Tales of EUkraine
Tales of EUkraine (TEUk) will bring books to Ukrainian children refugees while helping the Ukrainian publishing sector with the support of the European Commission
View Rights PortalTales of EUkraine (TEUk) will bring books to Ukrainian children refugees while helping the Ukrainian publishing sector with the support of the European Commission
View Rights PortalWe release over 300 publications of various genres and formats every year
View Rights PortalWhat are the things you cannot miss in coffee shops in Tokyo? Why can master baristas make the most memorable tastes? You will find the answers from Tokyo Coffee Time through coffee experts’ professional and harsh eyes. Including 140 coffee shops, 26 master comments and so on.
The Lightning Bear and Awu Dragon Series is the newest knowledge fairy tale of Ms. Su Mei, the winner of the Bing Xin Children's Literature Award. This series has 6 volumes, shaping two very vivid fairy tale characters Lightning Bear and Awu Dragon, and the strict natural science knowledge, physical science knowledge, mathematical knowledge, necessary safety awareness, etiquette norms are integrated into the wisdom of life. The stories are imaginative, humorous and fun which will leaving a deep impression on children, allowing them to learn more and develop more abilities in the stories.
This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of 'Japanese culture'. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.
Two thirds of Japan is covered with forest that is rapidly reaching maturity and could be felled in the near future. This would dramatically increase domestic timber supply and have implications, not only for Japan, but also the main timber exporting nations of the world. However, Japanese domestic supply has been stagnating and forest management has become less intensive. At the same time, timber suppliers to Japan are themselves coming under various pressures which are likely to lead to reductions in their timber harvests and export potential. This book examines these issues and looks at what would happen if Japan were to utilise this resource within the next two decades, from both a domestic and international point of view. Primarily aimed at advanced students of forestry, economics and business, this book will also be of interest to government research agencies, timber processors and exporters of timber to Japan.
The fine arts reflecting the War of Resistance Against Japan extended their trails of development in a particular historical period, in which the Chinese fine arts developed in an unprecedented manner. Taking pencils and painters as their weapons, artists threw themselves in the War of Resistance Against Japan, which was like a raging fire. With patriotic enthusiasm, they created reputable works in the history of Chinese fine arts and invented a series of methods in creation influencing later generations. After the founding of New China in 1949, a group of artists in the army and other artists created paintings and pictures reflecting the various periods of the War of Resistance Against Japan, e.g. Tunnel Warfare, Five Heroes on Langya Mountain, A Great Campaign Waged by a Hundred Regiments, The Massacre in Nanjing, Eight Women Soldiers Would Rather Drown Themselves in a River Than Surrender and so on. The book collects art works of this theme made during the War of Resistance Against Japan and since 1949. More than 500 pictures with abundant notes referring to the background exhibit the history of the fine arts reflecting the War of Resistance Against Japan and artists' participation in culture.
This collection includes tales about friendship and faith in miracles. It is an ideal reding text for preschool and primary school children. From 3 to 8 years, 6563 words. Rightsholders: gapiukserhii@gmail.com
»Das Japan, von welchem diese Geschichten erzählen, existiert heute nicht mehr. Die Ideale, auf welchen der Bau jener überaus kraftvollen, dabei so schönheitsfrohen Kultur errichtet war, sind heute zum Teil schon veraltet und vergessen, zum Teil bestehen sie noch als Reste der Vergangenheit, deren Macht täglich mehr schwindet. … Die Geschichten unsres Buches zeigen das alte, vergangene, schöne Japan, wie es einmal war, das Japan der adligen, kriegerischen, aristokratischen Ideale.« Hermann Hesse
Die vorliegende Arbeit gilt in Japan seit ihrer Veröffentlichung im Jahre 1957 als eine der wichtigsten kritischen Untersuchungen der intellektuellen Struktur des modernen Japan und ist gleichzeitig selbst ein bedeutendes Dokument der japanischen Geistesgeschichte nach dem Kriege.
Im August 1945 lag das japanische Kaiserreich am Boden zerstört und hatte keine andere Wahl, als sich in die (fast) bedingungslose Kapitulation zu fügen. 50 Jahre später, am Ende des 20. Jahrhunderts, stand Japan im Zenit seines wirtschaftlichen Erfolges, und die USA, ebenso wie Europa, sah sich erneut der »japanischen Herausforderung« ausgesetzt. Wie war dieser welthistorisch so bemerkenswerte Aufstieg im Schatten des Siegers möglich? Was sind seine kulturellen, politischen und sozialen Grundlagen?
Modern authors often return to fairy tales to rethink them and create new texts that are the same tales, but in a new interpretation. Kotygoroshko comprises eight intricate fairy tales by Ukrainian female authors of children's books. Anastasia Lavrenishyna tells an alternative story of Kolobok, Halyna Tkachuk introduces readers to Olenka the Serpent, and Oksana Lushchevska tells the story of Marie, a wise girl with a high IQ. In her tale, Alina Stefan travels to the planet 581g to meet with Kira the Lame Duck, and Mia Marchenko takes her readers to Kiev Podil, where Mykyta the Tanner and Princess Anna save the city. Valentina Vzdulska will tell you the new story of Sirko and the Wolf, and Sasha Kochubey will introduce to you the new character of Kotygoroshko. Finally, there is Anya Khromova's parable about the heart in an iron chest.
The writer's classic work is an excellent reading template for children. As the leading figure in promoting mass reading in China, Mei Zihan enjoys a high reputation and appeal in the minds of Chinese teachers and children. The Mei Zihan's Little Red Sail Phonetic Series is aimed at students from grades one to three in primary school. It is a simple, readable and humorous child growth story with a pinyin-assisted for helping self-reading. The story is well written and closely related to the rich and interesting elementary school life. All four books in the series differ in their difficulty levels, from easy to more challenging in order to nuture an advanced reading ability. The first and second volumes focus on the children's life and emotional experience, pay attention to the language rhythm, increase the proportion of poetry content, control the number of words and the length of the story, and focus on the short reading. Volumes three and four focus on imagination and expression, the content theme is set deeper. Reading instructions are available after each book.
This book is full of daily magic, adventures, kindness, and dreams. It contains seven incredible stories written in letters from the Maldives, Chile, Iceland, Myanmar, Nigeria, and Greece. Six children, the characters of this book, describe their lives and the places where they live; they share their experiences and thoughts; they write about their relationship with their parents and their dreams. These children have a lot in common, despite the fact that they live in different countries and cultures. These letters did not reach their recipients, but they were found by Jerome, the old postmaster of post at the lighthouse, and the seventh story is his. This book is a teleport to different continents, an opportunity to find friends and understand that we are not alone in our worries.
The beginning of this book begins with the source of the suffering of modern China, fully discusses the different developments between modern China and Japan, and extends to the beginning and process of the War of Resistance Against Japan. It reproduces the panorama of the Chinese people's 14 years of resistance to the Japanese invaders and profoundly illustrates that China as a peaceful and backward The hardships and difficulties of defeating the imperialist countries explained China's contribution in this great historical battle and the important role of the Communist Party of China and the people. And by showing a series of difficult and tortuous struggles of the Chinese people and the atrocities of the Japanese invaders, through the stark contrast of the situation of China ’s socioeconomic culture before and after the confrontation, it truly reflects the profound disasters and losses suffered by the Chinese nation in detail, and fully reflects This shows the tremendous contributions and sacrifices made by the Chinese people for national independence and justice.
Any reader who has ever visited Asia knows that the great bulk of Western-language fiction about Asian cultures turns on stereotypes. This book, a collection of essays, explores the problem of entering Asian societies through Western fiction, since this is the major port of entry for most school children, university students and most adults. In the thirteenth century, serious attempts were made to understand Asian literature for its own sake. Hau Kioou Choaan, a typical Chinese novel, was quite different from the wild and magical pseudo-Oriental tales. European perceptions of the Muslim world are centuries old, originating in medieval Christendom's encounter with Islam in the age of the Crusades. There is explicit and sustained criticism of medieval mores and values in Scott's novels set in the Middle Ages, and this is to be true of much English-language historical fiction of the nineteenth and early twentieth centuries. Even mediocre novels take on momentary importance because of the pervasive power of India. The awesome, remote and inaccessible Himalayas inevitably became for Western writers an idealised setting for novels of magic, romance and high adventure, and for travellers' tales that read like fiction. Chinese fictions flourish in many guises. Most contemporary Hong Kong fiction reinforced corrupt mandarins, barbaric punishments and heathens. Of the novels about Japan published after 1945, two may serve to frame a discussion of Japanese behaviour as it could be observed (or imagined) by prisoners of war: Black Fountains and Three Bamboos.
Loquat (Eriobotrya japonica Lindl.) is a subtropical evergreen fruit tree indigenous to China. Records show it has been cultivated in China for over 2000 years. From this beginning, loquat has spread to more than 30 countries around the world. Grown in various regions of Asia, the Mediterranean and across the Americas, loquats suit both temperate and subtropical areas, sharing the same environmental conditions as citrus. Loquat is an increasingly commercial crop in some Asian and European countries with a good amount of international trade. Recent research has focused on improving crop yields and quality. Over 100 different varieties have been developed to meet both growers' and consumers' demands. These developments have contributed to a better understanding of the crop environment, plant growth and physiology of tree and fruit development with implications for both breeding and cultivation. This book is to be the first to provide a comprehensive coverage of the history, physiology, culture and marketing of loquat throughout the world.
Mei Lanfang's surviving literature amounts to more than 6 million words. Forty Years of Stage Life is the core of his works. It is a self-description of Mr. Mei Lanfang's life. It is the most convenient and reliable way to approach the master and understand his artistic life. The previous editions of the book were arranged according to the published versions under certain historical conditions. This is the first time for Mei Lanfang Memorial Hall to arrange the book according to the original manuscript, which is an original publication returning to the master's original intention based on the accumulation of long-term academic research and the revision of new materials. A large number of pictures of Mei Lanfang's stage performances, artistic creations and reports will be added to the book, as well as some hand-drawn illustrations restoring historical situations, in an effort to show and reproduce the radiance and splendor of the master artist and his unparalleled artistic life in a more comprehensive, full, real and beautiful way.
An argument happens in the kindergarten: Big Banana said that he dares to ride a puppy down the street. Meanwhile, teacher kitty said that he once rode a tiger on the street. However, all this happens in their dreams. As a result, kids begin talking about all of their dreams…These lovely “nonsenses” are not lies, but really fairy tales in the eyes of a person who loves kids a lot. The book is written by famous children’s literature writer-Mei Zihan, and its stories are humorous and slightly naughty, and full of vivid illustrations. The book is painted by youthful painter-Bu Jiamei, and she deftly uses color to distinguish reality from imagination, which makes the book colorful and strongly expressive.
The Lightning Bear and Awu Dragon Series is the newest knowledge fairy tale of Ms. Su Mei, the winner of the Bing Xin Children's Literature Award. This series has 6 volumes, shaping two very vivid fairy tale characters Lightning Bear and Awu Dragon, and the strict natural science knowledge, physical science knowledge, mathematical knowledge, necessary safety awareness, etiquette norms are integrated into the wisdom of life. The stories are imaginative, humorous and fun which will leaving a deep impression on children, allowing them to learn more and develop more abilities in the stories.
The Lightning Bear and Awu Dragon Series is the newest knowledge fairy tale of Ms. Su Mei, the winner of the Bing Xin Children's Literature Award. This series has 6 volumes, shaping two very vivid fairy tale characters Lightning Bear and Awu Dragon, and the strict natural science knowledge, physical science knowledge, mathematical knowledge, necessary safety awareness, etiquette norms are integrated into the wisdom of life. The stories are imaginative, humorous and fun which will leaving a deep impression on children, allowing them to learn more and develop more abilities in the stories.