de dos personajes extravagantes. Amor, secretos, trampas, espionaje, política, intrigas y pasión se entremezclan en esta historia que viaja desde una Europa en guerra a los Estados Unidos y a la Argentina, y que atrapa al lector desde su primera página.

      • Humour collections & anthologies
        October 2022

        Incomplete works (2015-2022)

        by Lorenzo Montatore

        In recent years, Lorenzo Montatore has demonstrated an unusual ability to combine a variety of references. In his works we can see the influence of literary classics, key figures from graphic humour, comics, music and, of course, 8-bit videogames. This all combines to create a highly original approach to the language of comics, praised by fellow industry professionals and critics alike.  In 2017 and 2021 he was nominated for the Cómic Barcelona awards in the best new author and best children’s comic categories. Restless and prolific, in addition to collaborations with major publishers, Montatore has created numerous self-published offerings. Obras Incompletas compiles a major part of the fanzines that he has published over the last five years. It also includes unpublished comics and plenty of additional material: photos, sketches, texts providing background to each piece, a complete interview by Gerardo Vilches and a prologue by Rubén Lardín allowing the reader to enjoy a total immersion in the fascinating imaginary world of an author who manages to blend tradition and modernity to make, in Max’s words, “pure comics”.

      • Travel & Transport

        CINÉ VOYAGE COLLECTION

        by MULTIPLE AUTHORS

        An original series to discover the world through cinema.     Ciné voyage is a unique collection. 19 titles and counting take the reader on a stroll through the streets of emblematic cities and places of importance in the history of cinema. The books are illustrated in color, with original maps. At the end are three indexes (films, directors, places). For more information, go to the Espace & Signes website.   Currently available in the collection:   - LE RIO GRANDE ET LA FRONTIÈRE USA-MEXIQUE - TANGER - BARCELONE - NEW YORK - LA CÔTE D'AZUR - MADRID - MARSEILLE - TOKYO - SAN FRANCISCO - ROME - 30 SECONDES EN ARIZONA - MOSCOU & SAINT-PÉTERSBOURG - LAS VEGAS - BOMBAY - MONTMARTRE - L'IRAN -  BERLIN - CROATIE, BOSNIE-HERZÉGOVINE, SERBIE - HONG KONG & MACAO

      • Television & film (Children's/YA)
        2015

        Movies to Imagine. The Adventure Begins in Yucatan

        by Zoraida Vásquez Beveraggi

        The cinematograph is one of the greatest inventions of all times. Children and adults continue to be amazed at the screen. We never stop asking: Who invented the movies?, where?, when?, which was the first film? Although many books have been written to answer all these questions, we wanted to know whan happened in Mexico; so we reviewed old documents and kept asking the experts. At the end of this journey we found an answer that very few know of: The first feature film was done in Merida, Yucatan in 1916! Prize in Eur 13:00. This book is coedition with the Secretary of Culture in Mexico. 92,070 copies sold to the Secretary of Public Education

      • Cinematographic

        by Gema Sirven, Ana Pez

        "Cinematográfico is a riotous cavalcade through the fascinating story of cinema, from its beginnings to the present day. In just forty pages, images and text use the language and techniques of film - laced with a refreshing dose of irony and surprise - to give young readers a precise account of the history of film." Bologna Children's Book Fair 2020 - Jury How can children’s books tell the story of cinema? An invitation to get children to discover the fascinating world of cinema, its key protagonists, the different techniques and crafts of film making as well as the many possibilities for this media in the future.

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