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PUNTO DE VISTA EDITORES
Punto de Vista Editores is a Publishing House founded in 2013 in Madrid (Spain). We publish humanities non-fiction (History, Literary studies, Philosophy, Cultural Studies) and iberoamerican voices in fiction and drama.
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The ArtsFebruary 2015Networks of sound, style and subversion
The punk and post–punk worlds of Manchester, London, Liverpool and Sheffield, 1975–80
by Nick Crossley, Peter Martin
This book examines the birth of punk in the UK and its transformation, within a short period of time, into post-punk. Deploying innovative concepts of 'critical mass', 'social networks' and 'music worlds', and using sophisticated techniques of 'social network analysis', it teases out the events and mechanisms involved in punk's 'micro-mobilisation', its diffusion across the UK and its transformation in certain city-based strongholds into a variety of interlocking post-punk forms. Nick Crossley offers a detailed review of prior work in this area, a rich exploration of new empirical data and a highly innovative and robust approach to the study of 'music worlds'. Written in an accessible style, this book is essential reading for anybody with an interest in either UK punk and post-punk or the impact of social networks on cultural life and the potential of social network analysis to explore this impact. ;
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Humanities & Social SciencesNovember 2024Belfast punk and the Troubles: An oral history
by Fearghus Roulston
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The ArtsJanuary 2019Derek Jarman
by Rowland Wymer
This book gives detailed and original critical readings of all eleven of Derek Jarman's feature-length films, arguing that he occupies a major and influential place in European and world cinema rather than merely being a cult figure. It places particular emphasis on the importance of Renaissance art and literature for Jarman, and emphasises his interest in Jungian psychology. Wymer shows how Jarman used his films to take his audience with him on an inner journey in search of the self, whilst remaining fully aware of the dangers of such a journey. Making substantial use of Jarman's unpublished papers as well as all his published works, Wymer argues that the films are orientated towards a much wider audience than is often supposed. They are addressed to anyone, of whatever gender or sexuality, who is prepared to go on a journey in search of him or her self and to become Jarman's accomplice in 'the dream world of the soul'.
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HistoryApril 2017Dancing in the English style
Consumption, Americanisation, and national identity in Britain, 1918–50
by Allison Abra. Series edited by Jeffrey Richards
Dancing in the English style explores the development, experience, and cultural representation of popular dance in Britain from the end of the First World War to the early 1950s. It describes the rise of modern ballroom dancing as Britain's predominant popular style, as well as the opening of hundreds of affordable dancing schools and purpose-built dance halls. It focuses in particular on the relationship between the dance profession and dance hall industry and the consumers who formed the dancing public. Together these groups negotiated the creation of a 'national' dancing style, which constructed, circulated, and commodified ideas about national identity. At the same time, the book emphasizes the global, exploring the impact of international cultural products on national identity construction, the complexities of Americanisation, and Britain's place in a transnational system of production and consumption that forged the dances of the Jazz Age.
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FictionNovember 2022WAY WAY OUT THERE
by Cat S.
Are you going somewhere, Big Bear? Way Way Out There is where big things reside. They're so big - they cast shadows impossible to ignore. It's a long way away, but sometime big things come to shore on White Cliff to watch fascinating little things. Jules is an aspiring Big Bear born in White Cliff. He's been dreaming big from an early age, but has yet to figure it out. How does one grow Big? Where does one find directions? Who do you listen to? Can one so small really get There? To take one giant's advice--you'd have to see it for yourself. Way Way Out There.A wonderful fable told from the point of view of a small mind mapping out a path that would lead to something beautiful, good and true.
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Literature & Literary StudiesSeptember 2017Reading Robin Hood
Content, form and reception in the outlaw myth
by Anke Bernau, Stephen Knight
Reading Robin Hood explores and explains stories about the mythic outlaw, who from the Middle Ages to the present stands up for the values of natural law and true justice. This analysis of the whole sequence of Robin Hood adventures begins with the medieval tradition, from early poems into the long-surviving sung ballads, and goes on to look at two variant Robins: the Scottish version, here named Rabbie Hood, and gentrified Robin, the exiled Earl of Huntington, now partnered by Lady Marian. The nineteenth century re-imagined medieval Robin as modern, a lover of nature, Marian, England and the rights of the ordinary man. In novels and especially films he has developed into an international figure of freedom, while Marian's role has grown in a modern feminist context. Even to this day, the Robin Hood myth continues to reproduce itself, constantly discovering new forms and new meanings.
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Literature & Literary StudiesJuly 2015Reading Robin Hood
Content, form and reception in the outlaw myth
by Stephen Knight, Anke Bernau
Reading Robin Hood explores and explains stories about the mythic outlaw, who from the middle ages to the present stands up for the values of natural law and true justice. This analysis of the whole sequence of the adventures of Robin Hood first explores the medieval tradition from early poems into the long-surviving sung ballads, and also two variant Robins: the Scottish version, here named Rabbie Hood, and gentrified Robin, the exiled Earl of Huntington, now partnered by Lady Marian. The nineteenth century re-imagined medieval Robin as modern - he loved nature, Marian, England, and the rights of the ordinary man - and in novels and especially films he has developed further, into an international figure of freedom, just as Marian's role has grown in a modern feminist context. The vigour of the Robin Hood myth still reproduces itself, constantly with new forms and new meanings. ;
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The ArtsJune 2021Genre and performance: film and television
by Christine Cornea
Looking at contemporary film and television, this book explores how popular genres frame our understanding of on-screen performance. Previous studies of screen performance have tended to fix upon star actors, directors, or programme makers, or they have concentrated upon particular training and acting styles. Moving outside of these confines, this book provides a truly interdisciplinary account of performance in film and television and examines a much neglected area in our understanding of how popular genres and performance intersect on screen. Each chapter concentrates upon a particular genre or draws upon generic case studies in examining the significance of screen performance. Individual chapters examine contemporary film noir, horror, the biopic, drama-documentary, the western, science fiction, comedy performance in 'spoof news' programmes and the television 'sit com' and popular Bollywood films.
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Humanities & Social SciencesSeptember 2008Leonardo da Vinci and the ethics of style
by Claire Farago
Leonardo da Vinci and the ethics of style brings together a distinguished group of experts on Leonardo and the Renaissance, examining the ethical underpinnings of art history. The seven essays articulate the complexity of ways in which style involved ethical considerations during the early modern period, and still involves us in its conundrums. Looking at individual works and concepts, this fascinating collection covers subjects such as Leonardo's understanding of his role as a painter as that of a natural philosopher, his interests in visual perception and the understanding of visual sensations by the mind, how and why Leonardo's ideas on painting are at the core of art theory, how Leonardo addresses style in gendered terms, and 'style' as the historian's projection. This volume will be of great interest to all those studying or with an enthusiasm for Renaissance art history, art theory, cultural studies and philosophy. ;
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The ArtsJune 2021Contemporary Spanish cinema and genre
by Jay Beck, Vicente Rodríguez Ortega
This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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The ArtsJanuary 2019Contemporary Spanish cinema and genre
by Jay Beck, Vicente Rodríguez Ortega
This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years. The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today.
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Idiomatic Paintings —the Idiom Story That Children Should Read·red
by Wei Bin
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the first volume.
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Idiomatic Paintings —the Idiom Story That Children Should Read·Blue
by Wei Bin
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the second volume.
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Idiomatic Paintings —the Idiom Story That Children Should Read·Green
by Wei Bin
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the third volume.
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January 2020Idiomatic Paintings —the Idiom Story That Children Should Read·Orange
by Wei Bin
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the forth volume.
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January 2020Idiomatic Paintings —the Idiom Story That Children Should Read·Purple
by Wei Bin
The idiom not only reflects the profundity of Chinese language and cultrue, but also contains every aspect of Chinese traditional culture. The idiom stories selected in this book are simple, easy and enlightening. This is the fifth volume.
