Agence Ouroboros
The Ouroboros Agency is a literary and creative publishing agency. We love discovering new titles and working on new projects.
View Rights PortalThe Ouroboros Agency is a literary and creative publishing agency. We love discovering new titles and working on new projects.
View Rights PortalOur passion is to show kids, how colourful and fascinating the world is. There is not only one way to live but so many. We love curious children and we do the books they need to explore the world. So we do travel books for kids and novels for the journey in a hammock.
View Rights PortalThe Geographical Atlas of the World is a modern reference cartographic publication containing up to 100 political and physical maps of the world and political maps of individual countries and groups of countries. Political and administrative maps of the regions of Ukraine are presented separately. At the end of each separate section, a reference block with flags and a selection of modern, necessary information about the countries is provided from the "Political and political-geographical maps" section. In the second part of "Physical Maps", each map is supplemented with thematic illustrations, reference data, and interesting facts inherent in the corresponding region of our planet. The index of geographical names, which includes more than 16 thousand proper names of geographical objects in its list, will help you quickly find them on pages of the atlas. Modern design and printing capabilities were used to create the atlas.
From children's book author Emily House comes a wonderful story that re-connects us with our planet. A modern fable inspired by recent events, Earth Takes a Break is a touching picture book jam-packed with fun illustrations and woven together with a message of hope. When Earth feels unwell, she goes to the doctor to ask for help. What the doctor prescribes seems impossible to Earth, until she wakes the next day to find a surprising change!
Windows for the world explores the display and reception of nineteenth-century British stained glass in a secular exhibition context. International in scope, the book focuses on the global development of stained glass in this period as showcased at, and influenced by, these exhibitions. It recognises those who made and exhibited stained glass and demonstrates the long-lasting impact of the classification and modes of display at these events. A number of exhibits are illustrated in colour and are analysed in relation to stylistic developments, techniques and material innovations, as well as the broader iconographies of nation and empire in the nineteenth century.
This book is a collection of essays by Wan Hongyou. Wan Hongyou's literary construction bases on love. It is the rich feelings abundance of people, society, and life that fill our hearts. This "rich feelings" is like a tangible and invisible red silk thread, leading his ideas, nourishing his style, full of his language, and instigating his inspiration. His work is thus sparkling with poetry. In the text, there is a perception of life and work, as well as a concern for social reality. Under the words, there is a hot heart hidden.Walking in the world, everyone has poetry and ideals in their hearts. Let it be, we should learn to be gentle with the world.
The world emerged from the pandemic more fragmented and further away from the more equal and equitable iteration imagined in 2015 when the Sustainable Development Goals (SDGs) were conceptualised. As we hurtle at seemingly lightning speed towards the 2030 deadline to achieve these goals, the urgency is palpable. Although we have certainly strayed further away from the targets, there is still time to act in order to ensure that we inch closer to this vision. Tshilidzi Marwala paints a stark, and often grim, picture of our current context – one defined by monumental setbacks in the SDGs. Yet, as he carves out each developmental goal and its implications, it is apparent that there are tangible solutions that can be implemented now. Tshilidzi’s assertion that now is the time to act is backed by intricate and actionable data with a simple mission statement: we must heal the future. He offers a new narrative that addresses how we can translate the latent potential that exists through technology, innovation and Fourth Industrial Revolution approaches to leadership and policy making to deal with, among others, corruption, poverty eradication, joblessness, an education system in crisis, declining economies and food insecurity. Heal our World is a deep dive into the SDGs, particularly in the African context, and it looks toward securing a future in which our divisions are blurred, and our goals seem almost in reach again.
“This is a TRUE story. It’s about my world” There’s smoke in the kitchen. Dad acts normal but Mom is worried her head might explode. Even so, the biggest problem is global. You-Know-Who has been at it again and the world must be put right. Today! Big brothers are mean. Big brothers spell trouble. And Big Brothers are not to be trusted, especially if they turn your world upside down. Or is it downside up? In this book where the parallel crazy worlds with their upside-downness and downside-upness weave a fantastic, troubled, creased co-existence, nothing is what it seems like and everything is up for wonder. Ken Spillman adroitly plays around with words and situations both believable and unbelievable, while Silvana Giraldo spins a splendidly broken-but-beautiful world to bring alive an Orwellian dystopia into this picture book.
Let's travel to the Wonderland! Geographical atlas for the youngest. An interesting and unusual journey awaits the little reader in this book. Together with the fairy-tale boy Telesyk and Goosenya, he will go on a space journey, where he will get to know the stars and planets. And when he returns to the Earth, he will be able to look into all its corners, find out how many countries there are on it, what their flags are and how the inhabitants of these countries dress. And then you will get to know the various plants and animals characteristic of each region of the world, find out where such familiar plants come from, and who was the first to domesticate domestic animals. Telesyk with Geese will help the baby to get to know his native Ukraine better, its nature, to look at the bright colored maps that are produced and grown on its lands, which are crafts and crafts in Ukraine. And then everyone together will return to the world of fairy tales of Europe and America, Africa and Asia, Australia and Ukraine. The book is beautifully illustrated. The cartographic material is aimed at the reading level of the youngest schoolboy. The publication is a laureate of the national competition "Book Art of Ukraine", awarded with diplomas of the Forum of Publishers in Lviv and the Committee of Radio and Television of Ukraine.
Which fruit has a forelock? For which flower people in the 17th century were ready to give all their property? Which flowers stink of dead bodies, which leaf can withstand a person, which plant has the largest seed, which trees reach more than 100 meters in height, and which plant does not like to be touched - you will learn about these and other amazing facts of the plant world on the pages of this book.
Text has always been the chief vehicle for the inscription and dissemination of knowledge and culture. As more and more of our textual communication moves into the digital realm we have reached a crucial moment in the history of textual transmission. In many respects digital text looks deceptively like print. But beneath the surface of the screen, digital textuality obeys very different rules than printed text. The digital textual universe offers a wealth of new and exciting possibilities - but it also sets new rules for the writer's and reader's engagement with text. Changing our textual minds analyses the continuities and discontinuities in textual transmission as we move from a print paradigm into an increasingly digital world. It conceptualises the epochal transition from analogue to digital both in factual terms and in terms of its social significance. Centuries of reading and writing practice have made us Homo typographicus. Our entire way of disseminating knowledge and culture is firmly based on print culture. The need to come to grips with the shift to digital textuality in the early twenty-first century will literally change our minds. ;
Heritage is a growing area of both tourism and study, with World Heritage Site designations increasing year-on-year. This book reviews the important interrelations between the industry, local communities and conservation work, bringing together the various opportunities and challenges for different destinations. World Heritage status is a strong marketing brand, and proper heritage management and effective conservation are vital, but this tourism must also be developed and managed appropriately if it is to benefit a site. As many sites are located in residential areas, their interaction with the local community must also be carefully considered. This book: - Reviews new areas of development such as Historic Urban Landscapes, Intangible Cultural Heritage, Memory of the World and Global Geoparks. - Includes global case studies to relate theory to practice. - Covers a worldwide industry of over 1,000 cultural and natural heritage sites. An important read for academics, researchers and students of heritage studies, cultural studies and tourism, this book is also a useful resource for professionals working in conservation, cultural and natural heritage management.
Sam Hanna (1903-96), a pioneering filmmaker from Burnley, Lancashire, was dubbed the 'Lowry of filmmaking' by BBC broadcaster Brian Redhead in the 1980s. The well-meant label stuck, even though it misses the variety of Hanna's remarkable output. Hanna's intimate glimpses into the lives of strangers enable us to imagine the possible stories that lie behind the images. Away from mid-century exponents of documentary filmmaking and photography, Hanna shows us humanity and a microcosm of a world in change, where his subjects are caught up in issues far beyond their grasp that we, as onlookers years later, encounter and see afresh. Written and curated by historian Heather Norris Nicholson, Round our way combines stills, essays and archive photography to document Hanna's unique visual record on film, particularly in northern England, but also further afield, during decades of profound change.
— The seminal work reissued — A science and philosophy classic — On the occasion of the author's 80th birthday According to evolutionary epistemology, the fact that we can know the world is neither coincidence nor divine providence, but has a natural explanation. Thinking and cognition are achievements of the human brain. Our cognitive structures fit into our world because they have evolved in adaptation to this world. This fit is not ideal, but it is enough for survival under competition. Gerhard Vollmer was instrumental in developing evolutionary epistemology. In his standard work, he explains the achievements and failures of our cognitive apparatus.
This book offers the first authoritative guide to assumptions about time in theories of contemporary world politics. It demonstrates how predominant theories of the international or global 'present' are affected by temporal assumptions, grounded in western political thought, that fundamentally shape what we can and cannot know about world politics today. The first part of the book traces the philosophical roots of assumptions about time in contemporary political theory. The second part examines contemporary theories of world politics, including liberal and realist International Relations theories and the work of Habermas, Hardt and Negri, Virilio and Agamben. In each case, it is argued, assumptions about political time ensure the identification of the particular temporality of western experience with the political temporality of the world as such and put the theorist in the unsustainable position of holding the key to the direction of world history. In the final chapter, the book draws on postcolonial and feminist thinking, and the philosophical accounts of political time in the work of Derrida and Deleuze, to develop a new 'untimely' way of thinking about time in world politics. ;
What a Wonderful World This Can Be is a ground-breaking picture book about how small acts can have big consequences. Author Mary-An tackles large topics like sustainability, bullying, and poverty, as well as incredibly heart-melting themes of kindness, bravery, and persistence. In this book, a little girl wonders at the wonderful world that is all around her. Although, she is slightly put out when she sees someone begging for food, or oil in the ocean, or even a bully at school—what can she do? One thing at a time! "One piece of trash picked out of the sea, one word of kindness to someone in need, one word to a bully, one hug to a friend, a thing one by one, though the things never end."
Gift of the Dark Mother Earth, the latest novel by Can Xue, is a profound metaphor of her hometown. It follows her usual magical style in the sense that it vividly unfolds the complex and delicate inner world of the characters. The story takes place in the remote Wuliqu School, with such distinctive characters as Teacher Meiyong, Zhang Danzhi, Yutian, Xiao Man, Uncle Yun and Sha Men presented one after another. The personality and human nature exposed through unique dialogues enable the readers to feel a return to simplicity so that they want to explore human soul and nature and start in-depth reading and thinking. The book depicts petty matters in a great age. The author’s ambition is to create a feeling for the pattern of the whole universe through the structure of an ordinary tree leaf, and to unify the arbitrarily split world through the narration of various folk sundries so that different characters can all become the center of this unity and their performance can have a universality. As the only Chinese writer who has won the Best Translated Book Award in the United States, Can Xue was nominated for the foreign novel prize of The Independent of the UK and shortlisted in the Neustadt International Prize for Literature of the US. As the Chinese woman writer, whose works have been translated and published the most abroad, Can Xue has been called the most creative Chinese writer by overseas critics.
Christian dualism originated in the reign of Constans II (641-68). It was a popular religion, which shared with orthodoxy an acceptance of scriptual authority and apostolic tradition and held a sacramental doctrine of salvation, but understood all these in a radically different way to the Orthodox Church. One of the differences was the strong part demonology played in the belief system. This text traces, through original sources, the origins of dualist Christianity throughout the Byzantine Empire, focusing on the Paulician movement in Armenia and Bogomilism in Bulgaria. It presents not only the theological texts, but puts the movements into their social and political context.
In How to be multiple, Helena de Bres - a twin herself - argues that twinhood is a unique lens for examining our place in the world and how we relate to other people. The way we think about twins offers remarkable insights into some of the deepest questions of our existence, from what is a person? to how should we treat one another? Deftly weaving together literary and cultural history, philosophical enquiry and personal experience, de Bres examines such thorny issues as binary thinking, objectification, romantic love and friendship, revealing the limits of our individualistic perspectives. In this illuminating, entertaining book, wittily illustrated by her twin sister, de Bres ultimately suggests that to consider twinhood is to imagine the possibility of a more interconnected, capacious human future.