Fleurus Editions SA
Leader in illustrated books for adults and children, Fleurus Editions is comprised of the imprints Fleurus, 365, Mame, Mango, Rustica, Secret d’Etoiles, Vagnon, and Triomphe.
View Rights PortalLeader in illustrated books for adults and children, Fleurus Editions is comprised of the imprints Fleurus, 365, Mame, Mango, Rustica, Secret d’Etoiles, Vagnon, and Triomphe.
View Rights PortalWelcome to Kynos, Germany’s dog book specialists. We have been publishing books on dog training, dog behaviour, dog breeds, handling, sports, nutrition, health and other aspects of dog handling since 1980. Our aim is to provide reliable, up-to-date and useful information to both dog owners and dog professionals. We carefully select our authors for their expertise and the use of dog-friendly methods only that are based on scientific knowledge on learning behaviour. Our backlist counts approx. 250 titles and is expanding constantly with 10-12 new books each year. With its revenues from the book sales, we support the charity Kynos Stiftung Hunde helfen Menschen dedicated to the training of assistance dogs.
View Rights PortalThis is the personal favorite novel of LU Min, the young female writer who has just won the most important literature award in China. The story is very cruel. In 1984, China, a young couple was making love after a happy party for Christmas evening. Suddenly, the door was broken open and the boy was arrested. According to the law at that time, he was sentenced to death. That starts the girl's tragedy through all her life.
Middle English literature is intimately concerned with sleep and the spaces in which it takes place. In the medieval English imagination, sleep is an embodied and culturally determined act. It is both performed and interpreted by characters and contemporaries, subject to a particular habitus and understood through particular hermeneutic lenses. While illuminating the intersecting medical and moral discourses by which it is shaped, sleep also sheds light on subjects in favour of which it has hitherto been overlooked: what sleep can enable (dreams and dream poetry) or what it can stand in for or supersede (desire and sex). This book argues that sleep mediates thematic concerns and questions in ways that have ethical, affective and oneiric implications. At the same time, it offers important contributions to understanding different Middle English genres: romance, dream vision, drama and fabliau.
The work of the famous American-Ukrainian Slavologist and Ukrainian scholar Hryhoriy Hrabovych interprets the history of Ukrainian literature in several main ways: theoretical, comparative, immanent and historiographical. The book includes his studies, essays, and polemics written over the years. They were mainly produced in times of a sharp confrontation between official Soviet and Western approaches to literary studies. Today, after Ukraine gained its independence, there is an urgent need for a thorough reassessment of various scientific traditions and paradigms as well as a review of the canon of Ukrainian literature, its histography and methodology. The vast majority of these works were published in English or in sources unavailable for the Ukrainian reader, including specialist researchers. This edition can significantly reorient our understanding of the history of Ukrainian literature and enable a rethinking of Ukrainian cultural and intellectual processes.
The book is the special version of the autobiography by the famous artist Wu Guanzhong in memorial of his fifth anniversary of the death of him.
This collection of poems chosen and translated by Yu Kwang-chung, the poet himself, covers over eighty poems from 1958 to 2014. Unlike other poetry anthology, the poems in Night Watchman have been handpicked by the author personally. It includes classic works like Nostalgia, Jadeite Cabbage, Four Songs of Nostalgia, A Tug of War with Eternity, On the Rivers and Lakes, etc. and poems in different styles which have never beenpublished in the mainland before. These works, translated into English by the author,combine the charm of classic Chinese literature and the spirit of modern western literature, and embody the sound interaction between writing and translating.
"Twelve Lectures on Modernist Literature" is a review and appreciation of the main modernist literary schools in the 20th century made by the literary critic Liu Qinghua. This book outlines the formation, development, ideological origins, theoretical foundations, and ideological and artistic characteristics of modernist literature. It is divided into eleven topics, respectively, on symbolism, stream of consciousness novels, futurism, expressionism, and surrealism. , Existentialism, Beat Generation and other genres have done systematic research and exposition, and at the same time analyzed and commented on representative writers and works of each genre. For literature lovers and researchers at home and abroad, this book is a rare desk book.
Ukrainian literature of the 19th century was far more exciting and diverse than one might imagine. Mykhailo Nazarenko's anthology contains one hundred and fifty texts that are not known or very little known to the modern reader (some of them are reprinted for the first time after 150 years of oblivion). These texts help to understand Ukrainian literary movement in a wider context. The compilation starts with the "The Song of the Black Sea Army" by Anton Golovaty. This novel precedes the famous "Aeneid" and marks the beginning of the printed literature "in the contemporary Ukrainian language". "It is not time..." by Ivan Franko is the last one in the compilation and describes further evolution of the independent Ukrainian literary word. The compilation also contains fifty essays about each of the authors: why did they write in a particular that way and about what? Why did some turn out to be forgotten, while others are remembered for their works?
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the first volume.
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the second volume.
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the third volume.
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the forth volume.
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the fifth volume.
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the sixth volume.
As literary theory has grown more influential, interdisciplinary and sophisticated, it has come to concern itself with a much greater range of issues and objects than those traditionally considered literary. It now addresses philosophy, history, psychology, politics and the media. Addressing a central and fundamental, but relatively neglected, issue in literary theory, this title seeks to recontextualise how theory has changed our understanding of literature and its questions by relating literature to the institution of the university, to ethical judgements and values, new media and computer technology and the nature of representative democracy. ;
Fuxi was recounted by ancient children's literature writer Zhou Jing and contemporary painter Wu Haijia, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. The story of this book is an in-depth description of the mythical figure of Fuxi, and unfolds the legendary Fuxi's contribution to humanity. The book tells the stories of Fuxi started making fire, portray, and divination, fishing with nets, breeding, singing, and dancing, etc. Using repeated techniques, the author applies the poetic deconstruction of traditional elements in the book. By depicting the image of Fuxi, the book celebrates the creativity and self-improvement of the Chinese nation.
Popular culture is invariably a vehicle for the dominant ideas of its age. Never was this truer than in the late-nineteenth and early twentieth centuries, when it reflected the nationalist and imperialist ideologies current throughout Europe. It both reflects popular attitudes, ideas and preconceptions and it generates support for selected views and opinions. This book examines the various media through which nationalist ideas were conveyed in late-Victorian and Edwardian times: in the theatre, "ethnic" shows, juvenile literature, education and the iconography of popular art. It seeks to examine in detail the articulation and diffusion of imperialism in the field of juvenile literature by stressing its pervasiveness across boundaries of class, nation and gender. It analyses the production, distribution and marketing of imperially-charged juvenile fiction, stressing the significance of the Victorians' discovery of adolescence, technological advance and educational reforms as the context of the great expansion of such literature. An overview of the phenomenon of Robinson Crusoe follows, tracing the process of its transformation into a classic text of imperialism and imperial masculinity for boys. The imperial commitment took to the air in the form of the heroic airmen of inter-war fiction. The book highlights that athleticism, imperialism and militarism become enmeshed at the public schools. It also explores the promotion of imperialism and imperialist role models in fiction for girls, particularly Girl Guide stories.
China Story Picture Books is the first set of children's picture books launched by the Bingxin Award Committee. This set of books covers the works of seven Bingxin Award-winning writers of different ages including children's literature masters and promising young writers. The illustrations are full of traditional Chinese cultural elements such as dragon lantern dance, paper cutting, oil paper umbrella, and bamboo. Powerful painters at home and abroad are invited to do illustrations, which brings interesting fusion and collision of Chinese and foreign cultures to the books. In addition to the original illustrations, the stories are more touching. Every child can harvest the courage and wisdom for growing up from these stories. The series consists of 7 picture books: The Dragon Lantern, The Path of Golden Flowers, The Child in Three-Story Attic, The School Day Gifts, The Secret of Crossing, The Slope of Sisters. The Child in Three-Story Attic tells a story of growing up in the alley of Shanghai of Old China. The protagonist lives in a three-story attic in an old alley from the age of one to twelve. On a typhoon night, the protagonist curled up in the corner of the attic found a copy of The Adventures of Pinocchio and began his writing. Now although the old alley has disappeared, his memory of the attic will never die.
This book is a collection of 28 essays by one of the most internationally influential Chinese novelists,Yu Hua, who is the most prominent writer in contemporary China. His works have been translated into English, French, German, Italian, Dutch, Persian, Polish, Spanish, Swedish, Serbian, Hebrew,Japanese, Korean, etc. He is also a columnist for New York Times. It is a review of classic works in the history of literature and music, with in-depth personal interpretations and candid appreciations of masters such as Borges, Dostoevsky, Faulkner, Kafka,Shostakovich, and Tchaikovsky. As a reader and listener, the writer tries to analyze the mysteries of the narrative in literature and music, explain the techniques and mysteries of creation. As Yu Hua put it, “Music is created by the heart, and writing touches the depths of music. They are affected by each other and point to the broadness of life together.”