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The Art of Dixie
Our most popular titles include IT ALL COMES BACK TO YOU, an Amazon #1 Best Seller in multiple fiction categories for over a year and a half (US) and an extremely popular book club selection all over the US. The Art of Dixie is also the English language publisher of TAPESTRY, an Award-Winning Finalist in the Women's Fiction category of The 2020 International Book Awards, The Bronze Medal Winner in Southern Fiction in Publisher's Weekly 2020 Readers' Choice Awards, and a Five Star Readers' Favorite Award Winner.
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Mytes et Legendes Africains (African Myths and Legends)
by Adotévi Joël, Kanad Sambiani Tani, Gilka, Assem, Anani Accoh, Adomayakpo Papi
Six stories to make young and old travel through history, the imaginations of Africa. The myth of Shango, the legend of the buffalo woman, the legend of the mother of the Tuaregs, the story of King Agokoli, then that of the Amazons of Dahomey and finally that of the Ablafo
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Literature & Literary StudiesApril 2020Interweaving myths in Shakespeare and his contemporaries
by Janice Valls-Russell, Agnès Lafont, Charlotte Coffin
This volume proposes new insights into the uses of classical mythology by Shakespeare and his contemporaries, focusing on interweaving processes in early modern appropriations of myth. Its 11 essays show how early modern writing intertwines diverse myths and plays with variant versions of individual myths that derive from multiple classical sources, as well as medieval, Tudor and early modern retellings and translations. Works discussed include poems and plays by William Shakespeare, Christopher Marlowe and others. Essays concentrate on specific plays including The Merchant of Venice and Dido Queen of Carthage, tracing interactions between myths, chronicles, the Bible and contemporary genres. Mythological figures are considered to demonstrate how the weaving together of sources deconstructs gendered representations. New meanings emerge from these readings, which open up methodological perspectives on multi-textuality, artistic appropriation and cultural hybridity.
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Humanities & Social SciencesMarch 2017Cultural identities and the aesthetics of Britishness
by Dana Arnold
Considers how notions of Britishness were constructed and promoted through architecture, landscape, painting, sculpture and literature. Maps important moments in the self-conscious evolution of the idea of 'nation' against a broad cultural historical framework. An important addition to the field of postcolonial studies as it looks at how British identity creation affected those living in England - most study in this area has thus far focused on the effect of such identity creation upon the colonial subject. Broad appeal due to wide subject matter covered. Examines just how 'constructed' a national identity is - past and present.
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2019Conspiracy Myths
How we are deceived by twisted facts
by Holm Gero Hümmler
The twin towers of the World Trade Center were blown up on behalf of the US government. Vapour trails in the sky contain chemicals that cause disease. The moon landing never took place; it was staged in a studio. Many people believe in conspiracy theories: supporting evidence can seem plausible, until you look closely. To refute conspiracy theories often requires scientific and technical knowledge. Dr. Holm Gero Hümmler has precisely this sort of knowledge, and he is able to communicate it clearly for laypeople. In his book “Conspiracy Myths” he provides guidelines on how to deal with questionable facts. He gives valuable tips for personal research and shows how to deconstruct well-known conspiracy theories – from 9-11 to the “earthquake machine” HAARP, to chemtrails and “Nazi UFOs”. Sometimes, refutation is easy: you only need a sand pit and game pieces ...
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Humanities & Social SciencesMarch 2017The language of empire
Myths and metaphors of popular imperialism, 1880-1918
by Robert Macdonald
The debate about the Empire dealt in idealism and morality, and both sides employed the language of feeling, and frequently argued their case in dramatic terms. This book opposes two sides of the Empire, first, as it was presented to the public in Britain, and second, as it was experienced or imagined by its subjects abroad. British imperialism was nurtured by such upper middle-class institutions as the public schools, the wardrooms and officers' messes, and the conservative press. The attitudes of 1916 can best be recovered through a reconstruction of a poetics of popular imperialism. The case-study of Rhodesia demonstrates the almost instant application of myth and sign to a contemporary imperial crisis. Rudyard Kipling was acknowledged throughout the English-speaking world not only as a wonderful teller of stories but as the 'singer of Greater Britain', or, as 'the Laureate of Empire'. In the last two decades of the nineteenth century, the Empire gained a beachhead in the classroom, particularly in the coupling of geography and history. The Island Story underlined that stories of heroic soldiers and 'fights for the flag' were easier for teachers to present to children than lessons in morality, or abstractions about liberty and responsible government. The Education Act of 1870 had created a need for standard readers in schools; readers designed to teach boys and girls to be useful citizens. The Indian Mutiny was the supreme test of the imperial conscience, a measure of the morality of the 'master-nation'.
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Mind, Body, SpiritThe Way of Inanna
A Heroine’s Guide to Living Unapologetically
by Seana Zelazo
Myth Made ManifestOver 4000 years ago in ancient Sumer, some of the first mythographers inscribed the stories and myths of the Goddess Inanna on clay tablets in cuneiform. These incredible findings were unearthed, and the fragments were painstakingly pieced together and translated. What they discovered were the ways Inanna was heralded as a goddess who embodies polarities: impatient and deliberate, an attentive lover and fierce warrior, connected to fertility as well as death-making her an accessible, relatable, and inspiring representation of the Divine Feminine as she stands in her power and multidimensionality. The Way of Inanna is a field guide to heart-centered living through the wisdom of the Sumerian Goddess of Love. Each chapter deconstructs sacred narratives in which the Goddess navigates the seven gates of her soul's journey from awakening to ascension. More than a simple retelling, the book is myth made manifest in which Inanna becomes a means to accessing our own ascension and alchemical magic within our modern, contemporary context.
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Literature & Literary StudiesDecember 2010In Strange Countries: Middle English Literature and its Afterlife
Essays in memory of J. J. Anderson
by Anke Bernau, David Matthews
These essays by senior scholars in medieval studies celebrate the career of J.J. Anderson, editor, critic, and co-founder of the Manchester Medieval Literature and Culture series, who taught in medieval studies at the University of Manchester for forty years. The essays are rooted in medieval literature but frequently range beyond the confines of the Middle Ages. They reflect the breadth of Anderson's own scholarly interests, especially in drama and Arthurian literature. There is a particular focus on Sir Gawain and the Green Knight and Pearl, poems which preoccupied him throughout his scholarly life. There are also new reconsiderations of La?amon's Brut, Mirk's Festial, the Passion plays, and the manuscripts of the Pore Caitif. Moving beyond the traditional purview of medieval literature, several contributors trace the afterlives of medieval themes in later literature. These essays include a consideration of the twinned trajectories of the medieval heroes Robin Hood and King Arthur from medieval literature to modern television, a comparison of La?amon's Brut and Tennyson's Idylls of the King, and a recreation of the Bishop Blase procession which took place in industrial Bradford. Contributors are Rosamund Allen, Ralph Elliott, Alexandra Johnston, Stephen Knight, Peter Meredith, Susan Powell, Gillian Rudd, Alan Shelston, and Kalpen Trivedi. ;
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Literature & Literary StudiesApril 2024Myth and (mis)information
Constructing the medical professions in eighteenth- and nineteenth-century English literature and culture
by Allan Ingram, Helen Williams, Clark Lawlor
This collection draws together original scholarship from international contributors on a range of aspects of professional and semi-professional medical work and its relations to British culture. It combines a diverse spectrum of scholarly approaches, from medical history to book history, exploring literary and scientific texts, such as satiric poetry, essays, anatomies, advertisements, and the novel, to shed light on the mythologisation and transmission of medical (mis)information through literature and popular culture. It analyses the persuasive and sometimes deceptive means by which myths, as well as information and beliefs, about medicine and the medical professions proliferated in English literary culture of this period, from early eighteenth-century household remedies to the late nineteenth-century concerns with vaccination that are still relevant today.
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Literature & Literary StudiesApril 2018Water and fire
The myth of the flood in Anglo-Saxon England
by Anke Bernau, Daniel Anlezark
Noah's Flood is one of the Bible's most popular stories, and flood myths survive in many cultures today. This book presents the first comprehensive examination of the incorporation of the Flood myth into the Anglo-Saxon imagination. Focusing on literary representations, it contributes to our understanding of how Christian Anglo-Saxons perceived their place in the cosmos. For them, history unfolded between the primeval Deluge and a future - perhaps imminent - flood of fire, which would destroy the world. This study reveals both an imaginative diversity and shared interpretations of the Flood myth. Anglo-Saxons saw the Flood as a climactic event in God's ongoing war with his more rebellious creatures, but they also perceived the mystery of redemption through baptism. Anlezark studies a range of texts against their historical background, and discusses shifting emphases in the way the Flood was interpreted for diverse audiences. The book concludes with a discussion of Beowulf, relating the epic poem's presentation of the Flood myth to that of other Anglo-Saxon texts.
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October 2020Turning Men into Pigs and Staying Safe from Such Trickery
A Scientific Foray into the World of Ancient Greek Legends
by Monika Niehaus, Michael Wink
The adventures of Odysseus are not just a classic literary epic but also shine a light on intriguing questions for geography, archaeology and biology. Phenomena like the Cyclops and magic potions were only understood in recent decades thanks to phytochemical and pharmacological research that enabled new insights into the effect of plant substances on the mind and body. Monika Niehaus and Michael Wink embark on an enjoyable excursion in their book on a scientific foray for knowledge – from ancient myths to medieval drug excesses and the world of comics.
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Bloodlust
by Mervin Malonzo (author and illustrator)
Tabi Po tells the story of Elias, a neophyte aswang (flesh-eating humanoid creature). Born from a tree during the country’s Spanish era, Elias embarks on a journey with two older aswangs in the quest to understand their true nature. Along the way, Elias meets Salome, a sex slave of the friars, and falls for her. In the middle of a rising revolution, Elias is forced to face his own battles– his love for Salome and her pursuit of vengeance versus his hunger for flesh, the growing rift between himself and his two aswang mentors, the society’s stigma with their kind, and the battle with his own inner demons.
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November 2019Huangdi Catches the Beast
by Zhou Jing,Pang Xianjian
Huangdi Catches the Beast was recounted by children's literature writer Zhou Jing and contemporary painter Pang Xianjian, the latter recarving stories and characters in the style of Chinese painting. The integration of the poetry of the text and the richness of the painting is a wonderful interpretation of ancient myths, which expresses the unique Chinese charm and Chinese spirit. This book starts from the traditional myth story of Huangdi warred Chiyou, examines this myth story from the perspective of modern values, and raises the question of whether various lives matter to different extent. The ups and downs of the fate and value of a beast go through the story, illustrated with rich picture details and harmonious colors.
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Health & Personal DevelopmentKizere Wets The Bed
by Safari Jean Marie Vianney
Many children wet the bed. This comic storybook takes us on the journey of Kizere trying to overcome it. Gladly, with the help from parents and friends, she overcame it.
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Naermyth
by Karen Francisco (author and illustrator)
Set in a post-apocalyptic Philippines, Naermyth tells of a world plagued by the monsters of myth and legends who have stepped out of their storybook shadows to assume world dominion. They are the Naermyth (a word play on “never myth”) and have forced the human race close to extinction and fodder for the growing supremacy of these creatures. Among the survivors is Aegis, a seasoned soldier, and her story takes a dark turn when she rescues a stranger with mysterious abilities. Clearly, he is not human, and saving him triggers a series of revelations that challenges the meanings of monstrosity, heroism and family.
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History2019250 years of lies: Russian myths about the history of Crimea
by Serhii Hromenko
The book analyses more than 20 Russian myths fabricated to legitimise the annexation of Crimea. The annexation of the Ukrainian peninsular of Crimea by Russia in 2014 caused the largest political crisis in Europe since the Second World War. It also gave rise to the unprecedented growth of propaganda to justify the aggressive policy of the Russian Federation in the eyes of the world. Is Crimea really an original Russian land? Is it true that the Crimean Tatars are all traitors? Was the peninsula really integrated into Ukraine illegally? And what, after all, were the events of February–March 2014–the illegal occupation of the foreign territory or the “restoration of historical justice”?
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WAKING THE DRAGONS
Norse Myth, Runes and Magic
by Andreas Kornevall
An exhilarating journey exploring the relation-ships between myth, magic, humans, and nature through the symbol of the dragon.
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Literature & Literary StudiesSeptember 2022William Blake's Gothic imagination
by Chris Bundock, Elizabeth Effinger
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Humanities & Social SciencesMarch 2017
Popular imperialism and the military, 1850-1950
by John M. MacKenzie
Colonial war played a vital part in transforming the reputation of the military and placing it on a standing equal to that of the navy. The book is concerned with the interactive culture of colonial warfare, with the representation of the military in popular media at home, and how these images affected attitudes towards war itself and wider intellectual and institutional forces. It sets out to relate the changing image of the military to these fundamental facts. For the dominant people they were an atavistic form of war, shorn of guilt by Social Darwinian and racial ideas, and rendered less dangerous by the increasing technological gap between Europe and the world. Attempts to justify and understand war were naturally important to dominant people, for the extension of imperial power was seldom a peaceful process. The entertainment value of war in the British imperial experience does seem to have taken new and more intensive forms from roughly the middle of the nineteenth century. Themes such as the delusive seduction of martial music, the sketch of the music hall song, powerful mythic texts of popular imperialism, and heroic myths of empire are discussed extensively. The first important British war correspondent was William Howard Russell (1820-1907) of The Times, in the Crimea. The 1870s saw a dramatic change in the representation of the officer in British battle painting. Up to that point it was the officer's courage, tactical wisdom and social prestige that were put on display.
