Hotel de las Ideas
Hotel de las ideas is a cooperative, with 10 co-founders.
View Rights PortalBorobudur Agency act to represent Indonesian publishers and authors for children’s and young adult books; picture books; comic books; fiction: novels, literary works; non-fiction: cookbooks, fashion (especially Muslim wear for women), social studies, Indonesian arts and culture, as well as interactive digital textbooks and software. We facilitate members of IKAPI, book publishers who assign the agency to promote their rights for overseas licensing, and accordingly promote the works of Indonesian authors for international readership.
View Rights PortalBorrowed Identity is a moving novel that tells the story of three generations of men and women. Through the eyes and the stories of each, a chilling plot unfolds over different periods of time, in Israel and abroad. But whose story is it? Is it that of the Israeli hero, the secret agent under diplomatic cover whose life is poised at the crossroads between one cloak-and-dagger operation and another, poised for any mission, always ‘in the name of’, always for the cause? Or is it that of the woman, the giver of life, who lives in the shadow of her men: father, husband, son, friends, lovers? On the memorial day for her son Uri, a fighter pilot who lost his life in one of Israel’s many battles, Marit, remaining alone after the visitors have left, takes stock of her life and the significant others in it: Hanoch, her intelligence officer husband, unable to face the loss of his son, has left her; and Uri, the dead son, who was laid trussed and bound on the sacrificial altar, as Israeli fathers inspired by a sense of mission and heroism sacrifice their sons for the homeland. Through Marit’s personal acquaintance with death and bereavement, and through the collective encounter, she conveys a dark, heroic Israeli reality of love and death – Eros and Thanatos. This is a story of love: the passionate love between a man and a woman; the love for a country you die for; the affectionate love of parents for their son, which turns out to be a love that kills him – and them too. It is also a story of death, and of the failure of that desperate love. Psychologist and university lecturer Hadassa Ashdot was born in Tel Aviv and grew up in Jerusalem. Her short stories have appeared in two leading Israeli literary magazines, Moznayim and Prosa. To date, Ashdot has published two novels (in Hebrew): Borrowed Identity and Marianne of the Snow. The author's experience as an army psychologist dealing with war-caused bereavement and problems associated with the trauma of shell shock are clearly reflected in her works of fiction.
Identidad perdida – Una novela dramática por Hadassa Ashdot Identidad perdida es una novela conmovedora que cuenta la historia de tres generaciones de hombres y mujeres. A través de los ojos y los relatos de cada uno, una trama escalofriante se desarrolla por diferentes espacios de tiempos, en Israel y en el extranjero. ?Pero sobre quién es esta historia? ?Es acaso sobre el héroe israelí, el agente secreto bajo tapadera diplomática, cuya vida gira en torno a la encrucijada entre una operación de "capa y puñal" o entre cualquier otra misión, siempre ‘en el nombre de’, siempre por la causa? ?O es acaso sobre una mujer, la que brinda la vida, quien vive bajo la sombra de los hombres de su vida: su padre, marido, hijo, amigos y amantes? En el aniversario del fallecimiento de su hijo Uri, un piloto de combate que perdió su vida en una de la muchas batallas de Israel, Marit, se queda sola después de que los invitados se van, reconsidera su vida y las personas significativas que toman parte en ella: Hanoch, su marido oficial de inteligencia, incapaz de enfrentar la perdida de su hijo, la ha abandonado; y Uri, el hijo fallecido, que fue acostado y atado a un altar de sacrificio, como padres israelíes inspirados por el sentido de la causa y el heroísmo, sacrifican a sus hijos por la patria. A causa de que Marit conoce personalmente la muerte y el luto, en el encuentro colectivo, transmite oscuridad, una realidad israelí heroica de amor y muerte – Eros y Thánatos. Esta es una historia de amor: el apasionado amor entre un hombre y una mujer; el amor a un país que causa muerte; el amor afectuoso de los padres por su hijo, que resulta ser un amor que lo mata y a ellos también. Es también una historia sobre la muerte, y el fracaso de ese amor desesperado. Psicóloga y profesora de universidad Hadassa Ashdot nació en Tel Aviv y creció en Jerusalén. Sus cuentos cortos han aparecido en dos revistas literarias destacadas, Moznayim y Prosa. Hasta la fecha, Ashdot ha publicado dos novelas (en hebreo): Identidad perdida y Marianne de la nieve. La experiencia de la autora como psicóloga del ejercito que enfrenta el luto a causa de las guerras y problemas asociados con traumas a causa de neurosis de guerra, son reflejados claramente en sus trabajos de ficción.
Identité Empruntée Un roman dramatique par Hadassa Ashdot Identité Empruntée est un roman émouvant contant l'histoire de trois générations d'hommes et de femmes. A travers les yeux et les histoires de chacun, une froide intrigue se déroule à différentes périodes, en Israël et hors de ce pays. Mais quelle en est l'histoire ? Celle d'une héroïne israélienne, un agent secret sous couverture diplomatique dont la vie balance entre une « opération confidentielle » et une autre, prête à toute mission, toujours « au nom de », toujours pour la cause ? Ou bien est-ce celle de la femme, celle qui a donné la vie, celle qui vit dans l'ombre de ses hommes : père, mari, fils, amis, amants ? Le jour de la commémoration de la mort de son fils Uri, un pilote de chasse qui perdit la vie dans l'une des nombreuses batailles d'Israël, Marit, restée seule après le départ des invités, dresse l'inventaire de sa vie et des siens : Hanoch, son mari officier dans les renseignements, incapable de faire face à la disparition de son fils, qui l'a quittée ; et Uri, son fils décédé, qui fut allongé et ligoté sur l'autel du sacrifice, comme les pères israéliens, inspirés par le sens de la mission et de l'héroïsme, sacrifient leurs fils pour leur terre. A travers les expériences personnelles de Marit avec la mort et l'affliction et à travers la rencontre collective, elle transmet une réalité israélienne noire, héroïque de l'amour et de la mort – Eros et Thanatos. C'est l'histoire de l'amour : l'amour passionné entre un homme et une femme ; l'amour d'un pays pour lequel on meurt ; l'amour affectueux des parents pour leur fils, qui entraîne sa mort – et la leur aussi. C'est aussi l'histoire de la mort, et de l'échec d'un amour désespéré. Psychologue et conférencière universitaire, Hadassa Ashdot née à Tel-Aviv a grandi à Jérusalem. Ses histoires courtes ont été éditées dans deux grands magazines littéraires israéliens, Moznayim et Prosa. L'auteur a publié deux romans (en hébreu) : Identité Empruntée et Marianne de la Neige. L'expérience de l'auteur comme psychologue de l'armée habituée à gérer les afflictions causées par l'armée et les problèmes associés aux chocs post-traumatiques sont clairement mises en reflet dans ses œuvres de fiction.
A book by a prominent Ukrainian historian, professor of Kyiv-Mohyla Academy Natalia Yakovenko includes selected articles on identity formation, worldview, the concept of “correct” power and duty of the nobility in early modern Ukraine
Questions of identity trigger controversial and highly emotional discussions in the political and social debate. The positions range from radically emancipatory perspectives to authoritarian and restorative efforts on the far right wing of politics. Liberal democracies are now opening up – slowly – as identity- and gender-sensitive forums. Opposite them are the 'new ethics' of illiberal democracies and totalitarian states that are aimed at ethnic homogeneity and gender uniformity. But that's not to say that there is unity in the liberal settings on the necessary degree of identity politics. Both language and gender politics are deeply controversial. Do we need an 'identity' and, if so, which one or how many? Can the identity debate be extended by means of other concepts?
For the first time, this volume explores the identities of leprosy sufferers and other people affected by the disease in medieval Europe. The chapters, including contributions by leading voices such as Luke Demaitre, Carole Rawcliffe and Charlotte Roberts, challenge the view that people with leprosy were uniformly excluded and stigmatised. Instead, they reveal the complexity of responses to this disease and the fine line between segregation and integration. Ranging across disciplines, from history to bioarchaeology, Leprosy and identity in the Middle Ages encompasses post-medieval perspectives as well as the attitudes and responses of contemporaries. Subjects include hospital care, diet, sanctity, miraculous healing, diagnosis, iconography and public health regulation. This richly illustrated collection presents previously unpublished archival and material sources from England to the Mediterranean.
This study examines Exeter riddles, Anglo-Saxon biblical poems (Exodus, Andreas, Judith) and Beowulf in order to uncover the poetics of spolia, an imaginative use of recycled fictional artefacts to create sites of metatextual reflection. Old English poetry famously lacks an explicit ars poetica. This book argues that attention to particularly charged moments within texts - especially those concerned with translation, transformation and the layering of various pasts - yields a previously unrecognised means for theorising Anglo-Saxon poetic creativity. Borrowed objects and the art of poetry works at the intersections of materiality and poetics, balancing insights from thing theory and related approaches with close readings of passages from Old English texts.
This book sets out to answer what it means to hold a formal title as one of the eight 'Arctic states'; is there such a thing as an Arctic state identity, and if so, what does this mean for state personnel? It charts the thoughtful reflections and stories of state personnel from three Arctic states: Norway, Iceland, and Canada, alongside analysis of documents and discourses. This book shows how state identities are narrated as both geographical and temporal - understood through environments, territories, pasts and futures - and that any identity is always relational and contextual. As such, demonstrating that to understand Arctic geopolitics we need to pay attention to the people whose job it is to represent the state on a daily basis. And more broadly, it offers a 'peopled' view of geopolitics, introducing the concept and framework of 'state identity'.
Insanity, identity and empire examines the formation of colonial social identities inside the institutions for the insane in Australia and New Zealand. Taking a large sample of patient records, it pays particular attention to gender, ethnicity and class as categories of analysis, reminding us of the varied journeys of immigrants to the colonies and of how and where they stopped, for different reasons, inside the social institutions of the period. It is about their stories of mobility, how these were told and produced inside institutions for the insane, and how, in the telling, colonial identities were asserted and formed. Having engaged with the structural imperatives of empire and with the varied imperial meanings of gender, sexuality and medicine, historians have considered the movements of travellers, migrants, military bodies and medical personnel, and 'transnational lives'. This book examines an empire-wide discourse of 'madness' as part of this inquiry.
Civic identity and public space, focussing on Belfast, and bringing together the work of a historian and two social scientists, offers a new perspective on the sometimes lethal conflicts over parades, flags and other issues that continue to disrupt political life in Northern Ireland. It examines the emergence during the nineteenth century of the concept of public space and the development of new strategies for its regulation, the establishment, the new conditions created by the emergence in 1920 of a Northern Ireland state, of a near monopoly of public space enjoyed by Protestants and unionists, and the break down of that monopoly in more recent decades. Today policy makers and politicians struggle to devise a strategy for the management of public space in a divided city, while endeavouring to promote a new sense of civic identity that will transcend long-standing sectarian and political divisions.
A fascinating book exploring the early modern authors who helped to shape Shakespeare's beloved plays. Shakespeare's plays have influenced generations of writers, but who were the early modern playwrights who influenced him? Shakespeare's borrowed feathers offers a fresh look at William Shakespeare and the community of playwrights that shaped his work. This compelling book argues that we need to see early modern drama as a communal enterprise, with playwrights borrowing from and adapting one another's work. From John Lyly's wit to the collaborative genius of John Fletcher, to Christopher Marlowe and Ben Jonson, Shakespeare's borrowed feathers offers fresh insights into Shakespeare's artistic development and shows us new ways of looking at the masterpieces that have enchanted audiences for centuries.
Values-rich journeys can be described as pilgrimage, spiritual travel, personal heritage tourism, holistic tourism, and valuistic journeys. There are many motivations for undertaking values-rich journeys; the most important including personal values, personal and social identity, life experience, lifestyle, social and cultural influence. The main types of pilgrim journeys are traditional religious or spiritual journeys as well as secular journeys related with the expression of national, communal or personal identity, e.g. the journeys of sport and music fans. The manifestation of personal and social identity has different forms and rituals and constitutes different models of a specific behaviour. The journeys are often embraced as potential instruments for life altering experiences. This book presents contributions that address pilgrim motivation, identity and values as they are shaped by the broader sociological, psychological, cultural and environmental perspectives. With a focus on travellers themselves and their inner world through the lens of their pilgrimage. The research presented focuses on the typology of pilgrim journeys as ways in which identity and values are presented to a post-modern consumer society, providing interesting and challenging perspectives on the identity of pilgrims in the 21st century.
Considers how notions of Britishness were constructed and promoted through architecture, landscape, painting, sculpture and literature. Maps important moments in the self-conscious evolution of the idea of 'nation' against a broad cultural historical framework. An important addition to the field of postcolonial studies as it looks at how British identity creation affected those living in England - most study in this area has thus far focused on the effect of such identity creation upon the colonial subject. Broad appeal due to wide subject matter covered. Examines just how 'constructed' a national identity is - past and present.
In this collection of essays, twenty Ukrainian intellectuals reflect on the phenomenon of social bridges and walls. Why do they both exist? Do bridges always bring understanding? Or do they perhaps sometimes allow crossing boundaries? Do walls necessarily separate? Or do they occasionally protect? With whom and how should we build bridges, and from whom shall we isolate by walls? The result of the media project of the Ukrainian branch of the International PEN Club, published in the New Time publication, is now under one cover. On the pages of the book, you will find essays by the following authors: Kateryna Kalytko, Kateryna Botanova, Vakhtang Kebuladze, Zoya Kazanzhy, Ostap Slyvinskyi, Olena Stiazhkina, Larysa Denysenko, Myroslava Barchuk, Viktoriya Amelina, Vitaliy Ponomariov, Vasyl Makhno, Volodymyr Rafeenko, Mykola Riabchuk, Volodymyr Yermolenko, Svitlana Pyrkalo, Borys Gudziak, Ihor Isichenko, Halyna Vdovychenko, Pavlo Kazarin, Vitaliy Portnykov. Compiled by Tetiana Teren. Foreword by Andriy Kurkov.
This book commemorates Oksana Miyakovska-Radysh (1919–2020), a long-term archivist of the Ukrainian Free Academy of Sciences (UVAN) in New York. Her greatness lies in serving her cause with absolute freedom from complexes imposed by Russia and its culture. Reading this book is like flipping through an old family album in Miyakovska-Radysh's company. The book reveals numerous secrets. It turns out that Chekhov's Three Sisters were not just a figment of the writer's imagination. Moreover, Chekhov himself was a young man from then Ukrainian Taganrog, fond of his native Ukrainian language, theatre and one of the three sisters. The book also explores the connection between the "new woman" in Russian literature and the 19th-century Ukrainian women's movement and looks into the past mistakes that still have repercussions for Ukrainians today.
Throughout Latin America, indigenous peoples are demanding that development must address local priorities, including ethnic identity. Simultaneously, sustainability scientists need to conduct place-based research on the interaction between environment and society that will have global relevance. This book reports on a 6 year interdisciplinary research project on natural resource management in Cotacachi, Ecuador, where scientists and indigenous groups learnt to seek common ground. The book discusses how local people and the environment have engaged each other over time to create contemporary Andean landscapes. It also explores human-environment interaction in relation to biodiversity, soils and water, and equitable development. This book will be of significant interest to sociologists, anthropologists, economists and sustainability scientists researching environment and agriculture in rural communities.
Geliehene Identität - von Hadassa Ashdot Geliehene Identität spielt im heutigen Israel. Marit blickt am Todestag ihres Sohnes Uri, der sein Leben als Luftwaffenpilot in einem der vielen Konflikte Israels verloren hat, auf ihr Leben und die Menschen, die ihr etwas bedeutet haben, zurück. Da ist Hanoch, ihr Ehemann, ein hochdekorierter Geheimdienstoffizier, der den Tod seines Sohnes nicht verkraften konnte und sie deshalb verlassen hat. Dann Uri, ihr toter Sohn, dessen Tod ihr jetzt so wie der Tod der vielen anderen, von sendungsbewußten israelischen Vätern als Helden für das Vaterland geopferten Söhne erscheint. Angesichts ihrer unmittelbaren Begegnung mit dem Tod und dem Zerbrechen ihrer Liebe kommt eine dunkle, heroische und spezifisch israelische Wirklichkeit zu Tage, in der Liebe und Tod, Eros and Thanatos, sehr nahe beieinander liegen. Hadassa Ashdot erzählt von den unterschiedlichen Formen einer gescheiterten und verzweifelten Liebe aus der persönlichen Perspektive der Protagonisten - der leidenschaftlichen Liebe zwischen einer Frau und einem Mann, der Liebe zu einem Land, für das man sein Leben geben würde und schließlich der Elternliebe. Um wessen Geschichte handelt es sich dabei letztlich? Ist es die Geschichte eines israelischen Geheimdienstoffiziers, dessen Leben in den kurzen Pausen zwischen seinen Einsätzen im Untergrund vergiftet wird? Oder ist es die Geschichte einer Frau, die lediglich als Lebensspenderin im Schatten ihrer Männer lebt – dem Vater, Ehemann, Sohn, Freund oder Liebhaber? Hadassa Ashdot ist Psychologin, wurde in Tel Aviv geboren und wuchs in Jerusalem auf. Ihre zahlreichen Kurzgeschichten sind in zwei führenden israelischen Literaturzeitschriften Moznayim und Prosa erschienen. Sie hat neben Geliehene Identität die Erzählung Marianne und der Schnee (Tel Aviv, 2002) veröffentlicht. Die unmittelbaren Erfahrungen, die Sie als Militärpsychologin mit Soldaten während der militärischen Konflikte in ihrem Land gemacht hat, bilden einen wichtigen Hintergrund für ihr Werk. Rechte in deutscher und anderen Sprachen noch erhältlich!