Manshurat Al Jamal was founded in 1983 by Khalid Al Maaly in Cologne ,in 2008 based in Beirut and a further branch in Bagdad .The program focus on :- Classic ,Modern Arab literature- Fiction short stories poems - Philosophy- Sociology Manshurat Al-Jamal is the publisher of a lot of authors: G.Grass O. Pamuk J. Habermas Robert Musil H.Qureishi G. Sinoue P. Celan W. Gombrowicz J. Derrida M. Horkheimer T. Adorno A. Kristof
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Intensely practical and down to earth, this timely new text covers the breadth of health emergency preparedness, resilience and response topics in the context of inter-disciplinary and whole society responses to a range of threats. It includes public, private and third sector roles in preparation for and in response to natural and man-made events, such as: major incident planning; infectious disease epidemics and pandemics; natural disasters; terrorist threats; and business and service continuity management. The book builds upon the basics of risk assessment and writing an emergency plan, and then covers inter-agency working, command and control, communication, personal impact and business continuity as well as training, exercises and post-incident follow up. Detailing the full emergency preparedness and civil protection planning cycle, the book is illustrated throughout with real-life examples and case studies from global experts in the field for countries with both advanced and developing healthcare systems. This practical handbook covering the essential aspects of major incident and disaster management is ideal for undergraduate and master's students in emergency management and public health, as well as for practitioners in emergency preparedness and civil protection. It will be valuable to all health practitioners from ambulance, hospital, primary and community care, mental health and public health backgrounds. Read the first chapter for free: Introduction: Why Do We Need to Prepare? ; Intensely practical and illustrated with real-life examples, this text covers the breadth of health emergency preparedness, resilience and response topics in the context of inter-disciplinary and whole society responses. It includes public, private and third sector roles in preparation for and in response to natural and man-made events. ; 1: Introduction: Why do we need to Prepare?2: The Planning Process3: Risk Assessment4: Writing an Emergency Plan5: Emergency Planning and Response: Working in Partnership6: Interprofessional Working: Understanding some Emotional Barriers and Unconscious Processes That Might Influence Practice in Group and Team Work7: Command, Control and Communication8: Communications during a Health Emergency9: Psychosocial and Mental Health Care Before, During and After Emergencies, Disasters and Major Incidents10: Business Continuity11: Training and Exercising for Emergency Preparedness, Resilience and Response12: Post-incident Follow-up13: Mass Casualty Incidents14: Preparedness and Response to Pandemics and other Infectious Disease Emergencies15: CBRN Incidents16: A Military Case Study17: From Pandemics to Earthquakes: Health and Emergencies in Canterbury, New Zealand
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This book provides a careful and systematic analysis of Anthony Ascham's career and writings for the first time in English. During the crucial period between the Second Civil War and the establishment of the English Republic, when he served as official pamphleteer of the Parliament and the republican government, Ascham put forward a complex argument in support of Parliament's claims for obedience which drew on the political thought of Grotius, Hobbes, Selden, Filmer and Machiavelli. He combined ideas taken from these authors and turned them into a powerful instrument of propaganda to be deployed in the service of the political agenda of his Independent patrons in Parliament. This investigation of Ascham's works brings together an intellectual analysis of his political thought and an exploration of the interaction between politics, propaganda and political ideas.
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First published in 1974, this novel is a semi-autobiographical reflection on the author's experience of having been the subject of Stanley Kubrick's film adaptation of A Clockwork Orange in 1971. This is the end of Enderby, Anthony Burgess's finest comic creation. Dyspeptic and obese, this is the account of his last day as a visiting professor in New York, and his last day on Earth. The Irwell Edition of The Clockwork Testament will provide new information about the genesis of the novel, gleaned from a series of drafts and typescripts recently discovered in the archive of the International Anthony Burgess Foundation (IABF) in Manchester, as well as printing a deleted chapter for the first time in English.
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Anthony Burgess and America is a biographical and critical analysis of Burgess's commentary on and relationship with the United States of America. Utilising Burgess's entire canon and newly discovered materials to assess Burgess's views on America, this book also evaluates the American inspirations in five Burgess novels. This essential addition to Burgess scholarship tells the story of a nearly unexplored area of Burgess's life. For the first time ever, Burgess's American experiences, work, and documented communication, lectures, interviews and public utterances are brought together to assess where these commentaries overlapped with his fiction. The result is a complex personal and public history about one of Britain's greatest twentieth century authors and their immersion into and interaction with American culture in the second half of the twentieth century.
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A Vision of Battlements is the first novel by the writer and composer Anthony Burgess, who was born in Manchester in 1917. Set in Gibraltar during the Second World War, the book follows the fortunes of Richard Ennis, an army sergeant and incipient composer who dreams of composing great music and building a new cultural world after the end of the war. Following the example of his literary hero, James Joyce, Burgess takes the structure of his book from Virgil's Aeneid. The result is, like Joyce's Ulysses, a comic rewriting of a classical epic, whose critique of the Army and the postwar settlement is sharp and assured. The Irwell Edition is the first publication of Burgess's forgotten masterpiece since 1965. This new edition includes an introduction and notes by Andrew Biswell, author of a prize-winning biography of Anthony Burgess.
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Seit der Veröffentlichung des Ulysses nimmt James Joyce einen einzigartigen Platz in der Literatur des Jahrhunderts ein. Kühn, kompromisslos, bilderstürmerisch öffnete er dem Umgang mit Sprache und literarischer Schöpfung eine neue Dimension. Kein Wunder, dass Künstler, Fotografen, Bildhauer, auch Karikaturisten Bilder von Joyce, von seiner Familie und seinen Kollegen schufen. Das Buch ist ein Dokument ihrer Faszination durch Joyce und von des Iren ungebrochener Wirkung bis in die Gegenwart. Viele Bilder sind verdientermaßen bekannt – von Man Ray, Berenice Abbott, Brancusi, Matisse, Jo Davidson, und Gisèle Freund –, andere sind sogar eifrigen Joyce-Verehrern unbekannt geblieben. Zusammengenommen bilden diese 90 Bilder die umfassendste Sammlung von Joyce-Bildnissen, die jemals für ein einzelnes Buch zusammengetragen worden ist. Wie wohl Joyce so einem Band begegnet wäre? Vielleicht in der Stimmung, in der er dem Maler Augustus John nach einer Sitzung schrieb: »Lob von einem halbblinden Pennypoeten wäre lächerlich, aber ihre Zeichnung ist ganz klar das einzige in diesem Buch, worüber man sich nicht streiten kann. Ich wünschte, ich selbst könnte die Linien besser sehen.« Doch auch Joyce hatte seine Grenzen, wie er schließlich einem der Künstler, die ihn malten, bekannte: »Ich hatte Bilder gern, aber jetzt sind die Nägel an den Wänden völlig genug.« Die Einführung schrieb Anthony Burgess, ein Fürsprecher von Joyces Werk, der kurz nach der Fertigstellung seines Textes starb. Bob Cato war ein preisgekrönter Buchgestalter, zu dessen Titeln Garbo, Swanson, Crawford & Dietrich; The Naive Surrealist (Über Oscar de Mejo), Corbusier, The Collected Poetry of Aimé Césaire und eine Serie über Life-Fotografen gehören. Er war außerdem Bildhauer, Maler, Collagist.
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ABBA ABBA is one of Anthony Burgess's most original works, combining fiction, poetry and translation. A product of his time in Italy in the early 1970s, this delightfully unconventional book is part historical novel, part poetry collection, as well as a meditation on translation and the generating of literature by one of Britain's most inventive post-war authors. Set in Papal Rome in the winter of 1820-21, Part One recreates the consumptive John Keats's final months in the Eternal City and imagines his meeting the Roman dialect poet Giuseppe Gioachino Belli. Pitting Anglo-Italian cultures and sensibilities against each other, Burgess creates a context for his highly original versions of 71 sonnets by Belli, which feature in Part Two. This new edition includes extra material by Burgess, along with an introduction and notes by Paul Howard, Fellow in Italian Literature at Trinity College, Cambridge.
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Helicobacter pylori is a globally significant pathogen that infects half of the population of the world. Its recognition enabled the development of new therapeutic and preventative strategies for serious health conditions such as gastric cancer, of which it is the major causative agent. Providing a broad overview of the current understanding of this pathogen and emphasising its world health impacts, this book explores a range of topics including virulence factors, vaccine development and obstacles, epidemiology, antibiotic resistance and the role of Nod receptors, with a foreword by Barry Marshall, the Nobel Laureate and co-discoverer of H. pylori. It is an essential resource for researchers, students and medics in infectious and Helicobacter-associated diseases.
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This is the first comprehensive critical study of Anthony Asquith. Ryall sets the director's work in the context of British cinema from the silent period to the 1960s, examining the artistic and cultural influences which shaped his films. Asquith's silent films were compared favourably to those of his eminent contemporary Alfred Hitchcock, but his career faltered during the 1930s. However, the success of Pygmalion (1938) and French Without Tears (1939), based on plays by George Bernard Shaw and Terence Rattigan, together with his significant contributions to wartime British cinema, re-established him as a leading British film maker. Asquith's post-war career includes several pictures in collaboration with Terence Rattigan, and the definitive adaptation of Oscar Wilde's The Importance of Being Earnest (1951), but his versatility is demonstrated in a number of modest genre films including The Woman in Question (1950), The Young Lovers (1954) and Orders to Kill (1958). ;
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Organic cattle farming is on the increase, with consumer demand for organic milk and meat growing yearly. Beginning with an overview of the aims and principles behind organic cattle production, this book presents extensive information about how to feed cattle so that the milk and meat produced meet organic standards, and provides a comprehensive summary of ruminant digestive processes and nutrition. Since the publication of the first edition, global consumers have increasingly become concerned with the sustainability of meat production. Here, Robert Blair considers the interrelationships of sustainable practices and profitability of organic herds, reviewing how to improve forage production and quality, and minimizing the need for supplementary feeding using off-farm ingredients. This new edition also covers: - Managing a recurrent shortage of organic feed ingredients, due to increased GM feed crop cultivation worldwide - Current findings on appropriate breeds and grazing systems for forage-based organic production - Diet-related health issues in organic herds and the effects of organic production on meat and milk quality. Required reading for animal science researchers, advisory personnel that service the organic milk and beef industries and students interested in organic milk and meat production, this book is also a useful resource for organic farming associations, veterinarians, and feed and food industry personnel.
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The John Rylands Library houses one of the finest collections of rare books, manuscripts and archives in the world. The collections span five millennia, have a global reach and cover a wide range of subjects, including art and archaeology; economic, social, political, religious and military history; literature, drama and music; science and medicine; theology and philosophy; travel and exploration. For over a century, the Bulletin of the John Rylands Library has published research that complements the Library's special collections.
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Four Saints in Three Acts by Gertrude Stein and Virgil Thomson was a major avant-garde phenomenon of the 1930s, an experimental opera that nonetheless achieved remarkable popular success. Photography was a key element of that success, but its complex roles in the construction, representation and dissemination of the opera have hitherto received little critical attention. The photographic recording of the all-African American cast in particular affords a unique insight into the complexities of Four Saints in relation to the Harlem Renaissance and the New York avant-gardes of the time. This book, published in collaboration with The Photographers' Gallery, London, presents a wide selection of photographs of the cast, performances, and other material - many images reproduced for the first time - alongside essays by an international range of scholars exploring different aspects of the opera, including dance, fashion, music, and avant-garde writing, as well as photography.
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