Stories Imagined was created to have a voice in woman's fiction. Writing about an age group of women who are on their second wind. Ready to take on the world how they see fit. The juggle and struggle of womanhood, sexuality, motherhood and coming back to self.
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Welcome to Sea of Stories™, an intellectual rights agency specializing in literary foreign rights. Sea of Stories was created in 2001. One of our first clients was Tara Books, who only had one book in their catalogue at the time! We like to start with new publishers and grow along them over time. We like funky and innovative styles and illustrations and represent quirky adult titles and fun children books. Sea of Stories is about bridging the gap between countries and cultures, finding the best of each and sharing it with a broader audience. We hope to add to the mix, offering you some of the best in Brazilian, Dutch, English, French, and Spanish literature! We’re delighted to work with the following houses: A Buen Paso Blue Apple Blue Cat Emily McDowell & Friends Knock Knock Loopvis Uitgeverij Monoblock Pencil Planta Editora Primerose Productions Quirk Publishing Snor Uitgeverij WMF Martins Fontes
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Liu Raomin is a famous poet and nursery rhyme writer in Qingdao. His works have been selected by various elementary school Chinese textbooks many times. Such as "the sea, the sea, I ask you", "tick tick tick it rains", etc., are popular and enduring. But people remember these nursery rhymes, but often don't know the author of the nursery rhymes. Teacher Sun Yunxiao has a dream to recommend more poems by Mr. Liu Raomin to readers, so that everyone can learn more about poets and poetry stories. Thereby sublimating children's imagination and language ability. This book can also be read by adults who are still innocent.
This book is a collection of stories where are treated some topics of the contemporary reality of Cuba where fiction and reality mix to reveal a peculiar and original point of view concerning humanity existence. His author is Emerio Medina a cuban writer who won some important Literary Prizes like "Hermanos Loynaz".
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This book is the first ever concordance to the rhymes of Spenser's epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser's rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes. ;
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This book is the first ever concordance to the rhymes of Spenser's epic. It gives the reader unparalleled access to the formal nuts and bolts of this massive poem: the rhymes which he used to structure its intricate stanzas. As well as the main concordance to the rhymes, the volume features a wealth of ancillary materials, which will be of value to both professional Spenserians and students, including distribution lists and an alphabetical listing of all the words in The Faerie Queene. The volume breaks new ground by including two studies by Richard Danson Brown and J. B. Lethbridge, so that the reader is given provocative analyses alongside the raw data about Spenser as a rhymer. Brown considers the reception of rhyme, theoretical models and how Spenser's rhymes may be reading for meaning. Lethbridge in contrast discusses the formulaic and rhetorical character of the rhymes.
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The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
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The Art of The Faerie Queene is the first book centrally focused on the forms and poetic techniques employed by Spenser. It offers a sharp new perspective on Spenser by rereading The Faerie Queene as poetry which is at once absorbing, demanding and experimental. Instead of the traditional conservative model of Spenser as poet, this book presents the poem as radical, edgy and unconventional, thus proposing new ways of understanding the Elizabethan poetic Renaissance. The book moves from the individual words of the poem to metre, rhyme and stanza form onto its larger structures of canto and book. It will be of particular relevance to undergraduates studying Elizabethan poetry, graduate students and scholars of Renaissance poetry, for whom the formal aspect of the poetry has been a topic of growing relevance in recent years.
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Tel Aviv, ein stickiger Sommerabend: Ein bekannter Schriftsteller ist zu einer Lesung eingeladen. Was werden seine Leser, was wird sein Publikum ihn fragen? Das Übliche? Warum schreiben Sie? Sind Ihre Bücher autobiographisch? Was wollten Sie uns mit Ihrem letzten Roman sagen? Was wird er antworten? Das Übliche? Oder wird er sich den Erwartungen widersetzen? Amos Oz erzählt in seinem neuen Roman von einem bekannten Schriftsteller an einem stickigen Sommerabend in Tel Aviv, von der Liebesnacht danach, von den Menschen, die ihm begegnen, bis die Geschichten, die sie alle haben oder haben könnten, sich entfalten und miteinander verknüpfen, bis das, was sich ereignet, und das, was sich hätte ereignen können, ununterscheidbar werden. Verse auf Leben und Tod ist die unkonventionelle Antwort des großen Erzählers Amos Oz auf die Frage nach dem subversiven Wechselspiel von Leben und Literatur.
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This is a book telling stories about all the hot topics in China such as stock market, house slave, emigrant, old-age care, marriage, divorce, photoshop etc. Mother Tigerskin writes really sharp and deep around these topics as short stories.
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In 'Digging up stories', James Thompson explores the problems of theatre practice in communities affected by war and exclusion. Each chapter or 'story' is written in a lively and accessible style and draws on a range of contemporary performance theories. The chapters discuss: - participatory theatre in refugee camps - theatre workshop and stories of a massacre - traditional dance-dramas in an insurgent controlled village - 'Forum' theatre with the Mahabharata - ethical issues - the struggle to teach the author to dance 'Digging up stories' documents a range of theatre practice and includes project reports, ethnographic accounts, performance analysis and diary-style reflection. Taken from Thompson's research and practice in Sri Lanka, these diverse examples question the link between applied theatre, traditional performance and performances in everyday life. The book blurs lines between research and travel writing to create rich and provocative accounts of applying theatre in a troubled setting. ;
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Der Ausbruch der Covid-Pandemie setzte im März 2020 einem Aufenthalt Maria Stepanovas im britischen Cambridge ein Ende. Zurück in Russland, verbrachte sie die folgenden Monate in einem Zustand der Erstarrung – die Welt hatte sich vor ihr zurückgezogen, die Zeit war »ertaubt«. Als sie aus diesem Zustand auftauchte, begann sie Ovid zu lesen. Motive fanden zueinander, die lange in ihr gewartet hatten. Wie schon in Der Körper kehrt wieder verwandelt sie historische und aktuelle Kataklysmen in ein ungemein feingliedriges, bewegliches Gebilde aus Rhythmen und Stimmen. Das Poem, das in einer rauschhaften poetischen Inspiration entstand, spricht vom Winter und vom Krieg, von Verbannung und Exil, von sozialer Isolation und existentieller Verlassenheit. Stepanova findet grandiose Bilder für das Verstummen: wenn etwa Worte, die wir einander zurufen, in der Luft gefrieren und unser Gegenüber nicht mehr erreichen. Das Werk verwebt Liebesbriefe und Reiseberichte, chinesische Verse und dänische Märchen in eine vielstimmige Beschwörung der gefrorenen und langsam auftauenden Zeit.
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Visit Michele Heeney's take on recurring themes of obsession, oppression, love, pain, loss and one's own nagging self in the verse and photography of The Monkey Tree. Humor, sorrow, introspection, anger and wonder access the extraordinary and mundane in Heeney's exploration of emotion -- the monkey on everyone's back. Varied perspectives and bemused detachment reflect Buddhist philosophy while moderating the primacy of the human ego. The reader observes and participates in this slender volume.
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The idea of the end is an essential motivic force in the poetry of Geoffrey Hill (1932-2016). This book shows that Hill's poems are characteristically 'end-directed'. They tend towards consummations of all kinds: from the marriages of meanings in puns, or of words in repeating figures and rhymes, to syntactical and formal finalities. The recognition of failure to reach such ends provides its own impetus to Hill's poetry. This is the first book on Hill to take account of his last works. It is a significant contribution to the study of Hill's poems, offering a new thematic reading of his entire body of work. By using Hill's work as an example, the book also touches on questions of poetry's ultimate value: what are its ends and where does it wish to end up?
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“Huang Beijia Telling Stories” is a series of short stories created by famous writer Huang Beijia for elementary school students. The author writes stories about childhoods with empathy and positive power. The Dog Haihai contains two stories: The Dog Haihai Xiao Xiao actually hid a puppy in the backyard of the canteen! There is no secret in the school. His classmates soon learned of the news. Xiao Xiao planned to raise the puppy and give it to friends at Hope Primary School in the mountain village. And the whole class took turns being on duty to feed the puppy. The Happy Cooking Class From the second semester of the fifth grade, the students at Changjiang Road Primary School began to learn a new skill - cooking. The cooking class is a happy class. You don’t have to do annoying mathematical calculations, nor do you need to memorize English words, or task your mind to write essays. It’s almost as lovely as art and music classes! No, no, it’s even lovelier! After class, everyone can share the food they have made.
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"Six stories of Floating Life" takes the life of the author Shen Fu and his wife as the main line, and narrates what they saw and heard about the ordinary and interesting life at home. The work describes the life of the author and his wife Chen Yun, who want to live a kind of cloth clothes and vegetarianism and engage in art. Because of the oppression of feudal ethics and the suffering of poor life, their ideals are finally broken.The whole article is nearly 40000 words, saying that the world is sweet and sour.
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This book is a collection of stories where are treated some topics of the contemporary reality of Cuba. His author is Alfredo Galiano a cuban writer who won some important Literary Prizes like "Hermanos Loynaz", "Cirilo Villaverde" and the International Literary Prize "Premio de Relato Alfonso Sancho Sáenz".
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The book is divided into several parts, such as the study of Hunan culture, historical stories, Hunan famous characters, folk customs, appreciation of scenery in Hunan, Hunan art and literature, etc., to show Hunan's history, culture and events from different perspectives. The book is supported with theories, historical materials, and also is of interest. It is of positive significance to the advancement of the research and development of Hunan culture.
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Through the stories of several students of the Conservatory of Music, who enter school, seek employment, get married, have families and build their careers, the novel brings out the historical situation and real-life entanglements of several generations of qin players, as well as the complex attitude of contemporary society towards national cultural heritage. The story involves three generations of qin players, young and old, from “qin” to “people”, and then to the deepest depths of traditional Chinese culture and the spiritual world of the literati, vividly depicting the contemporary fate of traditional culture.
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“Till death do us part…” Seemingly innocent transgressions like squeezing toothpaste or leaving pee on the toilet seat lie in wait to trip up these characters, who become so stifled by their partners that they can’t wait for death to part them. Some stories in this collection end with cliffhangers, making room for self-reflection and numerous possible endings. These thirteen stories traverse various domestic issues that call for more meaningful steps than grumbling, as the Morgans, Olabisi, Kayode, Vera, and John soon find out. Ruffled butterfly wings are used as imagery for the delicate family ties of everyday people who are sewn together in marriage. Suspenseful, dramatic, romantic and dipped in an amalgam of Nigerian and Western cultures, these relationships pass through crucibles, with the couples spreading their ruffled, ripped mosaic wings to flutter and fly against all odds.
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The comic illustrated series of “Lin Handa Chinese History Stories” is the original unabridged comic illustrated version of “Lin Handa Chinese History Stories”. There are five sets, divided into: the Spring and Autumn Period, the Warring States Period, Western Han, Eastern Han and Three Kingdoms. This set of 8 volumes has 1 knowledge booklet, suitable for children from the third grade and above. Author Lin Handa is a famous educator and linguist. He has edited the “Lin Handa Chinese History Stories” and this series sell best for more than 50 years. This is a classic book of Chinese history for children.
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This book tells 23 vivid and interesting stories about animals, letting children understand the importance of good habits in listening to stories, and develop good habits according to stories in the book.
