All Things Women
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View Rights PortalPublisher of fine Literature and Art books from China.
View Rights PortalCo-published with Springer, An Anthology of the Twentieth Century Chinese Literature is a major Chinese Literature Going-Out Project. It is funded by the State General administration of Press,Publication, Radio, Film and Television(SGAPPRFT) in China. The anthology contains six volumes: Novels, Novelettes and Short Stories, Poetry, Drama, Prose and Literary Theory Criticism. In this anthology, there are well-chosen representative works written by leading Chinese authors or literature theory critics in the 20th century, including dozens of Chinese literary masters such as Lu Xun, Mao Dun, Ba Jin, Lao She, Shen Congwen and Qian Zhongshu. This anthology is aimed at systematically introducing the overall perspective of Chinese literary creation and theoretical criticism in the 20th century, promoting the development of Chinese literature to the whole world. It is comparable to The Norton Anthology of World Literature and The Longman Anthology of World Literature.
Women and Pilgrimage presents scholarly essays that address the lacunae in the literature on this topic. The content includes well-trodden domains of pilgrimage scholarship like sacred sites and holy places. In addition, the book addresses some of the less-well-known dimensions of pilgrimage, such as the performances that take place along pilgrims' paths; the ephemeral nature of identifying as a pilgrim, and the economic, social and cultural dimensions of migratory travel. Most importantly, the book's feminist lens encourages readers to consider questions of authenticity, essentialism, and even what is means to be a "woman pilgrim". The volume's six sections are entitled: Questions of Authenticity; Performances and Celebratory Reclamations; Walking Out: Women Forging Their Own Paths; Women Saints: Their Influence and Their Power; Sacred Sites: Their Lineages and Their Uses; and Different Migratory Paths. Each section will enrich readers' knowledge of the experiences of pilgrim women. Readers' understanding will be further enhanced by the book's: · interdisciplinary nature: The contributors hail from a wide range of disciplines, including Anthropology, Political Science, French, Spanish, Fine Art, and Religious Studies; · uniqueness: The text brings together previously scattered resources into one volume; · feminist perspective: Much of the subject matter utilizes feminist theories and methodologies and argues that further research will be welcome. The book will be of interest to scholars of pilgrimage studies in general as well as those interested in women, travel, tourism, and the variety of religious experiences.
"Twelve Lectures on Modernist Literature" is a review and appreciation of the main modernist literary schools in the 20th century made by the literary critic Liu Qinghua. This book outlines the formation, development, ideological origins, theoretical foundations, and ideological and artistic characteristics of modernist literature. It is divided into eleven topics, respectively, on symbolism, stream of consciousness novels, futurism, expressionism, and surrealism. , Existentialism, Beat Generation and other genres have done systematic research and exposition, and at the same time analyzed and commented on representative writers and works of each genre. For literature lovers and researchers at home and abroad, this book is a rare desk book.
Women before the court offers an innovative, comparative approach to the study of women's legal rights during a formative period of Anglo-American history. It traces how colonists transplanted English legal institutions to America, examines the remarkable depth of women's legal knowledge and shows how the law increasingly undermined patriarchal relationships between parents and children, masters and servants, husbands and wives. The book will be of interest to scholars of Britain and colonial America, and to laypeople interested in how women in the past navigated and negotiated the structures of authority that governed them. It is packed with fascinating stories that women related to the courts in cases ranging from murder and abuse to debt and estate litigation. Ultimately, it makes a remarkable contribution to our understandings of law, power and gender in the early modern world.
This book is a collection of 28 essays by one of the most internationally influential Chinese novelists,Yu Hua, who is the most prominent writer in contemporary China. His works have been translated into English, French, German, Italian, Dutch, Persian, Polish, Spanish, Swedish, Serbian, Hebrew,Japanese, Korean, etc. He is also a columnist for New York Times. It is a review of classic works in the history of literature and music, with in-depth personal interpretations and candid appreciations of masters such as Borges, Dostoevsky, Faulkner, Kafka,Shostakovich, and Tchaikovsky. As a reader and listener, the writer tries to analyze the mysteries of the narrative in literature and music, explain the techniques and mysteries of creation. As Yu Hua put it, “Music is created by the heart, and writing touches the depths of music. They are affected by each other and point to the broadness of life together.”
Little Women "has been read as a romance or as a quest, or both. It has been read as a family drama that validates virtue over wealth", but also "as a means of escaping that life by women who knew its gender constraints only too well".[6]:34 According to Sarah Elbert, Alcott created a new form of literature, one that took elements from Romantic children's fiction and combined it with others from sentimental novels, resulting in a totally new format. Elbert argued that within Little Women can be found the first vision of the "All-American girl" and that her multiple aspects are embodied in the differing March sisters.
"Because of a Woman" is a full-length novel. The heroine Liu Yiyi, like all intellectual women, yearns for love and pursues independence, but after graduating from university, she was brutally encircled and suppressed by men, money and desire. She rushed from the left to the right and couldn't break through. She looked around at a loss and went to sink. The one who should love realizes that it is even more of a dead end. In the end, he succumbed to fate and walked into a dull marriage. She has never used her feet to stand firmly on the ground, allowing her love to last forever with a certain spiritual connotation, she just wove a beautiful dream floating and dizzy, counting on someone to help her To achieve the highest happiness in her life. In the face of every reality, because she was a woman, she repeatedly chose to compromise and choose temporary satisfaction, losing to the weakest part of human nature. The author conducts a detailed anatomy of this common story. Liu Yiyi's plight represents the true plight of some intellectual women. The novel deeply embodies the author's sense of anxiety.
The book, in the form of essays-stories, depicts the life and work of individual personalities who played a significant role in the formation and development of Ukrainian thought, culture, and art. Using colorful means of the artistic word, the author depicts many little-known facts from the lives of outstanding Ukrainian artists, who made a bright contribution to the flourishing of Ukrainian and world culture. The book will be valuable for a narrow circle of specialists and a wide range of readers. It will also be of help to writers, cultural experts, and art critics, as well as to all those who are interested in studying the history of Ukraine based on the examples of the lives and creative achievements of its notable personalities.
Exile, its pain and possibility, is the starting point of this book. Women's experience of exile was often different from that of men, yet it has not received the important attention it deserves. Women in exile in early modern Europe and the Americas addresses that lacuna through a wide-ranging geographical, chronological, social and cultural approach. Whether powerful, well-to-do or impoverished, exiled by force or choice, every woman faced the question of how to reconstruct her life in a new place. These essays focus on women's agency despite the pressures created by political, economic and social dislocation. Collectively, they demonstrate how these women from different countries, continents and status groups not only survived but also in many cases thrived. This analysis of early modern women's experiences not only provides a new vantage point from which to enrich the study of exile but also contributes important new scholarship to the history of women.
The work of the famous American-Ukrainian Slavologist and Ukrainian scholar Hryhoriy Hrabovych interprets the history of Ukrainian literature in several main ways: theoretical, comparative, immanent and historiographical. The book includes his studies, essays, and polemics written over the years. They were mainly produced in times of a sharp confrontation between official Soviet and Western approaches to literary studies. Today, after Ukraine gained its independence, there is an urgent need for a thorough reassessment of various scientific traditions and paradigms as well as a review of the canon of Ukrainian literature, its histography and methodology. The vast majority of these works were published in English or in sources unavailable for the Ukrainian reader, including specialist researchers. This edition can significantly reorient our understanding of the history of Ukrainian literature and enable a rethinking of Ukrainian cultural and intellectual processes.
This collection of poems chosen and translated by Yu Kwang-chung, the poet himself, covers over eighty poems from 1958 to 2014. Unlike other poetry anthology, the poems in Night Watchman have been handpicked by the author personally. It includes classic works like Nostalgia, Jadeite Cabbage, Four Songs of Nostalgia, A Tug of War with Eternity, On the Rivers and Lakes, etc. and poems in different styles which have never beenpublished in the mainland before. These works, translated into English by the author,combine the charm of classic Chinese literature and the spirit of modern western literature, and embody the sound interaction between writing and translating.
Women, the arts and globalization: Eccentric experience is the first anthology to bring transnational feminist theory and criticism together with women's art practices to discuss the connections between aesthetics, gender and identity in a global world. The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women's art practices provide a fascinating instance of women's eccentric experiences of the myriad effects of globalization. Bringing scholarly essays on gender, art and globalization together with interviews and autobiographical accounts of personal experiences, the diversity of the book is relevant to artists, art historians, feminist theorists and humanities scholars interested in the impact of globalization on culture in the broadest sense. ;
In "30 Women" öffnet die Autorin Lina Mallon persönlich und authentisch ihre Gedanken- und Gefühlswelt und teilt die Geschichten von dreißig Frauen, die in verschiedenster Weise ihr Leben beeinflusst und geprägt haben. Diese Frauen – von engen Freundinnen über familiäre Bezugspersonen bis hin zu beruflichen Vorbildern und inspirierenden öffentlichen Persönlichkeiten – repräsentieren eine Bandbreite an Erfahrungen, Lehren und Perspektiven, die Mallon auf ihrem eigenen Lebensweg begleitet haben. Indem sie ihre eigenen Erlebnisse, Auseinandersetzungen und Entwicklungen im Kontext dieser Begegnungen reflektiert, bietet sie Einblicke in die vielschichtigen Facetten weiblicher Beziehungen, gegenseitiger Unterstützung und persönlicher Wachstumsprozesse. Mallon betont die Bedeutung von authentischer Verbindung, offener Kommunikation und der Fähigkeit, sowohl Unterstützung zu geben als auch anzunehmen. Sie thematisiert die Herausforderungen und Widersprüche, mit denen Frauen in einer von gesellschaftlichen Erwartungen und individuellen Träumen geprägten Welt konfrontiert sind. "30 Women" ist nicht nur eine Hommage an die Kraft und Diversität weiblicher Beziehungen, sondern auch ein Plädoyer für mehr Solidarität, Empathie und Selbstbestimmung unter Frauen. Es ist eine Ermutigung, sich gegenseitig zu fördern, ehrlich miteinander umzugehen und gemeinsam sowohl die Freuden als auch die Herausforderungen des Lebens zu meistern. Inspirierende Geschichten von 30 Frauen, die das Leben von Bestsellerautorin Lina Mallon geprägt haben. Authentische Einblicke in Freundschaften, gesellschaftliche Erwartungen und die persönliche Entwicklung einer Frau. Faszinierende Auseinandersetzung mit der Kraft der weiblichen Solidarität und der Bedeutung von echtem Support. Persönliche und offene Reflexionen über Enttäuschungen in Freundschaften und den Umgang mit Kritik. Ermutigung für Frauen, sich gegenseitig zu unterstützen und gemeinsam zu wachsen, statt sich als Konkurrentinnen zu sehen. Lebensnaher Ratgeber, der die Leserinnen dazu anregt, über ihre eigenen Beziehungen und Erfahrungen nachzudenken. Abwechslungsreiche Porträts von Frauen aus unterschiedlichen Lebensbereichen, die alle auf ihre Weise inspirieren. Ein Buch von der bekannten Bloggerin, Fotografin und Podcasterin Lina Mallon, die ihre persönlichen Erfahrungen und Erkenntnisse teilt. Ein Aufruf zu mehr Ehrlichkeit, Selbstreflexion und Mut in der Gestaltung weiblicher Beziehungen. Perfekt für Leserinnen, die sich für Themen rund um Freundschaft, Frauenpower und persönliches Wachstum interessieren.
What attracts women to far-right movements that appear to denigrate their rights? This question has vexed feminist scholars for decades and has led to many lively debates in the academy. In this context, during the 1980s, the study of women, gender, and fascism in twentieth-century Europe took off, pioneered by historians such as Claudia Koonz and Victoria de Grazia. This volume makes an exciting contribution to the evolving body of work based upon these earlier studies, bringing emerging scholarship on Central and Eastern Europe alongside that of more established Western European historiography on the topic. Women, Gender and Fascism in Europe, 1919-45 features fourteen essays covering Serbia, Croatia, Yugoslavia, Romania, Hungary, Latvia, and Poland in addition to Germany, Italy, France, Spain, and Britain, and a conclusion that pulls together a European-wide perspective. As a whole, the volume provides a compelling comparative examination of this important topic through current research, literature reviews, and dialogue with existing debates. The essays cast new light on questions such as women's responsibility for the collapse of democracy in interwar Europe, the interaction between the women's movement and the extreme right, and the relationships between conceptions of national identity and gender. ;
Women and madness in the early Romantic novel returns madness to a central role in feminist literary criticism through an updated exploration of hysteria, melancholia, and love-madness in novels by Mary Wollstonecraft, Eliza Fenwick, Mary Hays, Maria Edgeworth, and Amelia Opie. This book argues that these early Romantic-period novelists revised medical and popular sentimental models for female madness that made inherent female weakness and the aberrant female body responsible for women's mental afflictions. The book explores how the more radical authors-Wollstonecraft, Fenwick and Hays-blamed men and patriarchal structures of control for their characters' hysteria and melancholia, while the more mainstream writers-Edgeworth and Opie-located causality in less gendered and less victimized accounts. Taken as a whole, the book makes a powerful case for focusing on women's mental health in eighteenth- and nineteenth- century literary criticism.
This novel tells a story of two young people’s spiritual love during a car accident in a Utopian-like northern country. It is an Oriental dream between a young man and a young woman. The novel won “Asian Youth Literature Prize” in 2014. Korean and English copyright has been sold.
While there is increasing interest in the lives of medieval women, the documentary evidence for their activities remains little known. This book provides a collection of sources for an important and influential group of women in medieval England, and examines changes in their role and activities between 1066 and 1500. For most noble and gentry-women, early marriage led to responsibilities for family and household, and, in the absence of their husbands, for the family estates and retainers. Widowhood enabled them to take control of their affairs and to play an independent part in the local community and sometimes further afield. Although many women's lives followed a conventional pattern, great variety existed within family relationships, and individuality can also be seen in religious practices and patronage. Piety could take a number of different forms, whether a woman became a nun, a vowess or a noted philanthropist and benefactor to religious institutions. This volume provides a broad-ranging and accessible coverage of the role of noble women in medieval society. It highlights the significant role played by these women within their families, households, estates and communities.
Lofu is widely acknowledged as a great poet in contemporary Chinese poetic circles. He has made great contributions through his long poems, which have served to promote the development of contemporary Chinese poetry. His collection of long poems includes “Death in a Stone Cell” and“Floating Wood”. Lofu was a nominee for the Nobel Prize for Literature in 2001 for his long poem “Floating Wood”.
As one in the “Chinese Writers Going Global” series published by Hunan Literature and Art Publishing House, this collection features six novelettes and short stories by writer Chi Zijian, including Yangko, Traveling towards White Night, My Beloved Potato, The Silver Plate, Washing away Dust with Clean Water, Dusk with a Drizzle on the Grieg Sea, and Night of Laba at the Small Station of Bujilan. These are all outstanding literary works, some of which are winners of the Luxun Literature Award or have been published abroad.
The first in a new annual series, Women, Theatre and Performance that will consist of themed volumes on diverse aspects of women's engagement with theatre and performance. Ranging across three hundred years the essays in this volume address key questions in women's theatre history and retrieve a number of hitherto 'hidden' histories of women performers. Resituates women's, largely neglected, creative contribution within theatre and cultural history and seeks to challenge orthodox readings of both history and text. Topics include: Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' 'Mademoiselle Mars', Mme Arnould-Plessey, and the actresses of the Russian serf theatre. ;