Award Publications is an award-winning independent children’s publisher, producing exciting, creative and best-selling books for children from birth to 12 in more than 70 countries around the world since 1972. From picture books to board books, junior learning to activity, gift to reference, our aim is to bring joy, and to encourage, entertain and inspire children, and those who read with them, to build a life-long love of books and reading
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The SZBA is presented to writers, intellectuals and publishers whose writings and translations of humanities have enriched Arab cultural, literary and social life.
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Dong Hongmei's father died of disability after the war, and her mother mysteriously “disappeared” when she was three years old. The tragic life experience indicates that her growth will be bumpy. However, her life turned a corner as she became the so-called "child of high-ranking officials," and she managed to drag herself out of the morass of despair. By virtue of the identity of "the child of high-ranking officials," all kinds of good things, such as awards, promotion, and the opportunity of going to Beijing, followed close on one another, while all these actually resulted from a huge misunderstanding... Dong Hongmei's life is full of affecting friendship, thereby making Ode to Youth a rare masterpiece full of romantic feelings in contemporary literary circles.
The 12th revised and updated version of the History of the German language – long regarded as an indispensable standard work for German Studies, has just been published. From now on, this comprehensive textbook on the history of the language is divided into two volumes. In addition to introducing questions about historical linguistics, the first volume provides a detailed account of the prehistory and history of German right up to the present day. Based on extensive source analyses, the focus is on aspects of culture and social history; only the chapters on the Indo-Germanic and Germanic language include key information about structural history. The second part contains concise, but readily understandable accounts of Old, Middle and Early New High German in terms of phonology, graphemics, morphology and syntax. Not only are synchronous descriptions given of the particular language period, but also the development of German language construction at all structural levels is explained. The association of grammatical synchrony and structural diachrony is a particular characteristic of this second part of Schmidt’s work on the history of language.
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Half of the Quilt(Youth Edition) is based on the movie Heart for Heart (produced by Xiaoxiang Film Group and directed by Meng Qi). In October 1934, the fifth anti-encirclement failed, the Central Red Army evacuated the Soviet Union and began the Long March. The Red Army field hospital was bombed by enemy planes and suffered heavy casualties. Dong Xiuyun, a female soldier who stayed at the field hospital to look after the wounded, decided to take the wounded with her and chase the troops. Dong Xiuyun took in the soldiers of the various units who were left alone along the road, forming a special team. After the team came to Shazhou Village, the three female Red Army lived in Xu Xiexiu's house. When parting, Dong Xiuyun cut the only one quilt in half to Xu Xiexiu. This book nourishes the young people's spiritual world with red culture, inherits the red gene, and allows the spirit of the Long March to be passed on from generation to generation among children.
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René, the protagonist from Kubiczek’s successful novel A Sketch of Summer, whom we meet again in this story, is sent to a boarding school in Halle an der Saale at the end of summer 1985. The school offers a few select students the opportunity to attend university in Moscow after graduation. Despite the chance to swap the provinces for the sister state, René remains unimpressed: "Who jumps for joy at the chance to study the communist system?" Or perhaps not unimpressed, but captivated by other things, as boarding school means being away from your parents. Having girls close by. Lots of prohibitions. Prohibitions are really fun. And: "280 German marks bursary, just like that, for doing nothing. Whichever way you look at it, it’s a win."
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“His great novel, his “immense contemporary social fresco”, his “made-in-bladi human comedy” - in the words with which he dazzles his virtual contacts - was now out of the question. To those who still asked him: “What's the status of this novel?”, he invariably replied: “Perhaps under other skies. Here, all we promote is mediocrity. And everyone would nod in agreement, wishing him well.” Djawad Rostom Touati Farid, Malia, Rami, Adib and other characters wander through La civilisation de l'ersatz, the second part of the trilogy: Le culte du ça, each equipped with their own socio-cultural baggage, some motivated to change the course of their lives, sure that the sun is much warmer elsewhere; others resigned to the idea that the world is as it is: just a two-variable equation - dominated/dominant -; and still others, self-sufficient, seeking redemption in the misfortunes of others, make their way between the strata of a society in turmoil, the victim of a frozen past, a sequestered present and a future held hostage. In La civilisation de l'ersatz, both neo-prolo-aspirants-bourgeois who don't even know they're there, replace each other between the fingers of a born writer. Everything is relativity: time, space, not to mention the mind...
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Nordic Gothic traces Gothic fiction in the Nordic region from its beginnings in the nineteenth century, with a main focus on the development of Gothic from the 1990s onwards in literature, film, TV and new media. The volume gives an overview of Nordic Gothic fiction in relation to transnational developments and provides a number of case studies and in-depth analyses of individual narratives. It creates an understanding of this under-researched cultural phenomenon by showing how the narratives make visible cultural anxieties haunting the Nordic countries, their welfare systems, identities and ideologies. Nordic Gothic examines how figures from Nordic folklore function as metaphorical expressions of Gothic themes and Nordic settings are explored from perspectives such as ecocriticism and postcolonialism. The book will be of interest to researchers and post- and- undergraduate students in various fields within the Humanities.
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This book is a collection of 28 essays by one of the most internationally influential Chinese novelists,Yu Hua, who is the most prominent writer in contemporary China. His works have been translated into English, French, German, Italian, Dutch, Persian, Polish, Spanish, Swedish, Serbian, Hebrew,Japanese, Korean, etc. He is also a columnist for New York Times. It is a review of classic works in the history of literature and music, with in-depth personal interpretations and candid appreciations of masters such as Borges, Dostoevsky, Faulkner, Kafka,Shostakovich, and Tchaikovsky. As a reader and listener, the writer tries to analyze the mysteries of the narrative in literature and music, explain the techniques and mysteries of creation. As Yu Hua put it, “Music is created by the heart, and writing touches the depths of music. They are affected by each other and point to the broadness of life together.”
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The book contains articles and essays describing the life of the outstanding German-speaking poet of the 20th century, a native of Chernivtsi, Paul Celan. The book explores his Bukovinian roots (Bukovyna is a historical region located both in Ukraine and Romania), little-known pages of his biography, connections with the Slavic and Jewish groups, personal and creative contacts with such authors as Alfred Margul-Sperber, Ingeborg Bachmann, Bertolt Brecht. The reader will also take a note on the role and significance of music in Celan’s works. The book is published to commemorate the 100th anniversary of the poet's birth and 50th anniversary of his death. The publication is intended for literary critics, philosophers, cultural experts and anyone interested in the history of development of the 20th century German lyrics.
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Digital technologies promise efficiency and comfort, but the smoothness of platform services relies on the hidden social labour of those who keep the gig economy running. This book presents a comparative ethnography of young men making a living through digital technologies: selling mobile airtime in Abidjan, Côte d'Ivoire, and app-based delivery riders in Berlin, Germany. These case studies explore the significance of symbolic capital in urban youth's social existence and organisation of livelihood in the digital economy, and the technological mechanisms producing a new form of urban precarity. Globalized urban precarity in Berlin and Abidjan puts forward an original comparative approach to develop a global urban sociology for the digital era. It provides an innovative analytical toolbox that decentres discussions of precarity from the standard of a normal employment contract. With its focus on symbolic capital, the ethnography shows the consequences of the proliferating gig economy for status struggles among urban youth, and carefully embeds the densification of software and services into the socio-material relations on which these new urban infrastructures are built.
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Festivals of Chinese Ethnic Groups was co-authored by China's well-beloved authors of children's literature including Fang Suzhen, Tang Sulan, Wang Yimei, and was illustrated by celebrated Chinese illustrators such as Cai Gao, Chen Yadan and Zhu Xunde. This series covers intriguing, outstanding and poetic folk tales on festivals and customs from China's ten most representative ethnic groups. Showcasing their courage, gentleness and indomitable will, these delightful stories allow readers to learn more about the distinct and charming characteristics of these ethnic groups. Recommended as parent-child reading by CCTV during the Dragon Boat Festival, this series has won the Most Beautiful Picture Book 2024 prize given by China Library Journal. It was also nominated for the top picture books prize in China for the Chinese Government Award.
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“Cousin Arrived" is an anthology of short stories. The story involves family love and friendship, as well as the children's little confusion when facing growth. This book contains small stories such as "Mysterious Mascot" full of spiritual inspiration, "Little Brother's Green Manor" that encourages children to choose their own growth path and etc. For children facing their own challenge of growth, this is a good interpretation book of mood and emotions that accompanies children’s growth.
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This book goes back to the historical scene of the late Qing Dynasty with meticulous writing to tell the history of Zuo Zongtang's youthful growth and restore the struggle of Zuo Zongtang to serve the country with his body in spite of the hardships and dangers. The book consists of twenty chapters, which are about the following contents: Zuo Zongtang came from a humble background and was in a troubled times, but he was a scholar and a soldier and he made many wonderful achievements; he founded such industries as Fuzhou Shipbuilding and Gansu Manufacturing Bureau, and contributed to the modernization of China; he defeated Agubert, who had occupied in Xinjiang for thirteen years, and carried the coffin to the expedition to recover Ili, so that all the territory of 1.66 million square kilometers was returned to China; he resisted the French and protected Taiwan, and contributed to the establishment of a province; he served as the Minister of Military Affairs and the Minister of the two rivers, and he was a member of the National People's Congress. He served as the Minister of Military Affairs and the Governor of the two rivers, and he was a clean and honest man who promoted water conservancy and rebuilt the book bureau to promote the country through culture.
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A dance among the ruins: Harald Jähner’s major new portrait of Germany’s post-war societyCountless former soldiers drift through the towns and cities; countless children grow up without a father. The old order has been destroyed and although the streets seem eerily empty, the traditional annual street carnivals are soon back in full swing, jazz can be heard among the ruins, intellectuals rekindle a culture of discussion and debate.Harald Jähner’s book is the first history of Germany’s national mentality in the immediate post-war period. It focusses on the German people in all their diversity: the “re-educators” Alfred Döblin and Rudolf Herrnstadt, who tried in two different zones of occupation to win the trust of their fellow Germans; Beate Uhse, owner of a mail order company for “marital hygiene”, who questioned the old moral code governing what was deemed proper; the many nameless black market traders, pockets stuffed with Lucky Strike cigarettes; stylish housewives sitting at kidney-shaped coffee tables that were to become emblematic for a freer and affordable world. Using major political developments as a backdrop, this book weaves a series of life stories into a nuanced panorama that makes the monumental changes affecting the nation tangible for its readers. 1945 to 1955 was a raw, wild decade poised between two eras, portrayed here as a period that proved decisive for Germany’s future development – and one starkly different to how most Germans imagine it today.
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A historic big infrastructure project in the nexus of federal government policy planning From Berlin Airport to Stuttgart 21 – public building projects seem to get out of hand with growing frequency. Frank Uekötter follows the example of the Elbe Lateral Canal, which was opened in 1976, to show that institutional failure is not a new phenomenon. The virtually forgotten story of the Elbe Lateral Canal represents an inglorious episode of German federal policy planning. The benefit of the 115 km long waterway, which connects the Mittelland Canal with the River Elbe, was completely out of proportion to the level of investment. Despite this, the project was soon unstoppable in the nexus of corporate interests, political aims and the policy for growth. A dam ruptured at Lüneburg only weeks after its opening. Uekötter argues for a social rethink based on the clear chronology of these “organized irresponsibilities”.
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‘‘So he thought of writing a play inspired by the residents' strike, which was in full swing. He was in his fifth year of medical school and his future was directly affected by the outcome of this movement, for which he was enthusiastic. However, when he wanted to take an interest in the nuts and bolts, the details he could incorporate into his art, an indefinable discomfort overcame him, and he couldn't quite grasp the cause. The project remained at half-mast in a corner of his mind, and the end of the strike finished by gathering the dust of oblivion on it.’’ Dj. R. Touati The one is multiple, and that which unites, after the moment of egregore, becomes that which divides; irreconcilably. At a time when the failure of the intuition of diversity has never been so prevalent, so widespread, it seemed salubrious to the author to show - without seeking to demonstrate - through the painting of an aesthetic reality, that if a historical moment has given rise to debate and division within the same class, then nothing is more absurd - or more specious - than the claim to unanimity within an entire people. Against the schizophrenic false identification, attempting to grasp the totality appears to be the only way to confront totalitarianism, which is, as those who denounce it pretend to ignore in order to exonerate themselves, THE PART THAT TAKES ITSELF FOR THE WHOLE. On stage, Molière, Brecht, Kateb, Alloula and others play out history... against a backdrop of burgundy-red curtains, where a dialogue of the deaf imposes blindness on the actors in action. Far from the imposing “noise” of movement, La scène et l'histoire, like a “socio-temporal” filter, sets the historical record straight: curtain up. Theater teacher Nadji, on the lookout for the old days, Rahim and Lamia, the pretenders of a politically better future, and all the others... followers of culture, that's us..., (are) beating the floor of the present.
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In the pharmacy, the staff communicate with customers, colleagues, the medical profession, sales representatives and nursing home staff. Pharmacy employees produce written information based on well-chosen sources and represent the pharmacy to the outside world through presentations, on social media, or with the help of flyers, posters and other promotional materials. All this presupposes the confident use of language, and is best trained in advance. Part A of this work provides assistance for the most diverse communicative requirements in the pharmacy. A short theoretical explanation is always followed by several tasks so that you can immediately put what you have learned into practice and try it out. The „Brief overview of grammar and language knowledge“ boxes point out linguistic stumbling blocks. Those who are not yet sure of the technical terms can make themselves fit in Part B. Here one learns how to conduct a good counselling interview according to the BAC guideline. Extensive lists of technical terms and their explanations suitable for everyday use – all arranged according to organ systems – contain the most important vocabulary for everyday pharmacy work. A totally practical German lesson!
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Ukrainian literature of the 19th century was far more exciting and diverse than one might imagine. Mykhailo Nazarenko's anthology contains one hundred and fifty texts that are not known or very little known to the modern reader (some of them are reprinted for the first time after 150 years of oblivion). These texts help to understand Ukrainian literary movement in a wider context. The compilation starts with the "The Song of the Black Sea Army" by Anton Golovaty. This novel precedes the famous "Aeneid" and marks the beginning of the printed literature "in the contemporary Ukrainian language". "It is not time..." by Ivan Franko is the last one in the compilation and describes further evolution of the independent Ukrainian literary word. The compilation also contains fifty essays about each of the authors: why did they write in a particular that way and about what? Why did some turn out to be forgotten, while others are remembered for their works?
