Greenlight Press was launched in November 2012. We are the home of numerous Book Series (Sci-Fi, Fantasy and Crime), lots of them Award-Winners. On the German market, our series are published as E-Book, Print and Audio Books
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Founded in 1984, Chelsea Green Publishing is recognized as a leading publisher of books on the politics and practice of sustainable living, publishing authors who bring in-depth, practical knowledge to life, and give readers hands-on information related to organic farming and gardening, ecology and the environment, healthy food, sustainable economics, progressive politics, and, most recently, integrative health and wellness. Chelsea Green has offices in Vermont and London and become 100% employee owned in 2020.
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Biological invasions - the introduction, establishment and spread of invasive alien species - are complex global phenomena that can cause significant environmental, ecological, and economic harm. Along with the direct effects of an invasive host organism, there is the additional threat of co-introduced pathogenic and parasitic species. Co-introduced parasites can affect the success of the invasive organism but can also go on to infect hosts in the new range, resulting in novel ecological interactions and complex impacts. These 'Invasive Parasites' can have profound impacts on the success of a biological invasion, and can pose a significant risk to wildlife, in addition to organisms cultured for agriculture and aquaculture. Compiling information on parasite invasions for the first time, this unique book: - provides an in-depth resource on parasite invasions, revealing the subtleties underlying biological invasions and co-introduced disease; - examines the phenomenon and consequences of parasite release in invaded host communities; - explores parasite invasion impacts, interactions and diagnostic techniques; - includes case studies across a broad range of hosts (plants, vertebrates and invertebrates) and parasites (viruses to large Metazoa), from a plethora of aquatic and terrestrial environments. Authored by leading researchers in the discipline, this new book is a useful tool for helping invasion researchers incorporate disease data into their invasion models, as well a vital resource for researchers, policy makers, and environmental managers that are more generally interested in the myriad consequences of species invasions
Looks at why witch-trials failed to gain momentum and escalate into 'witch-crazes' in certain parts of early modern Europe. Exames the rich legal records of the German city of Rothenburg ob der Tauber, a city which experienced a very restrained pattern of witch-trials and just one execution for witchcraft between 1561 and 1652. Explores the social and psychological conflicts that lay behind the making of accusations and confessions of witchcraft. Offers insights into other areas of early modern life, such as experiences of and beliefs about communal conflict, magic, motherhood, childhood and illness. Offers a critique of existing explanations for the gender bias of witch-trials, and a new explanation as to why most witches were women.
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Little Grey Rabbit and Sam Pig are just two of the inspired characters created by Alison Uttley, loved by millions and still very popular today. But who was the real woman spinning enchanting tales of country life and lore, magic and friendship? Alison Uttley gathered much of the inspiration for her stories from the fond memories of her Derbyshire childhood and her love of the countryside. A talented and prolific writer, she was still producing stories in her late eighties. Yet she was often plagued by self-doubt, and extremely possessive over her close friends, family and work. Tragically, Alison's husband committed suicide before her writing successes. She soon developed a smothering relationship with her only child John, even convincing him to jilt his first fiancée and escape to Scotland - the honeymoon destination. With exclusive and unrestricted access to her personal diaries and private letters, Denis Judd paints an intriguing portrait of one of the most successful, creative and troubled children's authors of modern times. ;
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National broadcasting and press regulation is undergoing a process of convergence in Europe. This book, newly available in paperback, explains how this process has been shaped by the actions of the European Union (EU) institutions. Alison Harcourt observes that whilst communications is one of the EU's most successful policy areas, European decision-making is eroding the national capacity to regulate for the public interest. European-level efforts to protect public interest goals have been constrained by the European Treaties. The author argues that increased European coordination in public interest regulation could be more conducive to growth and competitiveness than the dismantling of existing national laws. This, however, would require changes to the political composition of the European Union. This book assesses the potential EU media regulation provides for market growth and the protection of media pluralism, the citizen and ultimately democracy itself. These opportunities are presented in the coming decade with the developing European Constitution, EU enlargement, and the implementation and revision of European regulation.
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This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema.
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This book provides evidence to support the health-promoting components of green tea for human health. It explores the significance of green tea and its catechins represented by epigallocatechin gallate (EGCG), demonstrating their beneficial effects on diseases including cancer, obesity, arteriosclerosis, diabetes, hepatitis, and neurodegenerative diseases. The present status of human studies and avenues for future research are discussed. It is written by a team of experts from across the globe and makes significant Japanese findings available to international researchers. It is an essential resource for researchers interested in the biochemistry and pharmacology of green tea, and functional foods and beverages.
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There are physical and chemical methods of synthesis of nanomaterials. But due to the damage caused by these methods to the environment there is a pressing need of green nanotechnology, which is a clean and eco-friendly technology for the development of nanomaterials. The present book includes green synthesis of nanoparticles by algae, diatoms and plants. The mechanism behind the synthesis of nanoparticles will also be discussed. The book would be a valuable resource for students, researchers and teachers of biology, chemistry, chemical technology, nanotechnology, microbial technology and those who are interested in green nanotechnology.
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In Renaissance Drama, the bastard is an extraordinarily powerful and disruptive figure. We have only to think of Caliban or of Edmund to realise the challenge presented by the illegitimate child. Drawing on a wide rage of play texts, Alison Findlay shows how illegitimacy encoded and threatened to deconstruct some of the basic tenets of patriarchal rule. She considers bastards as indicators and instigators of crises in early modern England, reading them in relation to witch craft, spiritual insecurities and social unrest in family and State. The characters discussed range from demi-devils, unnatural villains and clowns to outstanding heroic or virtuous types who challenge officially sanctioned ideas of illegitimacy. The final chapter of the book considers bastards in performance; their relationship with theatre spaces and audiences. Illegitimate voices, Findlay argues, can bring about the death of the author/father and open the text as a piece of theatre, challenging accepted notions of authority. ;
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This book re-examines French cinema of the 1970s. It focuses on the debates which shook French cinema, and the calls for film-makers to rethink their manner of filming, subject matter and ideals in the immediate aftermath of the student revolution of May 1968. Alison Smith examines the effect of this re-thinking across the spectrum of French production, the rise of new genres and re-formulation of older ones. Chapters investigate political thrillers, historical films, new naturalism and Utopian fantasies, dealing with a wide variety of films. A particular concern is the extent to which film-makers' ideas and intentions are contained in or contradicted by their finished work, and the gradual change in these ideas over the decade. The final chapter is a detailed study of two directors who were deeply involved in the debates and events of the 70s, William Klein and Alain Tanner, here taken as exemplary spokesmen for those changing debates as their echoes reached the cinema. ;
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In this ground-breaking book, Alison Milbank explains why a comprehension of the Victorian reception of Dante is essential for a full understanding of Victorianism as a whole. Her focus on this much-neglected topic allows her to reconfigure the British nineteenth-century understanding of history, nationalism, aesthetics and gender, and their often strange intersections. The account also builds towards a demonstration that the modernist perpetuation of the Dante obsession reveals an equal continuity with many aspects of Victorianism. The book provides not only an authoritative introduction to these important cultural themes, but also a re-reading of the genealogy of literature in the modern period. Instead of the Victorian realism challenged by Modernist symbolism's attempts to transcend linear time, Milbank offers us a contrary, continuous 'Danteism'. For both the Victorians and the Modernists Dante is the first writer to historicise, fictionalise and humanise the eternal role, and he becomes paradoxically the means by which history, secularised fiction and a positivist humanism could be reconnected to a lost transcendent. Dante and the Victorians provides the first comprehensive account of why the reading of Dante was central to nineteenth-century British language and culture. ;
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I Want to Be a Green Onion is a novel shedding light on realistic problems during the growth of children. From kindergarten to the fifth grade, the protagonist of the novel Pan Chunchun has been burdened with expectations from his grandpa, dad and mum. But in Chunchun's heart, he has always wanted to become an ordinary but extremely tenacious "green onion". What kind of unusual story will he have? Through Pan Chunchun's stories of growth, the author calls for children's voices to be heard and respected. The book is closely associated with the contemporary lives of children and can be regarded as a milestone work in the growth-themed fictions of Chang Xin'gang.
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The novel "Green Maple" is the theme project of "Poverty Alleviation" and the Chinese Writers Association's 2019 Writer's In-depth Life Project; it is also one of the outstanding works of Hunan Province's "Dream Realization 2020" theme essay activity, sponsored by the Propaganda Department of Hunan Provincial Party Committee, Hunan Second prize in the novel category of "Dream Realization 2020" essay solicitation activity co-sponsored by Daily News, Hunan Provincial Federation of Literary and Art Circles, Hunan Writers Association and Zhongnan Publishing and Media Group The work focuses on Wang Dacheng’s establishment of Qingda Company from Shenzhen’s hometown and C Bank’s poverty alleviation team in the village to provide assistance, cleverly integrating targeted poverty alleviation, financial poverty alleviation, industrial poverty alleviation, and western development, industrial transfer, rural urbanization, and grassroots party building After integration, the poor and backward Qingshi Village has undergone tremendous changes in the eradication of poverty and prosperity. The poverty and backwardness of the village and the villagers have been resolved, and the conflicts and resentments that have accumulated between the village and neighbors for many years. The changes are accumulated over the years. The old ideas and bad behaviors of the villagers promote honesty and responsibility, hard work and thrift, friendliness and mutual assistance, etc., full of positive energy, vividly depicting the regional characteristics, traditional culture, customs and customs of the Xuefeng Mountain area, and delicate It outlines the vigor and vitality of poverty alleviation in the depths of the mountains, shows people's good wishes and forge ahead in working together to get rid of poverty, shows the infinite charm and far-reaching influence of great poverty alleviation, and paints a magnificent picture of getting rid of poverty and getting rich. "The Story of Green Maple" has a bright theme, profound thinking, unique perspective, rich content, exquisite structure, and vivid characters. It is an excellent novel with down-to-earth, warm, thick, contemporary, exploratory, and readable. It is also a realist masterpiece that shows the achievements of "poverty alleviation", pays tribute to the "poverty alleviation", and portrays the era's precision poverty alleviation and precision poverty alleviation. 2020 is the final year of poverty alleviation, publishing this book is very meaningful, it is recommended to publish it!
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Love's Victory by Lady Mary Wroth (1587-1651) is the first romantic comedy written in English by a woman. The Revels Plays publishes for the first time a fully-authorised, modern spelling edition of the Penshurst manuscript, the only copy of the play containing all five acts, handwritten by Wroth and privately owned by the Viscount De L'Isle. Edited by Alison Findlay, Philip Sidney and Michael G. Brennan, their critical introduction provides details of Wroth's remarkable life and work as a member of the Sidney family, tracing connections between Love's Victory, her prose and poetry and her family's extensive writings. The editors introduce readers to the influence of court drama on Love's Victory and offer a new account of the play's stage history in productions from 1999-2018. Extensive commentary notes guiding the modern reader include explanatory glosses, literary references and staging information.
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The first installment of the ‘Little Green Men’ series --- a new full-length fairytale by famous children’s book author Jin Bo. The book centerson the cute fairytale image of ‘little green men’. It depicts a pair of good friends who hope to encounter mysterious little green men, their accidental discovery of them in the suburbs, and, finally, the adventures that occur after they invite the little green men to come to the human world. The book preserves Jin Bo’s beautiful and lyrical style, extols on the value of childlike innocence, and is a classic original fairytale.
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Lines Written with the Green Pen is a poem for children written by the famous children's literature writer Mei Zihan. It is about a boy trying to write poems with his green pen. At first, he doubts whether he can write poems. Then he takes a walk and starts creating his own lines—he says hello to the sky; he wonders about the leaves, birds’ chirping, the gone clouds, the old lady and the yellow dress… He, the “little ant poet”, writes, “Those who are dreaming are awake. Hence, the night and the day meet on the pillow.” In the end, he drops down his green pen and decides to fly and be the child as he is.
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Special interest tourism is growing rapidly due to a discerning and heterogeneous travel market and the demand for more focused activity or interest-based tourism experiences. This book approaches the topic from the perspective of both supply and demand, and addresses the complexities now inherent in this area of tourism. It presents a contextualised overview of contemporary academic research, concepts, principles and industry-based practice insights, and also considers the future of special interest tourism in light of the emergence of ethical consumerism. With a clear, user-friendly structure, the book: -Links theoretical frameworks to clear practical applications. -Reviews key emerging issues for tourism relating to families and faith, the performing arts, active and passive pursuits, therapeutic leisure and travelling. -Includes contributions and case studies from international academics and practitioners to give a truly global overview. Sometimes referred to as niche or contemporary tourism, this book provides a complete introduction to the study of special interest tourism for students.
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A compelling account of the project to transform post-war Manchester, revealing the clash between utopian vision and compromised reality. Urban renewal in Britain was thrilling in its vision, yet partial and incomplete in its implementation. For the first time, this deep study of a renewal city reveals the complex networks of actors behind physical change and stagnation in post-war Britain. Using the nested scales of region, city and case-study sites, the book explores the relationships between Whitehall legislation, its interpretation by local government planning officers and the on-the-ground impact through urban architectural projects. Each chapter highlights the connections between policy goals, global narratives and the design and construction of cities. The Cold War, decolonialisation, rising consumerism and the oil crisis all feature in a richly illustrated account of architecture and planning in post-war Manchester.
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Hyde Park (1632) is one of the best-loved comedies of James Shirley, considered to be one of the most important Caroline dramatists. The play showcases strong female characters who excel at rebuking the outlandish courtship of various suitors. Shirley's comic setting, London's Hyde Park, offers ample opportunity for witty dialogue and sport - including foot and horse races - across three love plots. This is the first critical edition of the play, including a wide-ranging introduction and extensive commentary and textual notes. Paying special attention to the culture of Caroline London and its stage, the Revels Plays edition unpicks Shirley's politics of courtship and consent while also underlining the play's dynamics of class and power. A detailed performance history traces productions from 1632, across the Restoration to the present day, including that of the Royal Shakespeare Company in 1987. A textual history of the play's first quarto determines how it was printed and what relationship Hyde Park has to other texts by Shirley from the same publishers.
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Hyde Park (1632) is one of the best-loved comedies of James Shirley, considered to be one of the most important Caroline dramatists. The play showcases strong female characters who excel at rebuking the outlandish courtship of various suitors. Shirley's comic setting, London's Hyde Park, offers ample opportunity for witty dialogue. This is the first critical edition of the play, including a wide-ranging introduction and extensive commentary and textual notes. Paying special attention to the culture of Caroline London and its stage, the volume unpicks Shirley's politics of courtship and consent while also underlining the play's dynamics of class and power. A detailed performance history traces productions from 1632, across the Restoration to the present day, including that of the Royal Shakespeare Company in 1987. A textual history of the play's first quarto determines how it was printed and what relationship Hyde Park has to other texts by Shirley.
