¡Más Pimienta! is an independent publisher, founded in 2011. lt offers a catalogue of picture books with careful editing, literary quality and a special artistic proposal, attracting not only children but sensitive people of all ages.
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Living in the light sounds compelling. Living in the shade is a bit scary. But there is no need to worry, because it is not possible to live alone in one way or another. We generally travel between the two until we find our balance, something that the girl in this story has just discovered.
Today the sun shines. The woman is sitting on a bench in the square, under the shade of a large tree. She writes in her notebook.
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His name is Pedro and he’s a boy, but he looks like a girl. Unlike his sister, Valeria, who looks like a boy. They’re the strangest kids at school.
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There once was a wolf who lived in a forest. He never left it, for he felt protected there. But at the same time, he was afraid of everything.
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Chiche was a brown sheepdog that my grandfather gave my older brother for his birthday. When I was born, Chiche had already lived with us for a few years, so he was part of the family before me.
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I dreamed of seeing my name on the cover of a book. I wanted it so much that one day… I did it myself!
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She went to the shore and told them things. They didn’t always answer her, but she could hear everything they said to one another. She submerged herself into the water and stayed there for a while, amused by their conversations.
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He was a very linear man. His house, his world and his things were all straight lines. She has lots of curves. She went out to wander through wavy grass with her dog, whose fur was all tiny curls, tiny curves. One day, they met…
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Sometimes, I don’t feel like going home. I run around a bush a hundred times, or I count all the trees along the avenue once again, or I simply lie down on the grass of the plaza, which is like an enormous green carpet all painted with flowers.
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The work day begins for this ant, who is ready to start on her tasks. In her group, every ant fulfills its role and nobody can deviate from the plan. This little friend emerges from her home and goes to explore, because that is her task: to search, to discover, to report back...
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An invitation to reading among colors, imagination and nature.
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A proposal to discover the sky and its colors, the moon, the stars and the solar system, and to value dark skies.
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Children's book about 5000 year old mounds in Uruguay
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This book tells the story of the brilliant English naturalist, his adventures around Rio de la Plata, and explains the origin of his theory of evolution.
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The most delicious soup and other stories brings together five stories that take place in the village of Villa Verde, the place where all the characters live and interact. The stories are apparently very simple, yet they offer readers a delicate literary experience woven from references, ways of naming the world, images, and experiences typical of young children. This book, moreover, shares many elements with comics. In fact, we could see it as a comic for very young children, where the author, Mariana Ruiz Johnson, has used nib and Indian ink and digital color to provide readers with images in warm colors and a very rich illustration work with thousands of details for the delight of readers.
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A girl explores fantastic, imaginary and imagined worlds that will surprise us when we find out who created them. Art is recreated in works of art. A very careful illustrated album that aims to bring artistic creation and its protagonists closer to the little ones, and not so young, to the curious. A book to discover works of art and to dream about it through an exciting adventure, a story that is supported by careful illustrations that make a nod to different masterpieces in a subtle and original way.
Until not long ago there were forbidden topics in the theater for children and young audiences. Fantasies left a mantle of illusion about real life, children and adults lacked scenarios to reflect with freshness, risk and courage, about a world that, inevitably, always ends up overwhelming the child's gaze with its inevitable rawness. Beyond the sun endorses, fortunately, the new paths that the theater for children has taken in our days. If education is a way of teaching a human being to think for himself, this theater more than fulfills a vocation that evidences the problematic relations between real life and the perspective of children. It fulfills an essential function: it creates a space of thought and humor to filter the inevitable daily violence. Should children not think the inexorable? We don't even dare to think about it, but it happens: children die too. In this ghost story, Glafira Rocha's heroes return or, better said, simply don't leave because they are more alive than some "living" ones. The beloved Citrino and Chuy Piscuy teach us to live without fear, but above all to value the counterpoint of death: life.
Lo autobiográfico: esa impronta que en toda la poesía, la escritura de José Kozer es lo metafísico, lo ético, lo filosófico. El cotidiano y sus aliados a través de los sentidos: alturas agorafóbicas, por menores, particularidades que son convertidas en redes y concatenaciones, fachadas de casas, espejos, sinagogas, té azabache. La irrupción, la dislocación, lo no lineal en sus versos son más que una estructura o forma, el ejercicio de una elección estética, palabra por palabra. Estrategias más que acrobacias: revelaciones, satoris. El lenguaje como la casa, el jardín, el monasterio, el árbol: laurel, roble, sicomoro. Los alfabetos y silabarios. El todo, la nada, como parte dialógica de este IMAGO MUNDI IV. Más allá de la riqueza lingüística, el ritmo, la oralidad, más allá del universo particular donde el poeta explora, queda entre las páginas el canto del jilguero, la pasarela de madera, el agua de escaramujo.
La figura de Teresa aparece, en su tiempo y en el nuestro, como una figura reformadora. Teresa sigue siendo una pionera carismática, capaz de conjugar las «cumbres» de la contemplación de los misterios divinos con el servicio y la humanización de las gentes de su tiempo y de nuestro tiempo; une lo «sagrado» con lo «profano»; los «pucheros» y las conversaciones con los «serafines». ¿Pará que escribir un libro más sobre Teresa? Pretendo dar a conocer la vida y obras de Teresa a personas que no estén familiarizadas con la literatura religiosa-espiritual, y menos con la mística. Más que narrar su vida, intento contagiar el deseo de leer las obras mayores de Teresa.
