Burnet Media
Burnet Media is an independent publisher based in Cape Town, South Africa. We specialise in forging close author-publisher partnerships for trade and customised projects.
View Rights PortalBurnet Media is an independent publisher based in Cape Town, South Africa. We specialise in forging close author-publisher partnerships for trade and customised projects.
View Rights PortalBurleigh Dodds Subliscience Publishing was established in 2015 by former staff at the award-winning Woodhead Publishing. Our vision is to help solve one of the world’s greatest challenges: to feed the world’s growing population. There is an urgent need for a more climate-smart agriculture able to feed a growing population whilst, at the same time, adapting to (and not exacerbating) climate change. Our goal is to build collections of research on key topics in agricultural science so that researchers can build on existing work and collaborate more effectively. We are achieving this by using ’smart-publishing’ to help achieve ’climate-smart’ agriculture.
View Rights PortalFirst published in 1974, this novel is a semi-autobiographical reflection on the author's experience of having been the subject of Stanley Kubrick's film adaptation of A Clockwork Orange in 1971. This is the end of Enderby, Anthony Burgess's finest comic creation. Dyspeptic and obese, this is the account of his last day as a visiting professor in New York, and his last day on Earth. The Irwell Edition of The Clockwork Testament will provide new information about the genesis of the novel, gleaned from a series of drafts and typescripts recently discovered in the archive of the International Anthony Burgess Foundation (IABF) in Manchester, as well as printing a deleted chapter for the first time in English.
Anthony Burgess and America is a biographical and critical analysis of Burgess's commentary on and relationship with the United States of America. Utilising Burgess's entire canon and newly discovered materials to assess Burgess's views on America, this book also evaluates the American inspirations in five Burgess novels. This essential addition to Burgess scholarship tells the story of a nearly unexplored area of Burgess's life. For the first time ever, Burgess's American experiences, work, and documented communication, lectures, interviews and public utterances are brought together to assess where these commentaries overlapped with his fiction. The result is a complex personal and public history about one of Britain's greatest twentieth century authors and their immersion into and interaction with American culture in the second half of the twentieth century.
»Cops ist eines dieser Bücher, die süchtig machen und von denen man sich wünscht, sie würden nie enden.« Richard Price »Cops ist die mythenumwobene sechste Staffel von ›The Wire‹, nach der wir uns alle sehnen.« Charles Bock »Matt Burgess gehört zu diesen coolen, schlagfertigen Autoren wie Richard Price und Elmore Leonard, die eine vermeintlich einfache Krimihandlung in etwas ganz Besonderes verwandeln.« Carl Hiaasen Janice Itwaru arbeitet als Undercover-Cop in Queens, New York. Jeden Morgen geht sie als Junkie getarnt auf die Straße und versucht, vermeintliche Dealer dazu zu bringen, ihr Drogen zu verkaufen. Wenn sie Erfolg hat, schlagen ihre Kollegen zu. Hat sie keinen, machen ihre Vorgesetzten Druck. Hat sie richtig Pech, dann war’s der letzte Tag im Leben von Janice Itwaru. Diesen Job will niemand freiwillig machen. Doch wenn Janice achtzehn Monate durchhält, wartet eine Beförderung auf sie. Der Weg dahin ist hart: Die Kollegen sind die Pest, die Vorgesetzten stellen völlig unrealistische Zielvorgaben, und ständig drohen interne Ermittlungen gegen die Abteilung. Als die Fangquote erhöht wird und Janice immer seltener Erfolge vorzuweisen hat, geht sie volles Risiko – auch wenn sie befürchten muss, dass ein fieser Gangster, der noch eine Rechnung mit ihr offen hat, hinter ihr her ist.
Seit der Veröffentlichung des Ulysses nimmt James Joyce einen einzigartigen Platz in der Literatur des Jahrhunderts ein. Kühn, kompromisslos, bilderstürmerisch öffnete er dem Umgang mit Sprache und literarischer Schöpfung eine neue Dimension. Kein Wunder, dass Künstler, Fotografen, Bildhauer, auch Karikaturisten Bilder von Joyce, von seiner Familie und seinen Kollegen schufen. Das Buch ist ein Dokument ihrer Faszination durch Joyce und von des Iren ungebrochener Wirkung bis in die Gegenwart. Viele Bilder sind verdientermaßen bekannt – von Man Ray, Berenice Abbott, Brancusi, Matisse, Jo Davidson, und Gisèle Freund –, andere sind sogar eifrigen Joyce-Verehrern unbekannt geblieben. Zusammengenommen bilden diese 90 Bilder die umfassendste Sammlung von Joyce-Bildnissen, die jemals für ein einzelnes Buch zusammengetragen worden ist. Wie wohl Joyce so einem Band begegnet wäre? Vielleicht in der Stimmung, in der er dem Maler Augustus John nach einer Sitzung schrieb: »Lob von einem halbblinden Pennypoeten wäre lächerlich, aber ihre Zeichnung ist ganz klar das einzige in diesem Buch, worüber man sich nicht streiten kann. Ich wünschte, ich selbst könnte die Linien besser sehen.« Doch auch Joyce hatte seine Grenzen, wie er schließlich einem der Künstler, die ihn malten, bekannte: »Ich hatte Bilder gern, aber jetzt sind die Nägel an den Wänden völlig genug.« Die Einführung schrieb Anthony Burgess, ein Fürsprecher von Joyces Werk, der kurz nach der Fertigstellung seines Textes starb. Bob Cato war ein preisgekrönter Buchgestalter, zu dessen Titeln Garbo, Swanson, Crawford & Dietrich; The Naive Surrealist (Über Oscar de Mejo), Corbusier, The Collected Poetry of Aimé Césaire und eine Serie über Life-Fotografen gehören. Er war außerdem Bildhauer, Maler, Collagist.
A Vision of Battlements is the first novel by the writer and composer Anthony Burgess, who was born in Manchester in 1917. Set in Gibraltar during the Second World War, the book follows the fortunes of Richard Ennis, an army sergeant and incipient composer who dreams of composing great music and building a new cultural world after the end of the war. Following the example of his literary hero, James Joyce, Burgess takes the structure of his book from Virgil's Aeneid. The result is, like Joyce's Ulysses, a comic rewriting of a classical epic, whose critique of the Army and the postwar settlement is sharp and assured. The Irwell Edition is the first publication of Burgess's forgotten masterpiece since 1965. This new edition includes an introduction and notes by Andrew Biswell, author of a prize-winning biography of Anthony Burgess.
Anthony Burgess and Modernity provides a variety of new perspectives and contexts for exploring Burgess's literature and music. A range of international scholars and critics explore the writer's novels, music and linguistic productions to explore and define how Burgess contributed to modernist and postmodernist art. The scholars who contributed to the book provide original explorations of Burgess's work and the theological, psychological, linguistic, literary and musical contexts in which Burgess's achievements can best be understood. It will appeal to scholars and students, but it also offers an appreciation of Burgess's artistic achievements that will provide general readers of Burgess's work with an insight into some of the exciting contexts in which Burgess novels can be read. ;
Brazil has suddenly become a country of interest to the West, playing a critical role in global economic talks at the G20 and WTO, brokering North-South relations through its new international economic geography, and stepping into regional and global security questions through its activities in Haiti, Paraguay and the nuclear question in Iran. This book explains why Brazil is taking an increasingly prominent international role, how it conducts and plans its regional and global interactions, and what the South American giant intends to do with its rising international influence. The book is written for the non-specialist, providing students and other interested readers with a well-organized, concise introduction to the fundamentals of the foreign policy of an emerging Twenty-First Century power.
ABBA ABBA is one of Anthony Burgess's most original works, combining fiction, poetry and translation. A product of his time in Italy in the early 1970s, this delightfully unconventional book is part historical novel, part poetry collection, as well as a meditation on translation and the generating of literature by one of Britain's most inventive post-war authors. Set in Papal Rome in the winter of 1820-21, Part One recreates the consumptive John Keats's final months in the Eternal City and imagines his meeting the Roman dialect poet Giuseppe Gioachino Belli. Pitting Anglo-Italian cultures and sensibilities against each other, Burgess creates a context for his highly original versions of 71 sonnets by Belli, which feature in Part Two. This new edition includes extra material by Burgess, along with an introduction and notes by Paul Howard, Fellow in Italian Literature at Trinity College, Cambridge.
This volume brings together insights which look at the intersection of governance, culture and conflict resolution in India and the European Union. Two very different but connected epistemic, cultural and institutional settings, which have been divided by distance, colonialism and culture; yet have recently been brought closer together by ideas and practices of what is known as liberal peace, neoliberal state and development projects. The differences are obvious in terms of geography, culture, the nature and shape of institutions, and historical forces: and yet the commonalities between the two are surprising. This is the first book to compare contemporary Indian and European Union approaches to peace and is based on strong case studies and rigorous analysis. Postgraduate students, peace and conflict researchers, policy-makers and practitioners will benefit immensely from insights provided in this book. ;