The Porcupine's Quill
Livres Canada Books
View Rights PortalQuipu is an Argentine publishing house with a wide catalog for readers from 3 up to 18 years old. We have genres such as novels, short stories, poetry, theater, YA Lit, comic, graphic novel, picture books, illustrated books, pedagogy and reading initiation activities. Our mission is to reach all readers with stories that promote imagination, values and serve as triggers for debate regarding relevant issues in both childhood and adolescence.We are distinguished by the authors and illustrators in our catalogue, the quality of the content and materials such as paper, binding and special terminations, as well as the selection and editing work that we carry out with the readers in mind.We have distribution in several Spanish-speaking countries and have sold translation rights of some of our titles being various of them awarded both in Argentina and abroad. We are looking for expansion as well partnerships in distribution and rights sale.We are keepers of stories.
View Rights PortalThe book is about different short stories with a social focus about the real life in Argelia and its public servants as main characters, as well as their conflicts.
“In any case, when you decide to try harga, it's because you no longer expect anything from life. Or that you expect a lot!” (Akram El Kebir) The summer of 2018 was particularly deadly in Oran, as the discovery of harraga corpses being fished out of the Mediterranean was commonplace. That same summer saw the commissioning of a water cab, the Rossinante II, which made the daily shuttle between Oran and the small seaside town of Aïn El Turk. A cafe owner in a small estaminet in Sidi El Houari, Zaki, at the age of 24, led a dull, boring life, with no prospects for the future other than to cherish the hope of one day attempting the harga. It was only the fear of ending up eaten by fish that dissuaded him. That said, as soon as he heard about the water cab, an absurd idea occurred to him: what if he hijacked the boat and headed for the Iberian coast? He won't be alone in this crazy adventure, as his neighborhood friends Okacha and Anis, and other outcasts, are sure to follow him. But these modern-day Don Quixotes shouldn't claim victory too soon! They'll learn the hard way that hijacking an entire ship is no picnic. They'll have to face up to the Italian crew, as well as the rest of the passengers. Passionate debates ensue, in a sort of impromptu Citizens' Assembly, where all issues affecting society are discussed. On the eve of the February 22nd Revolution, Zaki has eyes only for one of his hostages, the impetuous Nafissa...
The novel brings together residents of a multi-story building. In a world besieged by COVID-19, Ezzat El-Kamhawi’s new novel places its main characters in a fictional world dominated by isolation and obsessions, where people are forced to surrender to a crushing flood of memories. FROM THE SCIENTIFIC COMMITTEE: “The novel explores the pandemic and its impacts on social life in Egypt, by presenting examples of the people who suffered from the disease. Structurally, it interacts with other literary genres and combines realism and fantasy.”
Nachdem der »IS« in Trümmern lag und »Kalif« al-Baghdadi im Oktober 2019 von US-Truppen getötet wurde, schien der »Krieg gegen den Terror« einmal mehr beendet. Aber der Dschihadismus ist längst eine globale Bewegung geworden, der Dutzende von Organisationen angehören – und mit Gewalt allein ist ihr nicht beizukommen.Seit drei Jahrzehnten verfolgt Asiem El Difraoui als Filmemacher, Journalist und Wissenschaftler diese Entwicklung. Er traf Kampfgefährten bin Ladens in Khartum und PR-Strategen, die in Berlin-Charlottenburg Propagandavideos produzierten. In Kriegsgebieten wie Bosnien, dem Irak oder in Afghanistan hat er selbst den Terror gegen die Bevölkerung miterlebt. Und immer wieder kam der Terror auch zu ihm, wie in Gestalt der Anschläge 1995 und 2015 in Paris, die sich in seiner unmittelbaren Nachbarschaft ereigneten. Kenntnisreich und anschaulich schildert Difraoui, wie der Dschihadismus entstanden ist, wie seine Denkmuster und PR-Strategien sich gewandelt haben und woraus die Hydra ihre Kraft bezieht. Was macht die todbringende Ideologie gerade auch für junge Menschen in Europa attraktiv? Welchen Anteil hat der Westen, haben die Medien an ihrem Erfolg? Und wie kann es gelingen, ihre Macht zu brechen? Ein aufrüttelnder Appell, sich einer der größten Gefahren der Gegenwart zu stellen.
ATENTADOS TERRORISTAS: la nueva amenaza urbana por el Prof. H. Granot y el Dr. J. Levinson En este trabajo sumamente relevante e innovador, los autores hacen hincapié en los métodos con los que organismos locales pueden responder a los peores atentados terroristas que han debido enfrentar las autoridades en centros urbanos y mitigar sus efectos. Los autores también combinan la teoría con la práctica, citando incidentes en todo el mundo —incluido el devastador ataque perpetrado el 11 de septiembre de 2001 contra el Centro de Comercio Mundial en Nueva York y contra el Pentágono— haciendo al mismo tiempo hincapié en la singular experiencia de Israel en este campo. En vista de la creciente amenaza de atentados terroristas y del acrecentado interés en la gestión de casos de emergencia, Atentados terroristas provee un bien fundado material de fondo a funcionarios y miembros de unidades de emergencia que tratan de comprender una de las peores amenazas al mundo moderno. Namiki Shobo ha publicado a fines de 2005 una versión en japonés de esta obra. Dekel, junto con THE KEY Publishing House Inc., de Toronto, Canadá, publicó en abril de 2009 una versión en inglés americano.
Inglés para estudiantes universitarios de matemáticas - por el Prof. J. Golan y el Dr. M. Bensoussan. El objetivo de este conciso cuaderno de 64 páginas, concebido especialmente para estudiantes extranjeros que planean cursar estudios avanzados de matemáticas en universidades anglo-parlantes, es permitir al lector pueda comprender escritura técnica matemática. El libro está compuesto de 12 textos de nivel matemático universitario, especialmente escritos para destacar los aspectos diferentes del estilo matemático técnico. Cada texto comprende ejercicios que examinan la comprensión de texto de los estudiantes, adquisición de vocabulario, y conocimientos de algunos de los temas más sutiles de la escritura matemática. Una edición bilingüe en japonés de este libro fué publicada en Tokio por Maruzen Co., Ltd.
Krav Magá: Cómo defenderse contra ataques físicos por el Gran maestro Imi Sde-Or y el Instructor principal Eyal Yanilov En 2009 se publicarán dos volúmenes de próxima aparición en esta serie de superventas, titulados Krav Magá, basada en el famoso método israelí de combate sin armas, que se centra ahora en cómo defenderse contra un ataque sin armas, como por ejemplo, todo tipo de golpes y puntapiés, calces, cogeduras, etc. Krav Magá, desarrollado desde la década de 1930 por el Gran maestro Imi Sde-Or (Lichtenfeld), era antes un método de combate cuerpo a cuerpo estrictamente limitado a agentes de seguridad y a miembros del Mossad y de unidades de comando del ejército israelí. El método ha sido adaptado para civiles, de modo que cualquier persona de cualquier edad, sexo o capacidad física pueda utilizarlo. Esta disciplina, basada en reacciones naturales del cuerpo humano, es fácil de aprender y de ejecutar y es de uso práctico. Krav Magá goza actualmente de una popularidad creciente y de una cada vez mayor aceptación por parte de expertos de todo el mundo. En Estados Unidos y en varios países de Europa, este singular método de autodefensa ya se enseña y se utiliza tanto por parte de diversos organismos de seguridad como del ciudadano de a pie. Krav Magá: Cómo defenderse contra ataques físicos escrito por Imi Sde-Or y su principal discípulo Eyal Yanilov como parte de la serie del fundador, es el primero de dos volúmenes que presentan los principios clave y los métodos de entrenamiento para el combate sin armas. El libro, diseñado en un formato accesible y escalonado, cubre los fundamentos, desde seguridad en el entrenamiento, calentamiento, estiramiento y flexibilidad, hasta principios de ataques, posturas y posiciones iniciales. Los autores ofrecen estrategias para todo marco hipotético imaginable: puñetazos y puntapiés como medio de defensa, liberarse de calces, llaves de cabeza y llave nelson, agarres, puñetazos, derribamientos, etc. El libro, que también hace hincapié en los fundamentos psicológicos de la disciplina, amplía su utilidad con secciones sobre entrenamiento mental, puntos vulnerables, atacantes múltiples y autodefensa para mujeres.Acerca de los autoresEyal Yanilov comenzó a los 15 años a entrenarse en Krav Magá con el Gran maestro Imi Sde-Or. Yanilov fue la primera persona que comenzó a entrenar a instructores de Krav Magá fuera de Israel y ha enseñado a unidades especiales, a militares y a civiles en más de 18 países. El Gran maestro Imi Sde-Or, fundador de Krav Magá, falleció en 1998 a los 88 años. Se prevé la publicación de una versión en inglés americano en el verano de 2010. Cada volumen contiene 240 páginas, y en ambos más de 800 fotos e ilustraciones en blanco y negro; 16,5 x 24 cm.
Mazen, a young boy, is one day surprised by their neighbor Bassam shouting with anger in the street “My parking spot is a red line!” Does this mean he plans to paint the street red, asks Mazen to his mother? The mother explains to Mazen that what Bassam means is simply that no one is to park in his place. The notion is still vague to Mazen: Why red? Does it have anything to do with red traffic lights? The mother tries again “When something is a red line, it means that it is off limits to others”. In this illustrated album, Samar Barraj boldly addresses the delicate issue of child sexual abuse. Acknowledging the complexity of the boundary it tackles, the book determines it through examples the mother and child raise in their conversation. Mazen’s spontaneous remarks and comments point out the difficulty of defining this red line, and make of the book a realistic example of such a conversation. The illustrations develop the notion further, by representing situations in which the red line might be crossed – one may be on his bicycle, at his computer, or approached by a respectable-looking old man in the street. The body parts are not named, but are represented in a naïve drawing Mazen made, though the text insists on the importance of preserving the body as a whole. The colorful images and constant presence of the mother and parents make of the book a reassuring experience despite the gravity of the topic.
(B)ordering Britain argues that Britain is the spoils of empire, its immigration law is colonial violence and irregular immigration is anti-colonial resistance. In announcing itself as postcolonial through immigration and nationality laws passed in the 60s, 70s and 80s, Britain cut itself off symbolically and physically from its colonies and the Commonwealth, taking with it what it had plundered. This imperial vanishing act cast Britain's colonial history into the shadows. The British Empire, about which Britons know little, can be remembered fondly as a moment of past glory, as a gift once given to the world. Meanwhile immigration laws are justified on the basis that they keep the undeserving hordes out. In fact, immigration laws are acts of colonial seizure and violence. They obstruct the vast majority of racialised people from accessing colonial wealth amassed in the course of colonial conquest. Regardless of what the law, media and political discourse dictate, people with personal, ancestral or geographical links to colonialism, or those existing under the weight of its legacy of race and racism, have every right to come to Britain and take back what is theirs.
A text that transcends literary genres, this book concludes a path that runs through the author’s previous books: Al Ike fe Al Mabahej was Al Ahan (The Ike in the Joys and Sorrows) 2002, Kitab Al Ghewaya (The Book of Seduction) 2007, and Al Aar men Al Difatayn... Abeed Al Azmenah Al Hadethah fee Marakeb Al Tholomat (Shame on the Two Banks: Slaves of Modern Times in the Boats of Darkness) 2011. The theme of the book focuses on travel as a human activity and an example of human life. Hence the novel’s philosophical approach manifests itself as an examination of the different stages of travel as a metaphor for man’s journey from life to death. With this philosophical view the writer's prose fuses with cities and travel experiences, diving deep to describe the souls of the cities, going far beyond what can be captured by a camera. The book contemplates the styles of architecture and the meanings they represent, reflecting on the meaning of beauty and perfection, as well as the nature of aggression that resides in them. It reflects, too, on the meaning of living on an island and the symbolism of water, which makes travel a unique experience that increases the depth of life and compensates us for our short existence. The writer examines his visions by invoking publications that highlight travel, including The Thousand and One Nights, which he considers to be a travel book.