Callisto Media
Callisto Media’s scientific approach marries data and technology with deep publishing expertise to accurately identify unmet demand and create exactly the book that consumers are seeking.
View Rights PortalCallisto Media’s scientific approach marries data and technology with deep publishing expertise to accurately identify unmet demand and create exactly the book that consumers are seeking.
View Rights PortalThe Complete Collection of Calligraphic Works by Su Dongpo was edited by Mr. Wang Lianqi of the Palace Museum in China and jointly published by the Palace Museum Press and Qingdao Publishing House. It is the first comprehensive collection of Su Dongpo's surviving calligraphic works of handwritings, copybooks and inscriptions collected by the Palace Museums on both sides of the Taiwan Straits and museums at home and abroad, and the first comprehensive collection of Su Dongpo's surviving calligraphic works in the cultural and artistic circles, with unprecedented quantity and quality rarely seen in previous publications. The Complete Collection is a set of 6 volumes, including 2 volumes of handwritings, 3 volumes of copybooks and 1 volume of inscriptions. The book consists of 43 handwritings, 15 copybooks and 8 inscriptions of Sudongpo scattered in major museums, collection units and libraries in China and abroad. The inscription of ChenKui pavilion tablet rubbing of Song Dynasty (Song Ta Chen Kui Ge Bei) collected in the Book Mausoleum Department (Shoryobu) of the Imperial Household Agency of Japan was published publicly for the first time in China; The inscription of Mr. Zhao Qingxian’s tombstone rubbing of Ming Dynasty of China (Ming Ta Zhao Qing Xian Gong Bei) collected in Shanghai Library in China has not been published in recent years and this is the first publication since the Republic of China; The copybook of Sudongpo's tablets published by Wanxiangtang in Ming Dynasty of China (Ming Ta Wan Xiang Tang Su Tie) collected in the Palace Museum in China is the largest work of in this book and this is also the first time that this masterpiece has been published publicly in China.
The book encompasses representative Chinese modern and contemporary poetry, novels, proses, and dramas created by several well-known Chinese writers, like Gong Zizhen, Xu Zhimo, Dai Wangshu, Lu Xun, Lao She, Cao Yu, etc. In this book, each piece of work is presented with author introdcution, analysis of theme and artistic characteristics, and questions to be answered by readers.
This series contains about 1,800 modern prints collected by Lu Xun at that time, which authored by nearly 200 domestic printmakers and currently in the Lu Xun Memorial Hall in Shanghai and the Lu Xun Museum in Beijing. It is showcasing the glorious history of modern Chinese woodcut art: In the 1920s and 1930s, in order to guide the artistic direction of Chinese literary youth, smashed the KMT’s counter-revolutionary cultural " encirclement and suppression", Mr. Lu Xun held a "woodcut workshop" in Shanghai, and cultivated a group of emerging woodcut backbone. These backbones led young artists in various regions of the country to create a large number of realistic works reflecting the suffering and tragic fate of the people at the bottom of the society at that time. They cruelly lashed the dark reality of society and called for national salvation and survival. These young woodcutters sent their woodcut works to Lu Xun, who not only guided their creation personally, but also spared no effort to collect, publicize and promote them to the public. With the active advocacy and support of Mr. Lu Xun, the emerging woodcut movement in China has developed vigorously, driving the modernization of Chinese art and leaving an indelible glorious footprint in the history of Chinese modern culture and art. This complete collection is a companion to the The Complete Collection of Foreign Prints by Lu Xun published in 2014.
This book presents a wide range of previously unpublished works by Radclyffe Hall. These new materials significantly broaden and complicate critical views of Hall's writings. They demonstrate the stylistic and thematic range of her work and cover diverse topics, including 'outsiderism', gender, sexuality, race, class, religion, the supernatural and the First World War. Together, these texts shed a new light on unrecognised or misunderstood aspects of Hall's intellectual world. The volume also contains a substantial introduction, which situates Hall's unpublished writings in the broader context of her life and work. Overall, the book invites a critical reassessment of Hall's place in early twentieth-century literature and culture and offers rich possibilities for teaching and future research. It will be of interest to scholars and undergraduate and postgraduate students in the fields of English literature, modernism, women's writing, and gender and sexuality studies, and to general readers. ;
The book illustrates the influence of Marxismin china, including the classic works of Kar Marx and its latest achievements in China.
Collected Works of Qi Baishi includes 2206 pieces of paintings and carvings, 1,850 pieces of cutting seals, 296 pieces of handwriting and 0.5 million words of poems and essays. It covers various styles like paintings, books, seals, poems, essays and postscripts of Qi Baishi,shows the representative works in all stages and the essence of various styles, and realizes the aim of collecting all the essential works of Qi Baishi. This book won the Third National Book Prize in 1997.
Collected Works of Qi Baishi includes 2206 pieces of paintings and carvings, 1,850 pieces of cutting seals, 296 pieces of handwriting and 0.5 million words of poems and essays. It covers various styles like paintings, books, seals, poems, essays and postscripts of Qi Baishi,shows the representative works in all stages and the essence of various styles, and realizes the aim of collecting all the essential works of Qi Baishi. This book won the Third National Book Prize in 1997.
Tao Yuanming is a poet in ancient China during the Eastern Jin Dynasty. Because of dissatisfaction with the reality, to go to work to farming. Longer than poetry and prose, more description of natural scenery and scenes of their living in rural areas, and some works expressed dissatisfaction with the corruption. "Greater China Library: Tao Yuanming set (Chinese-English comparison)" collected a total of more than 120 poems, essays and other 11 articles. Tao Yuanming's works, plain and natural, simple and unpretentious, have far-reaching impact in the history of literature and have been circulating in all countries in the world.
This book is a collection of short and medium works in the series, including short and medium stories, short and medium reportage, prose, poetry and children's literature. These works are rich in the characteristics of the times and the breath of life. They show the moving deeds of Hunan's targeted poverty alleviation and targeted poverty alleviation, and demonstrate the spirit of people's struggle towards a well-off society. The theme is clear and prominent, the tone is positive, portraying and praising the most beautiful people and typical models participating in poverty alleviation and development, praising the true feelings of the world and transmitting positive social energy.
Gu Yuan (1919-1996), an outstanding people's artist, art educator, and former dean of the Central Academy of Fine Arts. He is a singer-like artist of the working people. This complete collection will combine the needs of appraisal and research. Since Gu Yuan began his artistic work in the late 1930s, it will compile representative works and life photos from various stages and categories of Gu Yuan and display it in an all-round way. Mr.'s artistic life is extremely academic. The complete collection is divided into 5 volumes: engraving volume (before 1949), engraving volume (after 1949), watercolor volume I, watercolor volume II, sketches, sketches, Chinese paintings and manuscripts, and other volumes.
Owing to the spirit of exploration and experimentation in artistic practice, Mr. Wu Guanzhong has become an influencing and outstanding artist in the circle of Chinese fine arts. Mr. Wu Guanzhong has been diligent at creation. Excluding those work pieces lost or damaged deliberately by himself, nearly 5,000 paintings made by Mr. Wu Guanzhong have gone round in the world, including 500 oil paintings, about 3,000 wash paintings and around 1,500 sketches, watercolor paintings and drafts. The book consists of 9 volumes, ingathering 2,200 paintings and 1,500 thousand words. These paintings are his magnum opuses of all the periods of his creation, exhibiting his exploration and originality in art. His essays written in nearly 1,000 thousand words reflect his viewpoints and thoughts. The book exhibits his works vividly and demonstrates tridimensionally what Mr. Wu Guanzhong thought about and what he pondered on.
The book is divided into several parts, such as the study of Hunan culture, historical stories, Hunan famous characters, folk customs, appreciation of scenery in Hunan, Hunan art and literature, etc., to show Hunan's history, culture and events from different perspectives. The book is supported with theories, historical materials, and also is of interest. It is of positive significance to the advancement of the research and development of Hunan culture.
This book takes the homogeneous, isomorphic, and mutual relationship of Shen Congwen's aesthetic thoughts, artistic thoughts and cultural anthropological thoughts as the starting point, and then explores the anthropological characteristics of Shen Congwen's works from the perspective of anthropological ontology, methodology and axiology. The following analyses focusing on the expression form, ideological root, and value and significance to literary creation and cultural construction are an extended study of Shen Congwen's cultural thought, aesthetic thought, artistic creation thought and value.
The Complete Works of Yungang Grottoes is a collection of photographic materials reflecting different periods, different caves, different artistic styles and artistic characteristics of Yungang Grottoes. It contains 20 volumes, each presenting a single Yungang cave with more than 400 pictures and several professional academic papers on the cultural and artistic characteristics of caves. As a royal art project symbolizing the imperial power of Tuoba in the Northern Wei Dynasty, the Yungang Grottoes are large in scale, rich in content, exquisite in carving, and vivid in appearance. They absorb and integrate the diverse cultures of ancient nationalities, and represent the highest level of carving in the world in the 5th century. In 2001, the Yungang Grottoes were listed on the World Heritage List. The Complete Works of Yungang Grottoes displays the treasures of the Yungang Grottoes in an unprecedented scale, high-definition, and panoramic view, which is regarded as a recording and preserving archive of great values. For more than 1500 years, the statues of the Yungang Grottoes have been weathered and ruined by wind and rain. In the past, most of the photography focused on the contemporarily perfect Buddha statues, but the remaining statues, even the best-preserved ones, are disappearing year by year from people's sight. The Complete Works of Yungang Grottoes collects image data of them, makes the documentary files, and has them published to the public, in this way retaining the perfect art in changes.
Woodblock new year painting is an old handicraft of China, going back thousands of years. People celebrate the Spring Festival by posting up woodblock new year paintings, praying for their good wishes. Chief edited by the contemporary Chinese author, artist, and cultural scholar Feng Jicai, the Representative Works of Chinese Woodblock New Year Paintings is a collection of the masterpieces selected out of over ten thousand woodblock new year paintings. It has two volumes, the Northern and the Southern, from which one can see the differences in the custom of the two regions. The book has received support from scholars and institutions worldwide, among which the Japanese museums' collections of Gusu woodblock new year paintings in the early Qing Dynasty and the Russian museums' collections of late Qing and early Republic China are disclosed to the world for the first time. So the book is not only a historical art collection, but also of high cultural heritage significance.
A sweet treat is tempting, but the lurking dangers should not be underestimated. However, it is just as wrong to demonise all types of sugar in general as to avoid it altogether. In this entertaining mini reference book, Reinhild Berger takes the reader on an interesting journey through the labyrinth of sugar, sugar substitutes and sweeteners and gets to the bottom of many questions in the process: How much is too much? What alternatives are there, and which are advisable? How can one select the right one from the deceptive variety in the supermarket? What is the right way to read the food labels on the packaging? What knowledge does one need to be protected against misleading advertisements? - Learn how to recognise differences between the many types of sugar - Read where dangers lie, and which sugar does us good – and in what quantity - Understand how to interpret nutritional values – and that “no artificial sweetener ” does not mean “sugar-free” Welcome to the promising world of the sweet taste!
The heart of this book is its fully annotated, critical editions of the surviving work of Richard Edwards, one of the most influential poets and dramatists writing in England before Shakespeare. Ros King's extensive introduction, identifying the holes in the documentary evidence that might accommodate this important but now little known writer, rewrites the history of pre-Shakespearean drama, illustrates new approaches to sixteenth-century prosody and to the modernisation of dramatic poetry, and re-evaluates the public role of theatre and poetry during a particularly turbulent period in English history. While it will be essential reading for specialist scholars, it will also be of much wider interest. The introduction is highly accessible which makes it an appropriate text-book for students in a field where few textbooks are available. It will appeal to the current appetite among the reading public for biography, while the play, poems and songs are themselves very appealing. ;
Poetic,colorful ceramicsare the great invention and wisdom crystallization of the Chinese nation. Changsha colorful ceramics belong to both China and the world, and it is the way leading to the world.