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View Rights PortalWe are from De Vecchi Ediciones / DVE, a publishing house with about 4000 titles in Spanish.
View Rights PortalThis is a poem collection of modern Chinese poet Lan Lan, who chooses about 200 works from 1983-2014. Her poems are characterized with strong emotion, sharp thoughts, and lyrical expression.
This book is a collection of essays by Wan Hongyou. Wan Hongyou's literary construction bases on love. It is the rich feelings abundance of people, society, and life that fill our hearts. This "rich feelings" is like a tangible and invisible red silk thread, leading his ideas, nourishing his style, full of his language, and instigating his inspiration. His work is thus sparkling with poetry. In the text, there is a perception of life and work, as well as a concern for social reality. Under the words, there is a hot heart hidden.Walking in the world, everyone has poetry and ideals in their hearts. Let it be, we should learn to be gentle with the world.
In 1841, the Welsh sent their first missionary, Thomas Jones, to evangelise the tribal peoples of the Khasi Hills of north-east India. This book follows Jones from rural Wales to Cherrapunji, the wettest place on earth and now one of the most Christianised parts of India. As colonised colonisers, the Welsh were to have a profound impact on the culture and beliefs of the Khasis. The book also foregrounds broader political, scientific, racial and military ideologies that mobilised the Khasi Hills into an interconnected network of imperial control. Its themes are universal: crises of authority, the loneliness of geographical isolation, sexual scandal, greed and exploitation, personal and institutional dogma, individual and group morality. Written by a direct descendant of Thomas Jones, it makes a significant contribution in orienting the scholarship of imperialism to a much-neglected corner of India, and will appeal to students of the British imperial experience more broadly.
This book is mainly written in the process of poverty alleviation. Various e-commerce platforms have emerged at the historic moment, and have been stationed in rural areas. The extensive sales network has helped the poor in a special way and improved the production and life of rural areas. Many poor people rely on e-commerce. Not only do they get rid of poverty, they also bring others out of poverty. Although some poor people have encountered difficulties in the process of e-commerce, the party and government, as well as the poverty alleviation cadres sent by the society, and the poverty alleviation teams from all walks of life are doing their best Help them break through the bottleneck and other true stories, and write about the advent of the e-commerce era, making many remote villages that were originally barren and backward to counterattack into moving scenes of rich life, full of vitality and beautiful villages; writing about the trend of Hunan people in the era China's pragmatism and responsibility, tenacity and strength, reflect China's e-commerce miracle that China has demonstrated to the world with the Hunan e-commerce story.
Mogao Grottoes Art in Dunhuang is general reading material about the art of Dunhuang grottoes, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
Carefully selected and meticulously compiled, this collection features nearly four hundred artworks from the various stages of Mr. Chang Shuhong's artistic career. It encompasses a wide range of categories, including oil paintings, watercolors, copies, sketches, and more, offering a comprehensive showcase of the distinctive creative characteristics of Mr. Chang Shuhong across different periods and reflecting his artistic journey under different circumstances. Authored by experts from the Dunhuang Academy, the detailed annotations provide valuable insights into the background of each piece, aiding readers in gaining a deeper understanding of the stories behind the artworks and interpreting Dunhuang art.
Carefully selected and meticulously compiled, this collection features nearly four hundred artworks from the various stages of Mr. Chang Shuhong's artistic career. It encompasses a wide range of categories, including oil paintings, watercolors, copies, sketches, and more, offering a comprehensive showcase of the distinctive creative characteristics of Mr. Chang Shuhong across different periods and reflecting his artistic journey under different circumstances. Authored by experts from the Dunhuang Academy, the detailed annotations provide valuable insights into the background of each piece, aiding readers in gaining a deeper understanding of the stories behind the artworks and interpreting Dunhuang art.
Italian graphic design offers a new perspective on the subject by exploring the emergence and articulation of graphic design practice, from the interwar period through to the appearance of an international graphic design discourse in the 1960s. The book asks how graphic designers learned their trade and investigates the ways in which they organised and made their practice visible while negotiating their collective identity with neighbouring practices such as typography, advertising and industrial design. Attention is drawn to everyday design practice, educational issues, mediating channels, networks, design exchange, organisational strategies and discourses on modernism. Drawing on a wide range of primary sources and placing an emphasis on visual analysis, this book provides a model for a contextualised graphic design history as an integral part of the history of design and visual culture.
This is a collection of works on the theme of corporate culture. There are four chapters in the book: "Enjoy•Value", "Enjoy•Ecology", "Enjoy•Life", "Enjoy•Culture". The first chapter elaborates the development of Changsha Bank into a big, party building as the soul, management as the foundation, service as the key, love as the beauty, and technology as the first from the three dimensions of management, products and the future. It records the birth and development of Changsha Bank’s products Growth, imaginative business planning, etc.; Chapter 2 shows the steps of Changsha Bank to explore ecological banking, build a financial ecosystem, cross-border brand alliances, openness and win-win, compatibility and inclusiveness; Chapter 3 tells the story of employees' hard work, etc.; The fourth chapter presents the research results of the Changsha Bank’s Corporate Culture Construction Expert Advisory Committee.
Windows for the world explores the display and reception of nineteenth-century British stained glass in a secular exhibition context. International in scope, the book focuses on the global development of stained glass in this period as showcased at, and influenced by, these exhibitions. It recognises those who made and exhibited stained glass and demonstrates the long-lasting impact of the classification and modes of display at these events. A number of exhibits are illustrated in colour and are analysed in relation to stylistic developments, techniques and material innovations, as well as the broader iconographies of nation and empire in the nineteenth century.
The senses in interior design examines how sight, touch, smell, hearing and taste have been mobilised within various forms of interiors. The chapters explore how the body navigates and negotiates the realities of designed interiors and challenge the traditional focus on star designers or ideal interiors that have left sensorial agency at the margins of design history. From the sensually gendered role of the fireplace in late sixteenth century Italy to the synaesthetic décors of Comte Robert de Montesquiou and the sensorial stimuli of Aesop stores, each chapter brings a new perspective on the central role that the senses have played in the conception, experiences and uses of interiors.
Despite many books on plant invasions, none has focused on the role of species interactions. This book is a comprehensive overview of how plant invasions are mediated by varied species interactions and how such invasions influence this important component of biodiversity which involves the interactions (the 'glue') among a community's species. Besides highlighting relevant findings, the book digs deeply into new methodologies to understand species interactions in plant invasions and how this can improve management of invaded communities. The book covers: - Main theories/hypotheses in plant invasion ecology that invoke species interactions - Plant invasions promoted by mutualistic interactions and release from enemies - Antagonistic interactions preventing or hindering plant invasions - Consequences of plant invasions on native species interactions and ecosystem functioning - The interaction network approach to understanding plant invasions - Importance of considering species interactions in managing plant invasions Future avenues of research are highlighted in a final chapter. Table of contents Part I: Background Chapter 1: Plant invasions: the role of biotic interactions – An overview Chapter 2: The role of biotic interactions in invasion ecology: theories and hypotheses Part II: Positive and negative interactions in the soil Chapter 3: Soil biota and non-native plant invasions Part III: Mutualistic interactions that promote plant invasions Chapter 4: Pollination interactions promoting plant invasions- Chapter 5: Seed dispersal interactions promoting plant invasions Chapter 6: Ungulates as dispersal vectors of non-native plants Chapter 7: The role of plant-plant facilitation in non-native plant invasions Chapter 8: How direct and indirect non-native interactions can promote plant invasions, lead to invasional meltdown, and inform management decisions Part IV: Antagonistic interactions that hinder plant invasions Chapter 9: Biotic resistance to plant invasions Chapter 10: EICA 2.0: A general model of enemy release and defence in plant and animal invasions Chapter 11: The role of pathogens in plant invasions Chapter 12: Direct and indirect effects of herbivores influencing plant invasions Part V: Consequences of plant invasions for biotic interactions among native species Chapter 13: Impacts of non-native plants on plant-pollinator interactions Chapter 14: The effect of non-native plant invasions on seed dispersal of native plants Chapter 15: Allelopathic disruptions of biotic interactions due to non-native plants Chapter 16: Competition between native and non-native plants Chapter 17: Indirect biotic interactions between non-native plants and native plants and animals Part VI: Novel techniques and experimental approaches in the study of plant invasions Chapter 18: How a network approach has advanced the field of plant invasion ecology Chapter 19: Molecular ecology of plant-microbial interactions during invasions: progress and challenges Part VII: Biotic interactions and the management of ecosystems invaded by non-native plants Chapter 20: How can progress in the understanding of antagonistic interactions be applied to improve biological control of plant invasions? Chapter 21: Restoration of pollination interactions in communities invaded by non-native plants Chapter 22: Restoration of seed dispersal interactions in communities invaded by non-native plants Chapter 23: Multiple feedbacks due to biotic interactions across trophic levels can lead to persistent novel conditions that hinder restoration
Mit Madita den schwedischen Sommer erleben. Madita heisst eigentlich Margareta, wird aber nur so genannt, wenn sie etwas angestellt hat. Also ziemlich oft, denn Madita steckt eben oft in Schwierigkeiten, die sie aber stets auf charmante Art zu lösen weiß. Hier spielen Freundschaft und Mut immer eine große Rolle. Mit den Geschichten: "Ein Sommertag auf Birkenlund", "Richard, Madita und Lisabet machen einen Ausflug", "Ein ganz schöner, trauriger Tag", "Lisabet steckt sich eine Erbse in die Nase". Lindgrens Klassiker als Hörbuch machen Lust auf einen Sommerurlaub in Schweden.
Spices, scents and silks were at the center of world trade for millennia. Through their international trade, humans were pushed to explore and then travel to the far corners of the earth. Almost from their inception, the earliest great civilizations - Egypt, Sumer and Harappa - became addicted to the luxury products of far off lands and established long-reaching trade networks. Over time, great powers fought mightily for the kingdoms where silk, spices and scents were produced. The New World was accidentally discovered by Columbus in his quest for spices. What made trade in these products so remarkable was that the plants producing them grew in very restricted areas of the world, distant from the wealthy civilizations of northern Africa, Greece and Europe. These luxuries could be carried from mysterious locations on the backs of camels or in the holds of ships for months on end, and arrived at their final destination in nearly perfect condition. Once the western world discovered the intoxicating properties of these products, their procurement became a dominant force in the world economy. Nothing else compared with their possible profit returns. In this book, eminent horticulturist and author James Hancock examines the origins and early domestication and culture of spices, scents and silks and the central role these exotic luxuries played in the lives of the ancients. The book traces the development of the great international trade networks and explores how struggles for trade dominance and demand for such luxuries shaped the world.
This book provides a critical investigation of what has been termed the 'global justice movement'. Through a detailed study of a grassroots peasants' network in Asia (People's Global Action), an international trade union network (the International Federation of Chemical, Energy, Mining and General Workers) and the Social Forum process, it analyses some of the global justice movement's component parts, operational networks and their respective dynamics, strategies and practices. The authors argue that the emergence of new globally-connected forms of collective action against neoliberal globalisation are indicative of a range of place-specific forms of political agency that coalesce across geographic space at particular times, in specific places, and in a variety of ways. Rather than being indicative of a coherent 'movement', the authors argue that such forms of political agency contain many political and geographical fissures and fault-lines, and are best conceived of as 'global justice networks': overlapping, interacting, competing, and differentially-placed and resourced networks that articulate demands for social, economic and environmental justice. Such networks, and the social movements that comprise them, characterise emergent forms of trans-national political agency. The authors argue that the role of key geographical concepts of space, place and scale are crucial to an understanding of the operational dynamics of such networks. Such an analysis challenges key current assumptions in the literature about the emergence of a global civil society. ;
Three quarters of the world’s population live in cities. One in eight people lives in a metropolitan area. Megacities swallow up land, energy and resources – and at the same time are particularly hard hit by the current climate crisis that they fuel. However, in the metropolises of the overcrowded world plenty of committed people have heard the warning signals and establish networks to use the potential of cities to reorganize the participative and social-ecological activity that is urgently needed. The contributions to this Yearbook for Ecology focus on the present and future of cities from wide-ranging viewpoints and highlight perspectives for their creative transformation towards liveable sustainability.
This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. ;
On Dunhuang Murals is general reading material about the art of Dunhuang murals, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
On Dunhuang Painted Sculptures is general reading material about the art of Dunhuang painted sculptures, and it’s the ingenious work of Mr. Chang Shuhong, the pioneer of Dunhuang Studies in China.
Exile, its pain and possibility, is the starting point of this book. Women's experience of exile was often different from that of men, yet it has not received the important attention it deserves. Women in exile in early modern Europe and the Americas addresses that lacuna through a wide-ranging geographical, chronological, social and cultural approach. Whether powerful, well-to-do or impoverished, exiled by force or choice, every woman faced the question of how to reconstruct her life in a new place. These essays focus on women's agency despite the pressures created by political, economic and social dislocation. Collectively, they demonstrate how these women from different countries, continents and status groups not only survived but also in many cases thrived. This analysis of early modern women's experiences not only provides a new vantage point from which to enrich the study of exile but also contributes important new scholarship to the history of women.