Guangdong Science and Technology Press, founded in May,1978, is one of the earliest regional press in China. Now it has developed into a comprehensive enterprise of technology press with a well-trained professional team and with an annual putout of 1000 books. We mainly publishes technology books in the fields of science, engineering, agriculture, medicine, economic management, daily science, etc.
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As a national-level cultural heritage, bamboo engraving in Baoqing enjoys a great reputation. This book mainly introduces this precious engraving technique from five aspects: history, categories, materials and tools, production process, and artistic features. In the fourth part, methods of engraving in bamboo outer skin, bamboo root, and bamboo reed are the emphasis, which can help you have a clear understanding of the process. Also, through this book, you have the opportunity to enjoy the fine collection of bamboo engraving in Baoqing created by the author and other great masters.
In an age when engraving and photography were making artistic images available to a much wider public, artists were able to influence public attitudes more powerfully than ever before. This book examines works of art on military themes in relation to ruling-class ideologies about the army, war and the empire. The first part of the book is devoted to a chronological survey of battle painting, integrated with a study of contemporary military and political history. The chapters link the debate over the status and importance of battle painting to contemporary debates over the role of the army and its function at home and abroad. The second part discusses the intersection of ideologies about the army and military art, but is concerned with an examination of genre representations of soldiers. Another important theme which runs through the book is the relation of English to French military art. During the first eighty years of the period under review France was the cynosure of military artists, the school against which British critics measured their own, and the place from which innovations were imported and modified. In every generation after Waterloo battle painters visited France and often trained there. The book shows that military art, or the 'absence' of it, was one of the ways in which nationalist commentators articulated Britain's moral superiority. The final theme which underlies much of the book is the shifts which took place in the perception of heroes and hero-worship.
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Just as in a Greek tragedy, America is moving towards the inevitable collision with the ultimate threat: the fatal combination of fanatic Islam, nuclear arms, and the richest energy resources in the world. On September 11, 2001, Osama Bin Laden demonstrated to the world how US dollars and American technology could be easily turned around and used as a boomerang to strike into the heart of America. It is easy, though shattering, to imagine what can happen once such fanatic zeal is equipped with the monstrous power of nuclear weapons. A quick look at the map shows that the United States did learn the lesson, and the wars in Afghanistan and Iraq were just the closing of the circle around the real threat – Iran. From Scratch takes you into the whirlpool that sweeps the world from a local war in the Persian Gulf through a military coup in Russia - Iran’s new old ally - to a veritable nuclear holocaust. An all-male US submarine crew that unwillingly played an active role in destroying mankind, finds out in the aftermath that the opposite task – to recreate the human race rests on their shoulders – From Scratch. They will emerge, after nine months underwater, at a remote Pacific Island where conditions can again support life. Equipped with cutting-edge technology, they carry with them two dozen frozen fertilized ova, each of which is destined to become a new "Eve", and who together will be the mothers of the new humankind. However, there are too many “Adams” on the island, and more than a hundred men are eagerly waiting for the 24 baby girls to mature into grown women. Therefore the struggle for control over the precious “resource” is predetermined. These men find out that human nature cannot be changed. Even after the ultimate war that destroyed everything, man will go on using sheer force in order to get what he wants and to resolve disputes. Despite the pessimistic scenario, the book is essentially optimistic, and is driven by faith in the law of history: although the good may suffer and pay a precious price, they will eventually prevail. The Author: A Fighter Pilot, Naval Officer, and Senior Hi-tech Engineer. Ron Adam has enjoyed an impressive military career, from Israeli Navy submarine and torpedo boat service to the Israeli Air Force as a fighter pilot, captain of an aircraft carrier, flight instructor, and electronic warfare staff officer. Holding a degree in Electronics Engineering, Adam has headed a 1.2 billion dollar defense program and has also established three high-tech start-ups. Today, Adam is a senior consultant to the aerospace industry, and shares his time between top-level engineering and writing of books and scripts. He is happily married and has 3 children. An English-Language eBook edition has been scheduled for publication in late 2017 by Samuel Wachtman's Sons ,Inc., CA. 180 pages, 15X21 cm
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Content in brief: This book selects 100 poems written by famous revolutionists such as Mao Zedong, Zhou Enlai, Liu Shaoqi, etc., with 100 engraved paintings as illustrations. It depicts how sincere the revolutionists about Chinese revolution cause, and helps readers relive the era full of powder and sacrifice.
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Gu Yuan (1919-1996), an outstanding people's artist, art educator, and former dean of the Central Academy of Fine Arts. He is a singer-like artist of the working people. This complete collection will combine the needs of appraisal and research. Since Gu Yuan began his artistic work in the late 1930s, it will compile representative works and life photos from various stages and categories of Gu Yuan and display it in an all-round way. Mr.'s artistic life is extremely academic. The complete collection is divided into 5 volumes: engraving volume (before 1949), engraving volume (after 1949), watercolor volume I, watercolor volume II, sketches, sketches, Chinese paintings and manuscripts, and other volumes.
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In view of the current situation of rapid development of MRI technology, multiple equipment brands, and diverse clinical needs, the author of this book has formulated the scanning technical specifications for various parts of the body based on decades of comprehensive MRI application experience, and achieved good results and achieved various equipment. Homogenization of inspection. Starting from the needs of clinical examination and diagnosis, this book combines the latest international and domestic guidelines and Yifang’s own experience. For different field strengths and different models of MRI equipment, the book explains the examination technology and procedures of each system and each part with pictures and texts. From the aspects of preparation before scanning, design of body position, scanning sequence and basic parameters, observation key points of each sequence and comparison of positive abnormalities, special precautions, etc., it will be described one by one.
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The art of painted sculptures is a kind of engraving art with distinctive national features in China. According to the statistical data from previous censuses of cultural relics, Shanxi province owns more than 13,000 painted sculptures, of which the majority are in Buddhist and Taoist temples. The painted sculptures in Shanxi temples are unique across the country, with a great variety of themes, a long time span, diversified styles, and exquisite craftsmanship. This book series makes a multi-angle analysis of the themes, styles, allusions, and evolution of the painted sculptures in Shanxi temples with exquisite pictures and concise words. Not only can it be used as a reference for inheriting and developing ancient Chinese painted sculpture techniques, but also a guide for appreciating the beauty of Chinese sculpture art.
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In 1814, carefully selecting 50 Chinese engravings that were supplemented by wonderful text descriptions, William Alexander published the book The Costume of China in London. As the pioneering work introducing Chinese dresses overseas, this book is a true and complete restoration of the customs of China in the Emperor Qianlong era. It is now available in both Chinese and English as a hardcover book set. 50 precious hand-colored engravings depict the images of emperors, officials, soldiers, court ladies, booksellers, actors, and hawkers. They show us, in the eyes of Europeans, the Qianlong Heyday, a colorful era that dates back far.
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Five major volumes totally: Japanese Engravings (3 volumes), European & American Engravings, Soviet Union's Engravings(with appendix volume). With over 2000 pieces of the original rubbings of engravings bought directly by Mr.Lu Xun or from abroad by agents, and 305 painters from scores of countries.
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Five major volumes totally: Japanese Engravings (3 volumes), European & American Engravings, Soviet Union's Engravings(with appendix volume). With over 2000 pieces of the original rubbings of engravings bought directly by Mr.Lu Xun or from abroad by agents, and 305 painters from scores of countries.
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Contemporary fables illustrated by drypoint engravings
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Plants are important source of lead molecules for drug discovery. These lead molecules serve as starting materials for laboratory synthesis of drug as well a model for production of biologically active compounds. Phytochemical processing of raw plant materials is essentially required to optimize the concentration of known constituents and also to maintain their activities. Extraction techniques and analytical techniques have played critical roles in phytochemical processing of raw materials. Extraction technologies from conventional extraction to green extraction as well as analytical techniques from single technique to hyphenated/coupled techniques most frequently used in phytochemistry laboratories are covered in the book.
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Of course, the fate of the artist was formed in a certain way because he realized his vocation - to be a poet. On the other hand, he lived his life as a professional artist. After graduating from the St. Petersburg Academy of Arts, T. Shevchenko worked as an artist in the Temporary Commission for the consideration of ancient acts (Kyiv Archaeographic Commission), applied for the position of drawing teacher at the University of St. Volodymyr in Kyiv. And when his plans were broken by arrest, then in exile, despite the strict imperial ban on writing and drawing, the artist was able to work in his specialty, although not officially. Shevchenko devoted the last years of his life to the development of etching, having received the title of academician in engraving. The publication consists of two parts. The first is devoted to the works of the artist, made in graphic techniques, as well as sepia and watercolor. Given the fact that there are few oil paintings in the artist's works, we singled them out in the second part, trying to break stereotypes about their perception. Each section of the first part is devoted to a separate genre, which was addressed by T. Shevchenko. The largest of the sections are divided into thematic headings, which allows you to see the works of the artist from a new, perhaps unexpected, angle. In turn, the commentary to each work contains a brief history of creation (places, circumstances, relationships, etc.) and artistic characteristics that reveal the performing skills of the author. In addition, an important addition is the part of the commentary "Interesting" and quotes from the novels, Diary, correspondence of the artist, memoirs of his contemporaries. You can start your acquaintance with the publication from any section or even heading. Traveling through Shevchenko's paintings on separate routes you will have a complete rich journey through the original world of the artist.
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Best known for his partnership with Raphael, the engraver Marcantonio Raimondi (c. 1480-c. 1534) enabled Renaissance artists to disseminate their designs in print, advancing a revolution in visual communication that still reverberates in our own information age. Yet Marcantonio did more than render compositions by famous artists in the novel medium of engraving. The entries and essays in this catalogue, written by a group of international scholars and published to accompany the first exhibition of Marcantonio's work in over three decades, reveal the diversity of Marcantonio's oeuvre and the scope of his innovation as the leading printmaker of the Italian Renaissance. In-depth studies of Marcantonio's engravings expand our knowledge of his collaboration with Raphael, while also probing Marcantonio's creative response to the dynamic humanist culture in his native Bologna and later in Venice and Rome. Contributions also examine engravings by Marcantonio's 'followers' and consider the importance of his work to the history of print collecting.
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Ten Suns was recounted by children's literature writer Zhou Jing, and contemporary painter Chen Yunxing re-engraving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the thickness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. The story in this book can be regarded as the prequel to the story of Houyi Shot Suns. The main story is why the ten suns appeared in the sky together. The author had a bold imagination and depicted the curiosity and naughtiness of the sun brothers. The story of Houyi was written through the surrival and death of the ten suns in the sky. This angle is novel and full of childlikeness.
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Marie Duval: maverick Victorian cartoonist offers the first critical appraisal of the work of Marie Duval (Isabelle Émilie de Tessier, 1847-1890), one of the most unusual, pioneering and visionary cartoonists of the later nineteenth century. It discusses key themes and practices of Duval's vision and production, relative to the wider historic social, cultural and economic environments in which her work was made, distributed and read, identifing Duval as an exemplary radical practitioner. The book interrogates the relationships between the practices and the forms of print, story-telling, drawing and stage performance. It focuses on the creation of new types of cultural work by women and highlights the style of Duval's drawings relative to both the visual conventions of theatre production and the significance of the visualisation of amateurism and vulgarity. Marie Duval: maverick Victorian cartoonist establishes Duval as a unique but exemplary figure in a transformational period of the nineteenth century.
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Dense tea aroma is written in this book by author compared with these books do not involve in too much knowledge on tea tasting but taking “tea tasting” as the title. The author gives new meaning and association on beautiful tea drinking and describes the true aroma, meaning of tea and experience of tea tasting with ink with spiritual technique of writing to bring you feel the secret of tea and enjoy the goodness of life all the time. You can learn the first hand of knowledge of distinguishing and making of tea except enjoy reading of clear picture for distinguishing and detail of tea making procedures. With detail of making procedures and illustrations, simple explanation, let you grasp the secret to make an aromatic tea fast. Even if you are a beginner, you grasp it fast.
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Offering an overview of the marketplace for comic images between 1820 and 1850, this book makes a case for the interest and importance of a largely neglected area of visual culture. It considers the impact on the development of print culture of the emergent, but soon widespread, use of lithography and wood engraving, both capable of integrating texts and images cheaply and imaginatively on the printed page. Drawing on a wide range of commercially produced print genres, including song books, play-texts, comic annuals and magazines as well as single plate and series of caricatures, this book traces the ways in which Regency and early Victorian visual humour both sustains some of the characteristics of an earlier caricature tradition while also beginning to develop new ways of analyzing and coping with social change through comic forms and genres. ;
