Editions Les Malins
A French Canadian award winning independent publisher, specialised in middle grade and YA fiction and comic books.
View Rights PortalA French Canadian award winning independent publisher, specialised in middle grade and YA fiction and comic books.
View Rights PortalJacques Martineau, Olivier Ducastel, Alain Guiraudie, Sébastien Lifshitz and Céline Sciamma. The films of these five major French directors exemplify queer cinema in the twenty-first century. Comprehensive in scope, Queer cinema in contemporary France traces the development of the meaning of queer across these directors' careers, from their earliest, often unknown films to their later, major films with wide international release. Whether having sex on the beach or kissing in the high school swimming pool, these cinematic characters create or embody forward-looking, open-ended and optimistic forms of queerness and modes of living, loving and desiring. Whether they are white, beur or black, whether they are lesbian, gay, trans* or queer, they open up hetero- and cisnormativity to new ways of being a gendered subject.
Queer lives give rise to a vast array of objects: the things we fill our houses with, the gifts we share with our friends, the commodities we consume at work and at play, the clothes and accessories we wear, and the analogue and digital technologies we use to communicate with one another. But what makes an object queer? The sixty-three chapters in Queer Objects consider this question in relation to lesbian, gay and transgender communities across time, cultures and space. In this unique international collaboration, well-known and newer writers traverse world history to write about items ranging from ancient Egyptian tomb paintings and Roman artefacts to political placards, snapshots, sex toys and the smartphone. Fabulous, captivating, transgressive.
This book represents the first comprehensive collection of essays in English dedicated entirely to the study of lesbian inscriptions in francophone society and culture. Spanning the period from the early nineteenth to the twenty-first century, the volume offers a range of interdisciplinary perspectives on ways in which lesbianism has been represented and represented itself, with essays on poetry and the novel, contemporary film and television, photography and architecture. These essays will appeal to students and scholars of gender studies and French literature and culture. ;
The "West Chamber" of Wang Shih-fu in the Yuan Dynasty was a masterpiece of Chinese classical opera and a masterpiece of Chinese literature. The theme of the drama is the love story of the young scholar Zhang Huan and the late Ying-Ying, the daughter of the 19-year-old Cui Xianguo. The whole play is divided into five (screen) twenty (field). The first Zhang Ying and Ying Ying in the temple at first sight. The second to write Zaibing siege filled homes, Zhangsheng rescue, Mrs. Cui allow her daughter Yingying with Zhangsheng wife, then eat their own words. The third one to write a pair of lover Acacia sponge. The fourth the first Valentine's tryst Valentine's Day; the second letter of Mrs. Choi to Changsheng Beijing exam, the high school after the wedding; the third Valentine's leave, Zhang went to Beijing to attend the meeting; the fourth fold of the lover dream phase Will be done. The fifth to write a couple reunion. In short, "The Romance of the West Chamber" wrote the contradiction between love and family honor. The result was that Zhang Sheng would try high school, winning the honor and winning the love.
Not a single soul as far as the eye can see. Just sea, cliffs and the beach. And a lighthouse. It’s a wondrously beautiful place – not that Airin has a chance to enjoy it. The lighthouse has been converted into a cosy living space available for rent, and 24-year-old Airin has to look after the property while at the same time running her own bed and breakfast in Castledunn. It’s a lot of work for one person, but normally everything runs smoothly. Until Joshua, the nephew of the lighthouse owner, moves in. Arrogant and priggish, he complains ceaselessly about everything. Airin feels like strangling him. Or kissing him. Who cares, just as long as he stops talking! 16+ years The third volume of a unique romance trilogy about three young women, a lighthouse and love. All titles can be read separately! Rousing characters and a fine dry humor For all fans of Mona Kasten, Laura Kneidl and Colleen Hoover! More than 60.000 copies of this series were sold!
Coquette, the prettiest girl in her family, has a dream. She wants to become a star in town. This morning, it’s the election for Miss Barnyard. Everyone is busy. Coquette is obviously the favorite. Mother Hen goes to wake her up. And... surprise! Coquette is not there.
When love has wandered off by Edna Buchman Edna Buchman's work will immediately inspire its readers. These texts are simply amusing or sad anecdotes, of the kind known all too well to every woman. The first part of the book focuses on situations between women and men, some of which actually happened and others that almost did… Men analyzed from a woman's perspective, examined by her critical eye, frankly and with appealing humor. The second part of the book consists of very personal, revealing stories: childhood spent in a home where the only thing missing was a caressing hand; the eternal struggle against overweight caused by overeating, as a compensation for the lack of love. The book concludes with a selection of texts of a different nature, dealing with coming of age, forgiveness, and happiness. The natural humanity of this lyrical collection will win the heart of every woman, and probably of quite a few men as well… Edna Buchman was born in Israel to German-speaking parents; the family immigrated to Israel in 1939. She is the third generation of a textile-manufacturing family, and was educated in Israel, Switzerland and England. The author drew her inspiration from personal observations of the lives of her friends... single, married, divorced and widowed. "A book like Edna Buchmann’s Die Wandernde Liebe will certainly speak to a fair amount of people, since it describes poetically some of the emotional pitfalls and typical dynamics between romantically involved couples… Just the emotional ups and downs of a woman in her romantic encounters, sharply observed, with a hefty pinch of feminism. It is well written, quite sensitively, with some subtle humor and some nice, unexpected turns." Matthias Schossig, a noted German-English translator, California.
Edmund Spenser and the romance of space advances the exploration of literary space into new areas, firstly by taking advantage of recent interdisciplinary interests in the spatial qualities of early modern thought and culture, and secondly by reading literature concerning the art of cosmography and navigation alongside imaginative literature with the purpose of identifying shared modes and preoccupations. The book looks to the work of cultural and historical geographers in order to gauge the roles that aesthetic subjectivity and the imagination play in the development of geographical knowledge: contexts ultimately employed by the study to achieve a better understanding of the place of Ireland in Spenser's writing. The study also engages with recent ecocritical approaches to literary environments, such as coastlines, wetlands, and islands, thus framing fresh readings of Spenser's handling of mixed genres.
A sweeping historical saga about a city that defies the eroding power of time In one of the first Arabic novels about the COVID-19 pandemic, relationships begin and end much like the pandemic itself. From his balcony in Beirut, Ezzat notices a solitary light on a lone balcony in the building opposite. From that moment, a connection begins to form across the empty space between the buildings, communicated through the air and signals. The events unfold after the owner of the shadow steps out onto her balcony, confronting the voyeur. They share time, confusion... and desire. Ezzat and Tamer successively both fall in love with the same woman, and a cautious friendship develops between the two men. It soon evolves into more dangerous forms. The story also portrays the experiences of other building residents during the pandemic, who imposed strict isolation on themselves. The protagonists, particularly the two elderly lovers, live on the edge of catastrophic expectations, as when they imagine that a woman pressing the intercom downstairs to ask for food could be a sign of an impending widespread famine. The story does not conclude in a stalemate but rather with losers.
A portrait of a Ukrainian woman more often shows her being silent than speaking. However, without this silence there would be no voice that sounds in this collection. The voice that defends the right to speak sincerely about acute grief, generational traumas, the courage of love, and disappointment with emptiness behind masks. Since speaking out is the only way to remain oneself and to be the voice of hundreds speechless sisters.
Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.
This novel by Can Xue presents a whole range of characters with strong personality, such as Joe, Maria, Vincent, Lisa, Reagan and Ida. They are full of vitality and are accordingly unsatisfied with their present status. They actively explore unknown field of life and firmly embark on the journey of spiritual exploration. The novel focuses the complicated and intertwining relationship between husbands, wives and lovers to uncover the hidden inner desire of each character. Boiling wild nature and advanced civilization collide with each other before they finally become one unity. For the readers, entering the world of these characters is like entering their own inner world.
A woman chops off her finger to demonstrate her fidelity to her lover. A mother loses her mind upon discovering that her husband has left her and their only child. An artist seeks to unravel why his neighbour's face enchants him. A passenger on a bus acts as an emissary of death. Meet some of the characters in Double Wahala Double Trouble, a collection of eleven stories by the award-winning poet, short story writer, children's novelist, and literary scholar. In this stunning collection, Umezurike lures the reader into a journey of the absurd and the grisly to show us men and women struggling to live, desire, love, and thrive against the eddy of troubles in their world.
Over the last twenty-five years, the 'history of emotion' field has become one of the most dynamic and productive areas for humanities research. This designation, and the marked leadership of historians in the field, has had the unlooked-for consequence of sidelining literature - in particular secular literature - as evidence-source and object of emotion study. Secular literature, whether fable, novel, fantasy or romance, has been understood as prone to exaggeration, hyperbole, and thus as an unreliable indicator of the emotions of the past. The aim of this book is to decentre history of emotion research and asks new questions, ones that can be answered by literary scholars, using literary texts as sources: how do literary texts understand and depict emotion and, crucially, how do they generate emotion in their audiences - those who read them or hear them read or performed?
“Duty Ka Ba?” (“Are you on duty?”), a Filipino comic series by Tepai Pascual, delves into the demanding world of the emergency room. Balancing humor and romance with realistic medical scenarios, it follows the lives of doctors and nurses navigating chaotic shifts, personal struggles, and the unexpected love that can bloom amidst pressure. Praised by healthcare professionals for its accuracy, the series offers a compelling mix of medical drama, relatable characters, and witty humor, making it a captivating read for anyone interested in exploring the world of medicine through a unique lens.
Catherine Deneuve is indisputably one of the world's most celebrated actresses, both in her native France and throughout the world. Her career has spanned five decades during which she has worked with the most significant of French auteurs, as well as forging partnerships with international directors such as Bunuel and Polanski. The Deneuve star persona has attained such iconic status that it can now symbolise the very essence of French womanhood and civic identity. In this wide-ranging and authoritative collection of essays by a selection of international film academics and writers, the Deneuve persona is scrutinised and illuminated. Beyond the glamorous iconographic status of Yves Saint Laurent's muse, and the epitome of sexual inviolability, Deneuve's status as actress is foregrounded. The book will be essential reading for students and lecturers in star studies.
Jake Battle is minding his own business, just fishing, when he follows the squawking of ravens and magpies to find the body of a beautiful woman, wife of a local ranch owner who is also one of the richest men in the country.When the fatal slug is dug out of her, everyone in Clark City, Montana, knows there's only one gun around that could have fired it, the rifle of Jake's friend, Carlton Heavy-Eagle."Don't get mixed up in this mess," Jake's girlfriend, Gwen, tells him. "You can't tell what's going on." But Jake is too mixed up in it already. The path he follows to clear his friend leads to tales of gang violence, wanton sex, cocaine smuggling, and the mysterious Scourge -- a man monstrous in size and ugliness.In his debut novel, author Keen Butterworth has painted a vivid portrait of both man and nature as Jake -- haunted by his past in Vietnam, soothed by the love he shares with Gwen -- pursues a dangerous manhunt amid the rugged beauty of the northern Rockies.