Essays that honor the path-forging lifework of Stani-slav Grof, M.D., Ph.D., the world’s leading researcher in psychedelic-assisted therapy, breath-work, and the exploration of non-ordinary states.
"I am Jugoslovenka" argues that queer-feminist artistic and political resistance were paradoxically enabled by socialist Yugoslavia's unique history of patriarchy and women's emancipation. Spanning performance and conceptual art, video works, film and pop music, lesbian activism and press photos of female snipers in the Yugoslav wars, the book analyses feminist resistance in a range of performative actions that manifest the radical embodiment of Yugoslavia's anti-fascist, transnational and feminist legacies. It covers celebrated and lesser-known artists from the 1970s to today, including Marina Abramovic, Sanja Ivekovic, Vlasta Delimar, Tanja Ostojic, Selma Selman and Helena Janecic, along with music legends Lepa Brena and Esma Redzepova. "I am Jugoslovenka" tells a unique story of women's resistance through the intersection of feminism, socialism and nationalism in East European visual culture.
What attributes did Perun have? Who was Mokosz? How was Światowid presented? Which nation prayed to Wallach the most? What matters was Radagost responsible for? Where was Rugewit worshiped? Where does the habit of melting Marzanna come from? You will find the answers in this book. Tadeusz Linkner used the manuscript of Bronisław Trentowski, a romantic researcher of Slavic mythology. Trentowski was the first to systematize Slavic beliefs in such an original way. His work, The Slavic Faith, or the Ethics Seizing the Universe, was never published. Here we have the opportunity to meet over three hundred Slavic gods and demons.
THE POWER OF SYMBOLS Sacred Images for Meditation and Divination by Stefano Fusi Artwork by Stefano Fusi Product Details 41 cards + 68-page guidebook+gold extra thin point marker Guide book size: 85 x 130 mm Card size: 85 x 130 mm ISBN: 978-1-955680-03-5 Imprint: Edizioni LAlbero All our oracles are designed and printed in Italy using only 100% ecofriendly material and non toxic inks and varnishes. Symbols are the signs that reveal and perpetuate the unlimited universe in our world and in our common life. They reveal meanings beyond those obvious to the senses and to our rational sphere. They exist before we can imagine or think about them: like genes and DNA on the physical plane, symbols pre-exist us, they carry with them the original instructions of life. They exist in nature and we have then encoded them to express in perceptible and comprehensible forms the essential forces that structure existence since the beginning. They are a synthetic map of the motions of what we call energy.The Power of Symbols is a deck of 41 Oracles with guide book.
A lively and perceptive account of the lives, writings and enduring intellectual legacies of the great Orthodox theologians of the past 250 years. This book explores and explains the enduring influence of some of the world's greatest modern theologians. Starting with the influence of the Philokalia in nineteenth-century Russia, the book moves through the Slavophiles, Solov'ev, Florensky in Russia and then traces the story through the Christian intellectuals exiled from Stalin's Russia - Bulgakov, Berdyaev, Florovsky, Lossky, Lot-Borodine, Skobtsova - and a couple of theologians outside the Russian world: the Romanian Staniloae and the Serbian Popovich, both of whom studied in Paris. Andrew Louth then considers the contributions of the second generation Russians - Evdokimov, Meyendorff, Schmemann - and the theologians of Greece from the sixties onwards - Zizioulas, Yannaras, and others, as well as influential monks and spiritual elders, especially Fr Sophrony of the monastery in Essex and his mentor, St Silouan. The book concludes with an illuminating chapter on Metropolitan Kallistos and the theological vision of the Philokalia.
The unfortunate victim of a frightened city desperately in need of a scapegoat. Though Murder Has No Tongue tells the story of Frank Dolezal, the only man actually arrested and charged with the infamous “Torso Murders” in Cleveland, Ohio, during the late 1930s. Dolezal, a fifty-two-year-old Slav immigrant, came to the attention of sheriff ’s investigators because of his reputation as a strange man who possessed a stockpile of butcher knives. According to rumors, he threatened imagined transgressors and had a penchant for frequenting bars in the seedy neighborhood where the dismembered bodies of victims had been discovered. Dolezal was arrested in July 1939 and never saw freedom again.Convinced that they had captured the “Mad Butcher of Kingsbury Run,” sheriff’s deputies interrogated Dolezal for two days under harsh conditions. Sheriff Martin O’Donnell called a press conference and announced that the long hoped-for break in the torso killings had finally come: Dolezal had admitted to the January 1936 murder and dismemberment of Flo Polillo, one of the early victims of the Mad Butcher. During the next six days, Dolezal was questioned further, given a lie detector test, beaten, and generally mistreated. Ultimately he was arraigned on firstdegree murder charges that were quickly dropped because he was denied legal representation.At his second arraignment in July, Dolezal was bound over on manslaughter charges. Within a month, he was dead—found hanged in his cell. His mysterious death was ruled a suicide. But was it?In Though Murder Has No Tongue, James Jessen Badal tells a gripping tale of justice gone wrong. It is also a modern story of forensic analysis as compelling as an episode of CSI. Using police and sheriff reports, inquest testimony, autopsy and archival photographs, unpublished notes from the primary investigators, and analyses from some of today’s top forensic anthropologists and medical examiners, Badal establishes the facts, dispels rumors, and presents a thorough examination of the real reasons behind Frank Dolezal’s mysterious death.
ISBN-13: 978-1-950743-50-6 Dismissed in Vienna as a compose of excessively complicated music with little popular appeal, Mozart found complete recognition for his talents in Prague, likely as a byproduct of the exceptional musical literacy of the general population. Accounts of the affection lavished on Mozart by the people of Prague can be deeply moving for those acquainted with his bleak struggles for recognition in Vienna. Indeed, he was manhandled like a rock star at the concert in 1787 that featured the first performance of the "Prague" symphony in a way that he never experienced anywhere else. And in contrast to the tawdry ceremonies that accompanied Mozart's burial in Vienna in 1791, his funeral in Prague, attended by thousands of mourners, brought life there to a standstill. It was the residents of Prague, not Vienna, who took responsibility to provide for Mozart's widow and children. Mozart in Prague tells the story of the amazing civic revival that was responsible for Mozart's unique personal and musical relationship with this beautiful city and the colorful characters who helped shape it, including Marie Antoinette and Giacomo Casanova.
Entangled in Yugoslavia – an Outsider’s Memoir is a compelling personal memoir as well as a portrait of a collapsing society. A Foreign Service wife returns to Belgrade – the scene of a previous posting – to find that the society she knew before as a peaceful, stable place under socialism, is caught up in political upheaval. Caught up in the psychological turmoil, she finds release while participating in the international relief effort, working for Unicef to deliver supplies to war-torn areas. The author travelled extensively in all the republics of the former Yugoslavia - both before and during the civil war. Her account of events relies on the testimonies of people coming from different national and class groups.
Designed as a historical novel, The Masochist forges an intimate portrait of a young, tenacious woman who, in uncertain times of intricate political, social and cultural turbulences at the end of the 19th century, chose an uncertain path – the only path that could lead her to freedom.On Christmas Eve 1874, Leopold von Sacher-Masoch, whom history would remember as the most famous masochist, left his home in Bruck an der Mur in Austria for the unknown. The novel surmises he didn’t come back alone, but brought with him a new family member: a tiny red-haired girl he found in the forests around Lemberg (today known as Lviv). The Masochist is the story of Nadezhda Moser, the woman this little girl becomes, a fictional character who forces her way among the historical figures of the time. This is a pseudo-autobiographical novel that returns post-postmodernism to modernism and more than that it is a story about the Austro-Hungarian Empire at the turn of the century that ponders the limits of women’s desire and freedom against the backdrop of ethnic, class and gender tensions in the empire, which hasn’t yet perceived its decline had already begun.
With passion and indignation, Maurice Rajsfus recounts the worst single crime of the Vichy regime in France: the pre-dawn arrest by French police, at German instigation, on July 16-17, 1942, of 13,152 Jewish men, women, and children, and their ordeal on the way to extermination. Rajsfus brings this terrible experience to life with contemporary texts – high-level Franco-German haggling, detailed police instructions, eye-witness testimony, and press commentary. – Robert O. Paxton, author of Vichy France and the Jews This uniquely detailed study of the July 16, 1942 roundup offers the only contemporary analysis of both the precursors and the aftermath of the Vél d’Hiv Raid. Rajsfus details the internal organization of the police, showing the mechanisms of this raid particularly and of raids in general, making the book an indispensable micro-history of the Holocaust. Notably, as the author points out, the French police went beyond Nazi ordinances and took it upon themselves to arrest and imprison more than 13,000 Jews at the Vélodrome d’Hiver. This book flies in the face of right-wing politicians who today continue to deny the crime was a French one.
Pope Pius X111 is dying, Cardinal Manzu is operating a financial scam with people outside the Vatican. To continue the scam he must obtain a fresh mandate from the new pope. Monsignor Spolverini becomes aware of the scam, but what can he do about it? The church is in dire straights. Paulo Sabbioni, a humble prelate, cannot understand how he became a bishop, never mind Patriarch of Venice; terminally ill, Cardinal Crosoli, in Florence, knows who he wantsto be the new pope, but can he do it? He also learns about the scam. His over riding concern: can the church be saved?
Na has always been in the shadow of her younger brother, Bao-bao, her parents' cherished son. But when Bao-bao dies suddenly, Na realizes how little she knew him. And he wasn't the only one with secrets.
The golden 1980s in the Socialist Yugoslavia were a curious time, a time when the country undoubtedly already began its descent into disintegration, but when the bloody years that would follow seemed inconceivable. A time of until then unprecedented freedom of thought and travel, a time of dissident movements and heady music and literary scenes. But also a time when the state still very much had a tight grip on the lives of its citizens, not least through its state security service and its web of informants.It is 1985 and Adam is a professor of literature at the Faculty of Arts in Ljubljana who, after twenty years, tries his hand at writing again and Ana is the editor that receives his manuscript The Masterpiece. The protagonists soon cross the lines of their professional relationship and become entangled in an intense, adulterous affair. But Adam moves in the dissident circles and Ana owes her position as the youngest editor in the history of the biggest state publishing house to her cooperation with the dark side of the government.The Masterpiece is as much a love story as it a political drama that not only rocks the lives of the two main characters, but also changes the map of the world.
Classic work of black study provides detailed historico-biographical surveys of black history
Jules Verne’s extraordinary crime drama—now in English
Structural Engineering of Transmission Lines provides practicing engineers with a comprehensive guide to the structural behaviour of transmission lines and the successful management of transmission line projects. The authors bring together technical knowledge and industry advice to offer extensive practical guidance on the design, construction and management of transmission lines. Taking an international approach, the book details the considerations, methods and outcomes of projects in different parts of the world where the constraints and opportunities of resources, climate and culture are unique. An invaluable resource Structural Engineering of Transmission Lines: • provides observations, calculations and technical solutions to problems facing structural engineers • discusses variables in terrain and weather conditions when approaching each project • considers the balance of components in each structure to ensure the longevity of the line • outlines issues such as restricted access, jurisdictional constraints and natural hazards which may hinder a project and advises for cost-effective solutions. The Structural Engineering of Transmission Lines combines technical details and practical examples into one essential resource to help structural engineers, contractors, consultants, facility owners, operators and managers understand, navigate and build upon the current methods in the transmission line industry.
