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The Arctic region has been the subject of much popular writing. This book considers nineteenth-century representations of the Arctic, and draws upon an extensive range of evidence that will allow the 'widest connections' to emerge from a 'cross-disciplinary analysis' using different methodologies and subject matter. It positions the Arctic alongside more thoroughly investigated theatres of Victorian enterprise. In the nineteenth century, most images were in the form of paintings, travel narratives, lectures given by the explorers themselves and photographs. The book explores key themes in Arctic images which impacted on subsequent representations through text, painting and photography. For much of the nineteenth century, national and regional geographical societies promoted exploration, and rewarded heroic endeavor. The book discusses images of the Arctic which originated in the activities of the geographical societies. The Times provided very low-key reporting of Arctic expeditions, as evidenced by its coverage of the missions of Sir John Franklin and James Clark Ross. However, the illustrated weekly became one of the main sources of popular representations of the Arctic. The book looks at the exhibitions of Arctic peoples, Arctic exploration and Arctic fauna in Britain. Late nineteenth-century exhibitions which featured the Arctic were essentially nostalgic in tone. The Golliwogg's Polar Adventures, published in 1900, drew on adult representations of the Arctic and will have confirmed and reinforced children's perceptions of the region. Text books, board games and novels helped to keep the subject alive among the young.
The mediated Arctic analyses the multiple relations between geography and cultural production that have long shaped - and are currently transforming - the circumpolar world. It explores how twenty-first-century cultural practitioners imagine and poeticise various elements of Arctic geography, and in doing so negotiate pressing environmental, (geo)political, and social concerns. From the plasmatic force of ice in Disney's Frozen films to the spatial vocabulary of circumpolar Indigenous hip hop, it addresses Arctic geographical imaginaries in a wide range of media, including literature, cinema, comic books, music videos, and cartographic art. The book brings together a plurality of voices from within and outside the circumpolar North, both in terms of the works analysed and in its own collaborative scholarly practice. The book bridges Indigenous and Southern mediations of the Arctic and combines different epistemologies to do justice to these imaginaries in their diversity.
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This book sets out to answer what it means to hold a formal title as one of the eight 'Arctic states'; is there such a thing as an Arctic state identity, and if so, what does this mean for state personnel? It charts the thoughtful reflections and stories of state personnel from three Arctic states: Norway, Iceland, and Canada, alongside analysis of documents and discourses. This book shows how state identities are narrated as both geographical and temporal - understood through environments, territories, pasts and futures - and that any identity is always relational and contextual. As such, demonstrating that to understand Arctic geopolitics we need to pay attention to the people whose job it is to represent the state on a daily basis. And more broadly, it offers a 'peopled' view of geopolitics, introducing the concept and framework of 'state identity'.
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An exploration of Arctic tourism, focusing on tourist experiences and industry provision of those experiences; this is the first compilation to concentrate on the fundamental essence of the Arctic as being a geographical periphery, but also an experiential core that offers peak tourism experiences. Part 1 investigates the depth and dimensions of tourist experiences in the Arctic. Chapters examine the essence of diverse peak experiences and delve into the factors that give rise to these experiences. Part 2 considers the links between these core experiences and the tourism industry that seeks to sustain itself by facilitating such satisfying outcomes. ; The book focuses on tourist experiences and industry provision of those experiences. It concentrates on the fundamental essence of the Arctic as being a geographical periphery, but also an experiential core that offers peak tourism experiences. ; PART I: INTRODUCTION AND ISSUES: TOURIST EXPERIENCES OF THE ARCTIC AND CREATING TOURIST EXPERIENCES.Chapter 1: Arctic Destinations and Attractions as Evolving Peripheral Settings for the Production and Consumption of Peak Tourism ExperiencesChapter 2: Experiencing the Arctic in the Past: French Visitors to Finnmark in the Late 1700s and Early 1800sChapter 3: Roles of Adventure Guides in Balancing Perceptions of Risk and SafetyChapter 4: The Central Role of Identity in the Arctic PeripheryChapter 5: Tourists and Narration in the Arctic: The Changing Experience of MuseumsChapter 6: World Heritage List = Tourism Attractiveness?PART II: CREATING TOURIST EXPERIENCES IN THE ARCTICChapter 7: Degrees of Peripherality in the Production and Consumption of Leisure Tourism in GreenlandChapter 8: Northern Lights Experiences in the Arctic Dark: Old Imaginaries and New Tourism NarrativesChapter 9: Exploring the Extreme Iditarod Trail in AlaskaChapter 10: The Arctic Tourism Experience from an Evolving Chinese PerspectiveChapter 11: Tourists’ Interpretations of a “Feelgood In Lapland” Holiday- A Case StudyChapter 12: Negotiating Sami Place and Identity: Do Scottish Traditions Help Sami to be More Sami?Chapter 13: Emergence of Experience Production Systems for Mass Tourism Participation in Peripheral Regions: Evidence from Arctic ScandinaviaChapter 14: Factors of Peripherality: Whale Watching in Northern NorwayChapter 15: Responsible Fishing Tourism in the ArcticChapter 16: Long way up: Powered Two-Wheeled Journeys in Northern PeripheriesChapter 17: Experiences of Marine Adventurers in the Canadian ArcticChapter 18: Arctic Tourism in Russia: Attractions, Experiences, Challenges and PotentialsChapter 19: Tourism Experiences of Post-Soviet Arctic BorderlandsChapter 20: Arctic Tourism Experiences: Opportunities, Challenges and Future Research Directions for a Changing Periphery
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Begleite Familie Knister auf ein aufregendes neues Abenteuer in „Kleine Feuerwehr. Drunter und drüber“, dem zweiten Band der beliebten Kinderbuchreihe, inspiriert von der erfolgreichen Kinder-App von Fox & Sheep. Dieses Mal erwartet die Familie Knister hochspannende Gäste aus China: eine Feuerwehrmannschaft! Doch die Überraschung ist groß, als die Besucher aus Fernost ganz anders aussehen, als man es erwartet hätte. Sind das wirklich Feuerwehrleute? Ohne gemeinsame Sprache entsteht ein buntes Durcheinander, das Familie Knister und ihre Gäste von einem verrückten Abenteuer ins nächste führt. Witzige Missverständnisse und spannende Herausforderungen warten auf die ungewöhnliche Truppe, die trotz aller Unterschiede zeigt, wie Freundschaft und Zusammenarbeit Barrieren überwinden können. Thematisiert die Begegnung zwischen unterschiedlichen Kulturen auf humorvolle Weise und hebt die Bedeutung von Offenheit und Verständnis hervor. Abenteuerliche Reise voller unerwarteter Wendungen, die Jung und Alt gleichermaßen begeistert. Integrierte Bastelbögen laden zum kreativen Spielen ein. Kinder können ihr eigenes Feuerwehrauto bauen und eine Feuerwache gestalten, um die Geschichte lebendig werden zu lassen. So lassen sich Sprachbarrieren überwinden: Charaktere finden trotz fehlender gemeinsamer Sprache Wege, miteinander zu kommunizieren und zu kooperieren. Reich illustrierte Seiten und ausklappbare Elemente fördern die Vorstellungskraft und Kreativität junger Leser. Eine Geschichte, die zeigt, wie wichtig es ist, einander zu helfen, zusammenzustehen und gemeinsam Lösungen zu finden.
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Greenland is becoming a critically important territory in terms of tourism, climate change and competition for resource access, yet it has been poorly represented in academic literature. Tourism now features as a major source of income for the territory alongside fisheries. Cruise tourism is increasing rapidly, and might superficially appear to be best suited to Greenlandic conditions, given the lack of large-scale accommodation infrastructure and almost non-existent land routes between settlements. Ironically, one of the most spectacular tourist attractions is the large number of icebergs that are being calved as the result of glacier retreat and ice cap melting, both appearing to be taking place at ever increasing rates. As a consequence of ice removal, the territory's claimed extensive range of mineral resources, not least rare earth elements and hydrocarbons, are becoming more accessible for exploitation and, thereby, are acting increasingly as the focus for geopolitical competition. This book explores the nature of dynamics between tourism, climate change and the geopolitics of natural resource exploitation in the Arctic and examines their interrelationships specifically in the critical context of Greenland, but within a framework that emphasises the wider global implications of the outcomes of such interrelationships. This book is the first to explore these interrelationships in depth in English.
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Mother Fox always warned little Shustryk: "Never, never leave the home alone, because in the forest, and especially beyond the forest, where the two-legged live, it is full of dangers..." But can a little fox, who was called Shustryk, sit at home when there is such beauty around? Inquisitive Shustrik, trying to give his mother a pleasant surprise, gets into a big trouble.
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Das Wilde Gelage findet endlich wieder statt! Es ist der größte magische Wettbewerb in ganz Europa und Faye Fox und ihre Freunde fahren nach London, um das aufregende Spektakel anzuschauen. Als jedoch der reisende Teeladen samt seiner Besitzerin, der Teehexe Miss Butterling, geschrumpft und vom Meisterspion des Hofs der Lichtfeen gestohlen wird, muss Faye an dem gefährlichen Wettkampf teilnehmen, um Dwimmerly End zurückzugewinnen. Die böse Feenkönigin handelt allerdings alles andere als ehrlich. Wird es Faye Fox und ihren Freuden dennoch gelingen Miss Butterling rechtzeitig zu befreien? Die fantastischen Abenteuer des Mädchens mit den Fuchsohren gehen weiter. Hochspannung garantiert!
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Mia, Leo und ihr Hund Fox gehen spazieren. Plötzlich wird Leo von einem Mann umgerannt. Der treue Fox zerreißt dem Grobian die Hose. Das gibt bestimmt Ärger! Aber der Mann rennt einfach weiter. Wie seltsam. Als die Kinder dann noch ein hübsches Glitzerding am Straßenrand finden und erfahren, woher es stammt, wissen sie, was zu tun ist. Gemeinsam mit der Polizei suchen sie den Juwelendieb. Was für ein Abenteuer!
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Die fantastischen Abenteuer des Mädchens mit den Fuchsohren. Die zwölfjährige Faye Fox wurde mit Fuchsohren geboren und ihr Leben lang als Hauptattraktion im Zirkus ausgestellt. Doch sie träumt von einem besseren Leben bis eines Tages ein kleines Wunder geschieht: Die freundliche Hexe Miss Butterling nimmt Faye in ihrem magischen Teeladen als Lehrling auf. Ein Traum scheint wahr zu werden. Täglich ist Faye nun umgeben von zuckrig-leckerem Gebäck, verrückt-zauberhaften Zutaten und skurril-lebendigem Geschirr. Bei Miss Butterling findet sie neue Freunde, zum Beispiel einen vorlauten weißen Raben namens Madrigal. Alles wäre gut, wäre da nicht der fiese Mr Gram, König der Toten. Einst versprach er Faye, sie von ihren ungeliebten Fuchsohren zu befreien – unter einer Bedingung: Sie soll ihm ins Reich der Toten folgen. Werden Faye und ihre Freunde den bösen Fluch des Mr Gram abwenden können? Fantasy für starke Mädchen – Spannung garantiert. Start der magischen Trilogie um Faye Fox und ihre Freunde: Band 2 und 3 folgen 2023 und 2024. Du hast Nevermoor und Ein Mädchen namens Willow geliebt, hast Fuchsland verschlungen? Dann freu dich darauf Faye Fox kennenzulernen. Kinderbuch ab 10 Jahren für alle großen und kleinen Fans fantasievoller, magischer Hexen-Geschichten.
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Die fantastischen Abenteuer des Mädchens mit den Fuchsohren. Die zwölfjährige Faye Fox wurde mit Fuchsohren geboren und ihr Leben lang als Hauptattraktion im Zirkus ausgestellt. Doch sie träumt von einem besseren Leben bis eines Tages ein kleines Wunder geschieht: Die freundliche Hexe Miss Butterling nimmt Faye in ihrem magischen Teeladen als Lehrling auf. Ein Traum scheint wahr zu werden. Täglich ist Faye nun umgeben von zuckrig-leckerem Gebäck, verrückt-zauberhaften Zutaten und skurril-lebendigem Geschirr. Bei Miss Butterling findet sie neue Freunde, zum Beispiel einen vorlauten weißen Raben namens Madrigal. Alles wäre gut, wäre da nicht der fiese Mr Gram, König der Toten. Einst versprach er Faye, sie von ihren ungeliebten Fuchsohren zu befreien – unter einer Bedingung: Sie soll ihm ins Reich der Toten folgen. Werden Faye und ihre Freunde den bösen Fluch des Mr Gram abwenden können? Fantasy für starke Mädchen – Spannung garantiert. - Start der magischen Trilogie um Faye Fox und ihre Freunde - Du hast Nevermoor und Ein Mädchen namens Willow geliebt, hast Fuchsland verschlungen? Dann freu dich darauf Faye Fox kennenzulernen. - Kinderhörbuch ab 10 Jahren für alle großen und kleinen Fans fantasievoller, magischer Hexen-Geschichten.
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Dive in to the magical world of childhood. A little girl with hair as red as those of a fox is growing up in an atmosphere of love under the care of her grandparents. In the book she tells about her daily witty adventures, her most cherished dreams, and the unbelievable miracles that happen to her. The book is about building bridges between children and adults and about the rapid changes in life. The fox represents the love of life, the belief that every day is a true miracle. When I Was A Fox is an important book about the perception of the world that could be read and discussed by all family members. From 6 to 9 years, 5414 words Rightsholders: n.miroshnyk@vivat.factor.ua
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Das zweite Abenteuer um Faye Fox und den reisenden Teeladen: auf nach London! Das Wilde Gelage findet endlich wieder statt! Es ist der größte magische Wettbewerb in ganz Europa und Faye Fox und ihre Freunde fahren nach London, um das aufregende Spektakel anzuschauen. Als jedoch der reisende Teeladen samt seiner Besitzerin, der Teehexe Miss Butterling, geschrumpft und vom Meisterspion des Hofs der Lichtfeen gestohlen wird, nimmt Faye an dem gefährlichen Wettkampf teil, um Dwimmerly End zurückzugewinnen. Doch die Teilnehmenden schrecken vor nichts zuru¨ck, um am Ende den großen Preis in Händen zu halten. Und die böse Feenkönigin handelt alles andere als fair. Wird es Faye Fox und ihren Freuden dennoch gelingen, Miss Butterling zu befreien? Die fantastischen Abenteuer des Mädchens mit den Fuchsohren gehen weiter. Fantasy für starke Mädchen: Hochspannung garantiert in Teil 2 der magischen Trilogie. Fantastische Hexengeschichte, in der es vor verwunschenen Orten und spleenigen Charakteren nur so wimmelt. Atmosphärisch dicht und aufregend: Endlich geht das Abenteuer des Mädchens mit den Fuchsohren und seiner Freunde weiter – für Kinder ab 10 Jahren. Dich fesseln die Romane von Katja Brandis und Anna Ruhe? Du konntest „Nevermoor“ und „Fuchsland“ nicht aus der Hand legen? Dann bist du in Miss Butterlings Dwimmerly End goldrichtig! Von Andy Sagar, der Jura studiert hat und dessen Doktorarbeit zur Rolle des Gesetzes bei der Hexenverfolgung ihn zu diesem Fantasy-Abenteuer inspirierte.
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John Polidori's novella The Vampyre (1819) is perhaps 'the most influential horror story of all time' (Frayling). Polidori's story transformed the shambling, mindless monster of folklore into a sophisticated, seductive aristocrat that stalked London society rather than being confined to the hinterlands of Eastern Europe. Polidori's Lord Ruthven was thus the ancestor of the vampire as we know it. This collection explores the genesis of Polidori's vampire. It then tracks his bloodsucking progeny across the centuries and maps his disquieting legacy. Texts discussed range from the Romantic period, including the fascinating and little-known The Black Vampyre (1819), through the melodramatic vampire theatricals in the 1820s, to contemporary vampire film, paranormal romance, and science fiction. They emphasise the background of colonial revolution and racial oppression in the early nineteenth century and the cultural shifts of postmodernity.
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An ancient scholar surnamed Geng fell in love with a girl named Qing Feng, but he was blocked by Qing Feng’s father. Several months later, he met Qing Feng again by an occasional chance and learned that she was a fox spirit. But this man didn’t mind, he not only married Qing Feng but also saved her father. At last they lived happily together.
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Like the Norse runes, the ogham is a system designed to help practitioners learn and remember them and their meanings. Where the Norse runes had the three Rune Poems, each version with a verse for each stave, ogham is set out in three ancient Briartharogams, word-lists, which are reproduced at the end of this book. These lists contain many kennings, little puns to add meaning, which often confuse rather than enlighten.
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This is the most thoroughly investigated edition of Volpone to date, based on a wider collation of the 1607 quarto and 1616 folio versions than was previously possible. It calls into question several accepted textual conclusions. The introduction sets Volpone in the context of Jonson's career at the time of writing and introduces new material on its relation to the Reynard beast epic and the commedia dell' arte. Ambiguities in the play are discussed with reference to two Renaissance perversions of the myth of the Golden Age. Particular attention is paid to the rhythmic effects of the play in performance, especially interweavings of the main plot and subplot. Fresh suggestions are made about the play's opening and its controversial conclusion in the light of experiments that have been made in performance since Volpone 's stage revival in 1921. The modernized text is accompanied by full commentary, notes and illustrations. The appendices include a discussion by John Cutts of the original music, passages translated from the original sources and analogues, and a full record of the play's modern stage history, its many adaptations, and its transformations into opera, musical comedy, film and television. ;
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Lea sometimes is afraid to talk to other children and adults or speak in front of the class. She prefers to run to her toy kangaroo Pocci rather than face frightening situations. If Lea avoids her fears, she turns into a fox, which makes everything worse. She is not the courageous and cheerful girl she would like to be. But luckily Pocci can help her, and together they thoroughly straighten up Lea’s thoughts and free her from her fears. The aim of this book is to make it easier for affected children to understand their fears. They are taught that they are not alone and how to overcome their fears. The book provides parents, siblings, and therapists with important information about emotional isorders as well as practical tasks and exercises. For: • children of primary school age (between 6 and 12 years) who suffer from social anxiety • parents, relatives• therapists
