Hobby Japan Co., Ltd.
We release over 300 publications of various genres and formats every year
View Rights PortalWe release over 300 publications of various genres and formats every year
View Rights PortalJapan Book Bank enables you to find the titles Rights Availability and the direct contact information for the buyers and agents around the world.
View Rights PortalCan drawing — sound, honest representation of the world as the eye sees it, not tricks with the pencil or a few "effects" — be learned from a book? One of the most gifted draftsmen, who is also one of the greatest art critics and theorists of all time, answers that question with a decided "Yes." He is John Ruskin, the author of this book, a classic in art education as well as a highly effective text for the student and amateur today. The work is in three parts, cast in the form of letters to a student, successively covering "First Practice," "Sketching from Nature," and "Colour and Composition." Starting with the bare fundamentals (what kind of drawing pen to buy; shading a square evenly), and using the extremely practical method of exercises which the student performs from the very first, Ruskin instructs, advises, guides, counsels, and anticipates problems with sensitivity. The exercises become more difficult, developing greater and greater skills until Ruskin feels his reader is ready for watercolors and finally composition, which he treats in detail as to the laws of principality, repetition, continuity, curvature, radiation, contrast, interchange, consistency, and harmony. All along the way, Ruskin explains, in plain, clear language, the artistic and craftsmanlike reasons behind his practical advice — underlying which, of course, is Ruskin's brilliant philosophy of honest, naturally observed art which has so much affected our aesthetic. Three full-page plates and 48 woodcuts and diagrams (the latter from drawings by the author) show the student what the text describes. An appendix devotes many pages to the art works which may be studied with profit.
Loquat (Eriobotrya japonica Lindl.) is a subtropical evergreen fruit tree indigenous to China. Records show it has been cultivated in China for over 2000 years. From this beginning, loquat has spread to more than 30 countries around the world. Grown in various regions of Asia, the Mediterranean and across the Americas, loquats suit both temperate and subtropical areas, sharing the same environmental conditions as citrus. Loquat is an increasingly commercial crop in some Asian and European countries with a good amount of international trade. Recent research has focused on improving crop yields and quality. Over 100 different varieties have been developed to meet both growers' and consumers' demands. These developments have contributed to a better understanding of the crop environment, plant growth and physiology of tree and fruit development with implications for both breeding and cultivation. This book is to be the first to provide a comprehensive coverage of the history, physiology, culture and marketing of loquat throughout the world.
Mei Lanfang's surviving literature amounts to more than 6 million words. Forty Years of Stage Life is the core of his works. It is a self-description of Mr. Mei Lanfang's life. It is the most convenient and reliable way to approach the master and understand his artistic life. The previous editions of the book were arranged according to the published versions under certain historical conditions. This is the first time for Mei Lanfang Memorial Hall to arrange the book according to the original manuscript, which is an original publication returning to the master's original intention based on the accumulation of long-term academic research and the revision of new materials. A large number of pictures of Mei Lanfang's stage performances, artistic creations and reports will be added to the book, as well as some hand-drawn illustrations restoring historical situations, in an effort to show and reproduce the radiance and splendor of the master artist and his unparalleled artistic life in a more comprehensive, full, real and beautiful way.
What are the things you cannot miss in coffee shops in Tokyo? Why can master baristas make the most memorable tastes? You will find the answers from Tokyo Coffee Time through coffee experts’ professional and harsh eyes. Including 140 coffee shops, 26 master comments and so on.
This book tells the story of critical avant-garde design in Japan, which emerged during the 1960s and continues to inspire designers today. The practice communicates a form of visual and material protest drawing on the ideologies and critical theories of the 1960s and 1970s, notably feminism, body politics, the politics of identity, and ecological, anti-consumerist and anti-institutional critiques, as well as the concept of otherness. It also presents an encounter between two seemingly contradictory concepts: luxury and the avant-garde. The book challenges the definition of design as the production of unnecessary decorative and conceptual objects, and the characterisation of Japanese design in particular as beautiful, sublime or a product of 'Japanese culture'. In doing so it reveals the ways in which material and visual culture serve to voice protest and formulate a social critique.
What if your drawings magically came to life, only to prove rather demanding art critics? Oh, the hassle! In The Chalk Giraffe we follow an artistic child who finds herself drawing a giraffe with chalk… but she is surprised when her creation comes alive and demands changes to his surrounding landscape. What follows is a quirky and humorous tale of creativity and perspective, with the beautiful African landscape as a backdrop to this new and unlikely friendship.
The writer's classic work is an excellent reading template for children. As the leading figure in promoting mass reading in China, Mei Zihan enjoys a high reputation and appeal in the minds of Chinese teachers and children. The Mei Zihan's Little Red Sail Phonetic Series is aimed at students from grades one to three in primary school. It is a simple, readable and humorous child growth story with a pinyin-assisted for helping self-reading. The story is well written and closely related to the rich and interesting elementary school life. All four books in the series differ in their difficulty levels, from easy to more challenging in order to nuture an advanced reading ability. The first and second volumes focus on the children's life and emotional experience, pay attention to the language rhythm, increase the proportion of poetry content, control the number of words and the length of the story, and focus on the short reading. Volumes three and four focus on imagination and expression, the content theme is set deeper. Reading instructions are available after each book.
Two thirds of Japan is covered with forest that is rapidly reaching maturity and could be felled in the near future. This would dramatically increase domestic timber supply and have implications, not only for Japan, but also the main timber exporting nations of the world. However, Japanese domestic supply has been stagnating and forest management has become less intensive. At the same time, timber suppliers to Japan are themselves coming under various pressures which are likely to lead to reductions in their timber harvests and export potential. This book examines these issues and looks at what would happen if Japan were to utilise this resource within the next two decades, from both a domestic and international point of view. Primarily aimed at advanced students of forestry, economics and business, this book will also be of interest to government research agencies, timber processors and exporters of timber to Japan.
Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier, 1847-1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval's vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval's drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
Tiwo always follows what her sister Tiwi does. One day, Tiwi is drawing, and Tiwo wants to do it, too. Tiwo looks at the wall in his house. It's white and spacious. He starts to make scribbles all over the wall. When mama finds out, she gets angry. What will Tiwo do?
»Das Japan, von welchem diese Geschichten erzählen, existiert heute nicht mehr. Die Ideale, auf welchen der Bau jener überaus kraftvollen, dabei so schönheitsfrohen Kultur errichtet war, sind heute zum Teil schon veraltet und vergessen, zum Teil bestehen sie noch als Reste der Vergangenheit, deren Macht täglich mehr schwindet. … Die Geschichten unsres Buches zeigen das alte, vergangene, schöne Japan, wie es einmal war, das Japan der adligen, kriegerischen, aristokratischen Ideale.« Hermann Hesse