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View Rights PortalCo-published with Springer, An Anthology of the Twentieth Century Chinese Literature is a major Chinese Literature Going-Out Project. It is funded by the State General administration of Press,Publication, Radio, Film and Television(SGAPPRFT) in China. The anthology contains six volumes: Novels, Novelettes and Short Stories, Poetry, Drama, Prose and Literary Theory Criticism. In this anthology, there are well-chosen representative works written by leading Chinese authors or literature theory critics in the 20th century, including dozens of Chinese literary masters such as Lu Xun, Mao Dun, Ba Jin, Lao She, Shen Congwen and Qian Zhongshu. This anthology is aimed at systematically introducing the overall perspective of Chinese literary creation and theoretical criticism in the 20th century, promoting the development of Chinese literature to the whole world. It is comparable to The Norton Anthology of World Literature and The Longman Anthology of World Literature.
"Twelve Lectures on Modernist Literature" is a review and appreciation of the main modernist literary schools in the 20th century made by the literary critic Liu Qinghua. This book outlines the formation, development, ideological origins, theoretical foundations, and ideological and artistic characteristics of modernist literature. It is divided into eleven topics, respectively, on symbolism, stream of consciousness novels, futurism, expressionism, and surrealism. , Existentialism, Beat Generation and other genres have done systematic research and exposition, and at the same time analyzed and commented on representative writers and works of each genre. For literature lovers and researchers at home and abroad, this book is a rare desk book.
A story within one day – from 5 a. m. to 5 p. m. A vivid picture of secular life in Beijing. Winner of Mao Dun Literature Prize. Everything begins in an archaic quadrangle dwelling in Beijing, where Xue Jiyue’s mother gets up early to prepare for the son’s wedding banquet.Other characters show up one after another. After narrating their behaviors during the day, the author goes back and tells about their past, with a special concern about the influences from vicissitudes of time, especially how the Cultural Revolution changed those individuals’ courses of life.The Bell Tower and Drum Tower stand there still, witnessing all of those earthshaking changes.
An extraordinary literary experiment influenced by Dream of the Red Chamber. Author’s personal favorite。 Shanghai Literature Award Best Novel. Jiang Yingbo, the eldest daughter of the Jiang family lives a life full of ups and downs. She had her age of innocence, but later gets fettered by the triviality of life; she used to be overwhelmed by passions, but becomes busy coping with various difficulties after marriage. Her brothers and sisters, each with distinct personalities and life choices, journey to their own destinations, some preserve idealism, while others bend their heads towards life. The Culture Revolution is still a key factor which influences those characters’ life. The archways on the old street is a symbol, representing all the vicissitudes the Jiang family experiences during 30 years.
This book is a collection of 28 essays by one of the most internationally influential Chinese novelists,Yu Hua, who is the most prominent writer in contemporary China. His works have been translated into English, French, German, Italian, Dutch, Persian, Polish, Spanish, Swedish, Serbian, Hebrew,Japanese, Korean, etc. He is also a columnist for New York Times. It is a review of classic works in the history of literature and music, with in-depth personal interpretations and candid appreciations of masters such as Borges, Dostoevsky, Faulkner, Kafka,Shostakovich, and Tchaikovsky. As a reader and listener, the writer tries to analyze the mysteries of the narrative in literature and music, explain the techniques and mysteries of creation. As Yu Hua put it, “Music is created by the heart, and writing touches the depths of music. They are affected by each other and point to the broadness of life together.”
Any reader who has ever visited Asia knows that the great bulk of Western-language fiction about Asian cultures turns on stereotypes. This book, a collection of essays, explores the problem of entering Asian societies through Western fiction, since this is the major port of entry for most school children, university students and most adults. In the thirteenth century, serious attempts were made to understand Asian literature for its own sake. Hau Kioou Choaan, a typical Chinese novel, was quite different from the wild and magical pseudo-Oriental tales. European perceptions of the Muslim world are centuries old, originating in medieval Christendom's encounter with Islam in the age of the Crusades. There is explicit and sustained criticism of medieval mores and values in Scott's novels set in the Middle Ages, and this is to be true of much English-language historical fiction of the nineteenth and early twentieth centuries. Even mediocre novels take on momentary importance because of the pervasive power of India. The awesome, remote and inaccessible Himalayas inevitably became for Western writers an idealised setting for novels of magic, romance and high adventure, and for travellers' tales that read like fiction. Chinese fictions flourish in many guises. Most contemporary Hong Kong fiction reinforced corrupt mandarins, barbaric punishments and heathens. Of the novels about Japan published after 1945, two may serve to frame a discussion of Japanese behaviour as it could be observed (or imagined) by prisoners of war: Black Fountains and Three Bamboos.
A vivid illustration of contemporary Chinese society. The frst realist novel from renowned Chinese writer Liu Xinwu. A novel of reality. A novel of allegory. Pang Qi swears he’ll kill someone if he gets back onto the streets, but no one knows his target or his motive. Filled with suspense, Bay Window begins with this dramatic announcement, before slipping back into the seemingly mundane lives of a cast of characters drawn from all ranks of Chinese society: the mysterious and cunning Maye, whose wealth and power are kept secret; the robust and loyal bodyguard Pang Qi, whose transformation drives the development of the narrative; the retired engineer Xue Quji, a representative of contemporary China's intelligentsia. Through the intimate portrayal of more than thirty characters,their struggles and the choices, they face on a daily basisthe author exposes a darkness hidden by economic development and social transformation, constructing a panoramic picture of contemporary China. Peeking through the Bay Window, we as readers are both spectators and participants of this picture.
The book, in the form of essays-stories, depicts the life and work of individual personalities who played a significant role in the formation and development of Ukrainian thought, culture, and art. Using colorful means of the artistic word, the author depicts many little-known facts from the lives of outstanding Ukrainian artists, who made a bright contribution to the flourishing of Ukrainian and world culture. The book will be valuable for a narrow circle of specialists and a wide range of readers. It will also be of help to writers, cultural experts, and art critics, as well as to all those who are interested in studying the history of Ukraine based on the examples of the lives and creative achievements of its notable personalities.
Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.
Latest collection of short stories by A Yi written during 2012-2015. Eight profound stories about the reality of people from bottom of the society. A Yi is like a magician who touches the urban life, past and present and the vision of ordinary people, and presents modern society’s pain of desire. The illiterate old woman came to the city and lived with her granddaughter together, but they hated each other gradually and died in two days successively; the villagers chased a mysterious old man and showed the extraordinary creativity of brutality after getting the optional disposal right; the prominent writer suffered a lot due to the talented rookie and could not face the judgment of fate since then
“We will have bread, and we will have everything.” This is a motto that helps David Young survive hardship. As his food import company develops, he is wealthy, contented, and has plenty of time to try the best cuisine around the world. During a gourmet travel, he entered into relationship with Helen, a relationship built on shared passion for wining and dining and full of fascinating tasting trips. However, a sudden illness deprived David of his appetite and also his lover. Relying on an utterly healthy diet, David experiences changes not only in his daily routines, but also in his life desires.
The title comes from a Borges interview, in which Borges planned to write a short story entitled Wake Me Up At 9 AM but he didn’t write it at last. A Yi borrowed this title. In A Yi’s story, looped in the night of his birthday, Hong Yang asks his wife Jin Yan to wake him up at nine AM the next morning, but he doesn’t wake up any longer. The book recalls how Hong Yang, an illiteracy who has been simply considered as an outlaw, becomes well known in the town by taking advantage of his violence and necessary schemes, with the narrative of a hurried and perfunctory funeral. Love, belief, brotherhood and affection have nothing to do with him. The novel makes a scroll-type portrayal of the vanishing village and people living in the village by virtue of him.
Su Qin takes her children to Ding family to have dinner every Saturday, which makes dim love affair generated between Ding Chenggong of the son of Ding family and Su Qins daughter Xiaolan. Due to Su Qins restraint they could not be together. She abandons her family for Ding Chenggong.
Latest work by Chinese Borges. 2016 China National Book Award. The gradual transition, conflict and confusion between the rural and urban China. Ru Li Zhao is a simple yet scenic village in Jiangnan, known as the ancient home of wealthy and distinguished families. From the perspective of a youth, this novel recorded the town’s gradualchange from simplicity to complexity. Depicting individual fate and town crises, the story spans for more than a half century, revealing its possible future. As “Avant-garde” author, Ge Fei attempts to explore new ways of narration. Following “native China” facing extinction, Looking Forward to Spring Breeze grants a new perspective on the ethics and historical development of modern villages.
“Extreme times”: a policeman’s diary recorded an explosion on Valentine’s Day. Two lovers who are fed up with mediocre daily life decided to seek self-destruction by making a bus explosion. They died and several victims and policemen died too but liars and thieves survived. What is the meaning of life?
Seals of Heaven is a historical mystery novel with the writing style similar to that of The Da Vinci Code. Zhou Hao, a graduate student majoring in history, was invited by his mentor Ding Jingzhi to attend a cocktail party hosted by a Japanese Otani Yuzi. Unexpectedly, Ding was murdered at home that night after receiving a set of strange signs. In Zhou’s investigation of the cause of Ding’s death, he constantly received hints and reminders through strange mails as well as assistance from National Security Department. Mysterious guys emerged incessantly and bizarre deaths took place one after another. In the meanwhile, major historical mysteries presented themselves massively before their eyes. How could Zhou escape the killings, solving the centuries-old mysteries and guarding the national treasures?
The work of the famous American-Ukrainian Slavologist and Ukrainian scholar Hryhoriy Hrabovych interprets the history of Ukrainian literature in several main ways: theoretical, comparative, immanent and historiographical. The book includes his studies, essays, and polemics written over the years. They were mainly produced in times of a sharp confrontation between official Soviet and Western approaches to literary studies. Today, after Ukraine gained its independence, there is an urgent need for a thorough reassessment of various scientific traditions and paradigms as well as a review of the canon of Ukrainian literature, its histography and methodology. The vast majority of these works were published in English or in sources unavailable for the Ukrainian reader, including specialist researchers. This edition can significantly reorient our understanding of the history of Ukrainian literature and enable a rethinking of Ukrainian cultural and intellectual processes.
“Ten Scenes in West Lake” is the work of Wang Xufeng, the famous writer and Mao Dun Literature Award winner, in the background of Hangzhou West Lake. It is a collection of novellas with the historical " Ten Scenes in West Lake " as the starting point. The ten novellas are independent stories and are also connected to each other, forming a series of books that are saturated with the charm of Jiangnan. The book Sunset on the Leifeng Pagoda is one of the novellas. It tells the whole life of Fan Yuanying, Liu Xuexun’s eighth wife. This story has two versions: historical legend and faith history. The text structure of Sunset on the Leifeng Pagoda is the most unique and exploratory. The novel shows the charm of narrative art in the rhythm of tension and relaxation.