UNAM is the largest publishing house in the Spanish-speaking world. Its production averages 1200 printed titles and 500 electronic titles per year. It publishes literature, and state-of-the-art research in Spanish for all sciences and humanities. It translates the most within Mexican publishing industry, and it has been the publishing house of the most outstanding academic writers in Modern Mexico.
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Publisher of fine Literature and Art books from China.
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How to play Mexican Bingo and other random entertainments gives an account of the text. It portrays the Mexican everyday universe: landscapes, people, customs ... The Mexican Photographic Lottery is a lesson in ethnography and art.
Four children have to deal with the killing of their father in violent, 1970's Northern Mexico. Grief does not stop because nobody in the family wants to talk about the murder for fear of disrupting family unity. The story is written from the perspective of four narrators. The first is a woman who tries to find the truth using her own recollection, photographs and a USB. A second narrator is a police detective who was the lead investigator of the killing and keeps a detailed file and realizes something doesn´t quite add up. A third narrator is a middle-aged woman, facing a cancer diagnosis and who, in the middle of treatment, starts remembering things about her father. The novel takes us deep into the dark wolrd of the 23 September Communist guerrilla in Mexico, weaving elements of historical fact and fiction, and trying desperately to answer questions about the need to for the truth.
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As the foods and recipes of Mexico have blended over the years into New Mexico's own distinctive cuisine, the chile pepper has become its defining element and single most important ingredient. Though many types were initially cultivated there, the long green variety that turned red in the fall adapted so well to the local soil and climate that it has now become the official state vegetable.To help chefs and diners get the most from this unique chile's great taste–without an overpowering pungency–Dave DeWitt, the noted Pope of Peppers, has compiled a complete guide to growing, harvesting, preserving and much more–topped off with dozens of delicious recipes for dishes, courses, and meals of every kind.
In the historical context of the Austro-Hungarian Empire and the height of the Romantic era, the 19th century, Anton Bruckner, the famous Austrian composer and organist, falls in love with the imposing Countess Henriette. She had been appointed lady-in-waiting to Princess Charlotte of Belgium, the wife of Prince Maximilian of Habsburg, to attend to her during the couple's Mexican endeavor. They had been named Emperor and Empress of Mexico and would embark on a journey to America for this mission. Bruckner meets the countess by chance at the funeral of Maximilian, who had been assassinated in Querétaro in 1867, during the so-called Second Mexican Empire. On the recommendation of a musician friend of Henriette's, who sees him at the funeral, she takes piano lessons with Bruckner. When she tells him that she had accompanied the empress to Mexico, the composer becomes enchanted. He admired Maximilian and was passionate about Mexico; he had even wanted to accompany the emperor. Ultimately, the only trips he made were to give organ concerts in London and another at Notre Dame in Paris. Between classes, the countess tells him of the Atlantic crossing, the arrival in Veracruz, and the entrance to Mexico City. Gradually, they grow closer. In one of his concerts, Bruckner meets Franz Liszt, who was a patron of Maximilian's empire in Mexico. Meanwhile, the countess and the organist plan a Requiem, which will be the turning point between them.
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This book examines key moments in which collective and state violence invigorated racialized social boundaries around Mexican and African Americans in the United States, and in which they violently contested them. Bringing anti-Mexican violence into a common analytical framework with anti-black violence, A savage song examines several focal points in this oft-ignored history, including the 1915 rebellion of ethnic Mexicans in South Texas, and its brutal repression by the Texas Rangers and the 1917 mutiny of black soldiers of the 24th Infantry Regiment in Houston, Texas, in response to police brutality. Aragon considers both the continuities and stark contrasts across these different moments: how were racialized constructions of masculinity differently employed? How did African and Mexican American men, including those in uniform, respond to the violence of racism? And how was their resistance, including their claims to manhood and nation, understood by law enforcement, politicians, and the press? Building on extensive archival research, the book examines how African and Mexican American men have been constructed as 'racial problems', investigating, in particular, their relationship with law enforcement and ideas about black and Mexican criminality.
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Eagle, grasshopper, jaguar, butterfly, dog, monkey, feathered serpent, all these animals, real or mythological, tiny or majestic, carry a message. Forty works drawn with pen or brush have a dialogue with the texts of Elisabeth Foch, By taking us to a journey through the museums of Anthropology, the Templo Mayor in Mexico and the collections of the musée du quai Branly in Paris, this book takes us into the world of an ancient Mexico.
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David Alfaro Siqueiros was perhaps the most important communist painter of the twentieth century. This book, the first sustained engagement with Siqueiros's work in the English language, focuses on the artist's late murals, which are both aesthetically innovative and politically provocative. It places Siqueiros in an international context, revealing that the dogmatism he has been charged with was in reality a complex phenomenon. It provided a foundation for - rather than an obstacle to - his efforts to create an art embedded in the day-to-day concerns and theoretical debates of the world-wide mass movement he saw himself as a part of.
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Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.
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The work of the famous American-Ukrainian Slavologist and Ukrainian scholar Hryhoriy Hrabovych interprets the history of Ukrainian literature in several main ways: theoretical, comparative, immanent and historiographical. The book includes his studies, essays, and polemics written over the years. They were mainly produced in times of a sharp confrontation between official Soviet and Western approaches to literary studies. Today, after Ukraine gained its independence, there is an urgent need for a thorough reassessment of various scientific traditions and paradigms as well as a review of the canon of Ukrainian literature, its histography and methodology. The vast majority of these works were published in English or in sources unavailable for the Ukrainian reader, including specialist researchers. This edition can significantly reorient our understanding of the history of Ukrainian literature and enable a rethinking of Ukrainian cultural and intellectual processes.
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This collection of poems chosen and translated by Yu Kwang-chung, the poet himself, covers over eighty poems from 1958 to 2014. Unlike other poetry anthology, the poems in Night Watchman have been handpicked by the author personally. It includes classic works like Nostalgia, Jadeite Cabbage, Four Songs of Nostalgia, A Tug of War with Eternity, On the Rivers and Lakes, etc. and poems in different styles which have never beenpublished in the mainland before. These works, translated into English by the author，combine the charm of classic Chinese literature and the spirit of modern western literature, and embody the sound interaction between writing and translating.
From the day that old Nana Reja found a baby abandoned under a bridge, the life of a small Mexican town forever changed. Disfigured and covered in a blanket of bees, little Simonopio is for some locals the stuff of superstition, a child kissed by the devil. But he is welcomed by landowners Francisco and Beatriz Morales, who adopt him and care for him as if he were their own. As he grows up, Simonopio becomes a cause for wonder to the Morales family, because when the uncannily gifted child closes his eyes, he can see what no one else can, visions of all that’s yet to come, both beautiful and dangerous. Followed by his protective swarm of bees and living to deliver his adoptive family from threats, both human and those of nature; Simonopio’s purpose in Linares will, in time, be divined.
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"Twelve Lectures on Modernist Literature" is a review and appreciation of the main modernist literary schools in the 20th century made by the literary critic Liu Qinghua. This book outlines the formation, development, ideological origins, theoretical foundations, and ideological and artistic characteristics of modernist literature. It is divided into eleven topics, respectively, on symbolism, stream of consciousness novels, futurism, expressionism, and surrealism. , Existentialism, Beat Generation and other genres have done systematic research and exposition, and at the same time analyzed and commented on representative writers and works of each genre. For literature lovers and researchers at home and abroad, this book is a rare desk book.
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Ukrainian literature of the 19th century was far more exciting and diverse than one might imagine. Mykhailo Nazarenko's anthology contains one hundred and fifty texts that are not known or very little known to the modern reader (some of them are reprinted for the first time after 150 years of oblivion). These texts help to understand Ukrainian literary movement in a wider context. The compilation starts with the "The Song of the Black Sea Army" by Anton Golovaty. This novel precedes the famous "Aeneid" and marks the beginning of the printed literature "in the contemporary Ukrainian language". "It is not time..." by Ivan Franko is the last one in the compilation and describes further evolution of the independent Ukrainian literary word. The compilation also contains fifty essays about each of the authors: why did they write in a particular that way and about what? Why did some turn out to be forgotten, while others are remembered for their works?
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Photography and memory in Mexico traces the 'life stories' of some of the famous photographic images made during the 1910 revolution, which have been repeatedly reproduced across a range of media in its aftermath. Which photographs have become icons of the revolution and why these particular images and not others? What is the relationship between photography and memory of the conflict? How do we construct a critical framework for addressing the issues raised by iconic photographs? Placing an emphasis on the life, afterlife and also the pre-life of those iconic photographs that haunt the post-revolutionary landscape, Andrea Noble approaches them as dynamic objects, where their rhetorical power is derived from a combination of their visual eloquence and their ability to coordinate patterns of identification with the memory of the revolution as a foundational event in Mexican history. Richly-illustrated, this book will be of interest to all those interested in photography, memory studies, and Mexican cultural history. ;
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As literary theory has grown more influential, interdisciplinary and sophisticated, it has come to concern itself with a much greater range of issues and objects than those traditionally considered literary. It now addresses philosophy, history, psychology, politics and the media. Addressing a central and fundamental, but relatively neglected, issue in literary theory, this title seeks to recontextualise how theory has changed our understanding of literature and its questions by relating literature to the institution of the university, to ethical judgements and values, new media and computer technology and the nature of representative democracy. ;
Deep in the Mexican desert, paleontologist David Fernández makes an unsettling discovery among the fossilized bones of a dinosaur.News of the discovery of a strange object goes viral create deep divisions in the scientific community. After recent statements by the United States government, regarding the existence of unidentified flying phenomena, and a growing wave of sightings across the world, a frenzied race starts to uncover the truth behind the discovery of a supposedly alien artifact.Everybody wants a piece of it: fans, UFO researchers, scientists – even a band of local drug dealers. But it is NASA researcher Victoria Collins who has the means to analyze it and prevent it from falling into the wrong hands.What David does not know is that Victoria is an agent from a covert American organization – one who will do whatever it takes to fulfill their mission.
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Popular culture is invariably a vehicle for the dominant ideas of its age. Never was this truer than in the late-nineteenth and early twentieth centuries, when it reflected the nationalist and imperialist ideologies current throughout Europe. It both reflects popular attitudes, ideas and preconceptions and it generates support for selected views and opinions. This book examines the various media through which nationalist ideas were conveyed in late-Victorian and Edwardian times: in the theatre, "ethnic" shows, juvenile literature, education and the iconography of popular art. It seeks to examine in detail the articulation and diffusion of imperialism in the field of juvenile literature by stressing its pervasiveness across boundaries of class, nation and gender. It analyses the production, distribution and marketing of imperially-charged juvenile fiction, stressing the significance of the Victorians' discovery of adolescence, technological advance and educational reforms as the context of the great expansion of such literature. An overview of the phenomenon of Robinson Crusoe follows, tracing the process of its transformation into a classic text of imperialism and imperial masculinity for boys. The imperial commitment took to the air in the form of the heroic airmen of inter-war fiction. The book highlights that athleticism, imperialism and militarism become enmeshed at the public schools. It also explores the promotion of imperialism and imperialist role models in fiction for girls, particularly Girl Guide stories.
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The book, in the form of essays-stories, depicts the life and work of individual personalities who played a significant role in the formation and development of Ukrainian thought, culture, and art. Using colorful means of the artistic word, the author depicts many little-known facts from the lives of outstanding Ukrainian artists, who made a bright contribution to the flourishing of Ukrainian and world culture. The book will be valuable for a narrow circle of specialists and a wide range of readers. It will also be of help to writers, cultural experts, and art critics, as well as to all those who are interested in studying the history of Ukraine based on the examples of the lives and creative achievements of its notable personalities.
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