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The Roman Emperor Constantine believed that newborns knew the language of heaven but forgot it as soon as they learned to talk. To preserve the language, he built a palace where he held dozens of babies, fresh out of their mother wombs, and nurses who where in charge of feeding them and keeping them clean, but without touching them or speaking to them. As a result, all the babies withered and died without even crying. Despite this cruel outcome, a secret society was created with the purpose of finding and preserving the divine language the Emperor so desperately sought.

Fast forward to 1960s Mexico City where Griselda is born in a family with a devout Catholic mother and an atheistic father. She was born eleven years after the death of Aaron, their first born, a boy who despite his young age, was completely devoted to God. Upon turning 8, Griselda suffers an accident that leaves her clinically death for ten minutes. Her mother, convinced that it was Aaron who resurrected her, becomes obsessed with getting the Church to canonize him, and ends up leaving Griselda to be raised by her father.

Years later, and already a college student, Griselda adopts a boy left orphaned by the 1985 earthquake. His name is Moses. Griselda raises Moses as her career as a college professor takes off and she is hired by an international institution that gives her a house, a great salary, and puts Moses in the Luden Trask Mansion, where an important anthropological and historic study is taking place. Griselda finds a passionate relationship, while Moses, already twelve, suddenly and mysteriously disappears.

Griselda will soon find out that the Luden Trask institution is just a cover for a powerful and secret society that is still trying to accomplish Constantine’s mission, and that they have abducted Moses. Now, Griselda faces a terrible dilemma where she may have to pay the highest of prices to save her son.

Author Biography

Gabriela was born in Mexico City in 1966 and has a B.A. in Communication from Universidad Iberoamericana and currently works as an international journalist and translator.

She is the author of the novels Peso Muerto, which was selected for the FIL Guadalajara Book Salón; and La Pasión de Trista, a story that take place in 1st Century Rome, and is the first part of a trilogy, as well as the manuscript for The Divine Language.

She also wrote the short story collections Los Diablos de Teresa, which has been translated into Italian, and Piel de Centauro y Muerte