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Reading Luxembourg
Reading Luxembourg is Luxembourg's export programme. Beyond the annual national stand at Frankfurt Book Fair, Reading Luxembourg is in charge of various missions, such as the presence at other fairs, festivals and literary events, a training offer for professionals of the book and publishing sector and strategic support to foreign rights sales. Reading Luxembourg is linking up publishers and authors from Luxembourg with stakeholders on an international level and providing information on available translation and publication grants.
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The ArtsJanuary 2019Realist film theory and cinema
The nineteenth-century Lukácsian and intuitionist realist traditions
by Ian Aitken
'Realist film theory and cinema' embraces studies of cinematic realism and 19th century tradition, the realist film theories of Lukács, Grierson, Bazin and Kracauer, and the relationship of realist film theory to the general field of film theory and philosophy. This is the first book to attempt a rigorous and systematic application of realist film theory to the analysis of particular films. The book suggests new ways forward for a new series of studies in cinematic realism, and for a new form of film theory based on realism. It stresses the importance of the question of realism both in film studies and in contemporary life. Aitken's work will be of interest to scholars and advanced students of film studies, literary studies, media studies, cultural studies and philosophy.
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The ArtsJanuary 2019Michael Winterbottom
by Brian McFarlane, Deane Williams, Brian McFarlane, Neil Sinyard
This is the first book-length study of the most prolific and most critically acclaimed director working in British cinema today. Michael Winterbottom has also established himself, and his company, Revolution Films, as a dynamic force in world cinema. No other British director can claim such an impressive body of work in such a variety of genres, from road movie to literary adaptation, from musical to sex film, to stories of contemporary political significance. The authors of this book use a range of critical approaches to analyse the filmmaker's eclectic interests in cinema and the world at large. With this in mind, the realist elements of such films as Welcome to Sarajevo are examined in the light of a long history of cinema's dealings with realism, as far back as post-war Italian neo-realist filmmaking; whereas Jude and The claim are approached as both literary adaptations (a continuing strand in British cinema history) and examples of other reworked genres (the road movie, the western). This lively study of his work, written in a wholly accessible style, will engage all those who have followed his career as well as those with a wide-ranging interest in British cinema.
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HistoryApril 2017Dancing in the English style
Consumption, Americanisation, and national identity in Britain, 1918–50
by Allison Abra. Series edited by Jeffrey Richards
Dancing in the English style explores the development, experience, and cultural representation of popular dance in Britain from the end of the First World War to the early 1950s. It describes the rise of modern ballroom dancing as Britain's predominant popular style, as well as the opening of hundreds of affordable dancing schools and purpose-built dance halls. It focuses in particular on the relationship between the dance profession and dance hall industry and the consumers who formed the dancing public. Together these groups negotiated the creation of a 'national' dancing style, which constructed, circulated, and commodified ideas about national identity. At the same time, the book emphasizes the global, exploring the impact of international cultural products on national identity construction, the complexities of Americanisation, and Britain's place in a transnational system of production and consumption that forged the dances of the Jazz Age.
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The ArtsJune 2021Genre and performance: film and television
by Christine Cornea
Looking at contemporary film and television, this book explores how popular genres frame our understanding of on-screen performance. Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides a truly interdisciplinary account of performance in film and television and examines a much neglected area in our understanding of how popular genres and performance intersect on screen. Each chapter concentrates upon a particular genre or draws upon generic case studies in examining the significance of screen performance. Individual chapters examine contemporary film noir, horror, the biopic, drama-documentary, the western, science fiction, comedy performance in 'spoof news' programmes and the television 'sit com' and popular Bollywood films.
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Humanities & Social SciencesSeptember 2008Leonardo da Vinci and the ethics of style
by Claire Farago
Leonardo da Vinci and the ethics of style brings together a distinguished group of experts on Leonardo and the Renaissance, examining the ethical underpinnings of art history. The seven essays articulate the complexity of ways in which style involved ethical considerations during the early modern period, and still involves us in its conundrums. Looking at individual works and concepts, this fascinating collection covers subjects such as Leonardo's understanding of his role as a painter as that of a natural philosopher, his interests in visual perception and the understanding of visual sensations by the mind, how and why Leonardo's ideas on painting are at the core of art theory, how Leonardo addresses style in gendered terms, and 'style' as the historian's projection. This volume will be of great interest to all those studying or with an enthusiasm for Renaissance art history, art theory, cultural studies and philosophy. ;
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The ArtsJune 2021Contemporary Spanish cinema and genre
by Jay Beck, Vicente Rodríguez Ortega
This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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The ArtsJanuary 2019Contemporary Spanish cinema and genre
by Jay Beck, Vicente Rodríguez Ortega
This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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FictionNovember 2022WAY WAY OUT THERE
by Cat S.
Are you going somewhere, Big Bear? Way Way Out There is where big things reside. They're so big - they cast shadows impossible to ignore. It's a long way away, but sometime big things come to shore on White Cliff to watch fascinating little things. Jules is an aspiring Big Bear born in White Cliff. He's been dreaming big from an early age, but has yet to figure it out. How does one grow Big? Where does one find directions? Who do you listen to? Can one so small really get There? To take one giant's advice--you'd have to see it for yourself. Way Way Out There.A wonderful fable told from the point of view of a small mind mapping out a path that would lead to something beautiful, good and true.
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The ArtsFebruary 2015Networks of sound, style and subversion
The punk and post–punk worlds of Manchester, London, Liverpool and Sheffield, 1975–80
by Nick Crossley, Peter Martin
This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. ;
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Idiomatic Paintings —the Idiom Story That Children Should Read·red
by Wei Bin
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the first volume.
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Idiomatic Paintings —the Idiom Story That Children Should Read·Blue
by Wei Bin
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the second volume.
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Idiomatic Paintings —the Idiom Story That Children Should Read·Green
by Wei Bin
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the third volume.
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January 2020Idiomatic Paintings —the Idiom Story That Children Should Read·Orange
by Wei Bin
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the forth volume.
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January 2020Idiomatic Paintings —the Idiom Story That Children Should Read·Purple
by Wei Bin
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the fifth volume.
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January 2020Idiomatic Paintings —the Idiom Story That Children Should Read·Cyan
by Wei Bin
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the sixth volume.
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August 1992Bengalische Märchen
by Arun Ray, Heinz Mode, Heinz Mode, Heinz Mode
Die überwiegende Mehrzahl der hier vereinigten 56 Geschichten bilden die Zaubermärchen, die novellenartigen und die Schwankmärchen, nicht zu vergessen die in Bengalen beliebten Schwanjungfraumärchen.
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July 2018Die schönsten georgischen Märchen
by Heinz Fähnrich, Heinz Fähnrich, Heinz Fähnrich, Heinz Mode, Heinz Fähnrich
Georgien ist das Land der Märchen und Legenden, die Georgier sind für ihre Erzählfreudigkeit bekannt. Die Märchen, die durch die Verbindung von europäischen und orientalischen Motiven faszinieren, erzählen von der Sehnsucht des Volkes nach einem glücklichen Leben in Freiheit und Gerechtigkeit. Wir begegnen Helden von größter Kühnheit: Sie geben Tote dem Leben zurück, bezwingen grausame Drachen, wissen die Geliebte in fernsten landen zu finden, und der Tschonspieler betört, Orpheus gleich, mit zauberischen Melodien selbst den Herrscher über Leben und Tod, den schrecklichen Wächter des Baumes der Unsterblichkeit ... Dieser Band stellt die schönsten georgischen Märchen vor.
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