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      • Fiction
        September 2020

        Lifelike Creatures

        by Rebecca Baum

        Thirteen-year-old Tara does whatever it takes to keep her beautiful, audacious, and addicted mother, Joan, from falling through the cracks. When a sinkhole forces her rural Louisiana town to evacuate, Tara finds herself homeless and her mother’s impulsive personality unleashed. But Joan’s raw charisma and plain speak quickly establish her as the public face of the catastrophe. The community rallies around her, and social media demands justice. A class action lawyer grooms Joan to play the starring role in a carefully crafted PR campaign. Tara dares to imagine a better life, built upon the proceeds of the settlement the whole town will share, a life that might even include college. But as the spotlight intensifies, and the promise of a settlement looms, Joan’s demons return with a vengeance. Tara must decide whether to pull her mother from the brink as she’s always done, or let her fall, severing ties with the only family she’s ever known.

      • Individual artists, art monographs
        January 2019

        The Last Days of Mankind

        A Visual Guide to Karl Kraus’ Great War Epic

        by artwork by Deborah Sengl; contributions by Marjorie Perloff, Matthias Goldmann, Anna Souchuk and Paul Reitter

        "Eye-catching": Top 10 Anticipated Art Books Publishers Weekly   Garnering critical success over the past four years, Viennese artist Deborah Sengl has exhibited taxidermied rats, drawings and paintings to restage Karl Kraus’ infamous, nearly-unperformable play The Last Days of Mankind (Die Letzten Tage der Menschheit, 1915–22). Featuring Sengl’s entire installation, this edition includes essays that examine her ambitious dramaturgy, which condenses the 10-15 hour drama into an abridged reading of its themes: human barbarism, the role of journalism in war, the sway of popular opinion and the absurdities of nationalism. The Last Days of Mankind offers an agit-prop protest envisioning human folly through animal actors, who become more than human, while confronting a violence particular to humankind, laced with selfishness and greed.   The work is a hundred years old, but for me it is still current. We may not have war in the immediate vicinity, but the war within us is as strong, if not stronger, as it was then.– Deborah Sengl

      • Die Präparatorin

        The Taxidermist

        by Andreas Wagner

        When taxidermist Felicitas Booth discovers a box of her father's memorabilia, her world begins to crumble. Wasn't he just the innocent victim of a murder she thought he was for decades? What happened on that Africa expedition where only half the participants survived? Felicitas decides to find out the truth, without knowing that her undertaking could have serious consequences for her  own life. Andreas Wagner – born in Mainz, winegrower, historian and author – succeeded in creating a novel, that is so diverse and multi-faceted that it resists any classification. What begins as a carefully told and touchingly cozy story drastically changes into a genuine investigative thriller. Throughout the novel, the narrator recalls memory fragments which capture the experiences of Felicitas' father in Africa. Caught up in a dangerous maelstrom of events, the protagonist Felicitas has to wrestle with these memories of her childhood and demons of her past. Wagner manages in a remarkable way to awaken a fascination for the processes and effects of taxidermy and to provide insights into a profession that tries to demistify death. The initial unease the reader perceives from the protagonist’s profession and family history develops into a dynamic and gripping plot – and a fascinating novel.

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