Toys and Folk Arts
by Song Peixian & Dan Ni
This volume has two parts: the first part introduces 55 kinds of Chinese toys; the second introduces 23 kinds of folk arts.
This volume has two parts: the first part introduces 55 kinds of Chinese toys; the second introduces 23 kinds of folk arts.
This collection brings together scholars from disciplines including Children's Literature, Classics, and History to develop fresh approaches to children's culture and the uses of the past. It charts the significance of historical episodes and characters during the long nineteenth-century (1750-1914), a critical period in children's culture. Boys and girls across social classes often experienced different pasts simultaneously, for purposes of amusement and instruction. The book highlights an active and shifting market in history for children, and reveals how children were actively involved in consuming and repackaging the past: from playing with historically themed toys and games to performing in plays and pageants. Each chapter reconstructs encounters across different media, uncovering the cultural work done by particular pasts and exposing the key role of playfulness in the British historical imagination.
“Inspiration from the story of the Prophet Adam who begged forgiveness from God when he ate the fruit of the khuldi tree in heaven.” Farhan is busy building a castle for Farah using his toys. When Farah falls because of Farhan’s fading toys, Farhan is silent. Until then, the palace collapsed and broke Farah’s clothes. Naturally! What should Farhan do? Let’s follow the story of Farhan learning to apologize from the tale of the Prophet Adam.
Hamlet is Shakespeare's longest play, and is considered among the most powerful and influential works of world literature, with a story capable of "seemingly endless retelling and adaptation by others". The play likely was one of Shakespeare's most popular works during his lifetime, and still ranks among his most performed, topping the performance list of the Royal Shakespeare Company and its predecessors in Stratford-upon-Avon since 1879. It has inspired many other writers—from Johann Wolfgang von Goethe and Charles Dickens to James Joyce and Iris Murdoch—and has been described as "the world's most filmed story after Cinderella"
Soft is the last one of the“Pessimism Trilogy”from LIAO Yimei, one of the most well-know script writers in China, about one woman doctor and a confused young man, what they ask and think about life.
Nataliia Vorozhbyt became famous when she worked as a screenwriter on the cult TV series To Catch the Kaidash, based on the life of the Ukrainian classic writer Nechuy-Levytsky, and even played a role in it as a supporting actress. Her play Bad Roads was written for the Royal Court Theatre in London; it was also staged by the Kyiv Academic Theatre of Drama and Comedy and later adapted into a hit film. Bad Roads consists of six episodes: they are the stories of ordinary men and women whose fate brought them to Donbas during the Russo-Ukrainian war. Some episodes have even shocked audiences, like the episode where a naked eighth-grade schoolgirl is found in a military dugout. Disputes over Bad Roads are still raging, but they only manage to increase interest in Vorozhbyt’s work.
Playful learning is an excellent way to help children acquire skills from an early age. This book illustrates ways to promote the development of preschool- age children through play in everyday family and kindergarten life – entirely without expensive resources! Promotion of (written) language development and mathematical development forms a focus of this book, while preparing your child optimally for the two school subjects English and Mathematics. For:• parents and guardians• interested laypeople• educational specialists (such asteachers, childcare workers, socialworkers)
There's a problem growing at the North Pole because Santa’s beard grows each time children share, play fair, do their best, and tell the truth. Soon, Santa’s beard gets so long he can’t walk, talk, or make the toys. But those clever elves come up with a plan. In the end, all Santa must do is choose the best kids from his “Good List” to receive a snippet of his beard.
Maher realizes one day he is an only child with no siblings. He starts to feel a bit lonely, and wishes he had siblings - like his friends and cousins. Luckily, his toys are here and now it’s time to show Maher what it means to be surrounded with brothers and sisters.It’s a heartwarming story that shows how rich and powerful the imagination of an only child can be.
What toys and dreams could a Sarmatian girl who lived many centuries ago in the Black Sea steppes have? For example, to tame a wild horse. And to shoot bows as accurately as her mother, a glorious warrior. The main thing is to save a willful horse from a devastating storm in time and manage to hide in her tiny house. The story of Fati from the Sarmatian tribe is about character, struggle with fears, friendship, losses and discoveries.
Queer lives give rise to a vast array of objects: the things we fill our houses with, the gifts we share with our friends, the commodities we consume at work and at play, the clothes and accessories we wear, and the analogue and digital technologies we use to communicate with one another. But what makes an object queer? The sixty-three chapters in Queer Objects consider this question in relation to lesbian, gay and transgender communities across time, cultures and space. In this unique international collaboration, well-known and newer writers traverse world history to write about items ranging from ancient Egyptian tomb paintings and Roman artefacts to political placards, snapshots, sex toys and the smartphone. Fabulous, captivating, transgressive.
Cristina plays starts from a double “game” with the reader: Cristina’s game with her toy (a rabbit) and the game of the play with the reader, whom she seeks to surprise at a time when the scene of Cristina’s game changes, and therefore, the whole perspective of what has been read changes because, from the image, the story is turned upside down and will leave more than one reader thinking. The space of the secret game is practically the center of this book, written in the key of poetry and illustrated with careful attention to each of the details of a dollhouse (one of the scenarios where the action takes place) and attending to a palette of vibrant colors that seek to take us to another time and another space: that of games and toys. This is how from the word and the image this book is a very original proposal.
These are stories about treasures. But not about the gold coins that are sometimes found hidden in the ground. Rather, they are about the great, amazing treasures of the Ukrainian people — their art. Ever since people have lived on Ukrainian land, they have been collecting these treasures: vytynankas, vyshyvankas, earthenware, carved objects of decorative use, artistic paintings, wooden toys, the art of pysanka, and so much more. There is so much to learn! From 3 to 8 years, 4820 words. Rightsholders: info@bukrek.net
The War and Little Veera tells of the monster War, who brazenly interferes in the lives of children and feeds on their toys and laughter. Nonetheless, little Veera still manages to defeat the horror. The monster War representes the events of Russia's military aggression in the eastern regions of Ukraine in 2014, and the book is full of optimism and confidence that light will always come after the darkness. To further celebrate young readers the book is full of interesting games and tasks. It is an ideal reading for children of preschool and primary school age. From 5 to 8 years , 4841 words. Rightsholders: info@bukrek.net