A Walk Through History is a Russian publishing house specializing in children’s nonfiction. Since 2011 it has created and designed about 50 titles on various periods of history and other subjects such as mathematics, sport, plants and animals.
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Holland Park Press is a privately-owned independent company publishing and selling literary fiction: novels, novellas, short stories; and poetry. It was founded in 2009. It is run by brother and sister, Arnold and Bernadette Jansen op de Haar, who publish an author not just a book. Holland Park Press specialises in finding new literary talent by accepting unsolicited manuscripts from authors all year round and by running competitions. It has been successful in giving older authors a chance to make their debut and in raising the profile of Dutch authors in translation.
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This novel by Can Xue presents a whole range of characters with strong personality, such as Joe, Maria, Vincent, Lisa, Reagan and Ida. They are full of vitality and are accordingly unsatisfied with their present status. They actively explore unknown field of life and firmly embark on the journey of spiritual exploration. The novel focuses the complicated and intertwining relationship between husbands, wives and lovers to uncover the hidden inner desire of each character. Boiling wild nature and advanced civilization collide with each other before they finally become one unity. For the readers, entering the world of these characters is like entering their own inner world.
The secret life of romantic comedy offers a new approach to one of the most popular and resilient genres in the history of Hollywood. Steering away from the rigidity and ideological determinism of traditional accounts of the genre, this book advocates a more flexible theory, which allows the student to explore the presence of the genre in unexpected places, extending the concept to encompass films that are not usually considered romantic comedies. Combining theory with detailed analyses of a selection of films, including To Be or Not to Be (1942), Rear Window (1954), Kiss Me Stupid (1964), Crimes and Misdemeanors (1989) and Before Sunset (2004), the book aims to provide a practical framework for the exploration of a key area of contemporary experience - intimate matters - through one of its most powerful filmic representations: the genre of romantic comedy. Original and entertaining, The secret life of romantic comedy is perfect for students and academics of film and film genre.
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This is a autobiography-style prose collection. Applying the unique writing technique, Can Xue has revealed the perceivable childhood inward world and all aspects of her childhood. Unlike her obscure novels, this collection attempts to grasp memory fragments through critical thinking and recall the childhood days. As a child, Can Xue is imaginative and obstinate, which has influence on her literary creation later. This spiritual autobiography serves as the key to the artistic world of Can Xue.
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The novel narrates the “possible” amour of Lady X, which arouses the discussion of local people. Every character has his own view towards this event which even acquires a more vital status than the event itself. The characteristic narration style of Can Xue has imbued the ordinary event with distinct aesthetic connotation.
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"Huang Ni Street" is Can Xue's debut novel. The work describes people on a street and many things on Huangni Street. Huangni Street is always dirty, even the rain is gray. Can Xue made a detailed description of this street, but this description is different from the description of ordinary writers, with a big jump in thinking and no consistent storyline. There are simple characters and simple stories. Can Xue's first novel constructed Can Xue's very significant writing characteristics later, and these rich images give readers a very special reading experience. Can Xue breaks the usual thinking and framework of traditional novels, and has the typical characteristics of Can Xue from the beginning.
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The novel tells of the story about the growth of a barefoot doctor in a village. By means of the experiences of Sister Yi the barefoot doctor, Mi Yi, Hui Ju and other characters, the author manages to expose the real dependence relationship between man and nature, and between man and man, so as to construct a new kind of relationship in the future world from a brand-new perspective with lots of astounding descriptions. The scenes depicted in the novel belong to the future world, the plots, however, firmly stick to the reality. Thus the real and free conceptions in the novel are both down-to-earth and overwhelmingly shocking, from which every ordinary reader can find resonance and gain strength for life in it. Once again, the outlook of philosophy and nature of Can Xue has delicately and simply stood out in the novel in a literary way.
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The Borderland has narrated the weird life of several strangers in Xiaoshi Town in the border area. Years ago, Liujin’s parents came to Xiaoshi Town in pursuit of love. They found that Xiaoshi Town was a place where everything was invisible rather than visible, and they had gradually discovered the way how the anomalies impacted people’s life. As an adult, Liujin decides to trace the road that her parents had taken in Xiaoshi Town. By virtue of contacts with various people in the borderland who possess unique sensory ability, she even gains some absurd and fantastic perspectives and imaginations towards things in the borderland such as snow mountains, snow leopards, geckos, birds and rocks.
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Lady Lv Fangshi is born in a family with many siblings. She was not a good-looking girl and no one in her family cared about her. All her family lived in two small and dark rooms with both warmness and horror. As a 21-year-old lady, Lv Fangshi had already met some guys. Zeng Laoliu, the carpet dealer, was quite mysterious to her though he was not the one that excited her most. Is the lifestyle of Lady Lv Fangshi ever possible? We could frequently be face with this kind of question in our daily life.
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Yang Peng's Award-winning Novels are a collection of the award-winning works of Yang Peng's many outstanding stories. Not only are the selected articles humorous, but also rich in imagination. They are also rich in profound educational philosophy that can enlighten the mind and help readers to reflect on themselves. There have been a lot of strange things happening in the classroom recently. Sometimes students' homeworks were lost. Other times some pencil sharpener or rubber may be missing. Is this because of someone who want to escape from writing homework or is there a thief in the classroom? When everyone talked about it, some people found out that there was actually a black hole in the classroom. The black hole sucked away all these things. Further, the more amazing thing is that not only can the black hole absorb substances, but also colors, viruses, selfish distractions and many other things. As a result, students would like to make a wish, asking the black hole to suck away what they didn't want ...
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In the book The Hole, the girl tells a story about the time when she lost her beloved grandfather. Together with her dad, the girl goes through their loss by digging a hole. A very deep hole that reaches even Africa. The place where bad feelings become lighter. This book is about loss and strength. It is a story about continuity of life and opportunity to say farewell to those we love. We can find different ways to do it. The Hole offers one of them.
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Herminie and Fanny Pereire were sisters-in-law, married to the eminent Jewish bankers and Saint-Simonian socialists Emile and Isaac. They were also mother and daughter. This book, a companion to the author's acclaimed Emile and Isaac Pereire (2015), sheds new light on elite Jewish families in nineteenth-century France. Drawing on the family archives, it traces the Pereires across a century of major social and political change, from the Napoleonic period to the cusp of the First World War, revealing the active role they played as bourgeois women both within and outside the family. It offers insights into Jewish assimilation, embourgeoisement and gender relations, through the lens of one of the most fascinating families of the century.
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The idea of the end is an essential motivic force in the poetry of Geoffrey Hill (1932-2016). This book shows that Hill's poems are characteristically 'end-directed'. They tend towards consummations of all kinds: from the marriages of meanings in puns, or of words in repeating figures and rhymes, to syntactical and formal finalities. The recognition of failure to reach such ends provides its own impetus to Hill's poetry. This is the first book on Hill to take account of his last works. It is a significant contribution to the study of Hill's poems, offering a new thematic reading of his entire body of work. By using Hill's work as an example, the book also touches on questions of poetry's ultimate value: what are its ends and where does it wish to end up?
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After the End argues that the cultural imaginaries and practices of the Cold War continue to deeply shape the present in profound but largely unnoticed ways across the global North and in the global South. The argument draws examples from literature and literary criticism, film, music, the historical and social scientific record and past and present physical sites to consider the bunker as a material form, an image and as a fantasy that took shape in the global North in the 1960s and that spread globally into the twenty-first century. After the End reminds us not only that most of the world's peoples have lived with or died from apocalyptic conditions for centuries, but that the Cold War imaginaries that grew from and fed those conditions, continue to survive as well.
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Jack Tar to Union Jack examines the intersection between empire, navy, and manhood in British society from 1870 to 1918. Through analysis of sources that include courts-martial cases, sailors' own writings, and the HMS Pinafore, Conley charts new depictions of naval manhood during the Age of Empire, a period which witnessed the radical transformation of the navy, the intensification of imperial competition, the democratisation of British society, and the advent of mass culture. Jack Tar to Union Jack argues that popular representations of naval men increasingly reflected and informed imperial masculine ideals in Victorian and Edwardian Britain. Conley shows how the British Bluejacket as both patriotic defender and dutiful husband and father stood in sharp contrast to the stereotypic image of the brave but bawdy tar of the Georgian navy. This book will be essential reading for students of British imperial history, naval and military history, and gender studies.
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This book is the first analysis of the dynamics of British press reporting of India and the attempts made by the British Government to manipulate press coverage as part of a strategy of imperial control. The press was an important forum for debate over the future of India and was used by significant groups within the political elite to advance their agendas. Focuses on a period which represented a critical transitional phase in the history of the Raj, witnessing the impact of the First World War, major constitutional reform initiatives, the tragedy of the Amritsar massacre, and the launching of Gandhi's mass movement. Asserts that the War was a watershed in official media manipulation and in the aftermath of the conflict the Government's previously informal and ad hoc attempts to shape press reporting were placed on a more formal basis.
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Home front heroism investigates how civilians were recognised and celebrated as heroic during the Second World War. Through a focus on London, this book explores how heroism was manufactured as civilians adopted roles in production, protection and defence, through the use of uniforms and medals, and through the way that civilians were injured and killed. This book makes a novel contribution to the study of heroism by exploring the spatial, material, corporeal and ritualistic dimensions of heroic representations. By tracing the different ways that Home Front heroism was cultivated on a national, local and personal level, this study promotes new ways of thinking about the meaning and value of heroism during periods of conflict. It will appeal to anyone interested in the social and cultural history of Second World War as well as the sociology and psychology of heroism.
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Joe lo puede arreglar por Aviva Lipstein Un fascinante relato infantil que tiene como escenario a Londres y que tiene como objetivo facilitar la transición de la guardería infantil a la escuela primaria, que a que a veces está acompañada de miedos y preocupaciones por parte de los padres y de los niños. Fue traducido al inglés por Ora Cummings, que es natural del reino Unido. El libro está adaptado a la vida contemporánea de Inglaterra (pero puede también referirse a otros países) dentro del marco universal que supone el paso del niño del ambiente protector de la guardería infantil a la atmósfera mas exigente de la “gran” escuela. El libro cuenta con 40 páginas en su forma final, con portada de tapa dura en color y con ilustraciones a dos colores en su interior. La autora, Aviva Lipstein , que falleció en 1994, creció en Francia, en Paris y Niza en la riviera francesa. Durante la segunda guerra mundial, fue protegida y educada por monjas dominicanas, y después de la guerra se asentó en el nuevo estado de Israel. La señora Lipstein se graduó en trabajo social en la universidad Hebrea de Jerusalén y hasta su jubilación trabajó con niños pequeños. Vivió en Tel Aviv, se casó y tuvo dos hijos y una hija, como también un nieto – todos ellos fueron evocados en sus cuentos.
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Looking at royal ritual in pre-revolutionary France, Death and the crown examines the deathbed and funeral of Louis XV in 1774, the lit de justice of November 1774, and the coronation of Louis XVI, including the ceremony of the royal healing touch for scrofula. It reviews the state of the field in ritual studies and appraises the status of the monarchy in the 1770s, including the recall of the parlements and the many ways people engaged with royal ritual. It answers questions such as whether Louis XV died in fear of damnation, why Marie Antoinette was not crowned in 1775 and why Louis XVI's coronation was not held in Paris. This lively, accessible text is a useful tool for under- and post-graduate teaching which will also be of interest to specialists on this under-researched period.
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Thirty-five years ago, Libertyville had a population of 2,000. Its citizens thought it would become the next Atlanta. But it’s now 1989, and the population is down to 278 and falling. The town’s remaining employer, the outdated, money-losing Libertyville Cotton Works, owned by an elderly Holocaust survivor, has been sold to a conglomerate that intends to reap huge tax and political benefits.But two other factions have different ideas. Bishop William Wyatt Walker, spellbinding African-American televangelist whose church takes in $500 million a year in contributions from the poorest of the poor, decides the church has lost touch with the common man and needs a new symbol of salvation – the Libertyville Cotton Works and the 40 acres that surround it. He’ll do whatever it takes to make sure the church gets the property.Meanwhile, a brilliant, Mexican-American lawyer and his militant contingent, faced with “the country’s growing paranoia toward Hispanics,” seeks to create his own Sanctuary Nation. His “army” takes armed control of the cotton works, holding hostages to ensure that the factory and its acreage are deeded to “the first truly Mexican town in the Southeastern U.S.”The stage is set for a Stalemate of epic proportions, a war where there can be no winners. Like James Dickey’s Deliverance, this book is a mixture of a thriller tinged with adventure, camaraderie, dread, and the horror that only an unexpected, unspeakable situation can inflict. Human nature is human nature, and it is impossible to predict how anyone would act if confronted with a similar situation. Powerful and suspenseful, Stalemate explores the best – and the worst – in the human spirit as it thunders toward a spine-chilling climax.International best-selling author Hugo N. Gerstl’s latest work is one you won’t be able to put down – and one you’ll long remember. Published by Pangæa Publishing Group 184 pages – 23 cm x 15 cm
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Seemingly an amusing, illustrated story, it is in fact much more - an educational book about a child’s transition from preschool to elementary school, a transition often accompanied by fears and concerns of the parents as well as the child. In his Introduction, Clinical and Developmental Psychologist Carl I. Rubinroit, Ph.D. writes: The transition from nursery school to elementary school is often a source of worry and anxiety for both children and their parents. In this endearing book, Aviva Lipstein describes the experiences of a little boy about to enter school for the first time. Through her hero, Danny, the author presents us with a collection of “magical tools”, which help him to overcome his fears and cope with the challenges facing him in his new environment. This book is recommended especially for nursery school “graduates”, first-year pupils and their parents, as well as older children who might like to “remember.” The story was translated into English by Ora Cummings, a native of the UK, and is suited to contemporary life in England (and could easily be suited to other countries as well) within the universal setting of the child’s passage from the nurturing environment of the kindergarten to the more demanding atmosphere of the “big” school. The author, Aviva Lipstein, who passed away in 1994, was brought up in France - in Paris and in Nice on the French Riviera. During WWII, she was protected and educated by Dominican nuns, and after the war she came to settle in the new state of Israel. Mrs. Lipstein, graduate of the School of Social Work at the Hebrew University in Jerusalem, worked with young children until her retirement. She lived in Tel Aviv, was married and had two sons and a daughter, as well as a grandson - all of whom were raised on her stories. 40 pages, full-color hardcover, beautiful color drawings, 16.5X24 cm
