Sell Out
Sell Out is a generalist imprint with strong commercial catalog.
View Rights PortalSell Out Kids is a series of our imprint Sell Out, for children and YA titles.
View Rights PortalCarol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed's entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed's art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed's relations with his creative team, financial backers and others. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!.
Minusnyky (outcasts) are a verbal and social creation of the Soviet state, which, through repression, discrimination and control, created communities of "friends" and "foes", branding the latter with punitive methods and forming a specific language to denote them. The book talks about a special category of citizens of the "Soviet country" who were recognized as "socially dangerous" and punished by a ban on settling in a number of areas of the USSR after forced "removal" from their places of permanent residence, as well as serving time in the Gulag system. The researchers analyze the process of constructing the Bolshevik concept of the geographical isolation of the "disloyal" and determine the logic of creating the Soviet space as a space of prohibitions. The regularity of the Soviet territories is analyzed not only as a manifestation of Stalin's repressive policy but also as an organic part of the functioning of the totalitarian mechanism which picked up momentum when the Bolsheviks seized power.
Carol Reed is one of the truly outstanding directors of British cinema, and one whose work is long overdue for reconsideration. This major study ranges over Reed's entire career, combining observation of general trends and patterns with detailed analysis of twenty films, both acknowledged masterpieces and lesser-known works. Evans avoids a simplistic auteurist approach, placing the films in their autobiographical, socio-political and cultural contexts and relating these to the analysis of Reed's art. The critical approach combines psychoanalysis, gender theory, and the analysis of form. Archival research is also relied on to clarify Reed's relations with his creative team, financial backers and others. Films examined include Bank Holiday, A Girl Must Live, Odd Man Out, The Fallen Idol, The Third Man, Night Train to Munich, The Way Ahead, Outcast of the Islands, Trapeze and Oliver!. ;
Book of poems written by the Miguel de Cervantes Awarded cuban poet Dulce María Loynaz.
YU Hua's beautiful, heartbreaking novel Cries in the Drizzle follows a young Chinese boy throughout his childhood and adolescence during the reign of Chairman Mao. The middle son of three, SUN Guanglin is constantly neglected by his parents and his younger and older brother. Sent away at age six to live with another family, he returns to his parents' house six years later on the same night that their home burns to the ground, making him even more a black sheep. Yet SUN Guanglin's status as an outcast, both at home and in his village, places him in a unique position to observe the changing nature of Chinese society, as social dynamics, and his very own family, are changed forever under Communist rule.
“My Grandfather Was the Best Dancer” is a series of short stories following the family histories of five protagonists who met on their first day of school in the first year of Ukraine’s independence and became lifelong friends. These family histories take the reader through the events of the 1920s in Kharkiv, the repression of the Les Kurbas Theater during the Great Terror, the Holodomor (the man-made genocidal famine of 1932–33), World War II, the 1990s, several waves of emigration and the war in Donbas. First and foremost, this is a book about accepting the past. It describes how events and circumstances affect us, whether consciously or unconsciously. It addresses continuity and ties between generations, yearning for love and acceptance, and loneliness as the product of or reason behind our choices. It deals with losses both conscious and unconscious, justified and pointless. Most importantly, it stresses that no matter how lonely, outcast or broken you feel, you can survive and live because, notwithstanding, there is always a chance to attain happiness at last.
The novel aims to depict the social reality. Being deft at describing the underclass and social outcasts, He Dun, the author, continues to take the underclass people as the main roles in the novel. Compared to The Street of Huangniportraying the youth full of vigor and hope from urban underclass, the protagonists of the novel are a gang of young people from a small town. Ranging from 1950s till now, the novel has narrated the experience of those young people during “the Cultural Revolution” and Working in the Countryside and Mountainous Areas in a chronological way, and also told of their stories during the Reform and Opening-Up.
“In any case, when you decide to try harga, it's because you no longer expect anything from life. Or that you expect a lot!” (Akram El Kebir) The summer of 2018 was particularly deadly in Oran, as the discovery of harraga corpses being fished out of the Mediterranean was commonplace. That same summer saw the commissioning of a water cab, the Rossinante II, which made the daily shuttle between Oran and the small seaside town of Aïn El Turk. A cafe owner in a small estaminet in Sidi El Houari, Zaki, at the age of 24, led a dull, boring life, with no prospects for the future other than to cherish the hope of one day attempting the harga. It was only the fear of ending up eaten by fish that dissuaded him. That said, as soon as he heard about the water cab, an absurd idea occurred to him: what if he hijacked the boat and headed for the Iberian coast? He won't be alone in this crazy adventure, as his neighborhood friends Okacha and Anis, and other outcasts, are sure to follow him. But these modern-day Don Quixotes shouldn't claim victory too soon! They'll learn the hard way that hijacking an entire ship is no picnic. They'll have to face up to the Italian crew, as well as the rest of the passengers. Passionate debates ensue, in a sort of impromptu Citizens' Assembly, where all issues affecting society are discussed. On the eve of the February 22nd Revolution, Zaki has eyes only for one of his hostages, the impetuous Nafissa...
Two young boys seeking to be initiated into the order of warriors, find their lives upturned when an accident wakes a vengeful goddess. This story, weaved from the oral lore and magic of the Igbo takes the reader on a journey through the lake where mermaids and crocodiles contend for power. And through enchanted kingdoms ruled by mythical spirits. A curse has been unleashed that would cause the destruction of the world. An army of both humans and mythical creatures must be raised to defend the world. Only a white heart can lead this great army.
Four years before his death in 1996, National Artist for Film Ishmael Bernal started writing a journal for what he envisioned is a unique biography that would tell all. The goal was an anti-biography that refused to be hagiography or tribute, and instead would be Bernal unexpurgated and uncensored. His biographer was his closest friend and constant collaborator, Jorge Arago, who worked on Pro Bernal Anti Bio until his death in 2011. He then passed the task of completing the book to his friend, Angela Stuart-Santiago. Working towards the goal of a tell-all, and with new research and additional interviews, the final product is a memoir unlike any other in the Philippines. Pro Bernal Anti Bio brings in a cast of actors, scholars, colleagues, and peers who speak from the margins of the book, while Bernal and Arago tell this personal-political history in their own words, sometimes gay, often irreverent, but always revealing an intellect and spirit that was ahead of its time.
In his 1948 work "A Study of Archaeology", recently minted Harvard Ph.D. Walter W Taylor delivered the strongest and most substantial critique of American archaeology ever published. He created many enemies with his dissection of the research programs of America's leading scholars, who took it as a personal affront. Taylor subsequently saw his research pushed to the margins, his ideas censured, and his students punished. Publicly humiliated at the 1985 Society for American Archaeology meeting, he suffered ridicule until his death in 1997. Nearly everyone in the archaeological community read Taylor's book at the time, and despite the negative reaction, many were influenced by it. Few young scholars dared to directly engage and build on his "conjunctive approach," yet his suggested methods nevertheless began to be adopted and countless present-day authors highlight his impact on the 1960s formation of the "New Archaeology". In Prophet, Pariah, and Pioneer, peers, colleagues, and former students offer a critical consideration of Taylor's influence and legacy. Neither a festschrift nor a mere analysis of his work, the book presents an array of voices exploring Taylor and his influence, sociologically and intellectually, as well as the culture of American archaeology in the second half of the twentieth century.
This monograph presents a history of caste and class in the modern city through the experience of Dalits (members of the lowest caste) in twentieth-century Bombay. There, urban life did not dismantle caste, but instead made it robust and insulated it in the garb of modernity. Juned Shaikh demonstrates that the urban built environment and language are two sites for the habitation of caste in Bombay, as they are the spaces where it was concealed and eclipsed by class. The built environment is thus a quintessential marker, in which elements such as housing, tenements, slums, water supply, and drainage systems readily divulge the class of inhabitants. Shaikh explores the intersection and entanglement of caste and class by focusing on a cluster of groups that occupied subordinate positions in both these hierarchies: the Dalits. Their experience is relevant not only to South Asianists, but resonates with that of oppressed populations throughout the world.
The Gods of the Arena and the Walking Dead clash in this thrilling 'sword & sandal' zombie apocalypse. Lanista Laeca is the master of a gladiator school in Rome that has fallen on hard times. His business of providing skilled fighters for the Coliseum has begun to fail, and he is desperate to find a new spectacle of glory and battle to please the bloodthirsty crowds. He finds his answer in the cannibal corpse creatures brought to him from a distant land by a retired soldier, and soon the gladiators of House Laeca are being pitted against ravenous beasts that once were men. Will sword and shield win victory over tooth and claw?
When Hanna finds notebooks in her mother’s belongings, she decides to travel up the St.Lawrence river, to try to find the thread which could tie her life to Simone’s, this silent woman who distanced herself from her own life. Along the river, Hanna will meet Antoine, her mother’s true love, and will go all the way back to 1914, to the sinking of the Empress of Ireland. She will discover how personal tragedies which affect generations sometimes stem from a catastrophe, and how the survivors can be the true castaways. Through this journey, there will be the power of art and that of friendship to escort a luminous and demanding interior quest. To see all the information about this title: https://editionsalto.com/droits-rights/pas-meme-le-bruit-dun-fleuve/
We were taught to be patient, yet impatience is also a virtue. We were encouraged to be tolerant, yet intolerance is a characteristic of successful people. We were told to win friends and avoid conflict, yet it is vital to learn how to fight against time-thieves who stop us from achieving success and happiness. This tantalising book is the most explosive text in decades. It is for people who are fed up with inaccuracy and untruths. It is a tool for those who have the vision to shape new futures and the courage to realise their dreams. Come on a journey that will enrich and liberate you as you learn how to tackle the roots of personal achievement, management, and leadership. You will feel liberated and fulfilled when you say what needs to be said, fight for what needs to be won, and do what must be done -- even if you might lose friends and infuriate people. This fourth edition contains 28 chapters. One of them is a 10,000-word chapter about terrorism, called, ‘Infuriating Terrorists: Why tolerant people must not tolerate intolerant people.’ It also includes a new chapter about the cost-cutting frenzy. In criticising corporate executives, Jonar says, ‘Cost-cutting is for wimps. Any fool can cut costs.’ He wants managers to learn how to charge their customers more, and have the customers pay more with pleasure.
Dr. Morris Weisberg is a distinguished sixty-year-old pathologist as well as an amateur violinist and classical music lover. The quixotic and troubled doctor discovers a disastrous instance of malpractice and a cover-up reaching to the office of the Director of his California hospital. During this year of the Cuban Missile Crisis, Eichmann’s execution, and above-ground nuclear testing, Doctor Weisberg struggles to find a way to confront his own crisis. Morris and his wife, Sandra, were born in Europe near the start of the twentieth century, and each was brought to America at an early age. In 1962, the couple is living in suburbia, in L.A.’s San Fernando Valley. They have two sons. Both are aspiring artists in their twenties, and one is straight, the other gay. As they test limits and act out their resentments, the household begins to fill with excesses, revelations, and rebellion. At work and at home, communication fails, brutal buried truths erupt, and Morris begins to descend into maddening depression. He seeks refuge in his love of classical music and in his California garden. His glassed-in lanai there offers him solace, a place – like Los Angeles itself – of pleasure and escape, which ends up being a haunted, alienated space. As Morris plummets, his struggle to keep affirming his faith in both science and music wavers. Dr. Weisberg becomes a powerfully moving, larger-than-life character – noble, destructive, and terrifying.