Highlights for Children is a multi-media brand that has nurtured children for more than 70 years. Our books and digital products - puzzles, trade and educational - are devoted to helping children around the world become their best selves.
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Created in 1989 by Azeddine GUERFI, operating in the field of publishing and distribution of books. It has 1500 titles in extracurricular, university, professional training, literature, history, children's books and art-books.
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This beautiful book full of images, textures and voices builds «the house / of always maybe never / of time». Chiara Carrer parts from the poetic definition of home, but a book full of narrative and memories is established right from the beginning. «I forgot / the place, when / and where / I forgot», a woman with pink hair and yellow hands decribes as part of the adventure that this unique book proposes.
Collection of beloved things, of techniques, and various artistic instruments ( from naturalist and abstract illustration) with which Carrer brings various plants and trees to life. An open garden to every reader curious about shapes and colors, those who like to ponder, who want to know more about the.
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It could happen that one day, one word describes us, one image reflects an emotion, and one name tells us its story. That each thing, made up of different parts, wanders in a space of fragments, only to find us. One day, Isabel, Omar, Lola, and the others arrive, all eager to tell you their story.
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This child tells us that he is not happy with the head that he has. He thinks it is a wrong head. The parents, after listening to him, take him to a specialist, who agrees with the little one. A mysterious man dressed in black supplies him with heads in exchange for his own. The child tries several, until he finds the one he was looking for. A reindeer head, a crocodile head, a whisk head: the narrator child and protagonist of this story tells us about his disagreement with the head he has and the vicissitudes that he has to go through to find the head with which he will finally agree: the head of a grown man, of a mathematician. This is a story of search for identity and growth, developed with fine fantasy and humor, with the wisdom of someone he has sought and perhaps already found.
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A girl and her mother, three crows, spikes on a field, and clouds draw the first scene. But the girl, like all children, expect her great adventure of being lost. The mistery kidnaps her. It leads her to an underground dream where the dream is reality and darkness is clear as a diamond light. Oneiric, musical story, opened to “what is heard inside”, this book invites us to discover that beyond the veil that is spread between the world and the things, “each sleeping seed, each root, each stem, every flower that rises,” and us, entirely.
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The line is the protagonist of this book. She explores the pages and forms figures, colors herself, creates landscapes, characters and, with them, stories that narrate the reflections and joys that creation brings. This book, the third in a growing collection, is a catalog of the possibilities that lie at the base of all art. In the blank pages of this book, lines, figures, shadows, textures, colors, unpublished worlds were born that, in their capricious forms, hide beings that reflect on everything visible, on everything that surrounds them and is the framework for their adventures, which are the adventures of creative thinking in all its simple splendor: space: line, movement, rhythm: seeing, looking, reading: imagining, thinking, doing. Here everything is created and everything is arranged for the creation of the reader, the artist.
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Becoming couture is the first book to examine the history of the Italian fashion industry during the global transition brought about by the Second World War. It draws on a wide range of primary sources, some of them newly unearthed, to demonstrate that the Italian fashion industry in the Republican era continued to rely on business practices and professionals established during Fascism. Analysing changes in promotional discourses and press coverage, the book traces the shift that occurred when manufacturers were encouraged to expand their exports of accessories to include sportswear, knitwear and moda boutique. This ultimately led to the legitimisation of Italian dressmaking as creatively independent of French influences and therefore worthy of the label 'couture'.
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Italian graphic design offers a new perspective on the subject by exploring the emergence and articulation of graphic design practice, from the interwar period through to the appearance of an international graphic design discourse in the 1960s. The book asks how graphic designers learned their trade and investigates the ways in which they organised and made their practice visible while negotiating their collective identity with neighbouring practices such as typography, advertising and industrial design. Attention is drawn to everyday design practice, educational issues, mediating channels, networks, design exchange, organisational strategies and discourses on modernism. Drawing on a wide range of primary sources and placing an emphasis on visual analysis, this book provides a model for a contextualised graphic design history as an integral part of the history of design and visual culture.
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Wim the Raccoon is a happy guy; he lives in the forest with Hector the Hare, and they have a great time together. But then Wim changes. He becomes sad and gloomy, and Hector doesn’t know what’s wrong with him. The hare goes to look for help and meets Dr Owl, an expert in invisible illnesses. With Dr Owl’s help, Wim the Raccoon starts to enjoy life again. This book explains to children and their parents different mental illnesses, how to recognize them, and how and where to get help. As well as important information, the children’s book also provides practical tasks and exercises. For:• children of primary school age(between 6 and 12) who come intocontact with a mental disorder andtheir parents• relatives and therapists
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"I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.
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The only 'Guide to the Modern and Contemporary art market' of this kind. It is supported by the interviews to over 20 leading art market players (auction house directors, gallerists, art advisors, collectors...). In the appendix there are a lot of useful information, such as a precious dictionary of terms. It is thought for collectors, art investors, artists, journalists, curators, art market players, students and the general public. guidaalmercatodellarte.it
When two dashing gentlemen ride up to Rensham Hall, the ancestral Norfolk home of the beautiful Lady Chiara Fairfax, her world is turned upside down, as she and her mother are just recovering from the unexpected death of her father, Lord Fairfax. One of them, the handsome Mervyn Hunter, is soon in ardent pursuit of the lovely Chiara. But can she trust his declarations of love or does the mysterious, dark-haired stranger she encounters by chance on the seashore hold the key to her future happiness? Mervyn Hunter proposes marriage to Chiara and she turns him down, as she does not love him and she senses that he is cold and calculating and has an ulterior motive in asking her to be his wife. As she watches spellbound, a group of wild swans fly North over the sea towards Russia, Chiara feels a magical world of passion and beauty calling to her. Soon she too will be travelling North to the enchanting City of St. Petersburg, although in the company of Mervyn Hunter’s pushy sister and her two tiresome daughters. But will she ever break free from the clutches of Mervyn Hunter and his family and be reunited with her true soulmate, the elusive and mysterious Count Dimitrov? Find out, in this scintillating and thrilling romance by Barbara Cartland.
Luce is a memoir shaped around a message that goes far beyond the events narrated. The pages of this book alternate difficulties of real situations that ended up i hope and eventually,, inner growth. Chiara Cicconi lived an experience as unique as difficult to explain: she entered the tunnel that leads to the afterlife and came back to bring a message of hope. --- A volte capita che il confine tra reale e fiction diventi labile. Può la vita di una persona condensare talmente tanti eventi da portarla a sentire la necessità di racchiuderli in un libro?Luce è una autobiografia che prende forma attorno a un messaggio che va ben oltre le vicende narrate. Le pagine di questo libro alternano difficoltà di situazioni reali che sfociano in un senso di profusione di speranza, volto alla crescita interiore.Chiara Cicconi ha vissuto un'esperienza unica quanto difficile da spiegare: l'entrare nel tunnel che conduce all'Aldilà e tornare indietro per portare un messaggio di speranza.Una storia di vita da leggere per ritrovare il giusto peso delle cose, per rivalutare quegli aspetti importanti che vanno oltre gli schemi, oltre le catalogazioni. Un trauma può far scoprire, talvolta, che l'inspiegabile, il sovrannaturale è vicino e tangibile e può stupire, aiutare, persino accarezzare l'animo delle persone per renderle migliori.
A picture book to face the fear of darkness and to help kids realise they are not the only one to feel negative emotions, even mum and dad do...
