Crimson Dragon Publishing carries books that encourage readers of all ages by sparking the imagination. While we focus on the fantasy and science fiction genres, we also carry illustrated books for young readers that focus on social-emotional skills development and fictionalized non-fiction.
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MMC EDIZIONI is a publishing house based in Rome.Born in 2001 as a generalist, along the time it has specialized almost exclusively in non-fiction, dedicated in particular (but not only) to the city of Rome.The main series, called "A walk with history" offers an alternative vision of the city through the historical reconnaissance and analysis of some of its urban furnishings that are not taken into consideration such as small fountains, clocks, inscriptions, sacred shrines, plaques. This series stands out for a particular graphic style and for the abundance of photographs, specially made for these books.Other series on Rome are instead dedicated to in-depth studies on specific historical and customs themes, or on the mysterious aspects of the city that also reveal its dark side.In the MMC catalogue are other non-fiction books on topics such as Music, Interculture, Anthropology and a series of stories for children encouraging solidarity, non-violence and respect for the environment
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Critical Games is about the games we play (whether we know it or not), the ways we play them (for fun, but also to win, and to gain approval from others), and what happens when they get out of hand. The book interrogates the theory of play and gaming, with a particular focus on the games played by literary authors and literary critics. Drawing on (often self-critical) autobiography, as well as readings in texts across a range of languages, Tim Beasley-Murray plays with academic conventions to highlight what is at stake in them, turning to the Game of Literature, from Kafka to Carrère, to seek models and warnings of the outcomes of taking games too seriously, or not taking them seriously enough.
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Innovatively extending counterfactual thought experiments from history and the social sciences to literary historiography, criticism and theory, Counterfactual Romanticism reveals the ways in which the shapes of Romanticism are conditioned by that which did not come to pass. Exploring various modalities of counterfactual speculation and inquiry across a range of Romantic-period authors, genres and concerns, this collection offers a radical new purchase on literary history, on the relationship between history and fiction, and on our historicist methods to date - and thus on the Romanticisms we (think we) have inherited. Counterfactual Romanticism provides a ground-breaking method of re-reading literary pasts and our own reading presents; in the process, literary production, texts and reading practices are unfossilised and defamiliarised.
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Literary tourism is a nascent field in tourism studies, yet tourists often travel in the footsteps of well-known authors and stories. Providing a wide-ranging cornucopia of literary tourism topics, this book fully explores the interconnections between the written word and travel. It includes tourism stories using guidebooks, films, television and electronic media, and recognises that stories, texts and narratives, even if they cannot be classified as traditional travel writing, can become journeys in themselves and take us on imaginary voyages. Furthermore, the book: - Provides a grounding in the theoretical perspectives on literature and the tourist experience; - Explores practical applications of literary tourism, such as destination promotion and creation, responsible tourism and learning benefits; - Uses global case studies to study literary tourism in action. Appealing to a wide audience of different disciplines, it encompasses subjects such as business literary writing, historical journeys and the poetry of Dylan Thomas. The use of these different perspectives demonstrates how heavily and widely literature influences travel, tourists and tourism, making it an important read for researchers and students of tourism, social science and literature.
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This book takes the homogeneous, isomorphic, and mutual relationship of Shen Congwen's aesthetic thoughts, artistic thoughts and cultural anthropological thoughts as the starting point, and then explores the anthropological characteristics of Shen Congwen's works from the perspective of anthropological ontology, methodology and axiology. The following analyses focusing on the expression form, ideological root, and value and significance to literary creation and cultural construction are an extended study of Shen Congwen's cultural thought, aesthetic thought, artistic creation thought and value.
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Critical theory and dystopia offers a uniquely rich study of dystopian fiction, drawing on the insights of critical theory. Asking what ideological work these dark imaginings perform, the book reconstructs the historical emergence, consolidation and transformation of the genre across the twentieth century and into our own, ranging from Yevgeny Zamayatin's We (1924) and Aldous Huxley's Brave New World (1932) to Anthony Burgess's A Clockwork Orange (1963) and Suzanne Collins's Hunger Games series (2000s and 2010s). In doing so, it reveals the political logics opened up or neutered by the successive moments of this dystopian history.
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Clive Barker: Dark imaginer explores the diverse literary, film and visionary creations of the polymathic and influential British artist Clive Barker. In this necessary and timely collection, innovative essays by leading scholars in the fields of literature, film and popular culture explore Barker's contribution to gothic, fantasy and horror studies, interrogating his creative legacy. The volume consists of an extensive introduction and twelve groundbreaking essays that critically reevaluate Barker's oeuvre. These include in-depth analyses of his celebrated and lesser known novels, short stories, theme park designs, screen and comic book adaptations, film direction and production, sketches and book illustrations, as well as responses to his material from critics and fan communities. Clive Barker: Dark imaginer reveals the breadth and depth of Barker's distinctive dark vision, which continues to fascinate and flourish.
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Brings together the varied artistic, critical and cultural productions by women scholars, critics and artists between 1790-1900, many of whom are little known in the canonical histories of the period. Questions the concepts of 'scholarship', 'criticism' and 'artist' across the different disciplines. Women discussed include authors (Mary Wollstonecraft Shelley, Sydney Morgan and Anna Jameson) actresses ( Elizabeth Siddons, Dorothy Jordan, and Mary Robinson) critics ( Margaret Oliphant and Mary Cowden Clarke) historians (Agnes Strickland, Lucy Aikin, Mary Anne Everett Green, Elizabeth Cooper and Lucy Toulmin Smith) as well as the writers and readers of Women's magazines, educationalists and translators. Makes a significant and original contribution to the development of gender studies by extending the frontiers of existing knowledge and research. ;
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Jerusalem Review (Jerusalem Review, número 7) Redactor: Gabriel Moked «Poemas de Yehuda Amijai, Rajel, Maya Bejerano y Moshé Dor, relatos de Yoram Kaniuk y Arié Stav, ensayos de A.B. Yehoshua y Gabriel Moked y una entrevista a Naguib Mahfouz, todo ello traducido al inglés, son los puntos destacados del nuevo número de la revista de literatura y cultura hebrea, «The Jerusalem Review» que acaba de publicarse. Este número contiene 240 páginas, algunas con textos en inglés y el resto con traducciones. Esta publicación se distribuye a abonados en Israel y en el extranjero, a bibliotecas de judaica de todo el mundo y a revistas literarias y escritores judíos y no judíos de destaque. El comité de redacción del número 7 de «The Jerusalem Review» incluye algunos de los mejores escritores y miembros del mundo académico en Israel y en el extranjero. En concordancia con el marco ideológico básico de la revista, publicamos en ella traducciones al inglés de textos en hebreo postbíblico de todas las épocas. Así, se puede encontrar en ella poemas de poetas israelíes modernos, junto con Abraham Ibn Ezra y Berl Pomerantz (un poeta judío de la época anterior al Holocausto). La sección de prosa incluye una larga novela de Yoram Kaniuk y memorias del Holocausto de Arié Stav. Otra sección incluye obras de escritores judíos de Estados Unidos y de Gran Bretaña, como Paul Oppenheimer, Alicia Ostriker, Mark Strand, Elaine Feinstein y Charles Bernstein. Debido a la decisión del redactor de dar el podio, en cada uno de los números de la «Review», a un poeta o escritor no judío que desea mantener un diálogo con la historia y la cultura judeo-israelí y con la literatura hebrea, optamos por incluir en este número poemas traducidos del polaco al inglés, de uno de los poetas y escritores polacos más famosos en la actualidad, Krzysztof Karasek. La sección de ensayos incluye un ensayo en gran escala de Amos Funkenstein sobre La teología frente al Holocausto, así como ensayos de A. B. Yehoshua y Gabriel Moked sobre la identidad judía e israelí. Junto a estas secciones, la Review también incluye una sección de Oriente Medio con una entrevista realizada hace algunos años al Premio Nobel egipcio Naguib Mahfouz, sumamente pertinente para las relaciones actuales entre Israel y Egipto y los demás países árabes. Esta sección también incluye poemas de dos poetas israelíes drusos, Naim Araidi y Nazi H'ir y una traducción de poemas del gran poeta y místico sufí persa, Yalal el-Din Rumi. La importancia de The Jerusalem Review radica, entre otras cosas, en que es un representante destacado del mundo cultural y literario de la cultura judía en general y de Israel en particular y que contraataca los interminables esfuerzos por socavar la legitimidad cultural del pueblo judío y de Israel.
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Jerusalem review (Jerusalem review, issue no 7) Herausgeber:Gabriel Moked „Gedichte von Yehuda Amichai, Rachel, Maya Bejerano und Moshe Dor; Geschichte von Yoram Kaniuk und Arye Stav; Essays von A.B.Yehoshua und Gabriel Moked, sowie ein Interview mit Naguib Mahfouz, sämtlich übersetzt ins Englische, stehen im Mittelpunkt dieser neuen Ausgabe des wichtigsten Journals jüdischer und hebräischer Literatur und Kultur, der soeben erschienenen „Jerusalem Review“. Die aktuelle Ausgabe umfasst 240 Seiten, durchgehend in englischer Sprache, einige davon als Übersetzung aus dem Hebräischen.Das Journal hat Leser in Israel und in zahlreichen anderen Ländern, ist in Judaica-Bibliotheken weltweit zu finden und wird von jüdischen sowie nichtjüdischen Autoren und literarischen Magazinen abonniert. Zur Redaktion der 7. Ausgabe der Jerusalem Review zählen einige der bekanntesten Schriftsteller und Akademiemitglieder Israels und anderer Länder. Die Jerusalem Review hat sich zur Aufgabe gestellt, post-biblische Texte aus Vergangenheit und Gegenwart in englischer Sprache zu veröffentlichen.Das Journal enthält daher auch Werke moderner israelischer Dichter wie Abraham Ibn Ezra und Berl Pomerantz (jüdischer Dichter aus der Vor-Holocaust-Ära). In der Abteilung Prosa sind eine lange Novelle von Yoram Kaniuk sowie Holocaust-Memoiren von Arye Stav zu finden.Des weiteren enthält das Journal Arbeiten jüdischer Autoren aus den USA und Großbritannien, darunter Paul Oppenheimer, Alicia Ostriker, Mark Strand, Elaine Feinstein und Charles Bernstein. In jeder Ausgabe der Jerusalem Review wird außerdem ein nichtjüdischer Dichter oder Autor vorgestellt, der sich in einem besonderen Dialog mit der jüdisch-israelischen Geschichte und Kultur sowie der hebräischen Literatur befindet. In dieser Ausgabe wurden die Gedichte des polnischen Autors Krzysztof Karasek ausgewählt und ins Englische übersetzt. In der Abteilung Essays finden Sie ein längeres Essay von Amos Funkenstein über theologische Tendenzen im Widerstand gegen den Holocaust und Essays von Yehoshua und Gabriel Moked über jüdische und israelische Identität.Ein weiterer Schwerpunkt ist die kulturelle Lage des mittleren Ostens, die in einem Interview mit dem ägyptischen Nobelpreisträger Naguib Mahfouz vor einigen Jahren geführt wurde, doch angesichts der aktuellen Beziehung zwischen Israel und Ägypten sowie den anderen arabischen Nationen von aktueller Bedeutung ist.In diesem Abschnitt befinden sich auch Gedichte von zwei israelisch-drusischen Dichtern, Naim Araidi und Nazi H'ir, sowie eine Übersetzung des großen persischen Sufi-Dichters und -Mystikers Jalal el-Din Rumi. Die Bedeutung der Jerusalem Review besteht unter anderem darin, dass das Journal als Forum prominenter Vertreter der jüdischen Kultur im Allgemeinen und der israelischen Kultur im Besonderen den Vorurteilen entgegenwirkt, denen die jüdische Weltkultur noch immer ausgesetzt ist.
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In A New Genre for Television?, filmmaker Justin Hardy argues the dramatised history documentaries broadcast by British public service channels in the 2000s constituted a distinct television genre. Offering a vital distinction between docudramas and drama documentaries, Hardy contributes to the field of television history through exclusive interviews with key figures from BBC and Channel 4 - many of whom have never been publicly interviewed before - and envisions a future model for the portrayal of national histories on screen.
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This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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In the wake of 9/11, the Asian crisis and the 2004 tsunami, traditional analytical frameworks are increasingly unable to explain how individuals and communities are rendered insecure, or advance individual, global or environmental security. In the Asia-Pacific, the accepted wisdom of realism has meant that analyses rarely move beyond the statist, militarist and exclusionary assumptions that underpin traditional realpolitik. This innovative new book challenges these limitations and addresses the missing problems, people and vulnerabilities of the Asia-Pacific region. It also turns a critical eye on traditional interstate strategic dynamics. Critical security in the Asia-Pacific applies both a critical theoretical approach that interrogates the deeper assumptions underpinning security discourses, and a human-centred policy approach that focuses on the security, welfare and emancipation of individuals and communities. Leading Asia-Pacific researchers combine to apply these frameworks to the most pressing issues in the region, from the Korean peninsula to environmental change, Indonesian conflict, the 'war on terror' and the plight of refugees. The result is a sophisticated and accessible account of often-neglected realities of marginalization in the region, and a compelling argument for the empowerment and security of the most vulnerable.
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This is a comparative study of judicial review systems of various countries, analyzing the history and characteristics of constitutional protection systems while taking into consideration the basic features of Chinese constitutional system. Offering some insights into existing problems and some constructive countermeasures, the research results of this book have significant practical value.
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This book offers a unique and timely reading of the early Frankfurt School in response to the recent 'affective turn' within the arts and humanities. Resisting the overly rationalist tendencies of political philosophy, it argues that critical theory actively cultivates a powerful connection between thinking and feeling, and rediscovers a range of often neglected concepts that were of vital importance to the first generation of critical theorists, including melancholia, hope, (un)happiness, objects and mimesis. In doing so, it brings the dynamic work of Walter Benjamin, Theodor Adorno, Ernst Bloch and Siegfried Kracauer into conversation with more recent debates around politics and affect. An important intervention in the fields of affect studies and social and political thought, Critical theory and feeling shows that sensuous experience is at the heart of the Frankfurt School's affective politics.
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Make or break? Advertisements repeatedly praise „plant-based“ products or promise new mobility through ointments and dietary supplements. The tools of evidence-based pharmacy help to answer the question „Does this really help?“ This practical guide offers tips and explanations on how to be confident of finding the relevant scientific literature, critically evaluate clinical studies, and interpret therapeutic results. The book provides guidance on how to classify the quality of reviews and meta-analyses and assess the reliability of guidelines in everyday healthcare practice. Practical examples help to avoid pitfalls in evaluation and to understand the statistical details. An extensive appendix with technical terms, checklists, important institutions of evidence-based medicine and further sources completes the book.
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Looking at contemporary film and television, this book explores how popular genres frame our understanding of on-screen performance. Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides a truly interdisciplinary account of performance in film and television and examines a much neglected area in our understanding of how popular genres and performance intersect on screen. Each chapter concentrates upon a particular genre or draws upon generic case studies in examining the significance of screen performance. Individual chapters examine contemporary film noir, horror, the biopic, drama-documentary, the western, science fiction, comedy performance in 'spoof news' programmes and the television 'sit com' and popular Bollywood films.
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Lukácsian film theory and cinema explores Georg Lukács' writings on film. The Hungarian Marxist critic Georg Lukács is primarily known as a literary theorist, but he also wrote extensively on the cinema. These writings have remained little known in the English-speaking world because the great majority of them have never actually been translated into English - until now. Aitken has gathered together the most important essays and the translations appear here, often for the first time. This book thus makes a decisive contribution to understandings of Lukács within the field of film studies, and, in doing so, also challenges many existing preconceptions concerning his theoretical position. For example, whilst Lukács' literary theory is well known for its repudiation of naturalism, in his writings on film Lukács appears to advance a theory and practice of film that can best be described as naturalist. Lukácsian film theory and cinema is divided into two parts. In part one, Lukács' writings on film are explored, and placed within relevant historical and intellectual contexts, whilst part two consists of the essays themselves. This book will be of considerable interest to scholars and students working within the fields of film studies, literary studies, intellectual history, media and cultural studies. It is also intended to be the final volume in a trilogy of works on cinematic realism, which includes the author's earlier European film theory and cinema (2001), and Realist film theory and cinema (2006).
