NeWest Press
Livres Canada Books
View Rights PortalChinese Martial Arts is a literary work that recreates the spirit of the times and the fate of the characters with realistic creative techniques. Liu Qirong, the hero, had been ailing since childhood. In order to keep fit, he began learning martial arts at the age of eight and continued to practice throughout his life.
This book examines the distinctive aspects that insiders and outsiders perceived as characteristic of Irish and Scottish ethnic identities in New Zealand. When, how, and why did Irish and Scots identify themselves and others in ethnic terms? What characteristics did the Irish and the Scots attribute to themselves and what traits did others assign to them? Did these traits change over time and if so how? Contemporary interest surrounding issues of ethnic identities is vibrant. In countries such as New Zealand, descendants of European settlers are seeking their ethnic origins, spurred on in part by factors such as an ongoing interest in indigenous genealogies, the burgeoning appeal of family history societies, and the booming financial benefits of marketing ethnicities abroad. This fascinating book will appeal to scholars and students of the history of empire and the construction of identity in settler communities, as well as those interested in the history of New Zealand.
This edited collection investigates New Zealand's history as an imperial power, and its evolving place within the British Empire. It revises and expands the history of empire within, to and from New Zealand by looking at the country's spheres of internal imperialism, its relationship with Australia, its Pacific empire and its outreach to Antarctica. The book critically revises our understanding of the range of ways that New Zealand has played a role as an imperial power, including the cultural histories of New Zealand inside the British Empire, engagements with imperial practices and notions of imperialism, the special significance of New Zealand in the Pacific region, and the circulation of ideas of empire both through and inside New Zealand over time. The essays in this volume span social, cultural, political and economic history, and in testing the concept of New Zealand's empire, the contributors take new directions in both historiographical and empirical research.
Woodblock new year painting is an old handicraft of China, going back thousands of years. People celebrate the Spring Festival by posting up woodblock new year paintings, praying for their good wishes. Chief edited by the contemporary Chinese author, artist, and cultural scholar Feng Jicai, the Representative Works of Chinese Woodblock New Year Paintings is a collection of the masterpieces selected out of over ten thousand woodblock new year paintings. It has two volumes, the Northern and the Southern, from which one can see the differences in the custom of the two regions. The book has received support from scholars and institutions worldwide, among which the Japanese museums' collections of Gusu woodblock new year paintings in the early Qing Dynasty and the Russian museums' collections of late Qing and early Republic China are disclosed to the world for the first time. So the book is not only a historical art collection, but also of high cultural heritage significance.
"Hi everyone! My name is Steffi (Stefanie) and I am starting this book today to speak freely about my life. Here’s a little about me: I live in Vienna, Austria, in a nice little flat in a cosy council estate, which has a lot of Rottweilers who I think are really cute. I went through a lot of stuff between the age of 16 and 20. Once a crazy person tried to kill me – I still have a scar on my hand to prove it.’" Stefanie Sargnagel is an Internet star, an audience magnet and a unique author. This is her first book, pretty much a classic coming-of-age novel.
As the foods and recipes of Mexico have blended over the years into New Mexico's own distinctive cuisine, the chile pepper has become its defining element and single most important ingredient. Though many types were initially cultivated there, the long green variety that turned red in the fall adapted so well to the local soil and climate that it has now become the official state vegetable.To help chefs and diners get the most from this unique chile's great taste–without an overpowering pungency–Dave DeWitt, the noted Pope of Peppers, has compiled a complete guide to growing, harvesting, preserving and much more–topped off with dozens of delicious recipes for dishes, courses, and meals of every kind.
The poems in The Voices of Babyn Yar convey the experiences and emotions of ordinary people going through the tragic events of Babyn Yar massacre in Kyiv. Conceived as a tribute to the dead, the book raises difficult questions about memory, responsibility, and commemoration of those who had witnessed the horrors of human suffering. The book is illustrated by sketches of the Ukrainian artists Ada Rybachuk and Volodymyr Melnychenko. The same sketches were used for the construction of the monument commemorating the victims of Babyn Yar. The works of the artist Zinoviy Tolkachov "Talescoten", series "Majdanek", 1944, as well as a photo of Dmytro Peysakhov from the series "Babyn Yar" are also used in the publication.
This book studies the evolution of traditional Chinese New Year pictures in the last century and the reasons behind the evolution, hoping to provide some reference for the future of the current art form of New Year pictures and its development research. The book is divided into five parts. Starting with the causes that lead to the evolution of traditional New Year pictures and specific New Year pictures, the book studies and analyzes how the traditional language of New Year pictures was transformed and what kind of schema it evolved in a specific historical period.For the research on the development of specific historical periods, the author uses the method of longitudinal view to carry out the historical stages, and carries out horizontal comparative research and analysis on the situation of specific historical periods.This paper focuses on the author's doctoral dissertation, which has been downloaded nearly 2000 times and quoted nearly 100 times on Zhixin, providing an important foundation for relevant researchers.
The Toronto New Wave (TNW) comprises a group of avant-garde filmmakers working in Canada from the 1980s and into the new millennium whose innovative film works share significant affinities with anarchist themes and aesthetics. Several of the TNW filmmakers openly identify as anarchists and/or acknowledge a debt to anarchism in their production of highly apocalyptic narratives as part of their cinematic political projects. However, recognition of anarchism's progressive apocalyptic theoretical relevance has yet to be substantially taken up by scholarship in cinema analysis. This analysis introduces an anarchist-inflected analytical methodology to understand the apocalyptic-revelatory political work these films attempt to accomplish in the perceptual space between the filmic texts and both their auteurs and potential viewers, and to re-locate the TNW within cinema history as an ongoing phenomenon with new significance in an apocalyptic era of digital distribution.
The book is a taxonomic treatise of the tropical fruit flies of Papua New Guinea, Indonesian Papua, associated islands and Bougainville, the region of the world where speciation in the sub-family Dacinae has been most prolific. The book aims to provide readers with an updated record of all known species of Dacinae that occur in this geographic area including descriptions of 65 new species out of an entire list of 296 known species covered. It provides a discussion on the evolutionary origins of the Dacinae and a key to the genera and sub-genera recorded in the Australian-Pacific Region. Further, the major pest species and their biosecurity risks to other countries are discussed. Extensive field research by the authors and colleagues over many years has resulted in the accumulation of advanced knowledge of the tropical fruit flies in this region. - Records 296 known species - Descriptions and artwork of 65 new species - Discusses the evolutionary origins of the Dacinae - Provides a key to the genera and sub-genera in the Australian-Pacific A key reference for researchers of taxonomy, ecology and pest management in the family Tephritidae worldwide. Useful for biosecurity and horticulture workers in Agriculture Departments within government administration and universities around the world.
Recent years have seen a rennaissance of scholarly interest in the fin-de-siecle fiction of the New Woman. New Woman Strategies offers a new approach to the subject by focusing on the discursive strategies and revisionist aesthetics of the genre in the writings of three of its key exponents: Sarah Grand, Olive Schreiner and Mona Caird. ;
Taohuawu New Year's Printings is a tradition of Chinese art and, as such, is representative of the type of cultural work highly valued by Phoenix Fine Arts Publishing. This book delves deep into the history and traditions of New Year woodcut printing and explores the ways in which the art form has changed over the past 60 years. Furthermore, the book traces the interplay of ethnic Chinese art and that of other cultures in recent decades. The book is a seminal text exploring the origins of the art and the manifold ways it has developed.
This book provides a general explanation of new theoretical trees, new development goals, new contradictions, and new historical missions. As a world power, how China, guided by the spirit of the Party ’s 19th National Congress of the Chinese Communist Party, “decided to build a well-off society in an all-round way and start to build a comprehensive socialism. The new journey of a modern country "vividly demonstrates China's image as a great power.
New D.H. Lawrence uses current and emergent approaches in literary studies to explore one of Britain's major modernist writers. The collection features new work by the present generation of Lawrence scholars, who are brought together here for the first time. Chapters include: Andrew Harrison on the marketing of Sons and Lovers; Howard J. Booth on The Rainbow, Marxist criticism and colonialism; Holly A. Laird on ethics and suicide in Women in Love; Hugh Stevens on psychoanalysis and war in Women in Love; Jeff Wallace on Lawrence, Deleuze and abstraction; Stefania Michelucci on myth and war in 'The Ladybird'; Bethan Jones on gender and comedy in the late short fiction; Fiona Becket on green cultural critique, Apocalypse and Birds, Beasts and Flowers; and Sean Matthews on class, Leavis and the trial of Lady Chatterley. New D.H. Lawrence will be of interest to all concerned with contemporary writing on Lawrence, modernism and English radical cultures. ;
The series books contain A History of Music in New China, A History of Fine Arts in New China, A History of Drama in New China, A History of Films in New China and A History of Dance in New China. From the perspective of history, taking efforts made by artists in social development, politics, economy and culture, various difficulties faced by them and various achievements as the main clue, taking changes of various historic periods as the embranchments, the series books depict traces of transmutation of the history of the arts of New China, so as to present a clear picture of vivid structuring of the arts of New China. The publication of the series is regarded as a contribution to the study of the history of arts of New China.
This book examines the distinctive aspects that insiders and outsiders perceived as characteristic of Irish and Scottish ethnic identities in New Zealand. When, how, and why did Irish and Scots identify themselves and others in ethnic terms? What characteristics did the Irish and the Scots attribute to themselves and what traits did others assign to them? Did these traits change over time and if so how? Contemporary interest surrounding issues of ethnic identities is vibrant. In countries such as New Zealand, descendants of European settlers are seeking their ethnic origins, spurred on in part by factors such as an ongoing interest in indigenous genealogies, the burgeoning appeal of family history societies, and the booming financial benefits of marketing ethnicities abroad. This fascinating book will appeal to scholars and students of the history of empire and the construction of identity in settler communities, as well as those interested in the history of New Zealand. ;
The first edition of New challenges for documentary provided a major stimulus for teaching about documentary film and television and fresh encouragement for critical thinking about practice. This second edition brings together many new contributions both from academics and filmmakers, reflecting shifts both in documentary production itself, and in ways of discussing it. Once again, the emphasis has been on clear and provocative writing, sympathetic to the practical challenges of documentary film-making but making connections with a range of work in media and communications analysis. With its wide range of contributors and the international scope of its agenda, New challenges for documentary will be essential reading for general filmmakers and documentary students both of academic and practical inclinations. ;
How do women dress in the Song Dynasty? How did the ancients prevent the plague? The government office became a dangerous house, why no one repaired it? What did the ancient magistrates do every day? How about the purchasing power of a couple of silver? ………… This book puts the life of the ancients under the microscope of history, deeply interprets the ancients' clothing, food, housing, birth, old age, sickness and death. It involves characters ranging from emperors and nobles to traffickers and pawns. It uses slices of life to form an ancient life picture.