Círculo de Poesía is a publishing group specialized in poetry with three publishing houses. In addition we publish the most widespread digital poetry magazine in the entire Spanish language world to share poems and information about books and authors with more than 12,000,000 readers (https://circulodepoesia.com/) We have built an extensive distribution and advertising networks specialized in poetry books.
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The lyric poetry describes and praises Yongzhou, a city of Hunan province that is noted for its profound history and breathtaking landscape. The book combines poems composed by the author and various pictures to lead readers to appreciate the beauty of Yongzhou.
This is the first book-length study to focus primarily on the role of class in the encounter between South Asians and British institutions in the United Kingdom at the height of British imperialism. In a departure from previous scholarship on the South Asian presence in Britain, 'The better class' of Indians emphasizes the importance of class as the register through which British polite society interpreted other social distinctions such as race, gender, and religion. Drawing mainly on unpublished material from the India Office Records, the National Archives, and private collections of charitable organizations, this book examines not only the attitudes of British officials towards South Asians in their midst, but also the actual application of these attitudes in decisions pertaining to them. This fascinating book will be of particular interest to scholars and general readers of imperialism, immigration as well as British and Indian social history.
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This study examines Exeter riddles, Anglo-Saxon biblical poems (Exodus, Andreas, Judith) and Beowulf in order to uncover the poetics of spolia, an imaginative use of recycled fictional artefacts to create sites of metatextual reflection. Old English poetry famously lacks an explicit ars poetica. This book argues that attention to particularly charged moments within texts - especially those concerned with translation, transformation and the layering of various pasts - yields a previously unrecognised means for theorising Anglo-Saxon poetic creativity. Borrowed objects and the art of poetry works at the intersections of materiality and poetics, balancing insights from thing theory and related approaches with close readings of passages from Old English texts.
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starting point. David Herd sets out to provide readers with a new critical language through which they can appreciate the beauty and complexity of Ashbery's writing. Presenting the poet in all his forms -avant-garde, nostalgic, sublime and camp - the book argues that the perpetual inventiveness of Ashbery's work has always been underpinned by the poets desire to write the poem fit to cope with its occasion. Tracing Ashbery's development in the light of this idea, and from its origins in the dazzling artistic environment of 1950's New York, the book evaluates his poetry against the aesthetic, literary and historical backgrounds that have informed it. The story of a brilliant career, and a history of the period in which that career has taken shape, John Ashbery and American Poetry provides a compelling account of Ashbery's importance to Twentieth Century Literature. ;
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Dami Ajayi journeys into emotional borders that reveal the burdens of transitions, offering us lyrical poetry that reinvents perspectives. Here is the poetry of the quotidian, a philosophic and profound interrogation, and relationships, of words, of bodies and their burdens, of times and time. There is poetry here, and it breathes.
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The debate about the Empire dealt in idealism and morality, and both sides employed the language of feeling, and frequently argued their case in dramatic terms. This book opposes two sides of the Empire, first, as it was presented to the public in Britain, and second, as it was experienced or imagined by its subjects abroad. British imperialism was nurtured by such upper middle-class institutions as the public schools, the wardrooms and officers' messes, and the conservative press. The attitudes of 1916 can best be recovered through a reconstruction of a poetics of popular imperialism. The case-study of Rhodesia demonstrates the almost instant application of myth and sign to a contemporary imperial crisis. Rudyard Kipling was acknowledged throughout the English-speaking world not only as a wonderful teller of stories but as the 'singer of Greater Britain', or, as 'the Laureate of Empire'. In the last two decades of the nineteenth century, the Empire gained a beachhead in the classroom, particularly in the coupling of geography and history. The Island Story underlined that stories of heroic soldiers and 'fights for the flag' were easier for teachers to present to children than lessons in morality, or abstractions about liberty and responsible government. The Education Act of 1870 had created a need for standard readers in schools; readers designed to teach boys and girls to be useful citizens. The Indian Mutiny was the supreme test of the imperial conscience, a measure of the morality of the 'master-nation'.
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The life of poet Hafez Al-Shirazi forms the background from which this novel draws its great ideas about life, love and poetry. And although this book is based on the visions of this great poet, it is not a heterosexual biography of his life but rather an imagined novel inspired by his poetry. The events of the novel take place in one night when Hafez dies, only to be born again. Throughout the long night, the author reviews stories, conflicts and milestone events in history, and Hafez has the chance to meet the poles of Sufi love in multiple chronological paths within the novel. He contemplates the black death and is defeated by the Farsi language with his early failures in poetry, but he finds salvation in the Arabic language by memorising the entire Qur’an. As a result, Shams Al-Din chooses another name inspired by him: Hafez, who the world will embrace until the Shiraz baker becomes a minister, on a human journey in which the Shirazi tests and loses everything successively.
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Renaissance pastoral poetry is gaining new interest for its distinctive imaginative vein, its varied allusive content, and the theoretical implications of the genre. This is by far the biggest ever anthology of English Renaissance pastoral poetry, with 277 pieces spanning two centuries. Spenser, Sidney, Jonson and Drayton are amply represented alongside their many contemporaries. There is a wide range of pastoral lyrics, weightier allusive pieces, and translations from classical and vernacular pastoral poetry; also, more unusually, pastoral ballads and poems set in all kinds of prose works. Each piece has been freshly edited from the original sources, with full apparatus and commentary. This book will be complemented by a second volume, to be published in 2017, which includes a book-length introduction, textual notes and analytic indices.
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America is being systematically destroyed – not by terrorists from without, but by vested interests from within! It’s being destroyed by politicians, talk show hosts, media moguls, and populist rabble rousers who seek to preserve their “territory” at any cost – by obstructing the passage of beneficial laws, by scandalous lies and accusations, by negative campaigning, and by gratuitous insults. These “saviors” pose absolutely no constructive ideas of their own to resolve the morass in which our country now finds itself. The politicians think no further than getting themselves elected or re-elected. The lure of $100,000 in lecture fees is a powerful aphrodisiac. The lure of power is an even greater aphrodisiac. Politicians, fearmongers, “talking heads,” and captains of industry revel in their fame, their glory, and their self-styled wisdom when the country is in greater debt than any other nation in history, and when we are more and more quickly slipping toward becoming a third world nation each year. If the public starts putting two and two together, the answer should come out “four.” But so far, the “average” American can still be led to believe that 2+2 equals whatever number the spin masters want to make it. What is even worse, more than 40% of Americans are buying into the politics of fear, dissension, and abuse without stopping for even a moment to consider exactly what these political hatemongers are offering in exchange for turning one faction out and securing the benefits of power for themselves. But regardless of political infighting or outfighting, what we are doing is akin to two fleas fighting over who owns the dog. We don’t seem to realize that we have run out of time and money; that we no longer have the luxury of political gamesmanship and needless, stupid bickering. While this timely book points the finger at who’s to blame, it also goes one step further and tells how America, the most powerful nation on earth, can take back control of its destiny and cure its own disease! HUGO N. GERSTL earned a degree in political science and history at UCLA, then went on to graduate from the UCLA School of Law. He turned down an invitation to run for Congress on the Republican ticket as it meant running against his friend and fellow-lawyer, Leon Panetta, who was just finishing his first term in Congress. Gerstl has been a nationally known trial lawyer for forty-six years and remains eternally optimistic about the resilience of the American people. An English eBook Edition was published in fall 2012 by Samuel Wachtman's Sons INC., C.A. 454 pages, 15x22.5cm
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How might our friendships shape our politics? This book examines how contemporary American fiction has rediscovered the concept of civic friendship and revived a long tradition of imagining male friendship as interlinked with the promises and paradoxes of democracy in the United States. Bringing into dialogue the work of a wide range of authors - including Philip Roth, Paul Auster, Michael Chabon, Jonathan Lethem, Dinaw Mengestu, and Teju Cole - this innovative study advances a compelling new account of the political and intellectual fabric of the American novel today.
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The idea of the end is an essential motivic force in the poetry of Geoffrey Hill (1932-2016). This book shows that Hill's poems are characteristically 'end-directed'. They tend towards consummations of all kinds: from the marriages of meanings in puns, or of words in repeating figures and rhymes, to syntactical and formal finalities. The recognition of failure to reach such ends provides its own impetus to Hill's poetry. This is the first book on Hill to take account of his last works. It is a significant contribution to the study of Hill's poems, offering a new thematic reading of his entire body of work. By using Hill's work as an example, the book also touches on questions of poetry's ultimate value: what are its ends and where does it wish to end up?
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Punjab, 'the pride of British India', attracted the cream of the Indian Civil Service, many of the most influential of whom were Irish. Some of these men, along with Irish viceroys, were inspired by their Irish backgrounds to ensure security of tenure for the Punjabi peasant, besides developing vast irrigation schemes which resulted in the province becoming India's most affluent. But similar inspiration contributed to the severity of measures taken against Indian nationalist dissent, culminating in the Amritsar massacre which so catastrophically transformed politics on the sub-continent. Setting the experiences of Irish public servants in Punjab in the context of the Irish diaspora and of linked agrarian problems in Ireland and India, this book descrides the beneficial effects the Irish had on the prosperity of India's most volatile province. Alongside the baleful contribution of some towards a growing Indian antipathy towards British rule. Links are established between policies pursued by Irishmen of the Victorian era and current happenings on the Pakistan-Afghan border and in Punjab.
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Mycological paper on the Rhytismataceae of the Indian Subcontinent.
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The book introduces young readers to Indian modern art in a fun and engaging manner. This enriching activity-led book traces the development of modern art history from Pre-independence and unfolds in eight sections that feature prominent artists or styles under the various art movements.
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The Green Revolution of the mid-1960s and subsequent agricultural revolutions gave unprecedented gains in production, and halved the incidences of poverty and hunger. However, a growing world population, climate change bring new challenges alongside second-generation problems of the Green Revolution such as: decline in factor productivity, soil degradation, imbalanced use of nutrients, costly inputs, depletion of groundwater table, chemical contamination of food and feed as well as decline in farm income. This book sketches a journey from green to an evergreen revolution and India's ability to face those challenges through harnessing the best technologies and blending them with rich traditional knowledge. This book outlines the agricultural scenario in India, and the multiple revolutions, and the reorienting of agricultural research for development, productivity and productions, including potential and possibilities of promoting GM crops. Genetic resources and natural resource management, and the role of seed sector in Indian agriculture are analysed. Chapters consider climate smart agriculture, innovation in extension systems for efficient transfer of technology, empowering women and attracting youth in agriculture and the policy reforms to achieve these goals.
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Mirza Abdolqader Azimabadi—penname “Bee’del”— was born in Putna, India in 1644 CE and died in Delhi in 1721. He spoke Bengali, wrote poetry in Persian (Farsi), and was familiar with Arabic, Urdu, Bengali and Sanskrit. One of the most prolific and regarded poets of his day, his style is considered the glory of Persian poetry of Central Asian/Indian origin. Among many ethnic groups outside the present borders of Iran, whose culture/mysticism and literature is influenced by the Iranian culture and language, Bee’del is classified alongside Ha’fez—an honor conferred on very few. As he became familiar with the teachings of the Sufis, he continued to frequent their gatherings throughout life. Their literature influenced both his work and his growing involvement in things of the spirit. Bee’del’s relevance to our times is obvious—his message is informed by a universal regard for the inner life and potential of humans, regardless of geography, ethnicity or religion. As a Sufi poet, Bee’del urges us to attend to our most important task—experiencing, as opposed to reading/hearing about, one’s inner Origin/Essence—and thus realize the true purpose of our existence.
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This book object, composed of 30 cards, invites the reader to stop in the poetry that surrounds us.
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