Our passion is to show kids, how colourful and fascinating the world is. There is not only one way to live but so many. We love curious children and we do the books they need to explore the world. So we do travel books for kids and novels for the journey in a hammock.
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WE BELIEVE THAT THE GOOD TRIUMPHS Where did the idea to make children’s educational tales that are different from the rest come from? One day, we decided to create a character who would be loved by thousands of children. We looked at our youngest and realised how much depends on us, adults. It dawned on us that if we bring up our children to become good and noble people, there is a big chance that they will do the same in the future. They will pass the love they got from us on to their children, who will then do the same, and so on…
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Children love poems. So before Christmas, the Old Lion and a group of modern Ukrainian poets and illustrators created this elegant book to read in the family circle. Snow Poems for Kids are full of fun snow games, magical gifts from St. Nicholas and magical moments of Christmas and New Year. Also, the Old Lion reminds young readers to take care of birds and animals in winter. The collection includes poems by Mariana Savka, Halyna Malyk, Halyna Kirpa, Kateryna Mikhalitsyna, Oleksandr Dermanskyi, Ihor Kalynets, Oksana Lushchevska, Oksana Krotiuk, Hryhorii Falkovich, Tetiana Vynnyk, Yulia Smal, Natalia Poklad, Olesia Mamchych, Ivan Andrusiak , Oleksandr Orlov. Compiler - Natalka Maletych. Illustrated by: Dasha Rakova, Oksana-Olexandra Drachkovska, Yuliia Pylypchatina, Nataliia Oliynyk, Bohdana Bondar, Oksana Bula, Marta Koshulynska, Kateryna Sad.
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This collection of opinion journalism is a comprehensive and far-sighted look at the past, present, and future of Ukraine in political and cultural aspects. The author meticulously describes the phenomena of Ukrainian realities, in particular, analyzes the Ukrainian Maidans (2004 and 2013), examines the crisis of the Ukrainian elite, Ukrainians’ identity crisis by nationality or citizenship, and also describes in details the USSR iron curtain of the 20th century in the sphere of culture and literature. Most of these essays were published in periodicals, mainly in English and Ukrainian, sometimes in Polish and German, and occasionally in such languages as Farsi, Turkish, and Catalan. The author prepared all Ukrainian versions with the hope of a synergistic effect of personal experiences gathered under one cover and hoping to awaken from the Soviet delusional dream that has not yet dissappered.
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With an eye to recovering the experiences of those in frontier zones of contact, Savage Worlds maps a wide range of different encounters between Germans and non-European indigenous peoples in the age of high imperialism. Examining outbreaks of radical violence as well as instances of mutual co-operation, it examines the differing goals and experiences of German explorers, settlers, travellers, merchants, and academics, and how the variety of projects they undertook shaped their relationship with the indigenous peoples they encountered. Examining the multifaceted nature of German interactions with indigenous populations, this volume offers historians and anthropologists clear evidence of the complexity of the colonial frontier and frontier zone encounters. It poses the question of how far Germans were able to overcome their initial belief that, in leaving Europe, they were entering 'savage worlds'.
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Yurko Izdryk’s poetry has an extraordinary optical effect as if he talks to you eye to eye reaching deep into your soul. The poems touch on such a level that you can find yourself inside them, and after all, inside the poet’s or lyrical hero’s life, living it as your own because it is so real. This personal touch is known in Ukraine as the phenomenon of Izdryk. Regardless of the phenomenon’s variating tonality – sometimes softly lyrical or harshly ironic, it remains native, yours, reflected by you. In addition to poems, there are also poet’s collages, “other things” that appear in words and pictures, thereby creating the body of one single object - the book as an artifact of life.
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This book presents a wide range of previously unpublished works by Radclyffe Hall. These new materials significantly broaden and complicate critical views of Hall's writings. They demonstrate the stylistic and thematic range of her work and cover diverse topics, including 'outsiderism', gender, sexuality, race, class, religion, the supernatural and the First World War. Together, these texts shed a new light on unrecognised or misunderstood aspects of Hall's intellectual world. The volume also contains a substantial introduction, which situates Hall's unpublished writings in the broader context of her life and work. Overall, the book invites a critical reassessment of Hall's place in early twentieth-century literature and culture and offers rich possibilities for teaching and future research. It will be of interest to scholars and undergraduate and postgraduate students in the fields of English literature, modernism, women's writing, and gender and sexuality studies, and to general readers. ;
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This book analyses how three artists - Adrian Piper, Nancy Spero and Mary Kelly - worked with the visual dimensions of language in the 1960s and 1970s. These artists used text and images of writing to challenge female stereotypes, addressing viewers and asking them to participate in the project of imagining women beyond familiar words and images of subordination. The book explores this dimension of their work through the concept of 'the other woman', a utopian wish to reach women and correspond with them across similarities and differences. To make the artwork's aspirations more concrete, it places the artists in correspondence with three writers - Angela Davis, Valerie Solanas, and Laura Mulvey - who also addressed the limited range of images through which women are allowed to become visible.
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Serhiy Osoka’s first prose collection is about real-life stories and images of those who survived a hunger strike in their childhood or youth and experience other misfortunes in old age: illnesses, impotence, obduracy, hopelessness, misunderstanding, alienation. The author masterfully puts them in relationships with children, grandchildren, and great-grandchildren - still inexperienced and sometimes arrogant. These connections sealed by invisible, inconspicuous love deeply touch the reader, returning him to his own experience. Graphic realism and a thin line of mysticism, the unconscious desire for love and the awareness of love temptations transience, the beauty of youth and foulness of old age, the torments of realization and bitterness of disappointments - everything harmonizes in the repetition of words on the strong thread of the idea.
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This volume questions and qualifies commonly accepted assumptions about the early modern English sonnet: that it was a strictly codified form, most often organised in sequences, which only emerged at the very end of the sixteenth century and declined as fast as it had bloomed, and that minor poets merely participated in the sonnet fashion by replicating established conventions. Drawing from book history and relying on close reading and textual criticism, this collection offers a more nuanced account of the history of the sonnet. It discusses how sonnets were written, published and received in England as compared to mainland Europe, and explores the works of major (Shakespeare, Sidney, Spenser) and minor (Barnes, Harvey) poets alike. Reflecting on current editorial practices, it also provides the first modern edition of an early seventeenth-century Elizabethan miscellany including sonnets presumably by Sidney and Spenser.
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Myroslava and Others from Our Courtyard'' by Olha Kupriyan is a funny and sincere story for young readers about all those miracles and ups and downs that happen to us only in childhood, when you are ten and the holidays are the whole life lasting a summer! Mykyta and Myroslava are friends, they squabble and reconcile again, learn to earn their first money by walking the Baba Sonya’s dog or little Zlata, try to summon the Rubber Booty... And they also share all the joys and sorrows, they know how to enjoy small things, such as a piece of the Dream airplane in the sky!
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A statement on otherness, a song of love and sincerity, Poème pour une petite fille à l’autre bout du monde is an invitation into the intimate sphere of the poet. It is the figuration of the paternal real brought to its highest point. A father and a little girl meet somewhere, at the other end of a street or a railway station, to talk about friendship, life and their regrets, to take stock of all their failed acts and to give each other reasons to love each other, despite the distance, the disarray and the madness that can arise from absence.
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The rare violin, which was played by Mozart, is usually not taken abroad. An exception was made for the festival in Lviv, but no one even supposed that this would become an important link in the whole chain of terrible events. Unexpectedly for everyone and herself, the legendary Austrian Empress Sissy successfully investigates not only the mysterious attempt on her husband, but also a number of other mysteries. Natalka Sniadanko's new novel based on documentary materials about the life and adventures of the imperial family immerses the reader in a stunning detective story with political implications. An additional intrigue to this story is given by the two-dimensional plot story, due to which the events of the mid-19th century suddenly echo poignantly in Lviv at the beginning of the third millennium.
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The old Lion, tired of ruling, settles in glorious Lviv in a beautiful attic with windows overlooking Rynok Square. One day, during the rain, the ceiling of his apartment begins to leak. Someone has to repair it, and the old Lion asks his closest friends, Crocodile, Elephant, and Giraffe, for help. When they arrive in Lviv, amazing things start happening to them. This poetic tale is a true love letter to Lviv, where miracles happen almost every day. From 3 to 6 years Rightsholders: ivan.fedechko@starlev.com.ua
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This book is about other worlds and the supernatural beings, from angels to fairies, that inhabited them. It is about divination, prophecy, visions and trances. And it is about the cultural, religious, political and social uses to which people in Scotland put these supernatural themes between 1500 and 1800. The supernatural consistently provided Scots with a way of understanding topics such as the natural environment, physical and emotional wellbeing, political events and visions of past and future. In exploring the early modern supernatural, the book has much to reveal about how men and women in this period thought about, debated and experienced the world around them. Comprising twelve chapters by an international range of scholars, The supernatural in early modern Scotland discusses both popular and elite understandings of the supernatural.
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With its fantasy of magical travel and inexhaustible riches, Thomas Dekker's Old Fortunatus is the quintessential early modern journeying play. The adventures of Fortunatus and his sons, aided by a magical purse and wishing-hat, offers the period's most overt celebration of the pleasures of travel, as well as a sustained critique of the dangers of intemperance and prodigality. Written following a period of financial difficulty for Dekker, the play is also notable for its fascination with the symbolic, mercantile and ethical uses of gold. This Revels Plays edition is the first fully annotated, single-volume critical edition of Old Fortunatus. It offers scholarly discussion of the play's performance and textual history, including attention to the German version printed and performed in the early seventeenth century. It provides a long overdue critical reappraisal of this unjustly neglected play.
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Exile, its pain and possibility, is the starting point of this book. Women's experience of exile was often different from that of men, yet it has not received the important attention it deserves. Women in exile in early modern Europe and the Americas addresses that lacuna through a wide-ranging geographical, chronological, social and cultural approach. Whether powerful, well-to-do or impoverished, exiled by force or choice, every woman faced the question of how to reconstruct her life in a new place. These essays focus on women's agency despite the pressures created by political, economic and social dislocation. Collectively, they demonstrate how these women from different countries, continents and status groups not only survived but also in many cases thrived. This analysis of early modern women's experiences not only provides a new vantage point from which to enrich the study of exile but also contributes important new scholarship to the history of women.
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Mutilated beyond recognition in the combat in Eastern Ukraine, the protagonist of Amadoca makes it out alive, if only just. It’s too early to celebrate though: his injuries have caused complete amnesia. The man remembers neither his name nor his home town; not a single relative; not a fragment of his old life. At this point a woman finds him. Her love and patience can work miracles, reaching the deepest levels of memory and forgetting, bringing together discrete snippets of the maimed consciousness and weaving them together into the shared history. Amadoca was the largest lake in Europe that lay on the territory that is now Ukraine. First mentioned by Herodotus and faithfully recreated by medieval cartographers down the centuries it suddenly disappeared from accounts. How can large lakes, whole worlds or entire cultures disappears without a trace? And what is left behind in their wake? Are there paralels between Holocaust of East Europe’s Jews and the distruction of Ukrainian artists in Stalin’s Great Terror? Can one person’s forgetting reach several generations below ground? Are the signs and scars of maimed memories what really keeps us together? Can love and patience help to touch the mind of another human being?
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The nightingale has returned from distant Africa and is looking for a spot to build its nest. And there are so many trees and bushes in the garden to chose from! Which of them would make a good home for a bird? Maybe a sour cherry tree, or a sweet cherry tree... or perhaps even a cherry plum tree? And what about a plum, or a pear tree? Each tree tells its story to the nightingale, describing its own special traits. What emerges from the stories of the trees is the image of the old gardener, clever and kind, who treats the trees as living creatures, talks to them and cherishes them greatly, along with his family, still living in the nearby house, honoring the trees and collecting their fruit. From 3 to 6 years, 2515 words Rightsholders: ivan.fedechko@starlev.com.ua
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