Bradt Travel Guides Ltd
Bradt Travel Guides have a reputation as the pioneering publisher for tackling ‘unusual’ destinations, and producing colourful guidebooks which are entertaining as well as useful.
View Rights PortalBradt Travel Guides have a reputation as the pioneering publisher for tackling ‘unusual’ destinations, and producing colourful guidebooks which are entertaining as well as useful.
View Rights PortalStories Imagined was created to have a voice in woman's fiction. Writing about an age group of women who are on their second wind. Ready to take on the world how they see fit. The juggle and struggle of womanhood, sexuality, motherhood and coming back to self.
View Rights PortalPopular culture is invariably a vehicle for the dominant ideas of its age. Never was this truer than in the late-nineteenth and early twentieth centuries, when it reflected the nationalist and imperialist ideologies current throughout Europe. It both reflects popular attitudes, ideas and preconceptions and it generates support for selected views and opinions. This book examines the various media through which nationalist ideas were conveyed in late-Victorian and Edwardian times: in the theatre, "ethnic" shows, juvenile literature, education and the iconography of popular art. It seeks to examine in detail the articulation and diffusion of imperialism in the field of juvenile literature by stressing its pervasiveness across boundaries of class, nation and gender. It analyses the production, distribution and marketing of imperially-charged juvenile fiction, stressing the significance of the Victorians' discovery of adolescence, technological advance and educational reforms as the context of the great expansion of such literature. An overview of the phenomenon of Robinson Crusoe follows, tracing the process of its transformation into a classic text of imperialism and imperial masculinity for boys. The imperial commitment took to the air in the form of the heroic airmen of inter-war fiction. The book highlights that athleticism, imperialism and militarism become enmeshed at the public schools. It also explores the promotion of imperialism and imperialist role models in fiction for girls, particularly Girl Guide stories.
"The Clam Girl" tells a story that a young boy Bai Hai fishing in the East China Sea rescued a baby girl who turned into a clam. Later, the baby girl brought her sisters-- other clam girls to visit him. Around a string of pearls that the Clam girl gave to Bai Hai, the book presents a confrontation story between kind people like Bai Hai and the greedy and brutal emperor. It also tells the story how seaweed can help cure some disease. It is a typical legend story of "origins of creatures".
Heavenly Girl (Tian Nü) is based on a legendary story in The Classic of Mountains and Seas·Da Huang Bei Jing as a starting point. It describes the difficult journey of the Nü Ba out of the desert to find her identity after having exhausted her powers in aid to her father Huang Di at the war with Chi You. She became the Drought Godness then as drought emerged wherever she went. With the first-person narrative, the main body of the story describes the loneliness and the curiosity of the life of the goddess with her destructive ability. At the same time, the narratives about the protagonist from different persons are presented, offering a different perspective. The work is immense, exquisite in structure, full of characters and strong in originality and artistry.
Tumi Letsatsi is a 13-year old melanin kween living in Rondebosch, Cape Town. Her favourite colour is yellow, she's still trying to figure out how not to dent her afro on the bus, and how one goes about (ahem!) “french kissing”. She’s a little awkward and a lot uncertain about her future, friendships and how to put together a cool outfit! But then she stumbles across the magic of coding and creates an app called “Project Prep” that goes viral and rockets her and her friends to fame. Then everything starts to fall apart, as she deals with a catfish who befriends her and steals her code, nasty rumours at school and the newfound attention of a crush. The New Girl Code (by Niki Smit, locally edited by Buhle Ngaba) is about the wonders of working in tech, aimed at girls and young women aged 9-15. The project is an initiative of Inspiring Fifty and based on an idea by Janneke Niessen.
Sam Kornberg liebt Trash-Filme, Hochliteratur und seine Frau Lala. Als die ihn verlässt, bricht für Sam eine Welt zusammen. Um sie wiederzugewinnen, ist er zum Äußersten bereit – er sucht sich einen Job. Den erstbesten, den er kriegen kann: Assistent eines Privatdetektivs. Sein Chef ist Solar Lonsky, ein kränkliches, fettleibiges Genie, das sein Haus nicht verlassen kann. Sams erster Auftrag ist die Beschattung einer mysteriösen Frau. Eigentlich muss er nichts weiter tun, als ihr durch Los Angeles zu folgen, doch schon bald verfällt er ihr hoffnungslos und wird in einen Mordfall verwickelt, in dem Satanisten, Succubi, Untergrundfilmer, Hollywoodstars und mexikanische Gangster eine nicht unbedeutende Rolle spielen. Mystery Girl ist ein Thriller über die Gefahren von Kunst und Liebe, ein Schnellkurs in »Verfall der westlichen Zivilisation« und ein durchgeknallter Trip durch L.A. Und, ach ja, es ist eine irre spannende, wahnsinnig gewiefte und brutal komische Geschichte.
While growing up, girls are more likely than boys to receive contradictory expectations from different aspects of their lives: parents, teachers, peers, society, and themselves. They could be rebellious but at the same time remain "good girls". They could express anger against bullies at school while simultaneously meeting teachers' expectations of nonaggressive behavior. They could be powerful and competitive at the same time that they worry about being considered "unfeminine". Girls struggle with these conflicting messages in their everyday lives, trying to please all these other people and losing track of themselves. Writer Le Fan, who has experienced the same contradictions as growing up, hopes that girls could love themselves, put themselves first a little more. So here comes the Picture Books about Emotion Management for Girls. The series contains five stories of five courageous little girls who were experiencing confusion in their lives. Little Le Fan in I am not Just a Good Girl tried to find the balance between two sides of herself—a cool girl and a good girl. Xiaoxiao in I love myself learned to be more confident and accepted her new look after her baby teeth fell out. Jiang in I'm so Jealous learned to deal with jealousy towards her best friend. A timid girl Xiao in I can Say No strived to express herself and stop the little boy's bullies. Feng in I Really Want to Win embraced her inner "tomboy" with daddy's encouragement. All the five little girls, though struggling, broke out of cultural and societal stereotypes swirling around them and became their true selves.
This book contains two of the most famous works of V. Domontovych. One of them is an engaging and somewhat extravagant novel The Girl with a Teddy Bear that describes the love of a sagacious teacher and his rebellious student. The novel is also a brilliant example of intellectual prose about the changing cultural orientations and the tragic personal conflict of a person destined to live in the time of change. The second one is Doctor Seraficus. It is the story of a strange and infantile ascetic professor who preaches a peculiar sort of “Don Juanism in reverse”: the desire to love all women and denounce all of them simultaneously.
Inspired by the life story of Palestinian artist, Tamam Al-Akhal, The Lilac Girl is the sixth book for younger readers by award-winning author, Ibtisam Barakat. The Lilac Girl is a beautifully illustrated short story relating the departure of Palestinian artist and educator, Tamam Al-Akhal, from her homeland, Jaffa. It portrays Tamam as a young girl who dreams about returning to her home, which she has been away from for 70 years, since the Palestinian exodus. Tamam discovers that she is talented in drawing, so she uses her imagination to draw her house in her mind. She decides one night to visit it, only to find another girl there, who won’t allow her inside and shuts the door in her face. Engulfed in sadness, Tamam sits outside and starts drawing her house on a piece of paper. As she does so, she notices that the colors of her house have escaped and followed her; the girl attempts to return the colors but in vain. Soon the house becomes pale and dull, like the nondescript hues of bare trees in the winter. Upon Tamam’s departure, she leaves the entire place drenched in the color of lilac. As a children’s story, The Lilac Girl works on multiple levels, educating with its heart-rending narrative but without preaching, accurately expressing the way Palestinians must have felt by not being allowed to return to their homeland. As the story’s central character, Tamam succeeds on certain levels in defeating the occupying forces and intruders through her yearning, which is made manifest through the power of imaginary artistic expression. In her mind she draws and paints a picture of hope, with colors escaping the physical realm of her former family abode, showing that they belong, not to the invaders, but the rightful occupiers of that dwelling. Far from being the only person to have lost their home and endured tremendous suffering, Tamam’s plight is representative of millions of people both then and now, emphasizing the notion that memories of our homeland live with us for eternity, no matter how far we are from them in a physical sense. The yearning to return home never subsides, never lessens with the passing of time but, with artistic expression, it is possible to find freedom and create beauty out of pain.
London, Mitte der Siebziger. Die Popkultur wird neu erfunden, in der revolutionären Ursuppe des Punk scheint alles möglich. Aber gilt das auch für Frauen? Gibt es außer Groupie, Elfe oder Rockröhre noch andere Rollen? Besteht vielleicht zum ersten Mal die Chance, mit allen Typical-Girl-Klischees aufzuräumen, statt selber eins zu werden? Viv Albertine wurde zum Riot Girl, lange bevor es diesen Ausdruck gab. Bei den legendären Flowers of Romance kreierte sie neben Sid Vicious (später Sex Pistols) und Keith Levene (später PIL) ihren individuellen Gitarrensound. Um dann mit den Slits, der ersten autonomen Frauenpunkband, die Türen aufzustoßen, durch die später Madonna oder Lady Gaga eigene Wege gehen konnten. Wie die Punkszene entstand, wie sie aus weiblicher Sicht erlebt und feministisch neu erfunden wurde und welche Rückschläge es dabei gab – all das wurde noch nie so plastisch und zugleich so reflektiert, so abgeklärt und zugleich so amüsant geschildert wie von Viv Albertine in ihrem umwerfenden Memoir. Shoes off!
Robert Pendleton ist ein Chemiegenie; was er entwickelt, bedeutet nicht nur Fortschritt, es bedeutet vor allem Reichtum und Macht. Als er plötzlich verschwindet, sind alle in Aufruhr: die CIA, die chinesische Regierung und die »Bank«, die sehr viel Geld in Pendletons Forschung investiert hat. Neal Carey soll ihn wiederfinden – ein Routinejob, wie er glaubt, bis er auf die schöne und geheimnisvolle Li Lan trifft. Im dunklen Herzen Chinas soll Neal die Antwort auf alle Fragen finden – oder den Tod. Alle Titel der Neal-Carey-Serie: London Undercover (Neal Carey 1)China Girl (Neal Carey 2)Way Down on the High Lonely (Neal Carey 3 – angekündigt unter dem Titel Holy Nevada)A Long Walk Up the Water Slide (Neal Carey 4 – angekündigt unter dem Titel Lady Las Vegas)Palm Desert (Neal Carey 5)
This graphic novel tells the story of Nyiragitwa, a Rwandan woman who is believed to have lived in the seventeenth century. It is based on an oral tradition that was shared by a man named Ndamyumugabe with the Belgian historian Jan Vansina in 1958 and raises important questions about how Rwandan women might have lived and contributed to their communities in the past.
Once upon a time, there was a poor young man who lived alone. One day, he picked up a snail on the riverside and took it home. Since then, he could see a table of hot meal as long as he came back home. He was surprised to find that all these were cooked by a girl, who was changed out from the snail. It turned out that the girl was a goddess, who wanted to thank the young man for saving her life.
The history of Ukraine in the times of the Kyiv Rus' is full of mysteries. One of them is the figure of Anna of Kyiv, the daughter of Yaroslav the Wise. She was famous not only for her beauty, but also for her education. No woman in Europe could match her. And… She also became the Queen of France. However, this book is not about the queen. It is about the girl who passionately loved her homeland, was proud of her parents, her ancestry and was always reading books. It was from books that she drew the wisdom of life and pleasure for her soul. Turning the pages of the book, readers will meet historical figures like a beautiful Princess Lybid or Svyatoslav and Volodymyr, the kings of Kyiv Rus'. There will be some imaginary characters too, for instance, a funny merman who will tell the readers how the Styr River got its name. Olha Medynska, a fine arts teacher and a fabulous artist, illustrated the book. Olha Medynska, a native of Lutsk, has more than 30 illustrated books in her creative portfolio. Olha has loved painting as long as she can remember herself and she learned it from her mother. Olha greates memorable, fun and quirky characters that delight children. The book is suitable for primary school pupils and early teens.
With large number of pictures, this book introduces the development of makeups from Shang Dynasty to Qing Dynasty of ancient China. The book is divided into three parts: cosmetics, hairdressing, and body fragrance. Apart from the list of ancient makeups, this book also provides interesting historical stories, and even gradients of makeups for DIY.
This is a book telling lovely and warm stories between pets and human beings.
Yang Peng's Award-winning Novels are a collection of the award-winning works of Yang Peng's many outstanding stories. Not only are the selected articles humorous, but also rich in imagination. They are also rich in profound educational philosophy that can enlighten the mind and help readers to reflect on themselves. A girl A-xue is an intelligent program written by Dawei, which is materialized because of the lightning strike on the computer. Accompanied by A Xue, Dawei’s life has undergone earth-shaking changes. However, the good days are very short, a virus with intelligence - "monsters" built a computer empire in a very short time, in an attempt to control humans... Dawei and A Xue decided to enter the computer world, with "monsters" start a life and death contest!
This book is about true rebels: late 19th and early 20th century Ukrainian female writers. They find their own voices in literature and start to defend theis own space, both private and public. 12 stories of life and work of Marko Vovchok, Lesia Ukrainka, Olha Kobylianska, Iryna Vilde, Sophia Yablonska and others.
This collection includes the best short prose by the most successful Ukrainian female author. The reader will find here both recognized masterpieces that have been translated into many languages and sperformed on numerous European stages ("Alien", "Girls", "The Tale of the Guelder Rose Flute"), and little-known youthful attempts in various prose genres. The book concludes with a recently written story, which sums up the history of an entire generation, the "deferred war generation", through the drama of the misunderstanding between a mother and her daughter.
The memory of the forest tells two stories. One, that of a little girl and her mother, and the other story told by the mother to her daughter: a princess who has seen her village burn, a princess who has known fire and violence up close, a princess who hides, turns into a ball; but she is discovered by another - a cat - who makes her remember, questions her. It is a story that is permeated by the dialogues between mother and daughter around the story being told. Elizabeth Builes’ illustrations, with their gestural strokes, her impeccable handling of a palette of soft tones, her skill in the handling of nature and the creation of intimate scenes, give life to a story that goes beyond what is narrated in words.