Books from Ukraine
The Ukrainian Book Institute is a government entity, part of the Ministry of Culture and Information Policy of Ukraine.
View Rights PortalThe Ukrainian Book Institute is a government entity, part of the Ministry of Culture and Information Policy of Ukraine.
View Rights PortalThe transformation of a mental Ukraine into a real Ukraine, people - into a nation, a territory – into a state is a semantic axis of this trilogy. Book 1. Ukraine and Ukrainians in 1917-1939 The first book is devoted to the interwar period – a key stage of ethnic modernization and mobilization of Ukrainians, the culmination of the Ukrainian Revolution, and the battle for Ukraine in the context of the First World War. Book 2. Between World War II and the Cold War: Wars in the Destiny of Ukraine The second book tells about Ukrainians in the Second World War, after which the Ukrainian lands were united within one state, and in the Cold War, which made possible the sovereignty of Ukraine. Book 3. 30 Years of Independence: Challenges, Trials, Answers The third book is dedicated to the period of Ukrainian Independence and summarizes the thirty years of Ukrainian post-totalitarian transit. Contradictions of internal development, geopolitical challenges, three modern Ukrainian revolutions, and the Russian-Ukrainian war are the focus of understanding the path of Ukraine and Ukrainians in the global world.
The Frontline presents a selection of essays drawn together for the first time to form a companion volume to Plokhy’s The Gates of Europe and Chernobyl. Here he expands upon his analysis in earlier works of key events in Ukrainian history, including Ukraine’s complex relations with Russia and the West, the burden of tragedies such as the Holodomor and World War II, the impact of the Chernobyl nuclear disaster, and Ukraine’s contribution to the collapse of the Soviet Union. Juxtaposing Ukraine’s history to the contemporary politics of memory, this volume provides a multidimensional image of a country that continues to make headlines around the world. Eloquent in style and comprehensive in approach, the essays collected here reveal the roots of the ongoing political, cultural, and military conflict in Ukraine, the largest country in Europe.
The book contains the memories of military chaplains of various denominations who, since the beginning of the war in the east of Ukraine, performed pastoral care among Ukrainian soldiers.
The twentieth century was a time for the brightest and daring ways of expressing themselves in creativity. It was a time to experiment with form and content, and the historical revolution was reflected in the texts of writers and poets. How Ukrainian poets saw this time and how they felt will be clearly shown by the Anthology of Ukrainian Poetry of the Twentieth Century. From Tychyna to Zhadan. Thanks to this book, the reader will find the already known works by Dmytro Pavlychko, Vasyl‘ Stus, Lina Kostenko, and get acquainted with the work of those who became famous at the end of the century — Yuriy Izdryk, Oleksiy Zhupanskiy, Serhiy Zhadan, Galyna Kruk. You may also meet and come to love other talented names. Ivan Malkovych gathered everyone under one cover and became the compiler of this collection himself, a poet, publisher and owner of the publishing house "A-ba-ba-ha-la-ma-ha".
Ukrainian literature of the 19th century was far more exciting and diverse than one might imagine. Mykhailo Nazarenko's anthology contains one hundred and fifty texts that are not known or very little known to the modern reader (some of them are reprinted for the first time after 150 years of oblivion). These texts help to understand Ukrainian literary movement in a wider context. The compilation starts with the "The Song of the Black Sea Army" by Anton Golovaty. This novel precedes the famous "Aeneid" and marks the beginning of the printed literature "in the contemporary Ukrainian language". "It is not time..." by Ivan Franko is the last one in the compilation and describes further evolution of the independent Ukrainian literary word. The compilation also contains fifty essays about each of the authors: why did they write in a particular that way and about what? Why did some turn out to be forgotten, while others are remembered for their works?
In recent years, Donbas has been at the epicenter of a heated public discussion. This book is a comprehensive study of the historical experience of the Donetsk and Luhansk regions. It highlights several problems of rapid social and economic growth and painful stagnation, powerful migration processes and the multi-ethnic population structure and, as a result, an unstructured identity and short historical memory. The authors explore the origins of the Soviet mythologemes of the "people of Donbas”, “All-Union stokehold”, “melting pot”, which have been influencing the formation of the consciousness of the region’s population and the collective image of the Ukrainian Donbas for a long time. This book presents a detailed analysis of the events of the Russian-Ukrainian war, the factors that preceded the creation of quasi-states, as well as possible ways and tools to overcome the social and cultural consequences of the military conflict.
A former prisoner of conscience who was imprisoned for nearly 14 years presents fifty articles he has written during 20 years of freedom. They tell about his cellmates Vasyl Stus, Yuri Lytvyn, Oleksa Tykhyi, Valeriy Marchenko, Levko Lukianenko, about prisoners of conscience Oksana Meshko, Mykola Rudenko, Petro Hryhorenko, Ievhen Sverstiuk and other outstanding personalities.
Called “the most influential Ukrainian book since independence,” Oksana Zabuzhko’s Fieldwork in Ukrainian Sex became an international phenomenon when it shot to number one on the Ukrainian bestseller list and remained there throughout the 1990s. The sexual odyssey of the artist and poetess, unfolding in Ukraine and America at the end of the 20th century, turns into a true medieval mystery in which the heroine goes through the circles of recent Ukrainian history to meet the Devil face to face.
In 2014, the Russian army, with support from local militants, had occupied parts of Ukraine’s two easternmost regions, the regions that were the beating industrial heart of the socialist utopia in the Soviet era, and where coal extraction has exhausted both the human population and the natural resources. The regions have suffered from the post-Soviet chaos for decades. In the late 2016, the author set out on a research trip to the East to answer the common questions of those who’ve never been to the region. He takes his readers on a complicated, painful and hopeful trip across the Ukrainian East, guiding them through conversations with the locals, archival research, and conversations with prominent cultural fi gures like writer Serhij Zhadan or released after 700 days of terrorist captivity historian Ihor Kozlovskyi that were born in the region. The readers will meet the miners, the Belgian and British investors who founded the eastern cities, the priceless coal, events of the First and Second World War, the bloody Soviet history, the activists who are now working to improve the country, and sweet memories of the lost paradise.
The vision of the Ukrainian history dominant in the Russian Empire and in the Soviet Union focused exclusively on the heroic Cossacks and disenfranchised peasants. There was no room in it for the local elites: the Ukrainian aristocracy (szlachta) of the Polish-Lithuanian Commonwealth. As the result of this biased perspective, Ukrainians to this day know very little about the life of those people. This book invites the readers to take a closer look at the Ukrainian aristocracy. This introduction is done in a somewhat unusual form, through true anecdotes from the life of aristocracy gleaned from court records and other sources from the time. We get glimpses of the elites not only in their best garbs but also in their well-worn home clothes. The book brings together 105 brief chapters that describe how these people saw themselves, how they fought and made peace, how they fell in love and got married, how unwavering they were in the defense of their rights in court. Last not least, these essays explore whether the Ukrainian elites were mere extras and viewers in history or its active makers, resolute and strong in their insistence on defending and expanding their rights and freedoms.
The Rules of Ukrainian Cooking (Cook in Sorrow) is a guide to Ukrainian cuisine written in an entertaining style of ironic ethnography. It is structured into thirty “recipes”, each exploring one aspect of the Ukrainian culinary tradition. From cooking Borsch (which is never perfect) to brewing homemade wine and hosting guests, the book provides an entertaining account of probably the most cherished aspect of Ukrainian culture. The Ultimate Guide to Ukrainian Cooking puts Ukrainian dishes in social context, offering readers insights about complicated relationship of Ukrainians with cooking, eating, their relatives and even uncovers true love to famous Kherson tomatoes, now under the Russian occupation. The book is beautifully designed and illustrated by a cohort of Ukrainian artists, who represent some of the most prominent names in Ukrainian contemporary book design.
The monograph "Ukrainian nobility from the end of XIV to the middle of XVII centuries. Volyn and Central Ukraine" by doctor of history, professor Nataliya Yakovenko is dedicated to the history of elites in Ukraine as a part of Grand Duchy of Lithuania and Polish Crown. The author examines the formation of different groups and princely elites of the united "noble people" as well as its development during the two ages from the joining of its lands to the GDL and to the Cossack revolution of 1648. An origin and social structure, legal and property status, as well as personal and numerical strength of Ukrainian nobility are the main objects of the author's research. The first edition of the book, written at the end of 1980th, was published in 1993.This researh immediately became a bestseller and bibliographic rarity as it inspired a range of further fruitful scientific studies by Ukrainian and foreign historians in the same field. The new edition has been fundamentally revised and updated.
This is the first novel Olena Styazhkina wrote in Ukrainian, and the theme of embracing Ukrainian identity is central to the plot. It takes place in Donbas over the course of several years: the reader follows the journeys of characters who are, at first, held back by Soviet mentalities. As a result of war, they undergo important changes relating to their understanding of themselves and their country, like the dentist who becomes a military surgeon or the cosmetics saleswoman who becomes a sniper shooting instructor. The characters go through a whirlpool of historical events and are reborn as Ukrainians.
The work of the famous American-Ukrainian Slavologist and Ukrainian scholar Hryhoriy Hrabovych interprets the history of Ukrainian literature in several main ways: theoretical, comparative, immanent and historiographical. The book includes his studies, essays, and polemics written over the years. They were mainly produced in times of a sharp confrontation between official Soviet and Western approaches to literary studies. Today, after Ukraine gained its independence, there is an urgent need for a thorough reassessment of various scientific traditions and paradigms as well as a review of the canon of Ukrainian literature, its histography and methodology. The vast majority of these works were published in English or in sources unavailable for the Ukrainian reader, including specialist researchers. This edition can significantly reorient our understanding of the history of Ukrainian literature and enable a rethinking of Ukrainian cultural and intellectual processes.
Our team continues to study Ukraine, the results of which we share with you. This book is a story of the Ukrainian land, told by the Ukrainian people and filmed by the Ukraїner team. It was not enough to travel around all regions of Ukraine just one time to get to know it. Therefore, during 2019-2021, we drove the second expedition circle and brought even more stories about our incredible country and its inhabitants. Like all Ukraїner materials, these are stories of real people and the places they take care of, with dialogues and without directing. Traveling around the country, we want to capture it for every Ukrainian and for the whole world. And with the beginning of the annexation war started by Russia, this book has another important goal: to show Ukraine as it was before February 24, to keep it in our memory so that after the victory it could be rebuilt, and made even better.
This book is the first detailed look at the contribution of artists from Ukraine to the phenomenon known as the School of Paris. Many Ukrainian artists, such as Alexander Archipenko, Mykhailo Boichuk, Sonia Delaunay, Sophia Lewitska, Vladimir Baranoff-Rossiné, and Hannah Orloff were living and working in Paris at the same time as Picasso, Modigliani and Chagall. In the early 1920s they were joined by Oleksa Hryshchenko (Alexis Gritchenko), Mykhailo Andriienko, Vasyl Khmeliuk, and many others. Some of these artists achieved fame, others are long since forgotten. The book also tells about Ukrainian events that unfolded in the French capital between 1900-1939. The book's Appendix includes a list of over 250 Ukrainian artists in Paris as well as a chronology of Ukrainian events in Paris.
Fine travel reading with a twist of mystery - Magnum will give you everything: rain and wine, love and betrayal, despair and cowardice, Ukrainian seasonal workers and Portuguese revolutionaries. For various reasons - including the Russian invasion into the East of Ukraine - the protagonist of the novel finds himself in Lisbon – the faraway coast of the Western Europe. While in Lisbon he inadvertently plunges into a tragic family history that began almost half a century ago. The main character of the novel is Lisbon itself, a bright and friendly city one cannot but fall in love with; the city which, however, hides a lot of secrets.
He could have been showing his son the world, and just stayed by his side. Instead, he joined the army to protect his country in the Russo-Ukrainian war. Despite the exhausting days of combat, the main character doesn’t forget that he is a father, too. This book came to be as a conversation with the son who remains far away, yet always close — in his father’s heart. The book doesn’t include battle scenes or combat descriptions. Valeriy Puzik tries to demonstrate that even at the time of the most ruthless wars, a human remains at the center of everything. He leads readers through fragments of memories, reflections about today, and dreams about the future, creating his own battlefield reality. This book is about the here and now that thousands of soldiers experience during the war. It’s a raw nerve that leaves no space for feelings of indifference towards the world around. It’s a narrow path over the precipice that must be crossed to finally see the light — children, loved ones, and a peaceful homeland.
The phenomenon of the Ukrainian avant-garde was first revealed to the Western world in 1973 at the "Tatlin's dream" London exhibition where for the first time, world-class paintings by little known Ukrainian avant-garde artists Vasyl Yermylov and Oleksandr Bohomazov were exhibited. This famous show raised awareness also of other world-famous masters who, by origin, upbringing, self identification, and national traditions were associated with Kyiv, Kharkiv, Lviv, and Odesa. Apart from the above-mentioned artists, the book mentions “the most faithful son of Ukraine” Davyd Burliuk, as well as Kazymyr Malevych, a Pole who considered himself Ukrainian; Volodymyr Tatlin, a professor of Kyiv Art Institute and bandura player; Oleksandra Ekster, a founder of the Ukrainian school of constructivist scenography; artists of the "Culture League"; Oleksandr Arkhypenko, a phenomenal sculptor. Supplemented with extensive cultural studies and personal memories of the author, the book is designed to present the reader with a complete picture of the origins and formation of the Ukrainian artistic avant-garde. Compiled by Oleksiy Sinchenko.
This collection of opinion journalism is a comprehensive and far-sighted look at the past, present, and future of Ukraine in political and cultural aspects. The author meticulously describes the phenomena of Ukrainian realities, in particular, analyzes the Ukrainian Maidans (2004 and 2013), examines the crisis of the Ukrainian elite, Ukrainians’ identity crisis by nationality or citizenship, and also describes in details the USSR iron curtain of the 20th century in the sphere of culture and literature. Most of these essays were published in periodicals, mainly in English and Ukrainian, sometimes in Polish and German, and occasionally in such languages as Farsi, Turkish, and Catalan. The author prepared all Ukrainian versions with the hope of a synergistic effect of personal experiences gathered under one cover and hoping to awaken from the Soviet delusional dream that has not yet dissappered.