Manilla Press is a home for novelists, journalists, memoirists, thinkers, dreamers, influencers. Our reach is international, our range broad, we publish with focus, passion and conviction, and we seek to find and publish underrepresented voices.
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Established in 1972, The Ateneo de Manila University Press is the publishing arm of the Ateneo de Manila University. We publish scholarly titles in the social sciences and humanities that reflect on the Philippines in Asia and in the world. These works are highly regarded contributions to scholarship, research, and education, and serve as an avenue for new directions in creative work. The Ateneo Press was awarded Publisher of the Year by the Manila Critics Circle in the last three consecutive years: 2017, 2018, and 2019. Our books have won over 200 awards for their high-quality content, design, and production from the National Book Awards and Gintong Aklat Awards, while several of our literary titles have received recognition from the Carlos Palanca Memorial Awards, the most prestigious literary award in the Philippines.
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Mycological paper discussing Hyphomycetes from the regions of Manitoba and Saskatchewan.
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A Place Beyond the Heart is a collection of short stories exploring issues at the intersection of war and love, terror and (dis)order, as well as identity, gender, and sexuality. The stories capture the lives of people facing personal, societal and transcultural challenges that define, transform, and ultimately create shifts in the way they see and experience the world.
Somewhere between North Dakota and Nunavut sits a curious land with a coastline patrolled by polar bears, highways lined with monuments to household produce and dinner plates drenched in a gluey condiment known as honey dill sauce. This is Manitoba, a province that has captured the imagination of… well, maybe dozens of people around the world. Manitoba is one of the newest places on Earth, carved by glaciers and shaped by meltwater. It’s one of the most Indigenous places on Earth, as all of its residents are beginning to comprehend and respect. But it’s also a vast and largely empty land that lacks a singular identity, partly because of its vastness and emptiness — but also because most of its population barricades itself within Winnipeg’s city limits. Stuck In The Middle 2 finds photographer Bryan Scott and journalist Bartley Kives venturing beyond the Perimeter Highway to explore the architecture, landscapes and waterways of a province they know and love but, like most Manitobans, may never truly understand.
Well-known mediator and lawyer, Glenn Sigurdson blends personal memoir, family history and Icelandic lore in a unique and wide-ranging autobiography. Vikings on a Prairie Ocean brings to life the people and places of Lake Winnipeg since the arrival of the Icelandic settlers to its shores in 1875 through the engaging lens of a family legacy of fishing on those waters. The perils of summer and winter fishing on an unpredictable and unforgiving lake are interwoven with accounts of Aboriginal partnerships, colourful characters, and a proud, resilient family.
This is a story about the fur trade and First Nations, and the development of northern Canada, seen and experienced not only through Leonard Flett’s eyes, but also through the eyes of his father, grandfather, and great-grandfather. The lives of Indigenous people in remote areas of northern Ontario, Manitoba and Saskatchewan in the 1960s and 1970s are examined in detail. Flett’s successful career with both the Hudson’s Bay Company and the North West Company provides an insight into the dying days of the fur trade and the rise of a new retail business tailored to First Nations.
In May and June 1919, more than 30,000 workers walked off the job in Winnipeg, Manitoba. They struck for a variety of reasons—higher wages, collective bargaining rights, and more power for working people. The strikers made national and international headlines, and they inspired workers to mount sympathy strikes in many other Canadian cities. Although the strike lasted for six weeks, it ultimately ended in defeat. The strike was violently crushed by police, in collusion with state officials and Winnipeg’s business elites. One hundred years later, the Winnipeg General Strike remains one of the most significant events in Canadian history. This comic book revisits the strike to introduce new generations to its many lessons, illuminating the brutal tactics that governments and bosses use to crush workers’ movements and the power of class struggle and solidarity.
Part memoir, part social history, this collection of ten essays explores the various physical and natural elements that form the backdrop to Braun’s memories of growing up mid-20th century on a farm in southern Manitoba. From blackboard chalk to curling rocks, from mirages to straight-line winds, she reflects on her interactions with the elements as a child and how her responses influenced her evolution into adulthood. Braun includes intriguing tidbits about the science and history behind each element as it pertains to life in her unique location on our planet. The book highlights the value and beauty of the simple components of our surroundings that we take for granted growing up, exposes their true complexity, and reveals how the fascination with a “simple” thing can become a lifelong pursuit that sustains one’s artistic and spiritual needs.
Upon learning his great-uncle Alfred has suffered a stroke, Richard sets out for Ste. Anne, in southeastern Manitoba, to find his father and tell him the news. Waylaid by memories of his stalled romance, tales of run-ins with local Mennonites, his job working a honey wagon, and struck by visions of Métis history and secrets of his family’s past, Richard confronts his desires to leave town, even as he learns to embrace his heritage. Evoking an oral storytelling epic that weaves together one family’s complex history, Hold Your Tongue asks what it means to be Métis and francophone. Recalling the work of Katherena Vermette and Joshua Whitehead, Matthew Tétreault’s debut novel shines with a poignant, but playful character-driven meditation on the struggles of holding onto “la langue,” and marks the emergence of an important new voice.
The bison are gone. The Manitoba Act’s promise of land for the Métis has gone unfulfilled, and many Métis flee to the Northwest. As part of the fallout from the Northwest Resistance, their advocate and champion Louis Riel is executed. As new legislation corrodes Métis land rights, and unscrupulous land speculators and swindlers take advantage, many Métis begin to settle on road allowances and railway land, often on the fringes of urban centres. For Echo, the plight of her family is apparent. Burnt out of their home in Ste. Madeleine when their land is cleared for pasture, they make their way to Rooster Town, squatting on the southwest edges of Winnipeg. In this final instalment of Echo’s story, she is reminded of the strength and resilience of her people, forged through the loss and pain of the past, as she faces a triumphant future.
Desired and reviled, adulated and condemned, Winnipeg inspires intense and contradictory emotions from residents, visitors and people who have never even ventured within wading distance of the Manitoba capital. The city at the centre of North America inspires a profound sense of ambivalence, stuck as it is between a colourful and triumphant early history, a long period of 20th-Century decline and an uncertain if optimistic future. Stuck In The Middle: Dissenting Views of Winnipeg finds photographer Bryan Scott and journalist Bartley Kives exploring the geography, design and reputation of the only city they have ever truly known, loved and hated. With vicious honesty and intense affection, Scott and Kives expose Winnipeg’s beautiful and conflicted soul for the rest of the world to admire and detest and ultimately ignore. WINNER: Carol Shields/City of Winnipeg Book Award
“What this town has done, it’s like pickling people. Taking us when we’re young and fresh and vulnerable, sticking us in a jar and filling us with all these rules they hope will preserve us from the rotting decay of worldliness. But you can’t brine someone in that much guilt and shame their whole lives and expect them not to change. Shrivel into mere husks of their former selves, sour as vinegar.” Twenty-seven-year-old Isaac Funk is broke, drifting, and questioning his lonely existence on the East Coast. Having left his conservative hometown of Newfield, Manitoba full of piss and vinegar, Isaac’s dreams of studying music and embracing queer culture in Halifax have gradually fizzled out. When his grandfather dies and leaves him a substantial inheritance, Isaac is pulled back to the Prairies for the first time in ten years. Finding his father Abe just as enigmatic and unreachable as always and his extended family more fragmented than ever, Isaac begins to wonder if there will ever be a place for him in Newfield. Is the prodigal son home for good, or is it time to cut and run once more?
Popularly thought of as a recreational vehicle and one of the key ingredients of an ideal wilderness getaway, the canoe is also a political vessel. A potent symbol and practice of Indigenous cultures and traditions, the canoe has also been adopted to assert conservation ideals, feminist empowerment, citizenship practices, and multicultural goals. Documenting many of these various uses, this book asserts that the canoe is not merely a matter of leisure and pleasure; it is folded into many facets of our political life. Taking a critical stance on the canoe, The Politics of the Canoe expands and enlarges the stories that we tell about the canoe’s relationship to, for example, colonialism, nationalism, environmentalism, and resource politics. To think about the canoe as a political vessel is to recognize how intertwined canoes are in the public life, governance, authority, social conditions, and ideologies of particular cultures, nations, and states. Almost everywhere we turn, and any way we look at it, the canoe both affects and is affected by complex political and cultural histories. Across Canada and the U.S., canoeing cultures have been born of activism and resistance as much as of adherence to the mythologies of wilderness and nation building. The essays in this volume show that canoes can enhance how we engage with and interpret not only our physical environments, but also our histories and present-day societies.
Ubuntu is a Bantu term meaning humanity. It is also a philosophical and ethical system of thought, from which definitions of humanness, togetherness, and social politics of difference arise. Devi Dee Mucina is a Black Indigenous Ubuntu man. In Ubuntu Relational Love, he uses Ubuntu oratures as tools to address the impacts of Euro-colonialism while regenerating relational Ubuntu governance structures. Called “millet granaries” to reflect the nourishing and sustaining nature of Indigenous knowledges, and written as letters addressed to his mother, father, and children, Mucina’s oratures take up questions of geopolitics, social justice, and resistance. Working through personal and historical legacies of dispossession and oppression, he challenges the fragmentation of Indigenous families and cultures and decolonizes impositions of white supremacy and masculinity. Drawing on anti-racist, African feminist, and Ubuntu theories and critically influenced by Indigenous masculinities scholarship in Canada, Ubuntu Relational Love is a powerful and engaging book.
What does it mean to be an Indigenous man today? Between October 2010 and May 2013, Sam McKegney conducted interviews with leading Indigenous artists, critics, activists, and elders on the subject of Indigenous manhood. In offices, kitchens, and coffee shops, and once in a car, McKegney and his participants tackled crucial questions about masculine self-worth and how to foster balanced and empowered gender relations. Masculindians captures twenty of these conversations in a volume that is intensely personal, yet speaks across generations, geography, and gender boundaries. As varied as their speakers, the discussions range from culture, history, and world view to gender theory, artistic representations, and activist interventions. They speak of possibility and strength, of beauty and vulnerability. They speak of sensuality, eroticism, and warriorhood, and of the corrosive influence of shame, racism, and violence. Firmly grounding Indigenous continuance in sacred landscapes, interpersonal reciprocity, and relations with other-than-human kin, these conversations honour and embolden the generative potential of healthy Indigenous masculinities.
Though First Nations communities in Canada have historically lacked access to clean water, affordable food, and equitable health care, they have never lacked access to well-funded scientists seeking to study them. Inventing the Thrifty Gene examines the relationship between science and settler colonialism through the lens of “Aboriginal diabetes” and the thrifty gene hypothesis, which posits that Indigenous peoples are genetically predisposed to type 2 diabetes and obesity due to their alleged hunter-gatherer genes. Hay’s study begins with Charles Darwin’s travels and his observations on the Indigenous peoples he encountered, setting the imperial context for Canadian histories of medicine and colonialism. It continues in the mid-twentieth century with a look at nutritional experimentation during the long career of Percy Moore, the medical director of Indian Affairs (1946–1965). Hay then turns to James Neel’s invention of the thrifty gene hypothesis in 1962 and Robert Hegele’s reinvention and application of the hypothesis to Sandy Lake First Nation in northern Ontario in the 1990s. Finally, Hay demonstrates the way in which settler colonial science was responded to and resisted by Indigenous leadership in Sandy Lake First Nation, who used monies from the thrifty gene study to fund wellness programs in their community. Inventing the Thrifty Gene exposes the exploitative nature of settler science with Indigenous subjects, the flawed scientific theories stemming from faulty assumptions of Indigenous decline and disappearance, as well as the severe inequities in Canadian health care that persist even today.
Several centuries ago, the five nations that would become the Haudenosaunee — Mohawk, Oneida, Onondaga, Cayuga, and Seneca — were locked in generations-long cycles of bloodshed. When they established Kayanerenkó:wa, the Great Law of Peace, they not only resolved intractable coinflicts, but also shaped a system of law and government that would maintain peace for generations to come. This law remains in place today in Haudenosaunee communities: an Indigenous legal system, distinctive, complex, and principled. It is not only a survivor, but a viable alternative to Euro-American systems of law. With its emphasis on lasting relationships, respect for the natural world, building consensus, and on making and maintaining peace, it stands in contrast to legal systems based on property, resource exploitation, and majority rule. Although Kayanerenkó:wa has been studied by anthropologists, linguists, and historians, it has not been the subject of legal scholarship. There are few texts to which judges, lawyers, researchers, or academics may refer for any understanding of specific Indigenous legal systems. Following the United Nations Declaration on the Rights of Indigenous Peoples, and a growing emphasis on reconciliation, Indigenous legal systems are increasingly relevant to the evolution of law and society. In Kayanerenkó:wa Great Law of Peace Kayanesenh Paul Williams, counsel to Indigenous nations for forty years, with a law practice based in the Grand River Territory of the Six Nations, brings the sum of his experience and expertise to this analysis of Kayanerenkó:wa as a living, principled legal system. In doing so, he puts a powerful tool in the hands of Indigenous and settler communities.
Mythologizing Norval Morrisseau examines the complex identities assigned to Anishinaabe artist Norval Morrisseau. Was he an uneducated artist plagued by alcoholism and homelessness? Was Morrisseau a shaman artist who tapped a deep spiritual force? Or was he simply one of Canada’s most significant artists? Carmen L. Robertson charts both the colonial attitudes and the stereotypes directed at Morrisseau and other Indigenous artists in Canada’s national press. Robertson also examines Morrisseau’s own shaping of his image. An internationally known and award-winning artist from a remote area of northwestern Ontario, Morrisseau founded an art movement known as Woodland Art developed largely from Indigenous and personal creative elements. Still, until his retrospective exhibition at the National Gallery of Canada in 2006, many Canadians knew almost nothing about Morrisseau’s work. Using discourse analysis methods, Robertson looks at news stories, magazine articles, and film footage, ranging from Morrisseau’s first solo exhibition at Toronto’s Pollock Gallery in 1962 until his death in 2007 to examine the cultural assumptions that have framed Morrisseau.
Few things are as important as the food we eat. Conversations in Food Studies demonstrates the value of interdisciplinary research through the cross-pollination of disciplinary, epistemological, and methodological perspectives. Widely diverse essays, ranging from the meaning of milk, to the bring-your-own-wine movement, to urban household waste, are the product of collaborating teams of interdisciplinary authors. Readers are invited to engage and reflect on the theories and practices underlying some of the most important issues facing the emerging field of foodstudies today. Conversations in Food Studies brings to the table thirteen original contributions organized around the themes of representation, governance, disciplinary boundaries, and, finally, learning through food. This collection offers an important and groundbreaking approach to food studies as it examines and reworks the boundaries that have traditionally structured the academy and that underlie much of food studies literature.
