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Endorsements
Reading Robin Hood explores and explains stories about the mythic outlaw - a figure who always represents the values of natural law and stands up for true justice - from the Middle Ages to the present. While a few books have described the outlaw myth, usually in its earlier forms, and occasional academic essays have commented on elements of the Robin Hood story, this is the first in-depth analysis of the whole sequence and the varying elements of the adventures of Robin Hood. First, it explores the medieval tradition from early poems into the long-surviving sung ballads - and also two major early developments; the Scottish version of the outlaw hero, here called Rabbie Hood, and then around 1600 the gentrified Robin, the exiled Earl of Huntington, created by socially aspirational writers and partnered by Lady Marian. Medievalism passed into memory, and early nineteenth-century Romantic authors re-imagined Robin as strongly involved with nature, deeply in love with Marian, definitely English - not Norman or French - and representing in the time of reform the rights of the ordinary man. That fitted Robin for the modern world, but he did not stop developing. In film, he has stood up for international Western values - even those of a crusader - while the modern Marian plays a much more substantial role: here for the first time she has a chapter to herself. The multiple Robin Hood myth continues to flourish, producing new forms of the hero's story, and new understandings of his meaning.
Reviews
Reading Robin Hood explores and explains stories about the mythic outlaw - a figure who always represents the values of natural law and stands up for true justice - from the Middle Ages to the present. While a few books have described the outlaw myth, usually in its earlier forms, and occasional academic essays have commented on elements of the Robin Hood story, this is the first in-depth analysis of the whole sequence and the varying elements of the adventures of Robin Hood. First, it explores the medieval tradition from early poems into the long-surviving sung ballads - and also two major early developments; the Scottish version of the outlaw hero, here called Rabbie Hood, and then around 1600 the gentrified Robin, the exiled Earl of Huntington, created by socially aspirational writers and partnered by Lady Marian. Medievalism passed into memory, and early nineteenth-century Romantic authors re-imagined Robin as strongly involved with nature, deeply in love with Marian, definitely English - not Norman or French - and representing in the time of reform the rights of the ordinary man. That fitted Robin for the modern world, but he did not stop developing. In film, he has stood up for international Western values - even those of a crusader - while the modern Marian plays a much more substantial role: here for the first time she has a chapter to herself. The multiple Robin Hood myth continues to flourish, producing new forms of the hero's story, and new understandings of his meaning.
Author Biography
Dr Anke Bernau is Lecturer in Medieval Literature and Culture at the University of Manchester; Stephen Knight is a Research Professor in English Literature at the University of Melbourne, Australia
Manchester University Press
Manchester University Press is a leading UK publisher known for excellent research in the humanities and social sciences.
View all titlesBibliographic Information
- Publisher Manchester University Press
- Publication Date September 2017
- Orginal LanguageEnglish
- ISBN/Identifier 9781526123770 / 1526123770
- Publication Country or regionUnited Kingdom
- Primary Price 28.50 USD
- ReadershipGeneral/trade
- Publish StatusPublished
- Dimensions216 X 138 mm
- SeriesManchester Medieval Literature and Culture
- Reference Code10318
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