Círculo de Poesía is a publishing group specialized in poetry with three publishing houses. In addition we publish the most widespread digital poetry magazine in the entire Spanish language world to share poems and information about books and authors with more than 12,000,000 readers (https://circulodepoesia.com/) We have built an extensive distribution and advertising networks specialized in poetry books.
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Bardon-Chinese Media Agency licenses European, USA, and Japanese copyrights including academic and trade titles and children books in Chinese language markets. The agency promotes, negotiates and licenses Chinese translation for publications, serializations, permissions, co-production and its derivative rights in form of exhibitions, performances and merchandising on behalf of its clients worldwide. The agency vice versa is handling foreign rights of Chinese original writings on behalf of some prominent Chinese authors or outstanding works. As a local agency specializing in Chinese speaking territories, the agency takes pride in matchmaking numerous translation titles to become million bestsellers in China. The agency facilitates an professional and well experienced crew to consistently monitor and collect the sales reports and following royalty payments of all deals. The agency is widely regarded as one of the Chinese leading literary agencies with its professional and objective knowledge of the market and publishing houses.
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The book encompasses representative Chinese modern and contemporary poetry, novels, proses, and dramas created by several well-known Chinese writers, like Gong Zizhen, Xu Zhimo, Dai Wangshu, Lu Xun, Lao She, Cao Yu, etc. In this book, each piece of work is presented with author introdcution, analysis of theme and artistic characteristics, and questions to be answered by readers.
Zheng Chouyu is one of the most representative poets of modern Chinese poetry. His poems are characterized with elegance, fluency, imagination and lyricism. Various images and gentle, gorgeous style make him a very popular poet.
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The lyric poetry describes and praises Yongzhou, a city of Hunan province that is noted for its profound history and breathtaking landscape. The book combines poems composed by the author and various pictures to lead readers to appreciate the beauty of Yongzhou.
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Du Fu (712-770), China's great poet in the Tang Dynasty. After experiencing the decline of the Tang dynasty, he witnessed the changes of the current situation, created poems that reflect the difficult and livelihood problems of the people with his extraordinary artistic talents, and was later praised for his "history of poetry." Poetry also content of the works, such as singing natural scenery, reviews of ancient and modern personnel, laments his talent description skills, portrayals of birds and animals, all have celebrated the famous works. To more than 1,400 Du Fu, greatly enriched and developed the artistic techniques of ancient Chinese poetry. Du Fu's character and poem have an extremely far-reaching impact on future generations. He is one of the most outstanding representatives of Chinese traditional culture. The book includes 135 Du Fu poetry translated by the famous American house Burton Watson.
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This collection of poems chosen and translated by Yu Kwang-chung, the poet himself, covers over eighty poems from 1958 to 2014. Unlike other poetry anthology, the poems in Night Watchman have been handpicked by the author personally. It includes classic works like Nostalgia, Jadeite Cabbage, Four Songs of Nostalgia, A Tug of War with Eternity, On the Rivers and Lakes, etc. and poems in different styles which have never beenpublished in the mainland before. These works, translated into English by the author，combine the charm of classic Chinese literature and the spirit of modern western literature, and embody the sound interaction between writing and translating.
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The author enables the reader to understand the advancement of Chinese history through the reorganization and introduction of the development of Chinese scripts over the past 5,000 years. Starting from the ancient times with tying knots to the legendary of Cang Jie Creates Writing, the look of Chinese script has been evolving and evolving. Through oracle bone script, large seal script, small seal script, official script, regular script, running script, and cursive script, Chinese characters are the only writing system in the world that has not been lost. The author finds the interesting stories behind the Chinese scripts by combining historical facts to uncover representative fonts. It also includes the introduction of historical minority scripts, so that readers can better understand that not only Chinese characters were glorious in Chinese history, but also minority scripts which also witnessed the process of ethnic integration and development. This book also includes the only gender script that exists in the world today, the Jiangyong Women's Script from Hunan, which is a unique and rare cultural relic, and it also a valuable resource for our national culture. Chinese characters have also been widely spread throughout history, and this book also introduce how the Chinese characters spread to other countries.
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Dami Ajayi journeys into emotional borders that reveal the burdens of transitions, offering us lyrical poetry that reinvents perspectives. Here is the poetry of the quotidian, a philosophic and profound interrogation, and relationships, of words, of bodies and their burdens, of times and time. There is poetry here, and it breathes.
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This volume systematically introduces the origin and development of Chinese coins, interspersed with many legends and anecdotes. It is an informative and readable book for disseminating knowledge of Chinese coin culture.
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“The Classic of Mountains and River "is an ancient Chinese pre-Qin books, but also an encyclopedia reflects the ancient Chinese society. Its content involves history, geography, nationality, mythology, religion, animals, plants, minerals, medicine and so on. Its encyclopedic content and strange content make it rare for ancient books. The book is divided into eighteen volumes, from the volume of a "Nanshan Jing" to volume five "Zhongshan Classic" known as the "Five Sangsanjing", from Volume VI "Overseas Nankan" to Volume 18 "Nei Jing" as "the sea through". Together, the two parts, collectively referred to as "Shan Hai Jing." The Great Chinese Library: The Chinese Version of the Shan Hai Jing (Chinese-English) Reference for English Translation is a new and reliable translation of Shan Hai Jing by the Shanghai Ancient Books Publishing House in July 2008. this. English translator Professor Wang Hong is good at translating Chinese books and books. He has translated a large number of Chinese libraries into Chinese including Mozi, Mengxi Bi Tan, Mandarin, Ming and Qing Essays, : Shan Hai Jing (Chinese-English comparison) ".
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This is an interesting speech of Tang poetry written by a father to his children. With vivid, funny and modern language, the author introduces Tang poetry which is suitable for primary school students to read and recite. The book is also equipped with the historical background related to poetry, the personality and experience of poets, so that children can enjoy the beauty of poetry in a relaxed and interesting atmosphere, and quickly master and learn the essence of Chinese classical culture
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This volume illustrates the cultural characteristics of Chinese food, Chinese cooking, food-related myths and legends, food and worship, food and celebrities, and literature.
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This two-volume book features 889 carefully selected Chinese herbs, providing detailed information on each herb's source, morphology, habitat distribution, harvesting and processing, medicinal properties, pharmacological effects, flavors and meridians, therapeutic functions, dosages, and usage. The hand-drawn illustrations are exceptionally beautiful and realistic. An index organized by stroke order is included for easy reference.
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Ancient Chinese diplomacy refers to diplomatic activities during the period from the beginning of ancient diplomacy to the outbreak of the Opium War in 1840. The manuscript describes the history of this period. The Xia, Shang, and Western Zhou Dynasties were the emergence and formation of ancient Chinese diplomacy. The Spring and Autumn and Warring States Periods were the development of ancient Chinese diplomacy. The Han Dynasty was the stereotype of ancient Chinese diplomacy. The Tang Dynasty was the heyday of ancient Chinese diplomacy. The period of transformation of ancient diplomacy. Ancient China's diplomacy is foreign affairs diplomacy. The revelation left is that the stronger the national strength, the more capable it can be, and the more rational compromise, the more it can make a difference. The readers of the manuscript are researchers of Chinese history and diplomatic history, and students of Chinese history and diplomatic history.
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After summarizing the traditional philosophy, this volume explains its spiritual connotation in a simple way, introducing the philosophy of engagement, the philosophy of retreat and the philosophy of accommodation from a new angle. It explains the abstruse philosophy in a story-telling way, and discusses the value of Chinese classical philosophy.
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This study examines Exeter riddles, Anglo-Saxon biblical poems (Exodus, Andreas, Judith) and Beowulf in order to uncover the poetics of spolia, an imaginative use of recycled fictional artefacts to create sites of metatextual reflection. Old English poetry famously lacks an explicit ars poetica. This book argues that attention to particularly charged moments within texts - especially those concerned with translation, transformation and the layering of various pasts - yields a previously unrecognised means for theorising Anglo-Saxon poetic creativity. Borrowed objects and the art of poetry works at the intersections of materiality and poetics, balancing insights from thing theory and related approaches with close readings of passages from Old English texts.
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Traditional Chinese doors and windows embody many skills, arts and customs. This set of books collects thousands of pictures of different styles, and is divided into two volumes to provide systematic material for architectonics.
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The manuscript objectively records the difficult and tortuous process of the Chinese people's exploration of the road to socialist construction. It focuses on the wisdom and determination of Comrade Deng Xiaoping's firmly on Chinese Communist Party belief, loyalty to the party, and the creation of a socialist cause with Chinese characteristics. The book has rich historical materials, vivid language, clear context, and objectively and truly describes the twists and turns of Deng Xiaoping's "three falls and three rises."
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This book series contain 5 volumes: The Centennial History of Chinese Cinematography (1900-2000) The Centennial History of Chinese Fine Arts (1900-2000) The Centennial History of Chinese Dancing (1900-2000) The Centennial History of Chinese Drama (1900-2000) The Centennial History of Chinese Music (1900-2000) A period historical works of the Chinese Art for the last hundred years (1900-2000),offering a profound analysis of the underlying interaction between the development of the centenial history of fine arts and society, economy, thoughts and cultural vicissitudes through the narration of the conditions of the development of Chinese art.
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In Singapore and Malaysia, the inversion of Chinese Underworld traditions has meant that Underworld demons are now amongst the most commonly venerated deities in statue form, channelled through their spirit mediums, tang-ki. The Chinese Underworld and its sub-hells are populated by a bureaucracy drawn from the Buddhist, Taoist and vernacular pantheons. Under the watchful eye of Hell's 'enforcers', the lower echelons of demon soldiers impose post-mortal punishments on the souls of the recently deceased for moral transgressions committed during their prior incarnations. Chinese religion in contemporary Singapore, Malaysia and Taiwan offers an ethnography of contemporary Chinese Underworld traditions, where night-time cemetery rituals assist the souls of the dead, exorcised spirits are imprisoned in Guinness bottles, and malicious foetus ghosts are enlisted to strengthen a temple's spirit army. Understanding the religious divergences between Singapore and Malaysia (and their counterparts in Taiwan) through an analysis of socio-political and historical events, Fabian Graham challenges common assumptions about the nature and scope of Chinese vernacular religious beliefs and practices. Graham's innovative approach to alterity allows the reader to listen to first-person dialogues between the author and channelled Underworld deities. Through its alternative methodological and narrative stance, the book intervenes in debates on the interrelation between sociocultural and spiritual worlds, and promotes the destigmatisation of spirit possession and discarnate phenomena in the future study of mystical and religious traditions.
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This series contains about 1,800 modern prints collected by Lu Xun at that time, which authored by nearly 200 domestic printmakers and currently in the Lu Xun Memorial Hall in Shanghai and the Lu Xun Museum in Beijing. It is showcasing the glorious history of modern Chinese woodcut art: In the 1920s and 1930s, in order to guide the artistic direction of Chinese literary youth, smashed the KMT’s counter-revolutionary cultural " encirclement and suppression", Mr. Lu Xun held a "woodcut workshop" in Shanghai, and cultivated a group of emerging woodcut backbone. These backbones led young artists in various regions of the country to create a large number of realistic works reflecting the suffering and tragic fate of the people at the bottom of the society at that time. They cruelly lashed the dark reality of society and called for national salvation and survival. These young woodcutters sent their woodcut works to Lu Xun, who not only guided their creation personally, but also spared no effort to collect, publicize and promote them to the public. With the active advocacy and support of Mr. Lu Xun, the emerging woodcut movement in China has developed vigorously, driving the modernization of Chinese art and leaving an indelible glorious footprint in the history of Chinese modern culture and art. This complete collection is a companion to the The Complete Collection of Foreign Prints by Lu Xun published in 2014.
