Self-Counsel Press
Livres Canada Books
View Rights PortalGAPSK and YLPSK are the standardized test of Chinese language for children from 3 to 15. From the world- renowned Peking University, GAPSK and YLPSK are certified and approved by the Chinese Ministry of Education as language proficiency measuring tool for children . GAPSK, YLPSK could be conducted on site or completely online. Come join over 100,000 students who taken the tests, contact us at info@gapsk.org. Find out more at www.ylpsk.org
View Rights PortalJürgen Teller war ein außerordentlicher Briefschreiber. Die vorliegende Sammlung enthält Briefe an seine Familie, an Ernst und Karola Bloch und ihren Sohn Jan Robert; an Sigrid Damm, Volker Braun, Friedrich Dieckmann, an Freunde und Schüler. Die in den Briefen geäußerte Kritik an Politik und Gesellschaft der DDR und auch der Bundesrepublik beruht auf dem Glauben an die Unzerstörbarkeit humanistischer Traditionen. Jürgen Teller wurde 1926 bei Leipzig geboren. Nach Krieg und Gefangenschaft gaben Literatur und Philosophie und neue Freundschaften seinem Leben eine andere Richtung. Die Begegnung mit Ernst Bloch war für ihn bestimmend, sie wurde ihm zur »Kopernikanischen Wende«. »Ernst hatte einen Assistenten«, schreibt Karola Bloch, »Jürgen Teller, den wir besonders schätzten. Als die Kampagne gegen Bloch entbrannt war, verlangte die Parteileitung der Universität auch von Teller eine negative Stellungnahme. Doch Teller weigerte sich, seinen Lehrer zu verleumden. Er wurde aus der SED ausgeschlossen und entlassen. Er fand Arbeit in einem Stahlwerk. Dort verunglückte er und verlor seinen linken Arm. Der Fall Teller führte zu erheblicher Unruhe in Kreisen der Intelligenz.
Ernst Simon Bloch wurde am 8. Juli 1885 in Ludwigshafen am Rhein geboren und starb am 4. August 1977 in Tübingen. Er entstammte einer jüdischen Familie aus der Pfalz. Von 1905 bis 1908 studierte er Philosophie bei Theodor Lipps in München und Oswald Külpe in Würzburg und wurde im Jahr 1908 promoviert. 1913 heiratete er die aus Riga stammende Bildhauerin Else von Stritzky. Als engagierter Gegner des Krieges ging er von 1917 bis 1919 mit seiner Frau in die Schweiz und war in Bern für das Archiv für Sozialwissenschaften tätig. 1917 beendete er in Locarno sein Werk Geist der Utopie. Ein Jahr nach dem Tod seiner Frau heiratete er 1922 die Malerin Linda Oppenheimer. Die Ehe hielt bis 1928. Inzwischen war Bloch nach Berlin zurückgekehrt und der Kommunistischen Partei Deutschlands beigetreten. Zu seinen damaligen Freunden gehörten Bertolt Brecht, Kurt Weill, Theodor W. Adorno und Walter Benjamin. Politisch war Bloch sehr aktiv und bekämpfte schon früh die aufstrebende NSDAP. Er wurde nach Hitlers Machtübernahme ausgebürgert und emigrierte mit seiner ebenfalls jüdischen Lebensgefährtin Karola Piotrowska in die Schweiz. Sie heirateten 1934 in Wien. Von 1936 bis 1938 lebten sie in Prag und emigrierten anschließend in die USA, wo sie zehn Jahre blieben. Dort schrieb Bloch an seinen Werken Das Prinzip Hoffnung, Subjekt - Objekt. Erläuterungen zu Hegel und Naturrecht und menschliche Würde. Nach dem Krieg, 1948, erhielt er einen Ruf nach Leipzig auf den Lehrstuhl für Philosophie. 1957 geriet er jedoch in Konflikt mit der SED und wurde emeritiert. Er zog nach Frankfurt am Main. Spuren und Das Prinzip Hoffnung erschienen 1959 im Suhrkamp Verlag. 1961 nahm Bloch eine Gastprofessur in Tübingen an, wo er bis zu seinem Tod 1977 blieb. Friedrich Dieckmann, Dr.phil.h.c., wurde 1937 in Landsberg/Warte geboren. Nach dem Studium der Germanistik, Philosophie und Physik arbeitete er von 1972 bis 1976 als Dramaturg am Berliner Ensemble. Er hat Bücher über Friedrich Schiller, Franz Schubert, Richard Wagner, Bertolt Brecht und Karl von Appen veröffentlicht sowie den Roman eines Theaterhelden (Die Geschichte Don Giovannis. 1991. Insel Verlag), einen Band mit Essays zur deutschen Oper von Mozart bis Wagner und vier Essaybände aus dem und über den Prozeß der deutschen Vereinigung (drei davon in der edition suhrkamp: Vom Einbringen. Vaterländische Beiträge. 1992; Temperatursprung. Deutsche Verhältnisse. 1995; Was ist deutsch? Eine Nationalerkundung. 2003). Friedrich Dieckmann ist Träger des Heinrich-Mann- und des Johann-Heinrich-Merck-Preises und Mitglied der Akademien der Künste in Berlin, Dresden und Leipzig sowie der Deutschen Akademie für Sprache und Dichtung. 1989/90 war er Fellow am Wissenschaftskolleg zu Berlin. 1994 bis 2000 war Friedrich Dieckmann Sprecher der Deutschen Literaturkonferenz e.V. und von 2002 bis 2012 Mitglied des Sächsischen Kultursenats. Heute lebt Friedrich Dieckmann als Schriftsteller und Publizist in Berlin-Treptow. Mitgliedschaften: Mitglied der Sächsischen Akademie der Künste Mitglied der Deutschen Akademie für Sprache und Dichtung Mitglied der Akademie der Künste Berlin-Brandenburg Mitglied der Freien Akademie der Künste zu Leipzig Mitglied des Internationalen P.E.N. Friedrich Dieckmann, Dr.phil.h.c., wurde 1937 in Landsberg/Warte geboren. Nach dem Studium der Germanistik, Philosophie und Physik arbeitete er von 1972 bis 1976 als Dramaturg am Berliner Ensemble. Er hat Bücher über Friedrich Schiller, Franz Schubert, Richard Wagner, Bertolt Brecht und Karl von Appen veröffentlicht sowie den Roman eines Theaterhelden (Die Geschichte Don Giovannis. 1991. Insel Verlag), einen Band mit Essays zur deutschen Oper von Mozart bis Wagner und vier Essaybände aus dem und über den Prozeß der deutschen Vereinigung (drei davon in der edition suhrkamp: Vom Einbringen. Vaterländische Beiträge. 1992; Temperatursprung. Deutsche Verhältnisse. 1995; Was ist deutsch? Eine Nationalerkundung. 2003). Friedrich Dieckmann ist Träger des Heinrich-Mann- und des Johann-Heinrich-Merck-Preises und Mitglied der Akademien der Künste in Berlin, Dresden und Leipzig sowie der Deutschen Akademie für Sprache und Dichtung. 1989/90 war er Fellow am Wissenschaftskolleg zu Berlin. 1994 bis 2000 war Friedrich Dieckmann Sprecher der Deutschen Literaturkonferenz e.V. und von 2002 bis 2012 Mitglied des Sächsischen Kultursenats. Heute lebt Friedrich Dieckmann als Schriftsteller und Publizist in Berlin-Treptow. Mitgliedschaften: Mitglied der Sächsischen Akademie der Künste Mitglied der Deutschen Akademie für Sprache und Dichtung Mitglied der Akademie der Künste Berlin-Brandenburg Mitglied der Freien Akademie der Künste zu Leipzig Mitglied des Internationalen P.E.N.
Working at the sales counter is never dull: Every day, people come to you with the widest possible variety of questions and expect good advice. It does not matter whether it is about self-medication for adults, pregnant women, children, about aids and appliances, vegan diets or alternative medicine: Whatever your customer’s concerns – you always offer well-founded counselling. Based on real-life counselling situations routinely encountered in a pharmacy, the authors – all pharmacists with experience of retail sales – provide important information for such conversations and suggest helpful questions to ask when patients seek advice. Become a sales counter expert in no time!
This volume examines the underlying foundations on which the European Union's counter-terrorism and police co-operation policies have been built since the inception of the Treaty on European Union, questioning both the effectiveness and legitimacy of the EU's efforts in these two critically important security areas. Given the importance of such developments to the wider credibility of the EU as a security actor, this volume adopts a more structured analysis of key stages of the implementation process. These include the establishment of objectives, both at the wider level of internal security co-operation and in terms of both counter-terrorism and policing, particularly in relation to the European Police Office, the nature of information exchange and the 'value added' by legislative and operational developments at the European level. It also offers a more accurate appraisal of the official characterisation of the terrorist threat within the EU as a 'matter of common concern'. In doing so, not only does it raise important questions about the utility of the European level for organising internal security co-operation, but it also provides a more comprehensive assessment of the EU's activities throughout the lifetime of the Third Pillar, placing in a wider and more realistic context the EU's reaction to the events of 11 September 2001 and the greater prominence of Islamist terrorism. ;
Between 1983 and 1987, mercenaries adopting the pseudonym GAL (Grupos Antiterroristas de Liberación, Antiterrorist Liberation Group) paid by the Spanish treasury and relying upon national intelligence support were at war with the Basque militant group ETA (Euskadi (e)Ta Askatasuna, Basque Country and Freedom). Over four years, their campaign of extrajudicial assassinations spanned the French-Spanish border. Nearly thirty people were killed in a campaign comprised of torture, kidnapping, bombing and the assassination of suspected ETA activists and Basque refugees. This establishment of unofficial counterterrorist squads by a Spanish Government was a blatant detour from legality. It was also a rare case in Europe where no less than fourteen high-ranking Spanish police officers and senior government officials, including the Minister of Interior himself, were eventually arrested and condemned for counter-terrorism wrongdoings and illiberal practices. Thirty years later, this campaign of intimidation, coercion and targeted killings continues to grip Spain. The GAL affair was not only a serious example of a major departure from accepted liberal democratic constitutional principles of law and order, but also a brutal campaign that postponed by decades the possibility of a political solution for the Basque conflict. Counter-terror by proxy uncovers why and how a democratic government in a liberal society turned to a 'dirty war' and went down the route of illegal and extrajudicial killing actions. It offers a fuller examination of the long-term implications of the use of unorthodox counter-terrorist strategies in a liberal democracy.
The book is divided into several parts, such as the study of Hunan culture, historical stories, Hunan famous characters, folk customs, appreciation of scenery in Hunan, Hunan art and literature, etc., to show Hunan's history, culture and events from different perspectives. The book is supported with theories, historical materials, and also is of interest. It is of positive significance to the advancement of the research and development of Hunan culture.
This collection aims to inaugurate a new direction in research on counterterrorism by exploring global connections - both in terms of practices and discourses, as well as shared ideas and epistemes - that animate counterterrorism practices. The chapters - grouped under the themes of postcoloniality and coloniality, and entanglements of the transnational and the local, and counterterrorism and right-wing extremism - are attentive to global connections and are mindful of the complexities of global historical processes that constitute the politics of counterterrorism. This book aims to bring together scholars studying counterterrorism in the global North and the global South to explore convergence and divergence in how counterterrorism policies function in a range of national and local contexts.
Emigrant Homecomings addresses the significant but neglected issue of return migration to Britain and Europe since 1600. While emigration studies have become prominent in both scholarly and popular circles in recent years, return migration has remained comparatively under-researched, despite evidence that in the nineteenth and twentieth centuries between a quarter and a third of all emigrants from many parts of Britain and Europe ultimately returned to their countries of origin. Emigrant Homecomings analyses the motives, experiences and impact of these returning migrants in a wide range of locations over four hundred years, as well as examining the mechanisms and technologies which enabled their return. The book examines the multiple identities that migrants adopted and the huge range and complexity of homecomers' motives and experiences. It also dissects migrants' perception of 'home' and the social, economic, cultural and political change that their return engendered.
This series contains about 1,800 modern prints collected by Lu Xun at that time, which authored by nearly 200 domestic printmakers and currently in the Lu Xun Memorial Hall in Shanghai and the Lu Xun Museum in Beijing. It is showcasing the glorious history of modern Chinese woodcut art: In the 1920s and 1930s, in order to guide the artistic direction of Chinese literary youth, smashed the KMT’s counter-revolutionary cultural " encirclement and suppression", Mr. Lu Xun held a "woodcut workshop" in Shanghai, and cultivated a group of emerging woodcut backbone. These backbones led young artists in various regions of the country to create a large number of realistic works reflecting the suffering and tragic fate of the people at the bottom of the society at that time. They cruelly lashed the dark reality of society and called for national salvation and survival. These young woodcutters sent their woodcut works to Lu Xun, who not only guided their creation personally, but also spared no effort to collect, publicize and promote them to the public. With the active advocacy and support of Mr. Lu Xun, the emerging woodcut movement in China has developed vigorously, driving the modernization of Chinese art and leaving an indelible glorious footprint in the history of Chinese modern culture and art. This complete collection is a companion to the The Complete Collection of Foreign Prints by Lu Xun published in 2014.
An illuminating look at the world of cleanfluencers that asks why the burden of housework still falls on women. Housework is good for you. Housework sparks joy. Housework is beautiful. Housework is glamorous. Housework is key to a happy family. Housework shows that you care. Housework is women's work. Social media is flooded with images of the perfect home. TikTok and Instagram 'cleanfluencers' produce endless photos and videos of women cleaning, tidying and putting things right. Figures such as Marie Kondo and Mrs Hinch have placed housework, with its promise of a life of love and contentment, at the centre of self-care and positive thinking. And yet housework remains one of the world's most unequal institutions. Women, especially poorer women and women of colour, do most low-paid and unpaid domestic labour. In The return of the housewife, Emma Casey asks why these inequalities matter and why they persist after a century of dramatic advances in women's rights. She offers a powerful call to challenge the prevailing myths around housework and the 'naturally competent' woman homemaker.
This book offers a unique account of British and United States government's attempts to adapt their propaganda strategies to global terrorist threats in a post-9/11 media environment. It discusses Anglo-American coordination and domestic struggles that brought in far-reaching changes to propaganda. These changes had implications for the structures of legitimacy yet occurred largely in isolation from public debate and raise questions regarding their governance. The author argues that independent and public reexamination of continuing strategy development is essential for government accountability and the formation of systems and policies that both respect citizens and build constructive foreign relations. The book's themes will appeal to a wide readership including scholars and professionals. It draws on illuminating interviews with high-profile British/US sources including journalists, PR professionals and key foreign policy, defence and intelligence personnel.
Penny politics offers a new way to read early Victorian popular fiction such as Jack Sheppard, Sweeney Todd, and The Mysteries of London. It locates forms of radical discourse in the popular literature that emerged simultaneously with Brittan's longest and most significant people's movement. It listens for echoes of Chartist fiction in popular fiction. The book rethinks the relationship between the popular and political, understanding that radical politics had popular appeal and that the lines separating a genuine radicalism from commercial success are complicated and never absolute. With archival work into Newgate calendars and Chartist periodicals, as well as media history and culture, it brings together histories of the popular and political so as to rewrite the radical canon.
This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements.