Armin Lear Press
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View Rights Portal100 years ago, Armenian thought was inspired by European values. First it was socialism, now it is democracy. 100 years ago, and today, the main question remains the same: how to build relations with Russia?At the beginning of the last century, Armenians in the Ottoman, Iranian and Russian empires actively participated in future-oriented ideological discussions. The Caucasian events of 1917 showed the ideological differences of Armenian politicians and intellectuals. The role of the Caucasus was redefined. It was a part of the ancient kingdom of Armenians, therefore the territory of Armenian autonomous existence, and then also the restoration of the state.What were the expectations of the Armenian parties from the tsarist government and then from the Bolshevik government? Why did the fate of Western Armenia divide Armenians into Leninist and Plekhanovian ideological camps? Armenians' ideas about the right to self-determination 100 years ago: what has changed?
The book is divided into several parts, such as the study of Hunan culture, historical stories, Hunan famous characters, folk customs, appreciation of scenery in Hunan, Hunan art and literature, etc., to show Hunan's history, culture and events from different perspectives. The book is supported with theories, historical materials, and also is of interest. It is of positive significance to the advancement of the research and development of Hunan culture.
This book addresses late-Soviet and post-Soviet art in Armenia in the context of turbulent transformations from the late 1980s to 2004. It explores the emergence of 'contemporary art' in Armenia from within and in opposition to the practices, aesthetics and institutions of Socialist Realism and National Modernism. This historical study outlines the politics (liberal democracy), aesthetics (autonomous art secured by the gesture of the individual artist), and ethics (ideals of absolute freedom and radical individualism) of contemporary art in Armenia and points towards its limitations. Through the historical investigation, a theory of post-Soviet art historiography is developed, one that is based on a dialectic of rupture and continuity in relation to the Soviet past. As the first English-language study on contemporary art in Armenia, the book is of prime interest for artists, scholars, curators and critics interested in post-Soviet art and culture and in global art historiography.
The etiquette culture of the Miao minority in Lvdongshan area is the unique culture that is passed down from generation to generation in a special way. It is widely used in cultural activities of the Miao people in this area, and records the origin and development of the world in the eyes of the Miao people, along with the history of the changes of the Miao minority. It also reflects Miao people's recognition of the universe and the aesthetics of etiquette in daily life. This book is the collection of the etiquette culture of Miao minority in Lvdongshan area that shows the communication need in any occasions. The works adopt various forms of rhetoric like parallelism and are arranged according to the unique logic of the Miao ethnic group in Lv Dongshan. All the works, as you see, are to express good wishes and expectation for future life.
This collection brings together studies of popular performance and politics across the nineteenth century, offering a fresh perspective from an archivally grounded research base. It works with the concept that politics is performative and performance is political. The book is organised into three parts in dialogue regarding specific approaches to popular performance and politics. Part I offers a series of conceptual studies using popular culture as an analytical category for social and political history. Part II explores the ways that performance represents and constructs contemporary ideologies of race, nation and empire. Part III investigates the performance techniques of specific politicians - including Robert Peel, Keir Hardie and Henry Hyndman - and analyses the performative elements of collective movements.
Harout Bedrossian, a young Armenian writer from Old Jerusalem, succeeds in portraying in this compact novel a variety of characters from different walks of life who, unexpectedly, happen to connect and correlate with one another despite their diverse perspectives. A young man with a low I.Q. struggles to fit in. Although he is perceived as devoid of emotions, ostracized by society, and abused by his father - he falls in love, and to his mother's surprise, a woman loves him back and accepts him, too. A famous athlete, who has lost his fame and fallen into anonymity, is reinvigorated when he finds an understanding and forgiving young woman. A psychiatrist, who happened to have "the wrong patient" that turned his life upside down, was forced into exile from Russia and finds himself in a completely different culture in his new country, while his past continues to haunt him. A devout young Christian man, who was falsely accused and ended up in prison, is still full of life and hope, trusting in the Lord and believing that everything in life must happen for a reason. An unfortunate rape victim learns to love again, and several more characters discover themselves through their interactions with each other. The author doesn't mention the nationality of most of the characters involved, as their problems and struggles are purely human and universal, regardless of whether they are Israeli or Palestinian, Christian, Moslem or Jewish - claiming that, essentially, we all have to deal with the same human elements. The story takes place mostly in Jerusalem, and was inspired by individuals the author met through his professional work while visiting psychiatric wards, who represent the diverse population one can find only in multi-cultural Israel. These human elements in Bedrossian's writing may remind the reader of the celebrated Armenian-American author William Saroyan, who entertained millions with his narration of the ultimate underdog that is determined to succeed. Harout Bedrossian was born in 1972 in Jerusalem, traveled to Florida in 1989 and graduated from West Palm Beach High School. He then returned to Jerusalem, started working as a teacher's aid, and received his B.A. in psychology and criminology from the University of South Africa. Being born and raised in Jerusalem to an Armenian family, he was exposed to Armenian, Arab and Jewish cultures, and is fluent in Armenian, English, Hebrew, and Arabic. 136 pages, 14.5X21 cm
This book focuses on British efforts to suppress the traffic in female slaves destined for Egyptian harems during the late-nineteenth century. It considers this campaign in relation to gender debates in England, and examines the ways in which the assumptions and dominant imperialist discourses of these abolitionists were challenged by the newly-established Muslim communities in England, as well as by English people who converted to or were sympathetic with Islam. While previous scholars have treated antislavery activity in Egypt first and foremost as an extension of earlier efforts to abolish plantation slavery in the New World, this book considers it in terms of encounters with Islam during a period which it argues marked a new departure in Anglo-Muslim relations. This approach illuminates the role of Islam in the creation of English national identities within the global cultural system of the British Empire. This book would appeal to those with an interest in British imperial history; Islam; gender, feminism, and women's studies; slavery and race; the formation of national identities; global processes; Orientalism; and Middle Eastern studies.
In this book, Hunan culture is displayed through 30 stories. Each story is like a picture vividly outlining the long-standing and profound nature of Hunan culture that keeps pace with the times. First, through Eight "paintings", the ancient civilization of Hunan is described, and it points out as the source of Chinese culture and of Hunan culture. Then,18 "pictures" are chosen to describe the development and evolution of Hunan culture since the period of slave society. Finally, it focuses on describing the significant influence of Hunan culture, which is reflected in 4 "pictures". The book allows readers to understand the evolution of Hunan culture and experience the core of the culture through stories, so as to strengthen cultural self-confidence.
What happened to the Armenians who remained in the Ottoman Empire in 1915? What state policy did Turkey adopt towards them? How did it happen that after 1920 the Soviet Union was studying the treaties of Kars and Sevres and seriously discussing the problem of reclaiming Kars and Ardahan from Turkey? Why did the announcement of Soviet Armenia's immigration appear right in the middle and at the most dangerous point of the relationship between the Soviet Union and Turkey, which is a historical confrontation, but which is being formed with a new political order and methods?A book that was awaited especially by those who noticed the active work of Turkish historians in the archives. In the archives where it is possible to find documents and information about the Armenian Genocide, survivors and descendants. This time, two Armenian Turkologists worked in the archives in detail and with care.They found and presented information about the Armenians who took the path of "escape" from Erg to Armenia, kept under the "strictly secret" file and until now unknown. Why and how they decided, came and stayed: the Armenians of Turkey and their descendants tell the story in this book. From the trauma of the Genocide to the process of ghettoization in Armenia. what the repatriates went through.
British culture after Empire is the first collection of its kind to explore the intertwined social, cultural and political aftermath of empire in Britain from 1945 up to and beyond the Brexit referendum of 2016, combining approaches from the fields of history, English and cultural studies. Against those who would deny, downplay or attempt to forget Britain's imperial legacy, the various contributions expose and explore how the British Empire and the consequences of its end continue to shape Britain at the local, national and international level. As an important and urgent intervention in a field of increasing relevance within and beyond the academy, the book offers fresh perspectives on the colonial hangovers in post-colonial Britain from up-and-coming as well as established scholars.
Exploring from the origin of Hunan culture, this book explains the philosophy,education,cultures,arts,science&technology,traditions,religions,customs and talents of Hunan Province step by step,which introduce Hunan culture comprehensively and systematically.
Hunan culture is an important part of Chinese civilization. Through the continuous efforts of ancestors and various immigrants, the spirit of Hunan people has been passed from generation to generation, that is orderly, honest, and agile, romantic and practical distinctive regional characteristics as well as characteristics of Hunan culture, which is independent, pragmatic, time-sensitive, and seeking change. Generation after generation of Huxiang talents have emerged, who have had a significant impact on the development of China and even world history. This book traces the origin and characteristics of Hunan culture, introduces the ideas and contributions of Hunan celebrities, discusses the relationship between Hunan literature and Hunan culture, and last explains the reasons for the formation of Hunan culture and its influence and contribution to future generations .
Professor, architect theorist, specialist in the history of modernism Karen Balyan’s book is dedicated to the work of Phoenix Darbinyan (1924-1996), one of the most prominent names in the Armenian modernism. On the initiative of the honored architect of the Republic of Armenia Phoenix Darbinyan and the mayor of Yerevan Grigor Hasratyan, the center of Yerevan was modernized, the "Ani" hotel was reconstructed, the section between Abovyan Street: Tumanyan and Moskovyan streets were modernized and the “Ring Park” with large fountains. The book presents other structures and projects by Phoenix Darbinyan. Many of the materials, drawings and photos are from architect's personal archive and are published for the first time. The book was funded and published on the initiative of the Hasratyan-Minasyan Foundation.
Guzhang County, in western Hunan, is one of the birthplace of Chinese tea culture where several kinds of famous Chinese tea are produced and national industries and technology systems developing tea are set up. The book focuses on tea culture, and describes how people in Guzhang County realized poverty alleviation as well as lived a better life in the process of planting tea, making tea, and promoting tea. The book is about 120,000 words divided into four chapters: the first chapter introduces the spirit of tea makers through the story of Guzhang "Tea King", history of tea in Guzhang, wishes of tea planters, and the development of tea industry; the second chapter tells the stories of tea makers who manage the tea industry and promote Guzhang tea; the third chapter talks about the innovation and brand of Guzhang tea; the fourth chapter relates how outsiders contributed to the growth of Guzhang.
This is an epic book depicting the Chinese scholars of the last century in a panoramic manner. The book’s time span is nearly one century, involving most of Chinese master scholars, such as Cai Yuanpei, Wang Guowei, Liang Qichao, Mei Yiqi, Chen Yinke and Qian Zhongshu. In the book, Yue makes an extensive investigation and revelation. It will help the reader broaden their minds and make them mediate that period in sigh. The book is rewarded as one of ten best non-fiction books in 2011 by Asian Weekly. Mao Yushi, He Liangliang, Li Guoqing, Yu Shicun, Zhang Yiwu and Nobel Prize winner Mo Yan recommended the book. CCTV and Peking University had decided to make a big TV series.
This is an epic book depicting the Chinese scholars of the last century in a panoramic manner. The book’s time span is nearly one century, involving most of Chinese master scholars, such as Cai Yuanpei, Wang Guowei, Liang Qichao, Mei Yiqi, Chen Yinke and Qian Zhongshu. In the book, Yue makes an extensive investigation and revelation. It will help the reader broaden their minds and make them mediate that period in sigh. The book is rewarded as one of ten best non-fiction books in 2011 by Asian Weekly. Mao Yushi, He Liangliang, Li Guoqing, Yu Shicun, Zhang Yiwu and Nobel Prize winner Mo Yan recommended the book. CCTV and Peking University had decided to make a big TV series.
This is an epic book depicting the Chinese scholars of the last century in a panoramic manner. The book’s time span is nearly one century, involving most of Chinese master scholars, such as Cai Yuanpei, Wang Guowei, Liang Qichao, Mei Yiqi, Chen Yinke and Qian Zhongshu. In the book, Yue makes an extensive investigation and revelation. It will help the reader broaden their minds and make them mediate that period in sigh. The book is rewarded as one of ten best non-fiction books in 2011 by Asian Weekly. Mao Yushi, He Liangliang, Li Guoqing, Yu Shicun, Zhang Yiwu and Nobel Prize winner Mo Yan recommended the book. CCTV and Peking University had decided to make a big TV series.
This book covers the research reports in the period from January to December in 2017. It is divided into several parts: research reviews, research base construction and achievement introduction, and publications of excellent research topics. This volume contains a comprehensive and systematic record of the progress of the research in 2017 from the aspects of the connotation and origin of Hunan cultural study and the implied spiritual features. This book can serve as the guide book to help readers and researchers know more updated information about the study on Hunan culture.